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Books : Literature & Fiction : Poetry : Anthologies
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Informed by a combination of luminous spiritual insight and the integrity of common sense, this account of Julian’s visionary experience is one of the most remarkable texts of the Middle Ages.
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Preface par Henry Frichet
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In She Walks in Beauty, Caroline Kennedy has once again marshaled the gifts of our greatest poets to pay a very personal tribute to the human experience, this time to the complex and fascinating subject of womanhood. Inspired by her own reflections on more than fifty years of life as a young girl, a woman, a wife, and a mother, She Walks in Beauty draws on poetry's eloquent wisdom to ponder the many joys and challenges of being a woman. Kennedy has divided the collection into sections that signify to her the most notable milestones, passages, and universal experiences in a woman's life, and she begins each of these sections with an introduction in which she explores and celebrates the most important elements of life's journey.
The collection includes works by Elizabeth Bishop, Sharon Olds, Edna St. Vincent Millay, Mary Oliver, Pablo Neruda, W. H. Auden, Adrienne Rich, Sandra Cisneros, Anne Sexton, W. S. Merwin, Dorothy Parker, Queen Elizabeth I, Lucille Clifton, Naomi Shahib Nye, and W. B. Yeats. Whether it's falling in love, breaking up, friendship, marriage, motherhood, or growing old, She Walks in Beauty is a priceless resource for anyone, male or female, who wants a deeper understanding and appreciation of what it means to be a woman.
She walks in beauty
George Gordon, Lord ByronI She walks in beauty, like the night
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This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
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Popular, well-known poetry: "The Passionate Shepherd to His Love," "Shall I compare thee to a summer's day?" "Death, be not proud," "The Raven," "The Road Not Taken," plus works by Blake, Wordsworth, Byron, Coleridge, Shelley, Emerson, Browning, Keats, Kipling, Sandburg, Pound, Auden, Thomas, and many others.
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The Hyakunin Isshu is a poetry anthology beloved by generations of Japanese since it was compiled in the 13th century. Many Japanese know the poems by heart as a result of playing the popular card game version of the anthology. Collecting one poem each from one hundred poets living from the 7th century to the 13th century, the book covers a wide array of themes and personal styles. One Hundred Leaves is a new translation, complete with extensive notes, the original Japanese in calligraphic font, the pronunciation, and side-by-side art work beautifully illustrating each poem's theme.
**NOTE** The Kindle version shows the artwork in color if the device supports color. However, the font for the Japanese characters is standard; the paperback edition uses calligraphic font for the Japanese characters. -
Now with touch screen navigation for Kindle Fire and iPad. The best collection of English and American classics -- new and old. A perfect introduction for those new to poetry, as well as a great selection of old favorites for poetry lovers everywhere.
Release 2.0 with fully interactive Kindle contents and expanded index. Readers can link from any poem to other poems by the same author, and from the author index back to any poem.
From Geoffrey Chaucer to e.e. cummings, from William Shakespeare to Anne Sexton, here are the great American and British poems of the last 500 years, organized by subject in a new and provocative way. “Great Poetry is personal,” writes Christopher Burns in his introduction to this extraordinary collection. “Like a seashell held to your ear, a poem resonates to the beating of your heart. The poet brings the words, you bring your life, and together you make the song.”
Poets as diverse as Tennyson and Teasdale echo the themes of “Western Wind” hundreds of years apart. Maya Angelou and Janet Flanders, like talk show hosts sitting on stools, swap stories about their mothers. Robert Browning and Richard Wilbur, separated by more than a century, talk about the way men look at women. Walt Whitman and Allen Ginsberg describe the America each has found. Here are the poems of Edna St. Vincent Millay and Carl Sandburg, often ignored in the last few years, along with the masterpieces of William Butler Yeats, e. e. cummings, Theodore Roethke, Denise Levertov and Langston Hughes. Some of the poems are funny, others are sad, but all are unforgettable.
Great poetry transcends the boundaries of place, time, gender, and race. Although there was no intention to be representative, half the poems were written by Americans and half by English, Irish, Welsh, Scottish and Canadian poets. And this anthology is modern: a third of the poems were written in the last fifty years and a third were written between 1900 and 1945.
The poems are organized to follow the contours of life: the loneliness of the artist, the uses of war, the role of nature, the constancy of love, and the coming on of death. And like all great poems, they are about you. As you read them, be prepared to hear your own heart roaring in your ear.
Poets represented by more than one poem include: John Ashbery, W. H. Auden, Amiri Baraka, John Berryman, William Blake, Rupert Brooke, Elizabeth Barrett Browning, Robert Browning, Robert Burns, Lewis Carroll. Mary Coleridge, e. e. cummings, Walter de la Mare, Emily Dickinson, John Donne, Ernest Dowson, T.S. Eliot, Mari Evans, Robert Frost, Allen Ginsberg, Seamus Heaney, Robert Herrick, Gerard Manley Hopkins, A. E. Housman, Langston Hughes, Randall Jarrell, Robinson Jeffers, John Keats, Rudyard Kipling, Etheridge Knight, D. H. Lawrence, Denise Levertov, Henry Wadsworth Longfellow, Amy Lowell, Robert Lowell, Archibald MacLeish, John Masefield, Claude McKay, W.S. Merwin, Charlotte Mew, Edna St. Vincent Millay, John Mlton, Sharon Olds, Wilfred Owen, Sylvia Plath, Ezra Pound, Charles Reznikoff, Adrienne Rich, Edwin Arlington Robinson, Theodore Roethke, Christina Rossetti, Carl Sandburg, Sigfried Sassoon, Robert Service, Anne Sexton, William Shakespeare, Percy Bysshe Shelley, Gary Snyder, May Swenson, Sara Teasdale, Alfred Lord Tennyson, Dylan Thomas, Walt Whitman, Anna Wickham, Richard Wilbur, C. K. Williams, William Carlos Williams, William Wordsworth, James Wright, Elinor Wylie, and William Butler Yeats. (2.07)
Christopher Burns is a long-time media company executive and reader of poetry. A former Army officer, an amateur musician, and a father of five, he served as Senior Vice President of the Minneapolis Star and Tribune, Vice President of the Washington Post Company, and Executive Editor of UPI, the worldwide wire service. He is the author of two novels, Island Wilderness and In Sorrow All Our Days, as well as Deadly Decisions, a study of how groups manage and mismanage informati -
The poems of Karen L. Newman’s latest poetry collection, Ghosts of Unspoken Thoughts, haunt the reader long after being read. From a man who says goodbye to his wife too late to a girl not confronting her bully in school, each poem explores different types of regret with the aid of stark imagery and sharp words. Here the tales of survivors of a nuclear attack, a foreclosed home and the war in Iraq take center stage with raw emotion being exposed like a frazzled nerve. This book is a must read for any fan of dark fiction.
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Rich treasury of verse from the 19th and 20th centuries, selected for popularity and literary quality, includes Poe's "The Raven," Whitman's "I Hear America Singing," as well as poems by Robert Frost, Langston Hughes, Emily Dickinson, T. S. Eliot, Marianne Moore, and many other notables.
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The Giant Book of Poetry is an illustrated anthology of over 575 poems, more than 750 pages and over 60 illustrations representing ancient, classical, modern, and contemporary time periods along with a good selection of English translations of world poets. Footnotes include notes on form, definitions for unusual words, and hints on interpretation. The book includes an introduction by the editor and an appendix covering poetry meter, as well as indexes by author, title, subject, source language, and first line. The publisher is also releasing an audio CD version of the book and the book includes an index pointing from each poem to the corresponding audio CD and track, and an index pointing from each audio CD and track to the corresponding poem location in the book.
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One of the best-known, best-loved poets of the English-speaking world, Larkin had a relatively small number of poems published during his lifetime. This Collected Poems, which J. D. McClatchy called "a fascinating and indispensable text" in The New York Times Book Review, brings together not only all of Larkin's published verse—The North Ship (1945), the pamphlet of XX Poems (1953), The Less Deceived (1955), The Whitsun Weddings (1964), and High Windows (1974)—but also a vast selection of his uncollected poetry. A brief Introduction by Anthony Thwaite illuminates both the life and verse of this highly perceptive and deeply acerbic poet, a dour yet witty soul whose brilliant writings so often suggest an ongoing conflict between the traditional and the modern.
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The collected poems of one of the world's greatest living writers, Tomas Transtromer, available in this comprehensive edition.
In day's first hours consciousness can grasp the world
as the hand grips a sun-warmed stone.
Translated into fifty languages, the poetry of Tomas Transtromer has had a profound influence around the world, an influence that has steadily grown and has now attained a prominence comparable to that of Pablo Neruda's during his lifetime. But if Neruda is blazing fire, Transtromer is expanding ice. The Great Enigma: New Collected Poems gathers all the poems Tomas Transtromer has published, from his distinctive first collection in 1954, 17 Poems, through his epic poem Baltics ("my most consistent attempt to write music"), and The Sad Gondola, published six years after he suffered a debilitating stroke in 1990 ("I am carried in my shadow / like a violin / in its black case."), to his most recent slim book, The Great Enigma, published in Sweden in 2004. Also included is his prose-memoir Memories Look at Me, containing keys into his intensely spiritual, metaphysical poetry (like the brief passage of insect collecting on Runmaro Island when he was a teenager). Firmly rooted in the natural world, his work falls between dream and dream; it probes "the great un -
Nor is there any real irreverence in answering thus: for of course it is not the Almighty who puts the questions, but someone audaciously personating Him. And some of us find this pretension irritating; as Douglas Jerrold meeting a pompous stranger on the pavement was moved to accost him with, "I beg your pardon, Sir, but would you mind informing me--Are you anybody in particular?"




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