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Books : Literature & Fiction : Classics : Roman
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Ovid’s sensuous and witty poem brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformation—often as a result of love or lust—where men and women find themselves magically changed into new and sometimes extraordinary beings. Beginning with the creation of the world and ending with the deification of Augustus, Ovid interweaves many of the best-known myths and legends of ancient Greece and Rome, including Daedalus and Icarus, Pyramus and Thisbe, Pygmalion, Perseus and Andromeda, and the fall of Troy. Erudite but light-hearted, dramatic and yet playful, the Metamorphoses has influenced writers and artists throughout the centuries from Shakespeare and Titian to Picasso and Ted Hughes.
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This deluxe edition of Virgil's epic poems, recounting the wanderings of Aeneas and his companions after the fall of Troy, contains a new preface by Allen Mandelbaum and fourteen powerful renderings created by Barry Moser to illustrate this volume.
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At the center of The Metamorphoses, a work thought by many to be the wittiest poem by the wittiest author of antiquity, lies the theme of change and transformation. Composed of a series of kaleidoscopic narratives in which human and divine characters meet with paradoxical and always arbitrary fates, The Metamorphoses is alternately humorous, pathetic and bizarre, but always surprising and entertaining. A. D. Melville's translation admirably reproduces the grace and fluidity of Ovid's style, with the subtle addition, for occasional special effect, of rhyming couplets to the traditional blank verse form.
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Ovid's epic poem—whose theme of change has resonated throughout the ages—has become one of the most important texts of Western imagination, an inspiration from Dante's time to the present day, when writers such as Salman Rushdie and Italo Calvino have found a living source in Ovid's work.
In this new, long-anticipated translation of Metamorphoses, Charles Martin combines a close fidelity to Ovid's text with verse that catches the speed and liveliness of the original. Portions of the translation have already appeared in such publications as Arion, The Formalist, The Tennessee Quarterly, and TriQuarterly. Hailed in Newsweekfor his translation of The Poems of Catullus ("Charles Martin is an American poet; he puts the poetry, the immediacy of the streets back into the English Catullus. The effect is electric"), Martin's translation of Metamorphoses will be the translation of choice for contemporary readers.
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The much-anticipated new translation of Virgil's epic poem from the award-winning translator of Homer's Iliad and Odyssey.
Unabridged CDs - 15 CDs, 18 hours -
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(20080501)
This extraordinary new translation of the Aeneid stands alone among modern Vergil translations for its accuracy and poetic appeal. Sarah Ruden, a lyric poet in her own right, is the first woman to translate Vergil’s great epic, and she renders the poem in the same number of lines as the original work—a very rare feat that maintains technical fidelity to the original without diminishing its emotional power.
Ruden’s translation follows Vergil’s content faithfully, and the economy and fast pace she achieves are true to his own unflagging narrative force. With its central theme of national destiny versus. the destiny of individuals, the poem has great resonance in our own times, and Ruden adheres closely to the poet’s message. Her rendering of Vergil’s words gives immediacy to his struggling faith that history has beauty and purpose in spite of its pain. With this distinguished translation, modern readers can experience for themselves the timeless power of Vergil's masterpiece.
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Apuleius's Golden Ass is a unique, entertaining, and thoroughly readable Latin novel--the only work of fiction in Latin to have survived from antiquity. It tells the story of the hero Lucius, whose curiosity and fascination for sex and magic results in his transformation into an ass. After suffering a series of trials and humiliations, he is ultimately transformed back into human shape by the kindness of the goddess Isis. Simultaneously a blend of romantic adventure, fable, and religious testament, The Golden Ass is one of the truly seminal works of European literature, of intrinsic interest as a novel in its own right, and one of the earliest examples of the picaresque. This new translation is at once faithful to the meaning of the Latin, while reproducing all the exuberance of the original.
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This is the book that revolutionized Latin textbooks, with its student-friendly format of vocabulary and notes on the same page as the Latin text, and unique pull-out vocabulary of most-often repeated words. Together, these allow for faster reading, unimpeded by the page-turning required to look up vocabulary or consult notes. Pharr's Aeneid is the all-time most popular textbook of Vergil's Aeneid. Grammatical notes are supported by a full grammatical appendix; vocabulary memorization is aided by vocabulary lists, arranged by frequency of occurrence, for drilling. The perfect edtion for both classroom and home study.
Special Features
General introduction
Full Latin text of Books I-VI of Vergil's Aeneid, with selected vocabulary and notes on the same page
24 black-and-white illustrations plus map of Aeneas' voyage
Grammatical appendix
Index to Grammatical Appendix
Word Lists for Vocabulary Drill
Updated, extensive Selective Bibliography
Pull-out General Word ListAlso available:
Vergil's Aeneid: Selections from Books 1, 2, 4, 6, 10, and 12 - ISBN 086516584X
Poet & Artist: Imaging the Aeneid - ISBN 0865165858 -
In the first century a.d., Ovid, author of the groundbreaking epic poem Metamorphoses, came under severe criticism for The Art of Love, which playfully instructed women in the art of seduction and men in the skills essential for mastering the art of romantic conquest. In this remarkable translation, James Michie breathes new life into the notorious Roman’s mock-didactic elegy. In lyrical, irreverent English, he reveals love’s timeless dilemmas and Ovid’s enduring brilliance as both poet and cultural critic.
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The Civil War is Caesar's masterly account of the celebrated war between himself and his great rival Pompey, from the crossing of the Rubicon in January 49 B.C. to Pompey's death and the start of the Alexandrian War in the autumn of the following year. His unfinished account of the continuing struggle with Pompey's heirs and followers is completed by the three anonymous accounts of the Alexandrian, African, and Spanish Wars, which bring the story down to within a year of Caesar's assassination in March 44 B.C. This generously annotated edition places the war in context and enables the reader to grasp it both in detail and as a whole.
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In this third edition, thoroughly revised, Daniel H. Garrison makes these famous poems more accessible than ever to students of Latin. A standard college textbook as well as a comprehensive reference, the book includes a brief introduction about the poet's life and the character of his poems, a fresh recension of all 113 poems, and a commentary in English on each poem, explaining difficult points of Latin, features of Catullus' artistry, and background information. The notes to each poem also illuminate the meaning of Catullus' language, with explanations of word choice, word order, sound effects, and meter. Additional aids to the reader are a Who's Who of the most important people in Catullus' poems, an introduction to Catullan meters, a glossary of literary terms used in the commentary, a complete Latin-English Catullan vocabulary, and six maps.
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Lucan's epic poem on the civil war between Caesar and Pompey, unfinished at the time of his death, stands beside the poems of Virgil and Ovid in the first rank of Latin epic. This newly annotated, free verse translation conveys the full force of Lucan's writing and his grimly realistic view of the subject. The work is a powerful condemnation of civil war, emphasizing the stark, dark horror of the catastrophies which the Roman state inflicted upon itself. Both the introduction and glossary set the scene for readers unfamiliar with Lucan and explore his relationship with earlier writers of Latin epic, and his interest in the sensational.
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In The Histories Cornelius Tacitus, widely regarded as the greatest of all Roman historians, describes with cynical power the murderous `year of the Four Emperors'--AD 69--when in just a few months the whole of the Roman Empire was torn apart by civil war. W.H. Fyfe's classic translation has been substantially revised and supplied with extensive historical and literary notes. The Introduction examines the subtleties of Tacitus's writing and gives the necessary political and social background.


















