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Books : Literature & Fiction : World Literature : Irish
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A gorgeous new novel from the author of the Man Booker finalist A Long Long Way
As a young woman, Roseanne McNulty was one of the most beautiful and beguiling girls in County Sligo, Ireland. Now, as her hundredth year draws near, she is a patient at Roscommon Regional Mental Hospital, and she decides to record the events of her life.
As Roseanne revisits her past, hiding the manuscript beneath the floorboards in her bedroom, she learns that Roscommon Hospital will be closed in a few months and that her caregiver, Dr. Grene, has been asked to evaluate the patients and decide if they can return to society. Roseanne is of particular interest to Dr. Grene, and as he researches her case he discovers a document written by a local priest that tells a very different story of Roseanne’s life than what she recalls. As doctor and patient attempt to understand each other, they begin to uncover long-buried secrets about themselves.
Set against an Ireland besieged by conflict, The Secret Scripture is an epic story of love, betrayal, and unavoidable tragedy, and a vivid reminder of the stranglehold that the Catholic Church had on individual lives for much of the twentieth century.
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In a New York City made phantasmagorical by the events of 9/11, Hans--a banker originally from the Netherlands--finds himself marooned among the strange occupants of the Chelsea Hotel after his English wife and son return to London. Alone and untethered, feeling lost in the country he had come to regard as home, Hans stumbles upon the vibrant New York subculture of cricket, where he revisits his lost childhood and, thanks to a friendship with a charismatic and charming Trinidadian named Chuck Ramkissoon, begins to reconnect with his life and his adopted country. Ramkissoon, a Gatsby-like figure who is part idealist and part operator, introduces Hans to an “other” New York populated by immigrants and strivers of every race and nationality. Hans is alternately seduced and instructed by Chuck’s particular brand of naivete and chutzpah--by his ability to a hold fast to a sense of American and human possibility in which Hans has come to lose faith.
Netherland gives us both a flawlessly drawn picture of a little-known New York and a story of much larger, and brilliantly achieved ambition: the grand strangeness and fading promise of 21st century America from an outsider’s vantage point, and the complicated relationship between the American dream and the particular dreamers. Most immediately, though, it is the story of one man--of a marriage foundering and recuperating in its mystery and ordinariness, of the shallows and depths of male friendship, of mourning and memory. Joseph O’Neill’s prose, in its conscientiousness and beauty, involves us utterly in the struggle for meaning that governs any single life.
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A gorgeously written novel that marks the debut of an astonishing new voice in psychological suspense.
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The eagerly anticipated follow-up to the New York Times bestselling psychological thriller In the Woods
Six months after the events of In the Woods, Detective Cassie Maddox is still trying to recover. She’s transferred out of the murder squad and started a relationship with Detective Sam O’Neill, but she’s too badly shaken to make a commitment to him or to her career. Then Sam calls her to the scene of his new case: a young woman found stabbed to death in a small town outside Dublin. The dead girl’s ID says her name is Lexie Madison—the identity Cassie used years ago as an undercover detective—and she looks exactly like Cassie.
With no leads, no suspects, and no clue to Lexie’s real identity, Cassie’s old undercover boss, Frank Mackey, spots the opportunity of a lifetime. They can say that the stab wound wasn’t fatal and send Cassie undercover in her place to find out information that the police never would and to tempt the killer out of hiding. At first Cassie thinks the idea is crazy, but she is seduced by the prospect of working on a murder investigation again and by the idea of assuming the victim’s identity as a graduate student with a cozy group of friends.
As she is drawn into Lexie’s world, Cassie realizes that the girl’s secrets run deeper than anyone imagined. Her friends are becoming suspicious, Sam has discovered a generations-old feud involving the old house the students live in, and Frank is starting to suspect that Cassie’s growing emotional involvement could put the whole investigation at risk. Another gripping psychological thriller featuring the headstrong protagonist we’ve come to love, from an author who has proven that she can deliver.
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Cause for international celebration—the most important and complete edition of Dracula in decades.
In his first work since his best-selling The New Annotated Sherlock Holmes, Leslie S. Klinger returns with this spectacular, lavishly illustrated homage to Bram Stoker's Dracula. With a daring conceit, Klinger accepts Stoker's contention that the Dracula tale is based on historical fact. Traveling through two hundred years of popular culture and myth as well as graveyards and the wilds of Transylvania, Klinger's notes illuminate every aspect of this haunting narrative (including a detailed examination of the original typescript of Dracula, with its shockingly different ending, previously unavailable to scholars). Klinger investigates the many subtexts of the original narrative—from masochistic, necrophilic, homoerotic, "dentophilic," and even heterosexual implications of the story to its political, economic, feminist, psychological, and historical threads. Employing the superb literary detective skills for which he has become famous, Klinger mines this 1897 classic for nuggets that will surprise even the most die-hard Dracula fans and introduce the vampire-prince to a new generation of readers.Two-color throughout; 35 color and 400 black-and-white illustrations.
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In the middle of tending to the everyday business at her vintage-clothing shop and sidestepping her married boyfriend’s attempts at commitment, Iris Lockhart receives a stunning phone call: Her great-aunt Esme, whom she never knew existed, is being released from Cauldstone Hospital—where she has been locked away for more than sixty-one years.
Iris’s grandmother Kitty always claimed to be an only child. But Esme’s papers prove she is Kitty’s sister, and Iris can see the shadow of her dead father in Esme’s face.
Esme has been labeled harmless—sane enough to coexist with the rest of the world. But she's still basically a stranger, a family member never mentioned by the family, and one who is sure to bring life-altering secrets with her when she leaves the ward. If Iris takes her in, what dangerous truths might she inherit?
A gothic, intricate tale of family secrets, lost lives, and the freedom brought by truth, The Vanishing Act of Esme Lennox will haunt you long past its final page.
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With This Charming Man, Marian Keyes hits her stride as a novelist with her best novel yet, telling the stories of four women who are shaped by one man
Paddy de Courcy is Ireland's debonair politician, the "John F. Kennedy Jr. of Dublin." His charm and charisma have taken hold of the country and the tabloids, not to mention our four heroines: Lola, Grace, Marnie, and Alicia. But though Paddy's winning smile is fooling Irish minds, the broken hearts he's left in his past offer a far more truthful look into his character.
Narrated in turn by each woman, This Charming Man explores how their love for this one man has shaped their lives. But in true Marian Keyes fashion, this is more than a story of four love affairs. It's a testament to the strength women find in themselves through work, friendship, and family, no matter what demons may be haunting their lives. Depression, self-doubt, domestic abuse—each of these women has seen tough times in life, and it's through Keyes's wonderful storytelling ability that these subjects are approached with the appropriate tone and candor. Her deft touch provides a gripping story and, ultimately, a redemptive ending.
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"I will not serve that in which I no longer believe, whether it call itself my home, my fatherland or my church: and I will try to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defence the only arms I allow myself to use -- silence, exile, and cunning."
James Joyce's supremely innovative fictional autobiography is also, in the apt phrase of the biographer Richard Ellmann, nothing less than "the gestation of a soul." For as he describes the shabby, cloying, and sometimes terrifying Dublin upbringing of his alter ego, Stephen Dedalus, Joyce immerses the reader in his emerging consciousness, employing language that ranges from baby talk to hellfire sermon to a triumphant artist's manifesto. The result is a novel of immense boldness, eloquence, and energy, a work that inaugurated a literary revolution and has become a model for the portrayal of the self in our time.
The text of this edition has been newly edited by Hans Walter Gabler and Walter Hettche and is followed by a new afterword, chronology, and bibliography by Richard Brown.
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Barry Laverty, M.B., can barely find the village of Ballybucklebo on a map when he first sets out to seek gainful employment there, but already he knows that there is nowhere he would rather live than in the emerald hills and dales of Northern Ireland. The proud owner of a spanking-new medical degree and little else in the way of worldly possessions, Barry jumps at the chance to secure a position as an assistant in a small rural practice.
At least until he meets Dr. Fingal Flahertie O’Reilly.
The older physician, whose motto is to never let the patients get the upper hand, has his own way of doing things. At first, Barry can’t decide if the pugnacious O’Reilly is the biggest charlatan he has ever met, or the best teacher he could ever hope for. Through O’Reilly Barry soon gets to know all of the village’s colorful and endearing residents, including:
A malingering Major and his equally hypochondriacal wife;
An unwed servant girl, who refuses to divulge the father of her upcoming baby;
A slightly daft old couple unable to marry for lack of a roof;
And a host of other eccentric characters who make every day an education for the inexperienced young doctor.
Ballybucklebo is long way from Belfast, and Barry is quick to discover that he still has a lot to learn about the quirks and traditions of country life. But with pluck and compassion and only the slightest touch of blarney, he will find out more about life—and love—than he ever imagined back in medical school.
An Irish Country Doctor is a charming and engrossing tale that will captivate readers from the very first page—and leave them yearning to visit the Irish countryside of days gone by.
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Miss Emily "Fido" Faithfull is a "woman of business" and a spinster pioneer in the British women’s movement, independent of mind but naively trusting of heart. Distracted from her cause by the sudden return of her once-dear friend, the unhappily wed Helen Codrington, Fido is swept up in the intimate details of Helen’s failing marriage and obsessive affair with a young army officer. What begins as a loyal effort to help a friend explodes into a courtroom drama that rivals the Clinton affair —complete with stained clothing, accusations of adultery, counterclaims of rape, and a mysterious letter that could destroy more than one life.Based on a scandalous divorce case that gripped England in 1864, The Sealed Letter is a riveting, provocative drama of friends, lovers, and divorce, Victorian style.
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The hero of Christine Falls, Quirke, is a surly pathologist living in 1950s Dublin. One night, after having a few drinks at a party, he returns to the morgue to find his brother-in-law tampering with the records on a young woman’s corpse. The next morning, when his hangover has worn off, Quirke reluctantly begins looking into the woman’s history. He discovers a plot that spans two continents, implicates the Catholic Church, and may just involve members of his own family. He is warned--first subtly, then with violence--to lay off, but Quirke is a stubborn man. The first novel in the Quirke series brings all the vividness and psychological insight of John Banville’s writing to the dark, menacing atmosphere of a first-class thriller.
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Charlie Parker Returns in a Tale of Settling
Blood Debts -- Past, Present, and FutureAs a small boy, Louis witnesses an unspeakable crime that takes the life of a member of his small, southern community. He grows up, moves on, but is forever changed by the cruel and brutal nature of the act. It lights a fire deep within him that burns white and cold.
Now, years later, the sins of his life are reaching into his present, bringing with them the buried secrets and half-forgotten acts of his past. Someone is hunting him, targeting his home, his businesses, and his partner, Angel. The instrument of revenge is Bliss, a killer of killers, the most feared of assassins. Bliss is a Reaper, a lethal tool to be applied toward the ultimate end, but he is also a man with a personal vendetta. Hardened by their pasts, Louis and Angel decide to strike back. But when they mysteriously disappear, their friends are forced to band together to find them. They are led by private detective Charlie Parker, a killer himself, a Reaper in waiting.
Connolly creates a world where everyone is corrupt, murderers go unpunished, but betrayals are always avenged. The Reapers is sure to terrify and transfix.
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In this luminous new novel about love, loss, and the unpredictable power of memory, John Banville introduces us to Max Morden, a middle-aged Irishman who has gone back to the seaside town where he spent his summer holidays as a child to cope with the recent loss of his wife. It is also a return to the place where he met the Graces, the well-heeled family with whom he experienced the strange suddenness of both love and death for the first time. What Max comes to understand about the past, and about its indelible effects on him, is at the center of this elegiac, gorgeously written novel — among the finest we have had from this masterful writer.
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Edited by Paul Auster, this four–volume set of Beckett's canon has been designed by award winner Laura Lindgren. Available individually, as well as in a boxed set, the four hardcover volumes have been specially bound with covers featuring images central to Beckett's works. Typographical errors that remained uncorrected in the various prior editions have now been corrected in consultation with Beckett scholars C. J. Ackerley and S. E. Gontarski.
"I am always deeply puzzled when people say of Beckett, 'Oh, he's so difficult!'–or avant garde, or complex, or . . . ambiguous. It is the profoundest nonsense, for Beckett is perhaps the most naturalistic playwright I know of, as well as the clearest and least obscure. The 'obscurity' resides in the assumption of obscurity. I know that if Beckett's outdoor plays were set on suburban terraces, and the indoor ones just inside those terraces, in suburban living rooms, everyone would be the wiser, certainly the less puzzled. We are most comfortable with the familiar." — Edward Albee, from his Introduction.
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"Don't you think there is a certain resemblance between the mystery of the Mass and what I am trying to do?...To give people some kind of intellectual pleasure or spiritual enjoyment by converting the bread of everyday life into something that has a permanent artistic life of its own."
-- James Joyce, in a letter to his brother
With these fifteen stories James Joyce reinvented the art of fiction, using a scrupulous, deadpan realism to convey truths that were at once blasphemous and sacramental. Whether writing about the death of a fallen priest ("The Sisters"), the petty sexual and fiscal machinations of "Two Gallants," or of the Christmas party at which an uprooted intellectual discovers just how little he really knows about his wife ("The Dead"), Joyce takes narrative places it had never been before.
The text of this edition has been newly edited by Hans Walter Gabler and Walter Hettche and is followed by a new afterword, chronology, and bibliography by John S. Kelly. Also included in a special appendix are the original versions of three stories as well as Joyce's long-suppressed Preface to Dubliners.
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The inimitable Quirke returns in another spellbinding crime novel, in which a young woman’s dubious suicide sets off a new string of hazards and deceptionsTwo years have passed since the events of the bestselling Christine Falls, and much has changed for Quirke, the irascible, formerly hard-drinking Dublin pathologist. His beloved Sarah is dead, his surrogate father lies in a convent hospital paralyzed by a devastating stroke, and Phoebe, Quirke’s long-denied daughter, has grown increasingly withdrawn and isolated.
With much to regret from his last inquisitive foray, Quirke ought to know better than to let his curiosity get the best of him. Yet when an almost forgotten acquaintance comes to him about his beautiful young wife’s apparent suicide, Quirke’s “old itch to cut into the quick of things, to delve into the dark of what was hidden” is roused again. As he begins to probe further into the shadowy circumstances of Deirdre Hunt’s death, he discovers many things that might better have remained hidden, as well as grave danger to those
he loves.
Haunting, masterfully written, and utterly mesmerizing in its nuance, The Silver Swan fully lives up to the promise of Christine Falls and firmly establishes Benjamin Black (a.k.a. John Banville) among the greatest of crime writers.
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With acclaimed works like The Whereabouts of Eneas McNulty, Irish author Sebastian Barry has earned a reputation as a “master storyteller” (The Wall Street Journal). In A Long Long Way he has created an unforgettable portrait of the horrors of war through the story of Willie Dunne, a young man who leaves his native Dublin in 1914 to join the Allies on the Western Front. Caught between the catastrophic violence he encounters there and the growing political tension at home over Irish independence, Willie finds himself confronting unbearable choices regarding family, patriotism, and the devotion he feels toward his regiment. A deeply affecting portrayal of personal struggle and the consequences of war, this is one of Barry’s most powerful accomplishments.
“Barry succeeds admirably in creating complex individuals who find themselves trapped in a brutal reality... Beautiful and soul-wrenching.” —Los Angeles Times
“The story grips, shocks and saddens; but most importantly refuses to be forgotten.” —The Times (London)
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The Dracula mythology has inspired a vast subculture, but the story has never been better told than by Stoker. He aims to terrify and succeeds, portraying the awesome power of evil to corrupt even the virtuous heroine, Lucy. Only the old magic--a crucifix, garlic, a wooden stake--can provide effective weapons against the Count's appalling strength.