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Books : Professional & Technical : Architecture : Architects, A-Z : Wright, Frank Lloyd
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Frank Lloyd Wright is not only synonymous with architecture, his name is also synonymous with the American house in the twentieth century. In particular, his residential work has been the subject of continuing interest and controversy. Wright's Fallingwater (1935), the seminal masterpiece perched over a waterfall deep in the Pennsylvania highlands, is perhaps the best-known private house in the history of the world. In fact, Wright's houses-from his Prairie style Robie House (1906) in Chicago, to the Storer (1923) and Freeman (1923) houses in Los Angeles, and Taliesen West (1937) in the Arizona desert-are all touchstones of modern architecture. For the first time, all 289 extant houses are shown here in exquisite color photographs. Along with Weintraub's stunning photos and a selection of floor plans and archival images, the book includes text and essays by several leading Wright scholars. Frank Lloyd Wright: The Houses is an event of great importance and a major contribution to the literature on this titan of modern architecture.
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The most pivotal and yet least understood event of Frank Lloyd Wright’s celebrated life involves the brutal murders in 1914 of seven adults and children dear to the architect and the destruction by fire of Taliesin, his landmark residence.
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America's most famous architect was obsessed with small houses. Even though this exciting aspect of his work has been long overlooked, the truth is that Frank Lloyd Wright spent most of his career addressing the problems of houses intended for individuals or small families of modest means. In the only book on the master architect to focus on "the house of moderate cost," Wright expert Diane Maddex takes the reader inside a selection of his small houses from across the country, turning the spotlight on Wright's ingenious solutions to make these homes look and feel large.
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A landmark volume to commemorate the seventy-fifth anniversary of arguably the most significant private residence of the twentieth century. With stunning new photography commissioned especially for this book, Fallingwater captures the much-loved masterpiece by legendary architect Frank Lloyd Wright following its recent restoration. Built in 1936 for Edgar and Liliane Kaufmann, Fallingwater is hailed as a twentieth-century masterpiece—a marvel of innovation and daring that appears to float over rushing falls. This volume is a major event in the story of this icon, with new authoritative texts on Fallingwater’s history, structure, restoration, and collections, including the house’s relationship to its setting and its importance to the sustainability movement; its meaning in the context of Wright’s body of work; the analysis and planning process that went into Fallingwater’s restoration and how a seemingly unsolvable problem was overcome through modern engineering. Destined to become the lasting volume on this seminal monument, the book is a tribute to genius and the long-awaited reconsideration of this masterwork.
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From the way we build to the way we live, Frank Lloyd Wright’s influence on American architecture is visible all around us. Now, Ada Louise Huxtable, the Pulitzer Prize- winning architecture writer for The Wall Street Journal—and chief architecture critic for The New York Times for nearly twenty years—offers an outstanding look at the architect and the man. She explores the sources of his tumultuous and troubled life and his long career as master builder as well as his search for lasting, true love. Along the way, Huxtable introduces readers to Wright’s masterpieces: Taliesin, rebuilt after tragedy and murder; the Imperial Hotel, one of the few structures left standing after Japan’s catastrophic 1923 earthquake; and tranquil Fallingwater, to which millions have traveled to experience its quiet grace. Through the journey, Huxtable takes us not only into the mind of the man who drew the blueprints, but also into the very heart of the medium, which he changed forever. A story of great triumph and heartbreak, Frank Lloyd Wright is, like Wright’s own creations, an expertly wrought tribute to a man whose genius lives on in the very landscape of American architecture.
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One of the famed architect's earliest published works, the Wasmuth drawings capture Wright's first great experiments in organic design and thought. These 100 plates were reproduced from a rare 1910 first edition. The full-page illustrations depict plans for homes, banks, cottages, offices, temples, and Wright's own studio. Introduction and annotations by Wright.
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Frank Lloyd Wright exerted perhaps the greatest influence on twentieth century design. In a volume that continues to resonate more than seventy years after its initial publication, Frank Lloyd Wright: An Autobiography contains the master architect's own account of his work, his philosophy, and his personal life, written with his signature wit and charm.Wright (1867-1959) went into seclusion in a Minnesota cabin to reflect and to record his life experiences. In 1932, the first edition of the Autobiography was published. It became a form of advertising, leading many readers to seek out the master architect--thirty apprentices came to live and learn at Taliesin, Wright's Wisconsin home/school/studio, under the master's tutelage. (By 1938, Taliesin West, in Arizona, was the winter location for Wright's school.)
The volume is divided into five sections devoted to family, fellowship, work, freedom, and form. Wright recalls his childhood, his apprenticeship with Dankmar Adler and Louis Sullivan, the turmoil of his personal life, and the background to his greatest achievements, including Hollyhock House, the Prairie and the Usonian Houses, and the Imperial Hotel in Tokyo.
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These Secessionist art prints, acquired by Frank Lloyd Wright and his lover Mamah Borthwick Cheney during their infamous flight to Europe in 1909-1910, reveal a new dimension of the architect's taste and aesthetic preferences. This previously unknown and newly discovered group of prints from his personal art collection shows that around the turn of the twentieth century Wright had a surprising interest in European artists pursuing their own versions of modernism. Identified from careful archival research, the prints demonstrate how richly diffuse and multifaceted modernism was before the codification of a modernist canon. Wright, a revolutionary architect, preferred the work of Secessionists to that of the avant-garde of expressionism, cubism, and futurism. To Wright, the artists he selected were modern, and they appealed deeply to his interest in landscapes and graphic techniques of reproduction.
In Frank Lloyd Wright, Art Collector, Anthony Alofsin presents the first catalogue raisonné of the thirty-two prints and one original drawing that constitute Wright's Secessionist collection. Alofsin explores Wright's encounters with German and Austrian art before his travels to Europe; the fluid definition of modern art around 1909; and the complex context for Wright's acquiring this collection while in Europe. This book, with its original research, puts into a new light a range of artists—some famous, others unknown--who sought to express, like Wright, their own rebellion against academic traditions. A unique contribution to the history of modern art, Frank Lloyd Wright, Art Collector offers stunningly original insights into the master's artistic taste, as well as to a group of progressive artists whose work has been undeservedly overlooked in conventional histories of modernism.
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Frank Lloyd Wright was renowned during his life not only as an architectural genius but also as a subject of controversy—from his radical design innovations to his turbulent private life, including a notorious mass murder that occurred at his Wisconsin estate, Taliesin, in 1914. But the estate also gave rise to one of the most fascinating and provocative experiments in American cultural history: the Taliesin Fellowship, an extraordinary architectural colony where Wright trained hundreds of devoted apprentices and where all of his late masterpieces—Fallingwater, Johnson Wax, the Guggenheim Museum—were born.
Drawing on hundreds of new and unpublished interviews and countless unseen documents from the Wright archives, The Fellowship is an unforgettable story of genius and ego, sex and violence, mysticism and utopianism. Epic in scope yet intimate in its detail, it is a stunning true account of how an idealistic community devolved into a kind of fiefdom where young apprentices were both inspired and manipulated, often at a staggering personal cost, by the architect and his imperious wife, Olgivanna Hinzenberg, along with her spiritual master, the legendary Greek-Armenian mystic Georgi Gurdjieff. A magisterial work of biography, it will forever change how we think about Frank Lloyd Wright and his world.
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Meryle Secrest's Frank Lloyd Wright: A Biography focuses on Wright's family history, personal adventures, and colorful friends and family. Secrest had unprecedented access to an archive of over one hundred thousand of Wright's letters, photographs, drawings, and books. She also interviewed surviving devotees, students, and relatives. The result is an explicit portrait of both the genius architect and the provocative con-man.
"Secrest seizes the themes most evocative of certain of our cultural myths, forging them into a coherent and emotionally plausible narrative."—New Republic
"An engaging narrative."—New York Times Book Review
"The real triumph of this biography . . . is the link it makes between Frank Lloyd Wright's personal life and his architecture."—The Economist
"Secrest's achievement is to etch Wright's character in sharp relief. . . . [She] presents Wright in his every guise."-Blair Kamin, Chicago Tribune
"An extremely engaging profile."—The Philadelphia Inquirer
"A spellbinding portrait."—Library Journal
"The best [biography] so far, a huge and definitive accumulation of fact."—Time
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Accompanying Rizzoli’s best-selling Frank Lloyd Wright: The Houses, this exceptional publication features Wright’s major projects and programs, including such masterpieces as the Guggenheim Museum, Marin County Civic Center, Unity Temple, Johnson Wax, Taliesin, and Taliesin West, to name only a few. Also included is stunning archival imagery of the great demolished buildings, such as the Imperial Hotel in Tokyo, as well as inspiring visions of the great unbuilt work drawn by Wright, including The Baghdad Opera House and The Mile High "Illinois," among others. Extensive, all new color photography shows the buildings to an extent rarely seen (including such little-known gems as Beth Shalom Synagogue, Annunciation Greek Orthodox Church, and Lindholm Gas Station). Frank Lloyd Wright: The Buildings invites a reevaluation of Wright’s work and is a must-have for anyone interested in this very important American architect.
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A total revision of the standard document on Fallingwater, the boldest, most personal architectural statement of Wright's mature years. Updated with valuable new material from the recently opened Frank Lloyd Wright Archives, the book gives special emphasis to Fallingwater's architectural innovations. "Fascinating." — The New York Times. 116 illustrations.
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Among the many books available on Frank Lloyd Wright, William Allin Storrer’s classic The Architecture of Frank Lloyd Wright: A Complete Catalog is the authoritative guide to all of Wright’s built work.
This updated third edition revisits each of Wright’s existent structures, tracing the architect’s development from his Prairie works, such as the Frederick Robie house in Chicago, to the last building constructed to his specifications, the magnificent Aime and Norman Lykes residence in California. Renowned expert William Storrer deftly incorporates a series of key revisions and brings each structure’s history up to the present day, as some buildings have been refurbished, some moved, and others sadly abandoned or destroyed by natural disasters like Hurricane Katrina—including the James Charnley bungalow in Ocean Springs, Mississippi.
Organized chronologically, this updated third edition features full-color photographs of all extant work along with a description of each building and its history. Storrer also provides full addresses, GPS coordinates, and maps of locations throughout the United States, England, and Japan, indicating the shortest route to each building—perfect for Wright aficionados on the go.
From Fallingwater to the Guggenheim, Frank Lloyd Wright is the undisputed master of American architecture. Now fully revised, The Architecture of Frank Lloyd Wright: A Complete Catalog will be indispensable for anyone fascinated with the architect’s unique genius.
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Frank Lloyd Wright (1867-1959) is widely considered the greatest American architect of all time; his work ushered in the modern era and remains highly influential today—half a century after his death. TASCHEN's three-volume monograph covers all his designs (numbering approximately 1100), realized and unrealized. Made in collaboration with the Frank Lloyd Wright Archives in Taliesin, Arizona, this collection leaves no stone unturned in examining and paying tribute to Wright's astonishing life and work.
Volume Two starts with the years spent working in Japan, mainly on the Imperial Hotel, and followed by personal turmoil; in late 1922, Wright divorced from first wife Catherine, and the following year married Miriam Noel. Yet barely six months later she left, initiating a bitter divorce. Shortly after, Wright met his third wife, Olgivanna. During this difficult period a second fire at Taliesin strained his already parlous finances; the bank foreclosed, leaving him without home or studio. With nowhere to practice, he started writing magazine articles, and his autobiography (published in 1932 to great acclaim).
From 1917 through the Depression, up until 1942, though he designed continually, Wright saw many projects go unrealized, but nevertheless had the chance to build on new concepts and in new regions. His block building system led to idiosyncratic works like the famous Ennis house in Los Angeles, and in 1936 he completed the Herbert Jacobs house, using his new "Usonian" techniques, designed to be affordable for the middle-American family. The same year he moved to Arizona where, at the age of 71, Wright embraced his rugged new life in the desert, and with his students started building the Taliesin West complex. After receiving a gold medal from the Royal Institute of British Architects in London, he returned to see his Johnson Administration Building opened to great fanfare, nationwide publicity, and lines around the block waiting to tour inside.
Despite adversity, Wright emerged from this era with reputation restored and vitality renewed—as manifested in Fallingwater and the Johnson building—while his Usonian homes began to alter the way Americans lived.
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The first major presentation in decades of the visionary drawings of the artist-architect and master designer. Frank Lloyd Wright was an architect of vast and unprecedented vision, whose work is not only still admired by the critics and carefully studied by historians but is also widely beloved. Comfortable spaces, humanly scaled, with extraordinary attention to detail-as seen in a range of architectural forms-are at the center of Wright’s enduring appeal. This vision and attention is nowhere more evident than in the drawings. It has been said that had Wright left us only drawings, and not his buildings as well, he would still be celebrated for his brilliant artistry, and this is borne out here. Even more significant, and shown here as never before, are the magical first moments of invention and inspiration-Wright’s earliest sketches, some never before published-which offer unique insight into the mind of the master architect.
Frank Lloyd Wright Designs is the most important and comprehensive book to be published on the drawings, designs, conceptual sketches, elevations, and plans of Wright, with particular emphasis on the development of certain important projects. It includes the best-known and beloved projects-like Fallingwater, The Coonley House, Midway Gardens, the Guggenheim, the Imperial Hotel-as well as a range of intriguing, unfamiliar, and previously unpublished drawings by Wright.
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"Dear Mrs. Freeman: I am glad to know that you are still happily 'at home.' Sincerely, Frank Lloyd Wright."
Winner of The University of Mary Washington Center for Historic Preservation's 2012 Historic Preservation Book Prize, this book is a case study on the preservation of an important work of modern architecture. The story of the Freeman House, and of the attempt to save it, entails almost all of the provocative issues that make historic preservation as a field so fascinating, technologically and theoretically complex, and politically charged.
Saving Wright chronicles the ongoing struggle to save Wright’s Freeman House in the Hollywood Hills, the setting for fascinating people and events but deeply flawed from the time it was built ninety-five years ago. The Freeman House was an experiment born out of Frank Lloyd Wright’s polemical vision of a new kind of architecture for the middle class, for modern America, and, in particular, for the Los Angeles foothills. Its design and construction were difficult, thus, along with many poor decisions, planting within a beautiful work of architecture the seeds of its own destruction.
Jeffrey M. Chusid, who lived in the house and studied it while Harriet Freeman was still alive and residing there and, later, after she gave it to the School of Architecture at the University of Southern California, examines the experimental “textile-block” construction system, the power of Wright’s architecture, the interaction of people and place, and the concepts and challenges of historic preservation—why and how we do it. The Freeman House is a valuable case study because it serves as a test of established preservation procedures and protocols, of building forensics and conservation techniques, and of the meaning of a historic site to overlapping and not necessarily compatible communities. 200 photographs and drawings
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Adapted from Peacock Carpet, Imperial Hotel, Tokyo, 1917, by Frank Lloyd Wright (American, 1867Ð1959).
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Japan and Japanese art were intensely important to Wright for more than sixty years, and when he died there were approximately 6000 Japanese color woodblock prints in his personal collection. This narrative tells in vivid detail the story of Wright's immersion in the world of Japanese art.
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Best known for his strikingly modern structures, Frank Lloyd Wright was also a highly influential landscape designer. The Gardens of Frank Lloyd Wright is the first book in full color to focus on Wright’s four most famous residential landscapes: his first home and studio in Oak Park, Illinois; his magnificent 3,000-acre summer home Taliesin, in Wisconsin; his 600-acre winter home Taliesin West, in Arizona; and Fallingwater, in Pennsylvania, the commission that made him world famous. The product of extended visits to properties associated with Wright, as well as extensive interviews with surviving colleagues and students, the book also explores the Japanese and Mayan landscapes that inspired Wright and his appreciation of the stone meeting circles and naturalistic prairie plantings of the great landscape architect Jens Jensen. Planting plans allow readers to create prairie- and desert-style gardens of their very own.
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Any admirer of the creative talent of Frank Lloyd Wright should not be without this excellent book, which records 50 of his domestic interiors. Diane Maddex, who has written several books on Wright, has assembled a photographic collection of his living and dining rooms as well as playrooms, libraries, and a few public spaces, including Wisconsin's Johnson Wax building and the Guggenheim Museum in New York. Wright's signature style--a combination of arts and crafts and the "prairie school"--was achieved by designing human-scale spaces with beautifully crafted materials. Maddex includes the finest examples of this in the book. The rooms span Wright's entire career--from the Robie House in 1906 to the Guggenheim, which was completed in 1959 (after the architect's death)--and they demonstrate the evolution of his style. The photographs are sensational; they capture the light, scale, and color of each interior. Accompanying each photo is a brief description of the clients, their requirements, and what Wright created for them. This is a lovely book that serves as a beautiful historical record of one of the 20th century's greatest architects.