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Books : Biographies & Memoirs : Historical : Canadian
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The Pulitzer Prize-winning author of Washington's Crossing offers a sweeping, enthralling biography as dramatic and exciting as the life it portrays.
Soldier, spy, master mariner, explorer, cartographer, artist, and Father of New France, the remarkable Samuel de Champlain comes to life in acclaimed historian David Hackett Fischer's Champlain's Dream. Born on France's Atlantic coast, Champlain fought in France's religious wars for the great Henri IV, with whom he shared religious tolerance in an age of murderous sectarianism. He was also a brilliant navigator, never losing a ship in 27 Atlantic crossings.
But we remember Champlain mainly as a great explorer. On foot and by ship and canoe he traveled through what are now six Canadian provinces and five American states, where he founded, colonized, and administered French settlements in North America. Despite much resistance and many defeats, Champlain's astonishing dedication and stamina finally established France's New World colony. He tried constantly to maintain peace among Indian nations, but when he had to take up arms he forcefully imposed a new balance of power, proving himself a formidable strategist and warrior.
Throughout his three decades in North America, Champlain remained committed to a remarkable Grand Design for France's colony. A leader who dreamed of humanity and peace in a world of cruelty and violence, he was a true visionary, especially when compared to his English and Spanish contemporaries.
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When Sir William Temple (1628–99) and Dorothy Osborne (1627–95) began their passionate love affair, civil war was raging in Britain, and their families—parliamentarians and royalists, respectively—did everything to keep them apart. Yet the couple went on to enjoy a marriage and a sophisticated partnership unique in its times. Surviving the political chaos of the era, the Black Plague, the Great Fire of London, and the deaths of all their nine children, William and Dorothy made a life together for more than forty years.
Drawing upon extensive research and the Temples’ own extraordinary writings—including Dorothy’s dazzling letters, hailed by Virginia Woolf as one of the glories of English literature—Jane Dunn gives us an utterly captivating dual biography, the first to examine Dorothy’s life as an intellectual equal to her diplomat husband. While she has been known to posterity as the very symbol of upper-class seventeenth-century domestic English life, Dunn makes clear that Dorothy was a woman of great complexity, of passion and brilliance, noteworthy far beyond her role as a wife and mother. The remarkable story of William and Dorothy’s life together—illuminated here by the author’s insight and her vivid sense of place and time—offers a rare glimpse into the heart and spirit of one of the most turbulent and intriguing eras in British history.
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The superb historian and biographer Antonia Fraser, author of Marie Antoinette, casts new light on the splendor and the scandals of the reign of Louis XIV in this dramatic, illuminating look at the women in his life.
The self-proclaimed Sun King, Louis XIV ruled over the most glorious and extravagant court in seventeenth-century Europe. Now, Antonia Fraser goes behind the well-known tales of Louis’s accomplishments and follies, exploring in riveting detail his intimate relationships with women.
The king’s mother, Anne of Austria, had been in a childless marriage for twenty-two years before she gave birth to Louis XIV. A devout Catholic, she instilled in her son a strong sense of piety and fought successfully for his right to absolute power. In 1660, Louis married his first cousin, Marie-Thérèse, in a political arrangement. While unfailingly kind to the official Queen of Versailles, Louis sought others to satisfy his romantic and sexual desires. After a flirtation with his sister-in-law, his first important mistress was Louise de La Vallière, who bore him several children before being replaced by the tempestuous and brilliant Athénaïs, marquise de Montespan. Later, when Athénaïs’s reputation was tarnished, the King continued to support her publicly as Athénaïs left court for a life of repentance. Meanwhile her children’s governess, the intelligent and seemingly puritanical Françoise de Maintenon, had already won the King’s affections; in a relationship in complete contrast to his physical obsession with Athénaïs, Louis XIV lived happily with Madame de Maintenon for the rest of his life, very probably marrying her in secret. When his grandson’s child bride, the enchanting Adelaide of Savoy, came to Versaille she lightened the King’s last years – until tragedy struck.
With consummate skill, Antonia Fraser weaves insights into the nature of women’s religious lives – as well as such practical matters as contraception – into her magnificent, sweeping portrait of the king, his court, and his ladies.
From the Hardcover edition.
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The fascinating new book by the author of Brunelleschi’s Dome and Michelangelo and the Pope’s Ceiling: a saga of artistic rivalry and cultural upheaval in the decade leading to the birth of Impressionism.
If there were two men who were absolutely central to artistic life in France in the second half of the nineteenth century, they were Edouard Manet and Ernest Meissonier. While the former has been labelled the “Father of Impressionism” and is today a household name, the latter has sunk into obscurity. It is difficult now to believe that in 1864, when this story begins, it was Meissonier who was considered the greatest French artist alive and who received astronomical sums for his work, while Manet was derided for his messy paintings of ordinary people and had great difficulty getting any of his work accepted at the all-important annual Paris Salon.
Manet and Meissonier were the Mozart and Salieri of their day, one a dangerous challenge to the establishment, the other beloved by rulers and the public alike for his painstakingly meticulous oil paintings of historical subjects. Out of the fascinating story of their parallel careers, Ross King creates a lens through which to view the political tensions that dogged Louis-Napoleon during the Second Empire, his ignominious downfall, and the bloody Paris Commune of 1871. At the same time, King paints a wonderfully detailed and vivid portrait of life in an era of radical social change: on the streets of Paris, at the new seaside resorts of Boulogne and Trouville, and at the race courses and picnic spots where the new bourgeoisie relaxed. When Manet painted Dejeuner sur l’herbe or Olympia, he shocked not only with his casual brushstrokes (described by some as applied by a ‘floor mop’) but with his subject matter: top-hatted white-collar workers (and their mistresses) were not considered suitable subjects for ‘Art’. Ross King shows how, benign as they might seem today, these paintings changed the course of history. The struggle between Meissonier and Manet to see their paintings achieve pride of place at the Salon was not just about artistic competitiveness, it was about how to see the world.
Full of fantastic tidbits of information (such as the use of carrier pigeons and hot-air balloons during the siege of Paris), and a colourful cast of characters that includes Baudelaire, Courbet, and Zola, with walk-on parts for Monet, Renoir, Degas, and Cezanne, The Judgment of Paris casts new light on the birth of Impressionism and takes us to the heart of a time in which the modern French identity was being forged.
From the Hardcover edition.
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The eminent journalist began his book-publishing career in 1935 with this exciting account of the adventurous 2,250-mile canoe trip he and a friend made as teenagers from Minneapolis to Hudson Bay.
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In 2005 Kate Jackson ventured into the remote swamp forests of the northern Congo to collect reptiles and amphibians. Her camping equipment was rudimentary, her knowledge of Congolese customs even more so. She knew how to string a net and set a pitfall trap, but she never imagined the physical and cultural difficulties that awaited her.
Culled from the mud-spattered pages of her journals, Mean and Lowly Things reads like a fast-paced adventure story. It is Jackson’s unvarnished account of her research on the front lines of the global biodiversity crisis—coping with interminable delays in obtaining permits, learning to outrun advancing army ants, subsisting on a diet of Spam and manioc, and ultimately falling in love with the strangely beautiful flooded forest.
The reptile fauna of the Republic of Congo was all but undescribed, and Jackson’s mission was to carry out the most basic study of the amphibians and reptiles of the swamp forest: to create a simple list of the species that exist there—a crucial first step toward efforts to protect them. When the snakes evaded her carefully set traps, Jackson enlisted people from the villages to bring her specimens. She trained her guide to tag frogs and skinks and to fix them in formalin. As her expensive camera rusted and her Western soap melted, Jackson learned what it took to swim with the snakes—and that there’s a right way and a wrong way to get a baby cobra out of a bottle.
(20080415)
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Chong tells the story of her grandmother, brought from China as a young concubine by a sojourner to the New World, of the man's wife and children left behind, and of the author's incredible discovery of those children six decades later. "Beautiful, haunting, and wise."--New York Times Book Review. Photos.
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There are few memoirs available of German Panzer crews that focus on the climactic last 12 months of the war on the Eastern Front, 1944-45. What makes Bruno Friesen's account virtually unique is his family background: his parents came from a German-speaking Mennonite community in Ukraine, and were to all intents and purposes culturally German. To make matters even more complex, in 1924 his parents left the Ukraine for Canada, where Bruno was born. In March 1939 he and his brother Oscar found themselves on a ship bound for Bremerhaven in Germany. He barely spoke German, and had never been to Germany, nevertheless his father envisaged that a better life awaited them in the Third Reich.
Needless to say, Bruno became caught up in the Second World War, and in 1942 was drafted into the Wehrmacht. The author provides a full account of his family background, and how, through these unusual circumstances, he found himself a Canadian-born German soldier.
The bulk of the book is a detailed account of the author's training, and his subsequent service with 25th Panzer Regiment, part of 7th Panzer Division. As the title suggests, Bruno Friesen served as a gunner aboard, initially, Panzer IVs, before crewing the lesser-known Jagdpanzer IV tank hunter. The author provides a fantastic amount of information about these two vehicles, and how the crews actually fought in battle with them. This kind of 'hands-on' detail has almost never been available before, particularly such extensive information concerning the characteristics and combat performance of the Jagdpanzer IV.
Apart from providing a large fund of information about specific German tanks and their combat performance, the author writes in great detail about the combat the experienced on the Eastern Front, including tank battles in Rumania, spring 1944, Lithuania in the summer of 1944, and West Prussia during early 1945. If one wants to know how German tank crews fought the Soviets in the last year of the war, then this book provides an outstanding account, containing material simply not found elsewhere.
The author closes his account by reflecting on his post-war efforts to return to Canada, which eventually succeeded in 1950, and his subsequent life there.
This book is not just a critique of armored fighting vehicles and tank warfare, it is above all a very human story, told in a lively, conversational and fluid manner, and is a remarkable contribution to the literature of the Second World War.
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In 1861, when war erupted between the States, President Lincoln made an impassioned plea for volunteers. Determined not to remain on the sidelines, Emma Edmonds cropped her hair, donned men’s clothing, and enlisted in the Union Army. Posing in turn as a slave, peddler, washerwoman, and fop, Emma became a cunning master of disguise, risking discovery and death at every turn behind Confederate lines.
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From reviews of the hardcover edition:
"[Various Positions is] more a literary than a rock bio—quiet of tone, serious without being worshipful. Drawing on Cohen's own archives, Nadel plots aspects of Cohen's life—Zen, love affairs, drug use—against the evolution of his writing. He fashions a biography that is revealing but also mindful of its subject at his best."
—Booklist
"An excellent biography, one that manages to be both thoroughly scholarly and genuinely entertaining at the same time."
—Montreal Gazette
"An honest and sympathetic biography."
—New York Times Book Review
"The most authoritative work yet on the 'poet laureate of pessimism.'"
—Library Journal
Known as the "Prince of Bummers," Leonard Cohen is a multi-talented poet, singer-songwriter, novelist, and Zen Buddhist whose career has spanned more than forty years and inspired countless other artists. In this critically acclaimed biography originally published in 1996 by Pantheon Books, Ira Nadel draws on extensive interviews with Cohen, as well as excerpts from his unpublished letters, journals, notebooks, songs, and other writings, to offer a full portrait of this enigmatic man and his artistic career. A new concluding chapter brings Cohen's story up-to-date, including the release of the albums Dear Heather, Ten New Songs, The Essential Leonard Cohen, and Blue Alert, as well as the publication of Book of Longing and the screening of the documentary film Leonard Cohen, I'm Your Man.
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Jeff Wall is foremost among the artists who since the late 1960s have brought photography to the forefront of contemporary art. This revised and expanded edition of the definitive monograph on the Canadian artist, first published in 1996, includes a new fully illustrated essay on Wall's recent work by the French historian of art and photography Jean-François Chevrier, in addition to the artist's recent writings. Describing himself as 'a painter of modern life', Wall produces huge transparencies mounted onto light boxes which diffuse a brilliant glow through his photographs of contemporary urban scenes and 'constructed' social situations. These images employ the latest technology to create tableaux which are evocative of subjects ranging from Hollywood cinema to nineteenth-century history painting. When installed they evoke both the seduction of the cinema screen and the physical presence of minimalist sculptures. Wall engages at a sophisticated level with theories of representation both as an artist and as a theoretical writer on contemporary art and culture. Major surveys of his work have been presented at the Museum of Contemporary Art, Chicago (1995); the Galerie Nationale du Jeu de Paume, Paris (1995); the Whitechapel Art Gallery, London (1996), and the Musée d'Art Contemporain, Montreal (1999).
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Paul Watson was born with his right hand missing. To defy people's expectations, he becomes an avid war journalist, traveling to the most dangerous places on earth and staying long after it was wise or safe to do so. Then, with the click of a camera shutter, Watson's life changes forever.As one of the last remaining journalists in Somalia, hehears that a Blackhawk has been shot down over Mogadishu,and that a mob is dragging the body of a U.S. soldier through the streets. Watson risks his life to infiltrate the mob and snap the photo that garners him the Pulitzer Prize. But as the accolades pour in and Watson travels to other troubled areas of the world, he can think only of the damage he has done—to Sergeant Cleveland’s family, whose last image of their son would always be the battered, dusty corpse Watson had photographed; and, he fears, to the spread of terrorism, with the worldwide spectacle his photo created from that barbarity.From the jungles of Rwanda to the ruined streets of Somalia to the craggy mountains of Afghanistan, this intimate portrayal of war from the front lines is raw and deeply human, a tale for our time.
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William Osler was born in a parsonage in backwoods Canada on July 12, 1849. In a life lasting seventy years, he practiced, taught, and wrote about medicine at Canada's McGill University, America's Johns Hopkins University, and finally as Regius Professor at Oxford. At the time of his death in England in 1919, many considered him to be the greatest doctor in the world.
Osler, who was a brilliant, innovative teacher and a scholar of the natural history of disease, revolutionized the art of practicing medicine at the bedside of his patients. He was idolized by two generations of medical students and practitioners for whom he came to personify the ideal doctor. But much more than a physician, Osler was a supremely intelligent humanist. In both his writings and his personal life, and through the prism of the tragedy of the Great War, he embodied the art of living. It was perhaps his legendary compassion that elevated his healing talents to an art form and attracted to his private practice students, colleagues, poets (Walt Whitman for example) politicians, royalty, and nameless ordinary people with extraordinary conditions.
William Osler's life lucidly illuminates the times in which he lived. Indeed, this is a book not only about the evolution of modern medicine, the training of doctors, holism in medical thought, and the doctor-patient relationship, but also about humanism, Victorianism, the Great War, and much else. Meticulously researched, drawing on many new sources and offering new interpretations, William Osler: A Life in Medicine brings to life both a fascinating man and the formative age of twentieth-century medicine. It is a classic biography of a classic life, both authoritative and highly readable.
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Wallace Stegner weaves together fiction and nonfiction, history and impressions, childhood remembrance and adult reflections in this unusual portrait of his boyhood. Set in Cypress Hills in southern Saskatchewan, where Stegner's family homesteaded from 1914 to 1920, Wolf Willow brings to life both the pioneer community and the magnificent landscape that surrounds it. This Twentieth-Century Classics edition includes a new introductory essay by Page Stegner.