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Books : Literature & Fiction : World Literature : Canadian : African Canadian
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"You feel you are turning the pages of history, the pages of truth."-Austin Clarke, author of The Polished Hoe
Abducted from Africa as a child and enslaved in South Carolina, Aminata Diallo thinks only of freedom-and of the knowledge she needs to get home. Sold to an indigo trader who recognizes her intelligence, Aminata is torn from her husband and child and thrown into the chaos of the Revolutionary War. In Manhattan, Aminata helps pen the Book of Negroes, a list of blacks rewarded for service to the king with safe passage to Nova Scotia. There Aminata finds a life of hardship and stinging prejudice. When the British abolitionists come looking for "adventurers" to create a new colony in Sierra Leone, Aminata assists in moving 1,200 Nova Scotians to Africa and aiding the abolitionist cause by revealing the realities of slavery to the British public. This captivating story of one woman's remarkable experience spans six decades and three continents and brings to life a crucial chapter in world history.
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The door to fantastic worlds, skewed realities, and breathtaking other realms is opened wide to you once more in this third anthology of the finest short fantasy fiction to emerge over the past year, compiled by acclaimed editor David G. Hartwell. Rarely has a more magnificent collection of tales been contained between book covers -- phenomenal visions of the impossible-made-possible by some of the field's most accomplished literary artists and stellar talents on the rise. Year's Best Fantasy 3 is a heady brew of magic and wonder, strange journeys and epic quests, boldly concocted by the likes of Ursula K. Le Guin, Michael Swanwick, Tanith Lee, and others. Step into a dimension beyond the limits of ordinary imagination . . . and be amazed!.
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So Long Been Dreaming: Postcolonial Science Fiction & Fantasy is an anthology of original new stories by leading African, Asian, South Asian and Aboriginal authors, as well as North American and British writers of color.
Stories of imagined futures abound in Western writing. Writer and editor Nalo Hopkinson notes that the science fiction/fantasy genre "speaks so much about the experience of being alienated but contains so little writing by alienated people themselves." It's an oversight that Hopkinson and Mehan aim to correct with this anthology.
The book depicts imagined futures from the perspectives of writers associated with what might loosely be termed the "third world." It includes stories that are bold, imaginative, edgy; stories that are centered in the worlds of the "developing" nations; stories that dare to dream what we might develop into.
The wealth of postcolonial literature has included many who have written insightfully about their pasts and presents. With So Long Been Dreaming they creatively address their futures.
Contributors include: Opal Palmer Adisa, Tobias Buckell, Wayde Compton, Hiromi Goto, Andrea Hairston, Tamai Kobayashi, Karin Lowachee, devorah major, Carole McDonnell, Nnedi Okorafor-Mbachu, Eden Robinson, Nisi Shawl, Vandana Singh, Sheree Renee Thomas and Greg Van Eekhout.
Nalo Hopkinson is the internationally-acclaimed author of Brown Girl in the Ring, Skin Folk, and Salt Roads. Her books have been nominated for the Hugo, Nebula, Tiptree, and Philip K. Dick Awards; Skin Folk won a World Fantasy Award and the Sunburst Award. Born in Jamaica, Nalo moved to Canada when she was sixteen. She lives in Toronto.
Uppinder Mehan is a scholar of science fiction and postcolonial literature. A South Asian Canadian, he currently lives in Boston and teaches at Emerson College.
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THE NEW MOON'S ARMS is a mainstream magical realism novel set in the Caribbean on the fictional island of Dolorosse. Calamity, born Chastity, has renamed herself in a way she feels is most fitting. She's a 50-something grandmother whose mother disappeared when she was a teenager and whose father has just passed away as she begins menopause. With this physical change of life comes a return of a special power for finding lost things, something she hasn't been able to do since childhood. A little tingling in the hands then a massive hotflash, and suddenly objects, even whole buildings, lost to her since childhood begin showing up around Calamity.
One of the lost things Calamity recovers is a small boy who washes up on the shore outside her house after a rainstorm. She takes this bruised but cheerful 4-year-old under her wing and grows attached to him, a process that awakens all the old memories, frustrations and mysteries around her own mother and father. She'll learn that this young boy's family is the most unusual group she's ever encountered-and they want their son back.
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When an elderly Bimshire village woman calls the police to confess to a murder, the result is a shattering all-night vigil that brings together elements of the African diaspora in one epic sweep. Set on the post-colonial West Indian island of Bimshire in 1952, "The Polished Hoe" unravels over the course of 24 hours but spans the lifetime of one woman and the collective experience of a society informed by slavery. As the novel opens, Mary Mathilda is giving confession to Sargeant, a police officer she has known all her life. The man she claims to have murdered is Mr. Belfeels, the village plantation owner for whom she has worked for more than thirty years. Mary has also been Mr. Belfeels' mistress for most of that time and is the mother of his only son, Wilbeforce, a successful doctor. What transpires through Mary's words and recollections is a deep meditation about the power of memory and the indomitable strength of the human spirit. Infused with Joycean overtones, this is a literary masterpiece that evokes the sensuality of the tropics and the tragic richness of Island culture.
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novel, Canada/Haiti, tr David Homel
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Winner of the Governor General’s Award for Drama. Winner of the Chalmers Play Award. A rhapsodic blues tragedy. Harlem Duet could be the prelude to Shakepeare’s Othello, and recounts the tale of Othello and his first wife Billie (yes, before Desdemona). Set in contemporary Harlem at the corner of Martin Luther King and Malcolm X boulevards, the play explores the space where race and sex intersect. Harlem Duet is Billie’s story.
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First published by Anansi in 1972, No Pain Like This Body remains a classic of Canadian and Caribbean writing. Set in a turn-of-the-century Hindu community in the Eastern Caribbean, the novel describes the perilous existence of a poor rice-growing family during the August rainy season. Their struggles to cope with illness, a drunken and unpredictable father, and the violence of the elements end in unbearable loss. Through vivid, vertiginous prose, and with brilliant economy and originality, Ladoo creates a fearful world of violation and grief, in the face of which even the most despairing efforts to endure stand out as acts of raw courage.
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W. E. B. Du Bois was the pre-eminent African American intellectual of the twentieth century. As a pioneering historian, sociologist and civil rights activist, and as a novelist and autobiographer, he made the problem of race central to an understanding of the United States within both national and transnational contexts; his masterwork The Souls of Black Folk (1903) is today among the most widely read and most often quoted works of American literature. This Companion presents ten specially commissioned essays by an international team of scholars which explore key aspects of Du Bois's work. The book offers students a critical introduction to Du Bois, as well as opening new pathways into the further study of his remarkable career. It will be of interest to all those working in African American studies, American literature, and American studies generally.
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A moving collection from one of the foremost Canadian writers of her generation.
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The lushness of language and the landscape, wild contrasts, and pure storytelling magic abound in this anthology of Caribbean writing. Steeped in the tradition of fabulism, where the irrational and inexplicable coexist with the realities of daily life, the stories in this collection are infused with a vitality and freshness that most writing traditions have long ago lost. From spectral slaving ships to women who shed their skin at night to become owls, stories from writers such as Jamaica Kincaid, Marcia Douglas, Ian MacDonald, and Kamau Brathwaite pulse with rhythms, visions, and the tortured history of this spiritually rich region of the world.
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It was, by all accounts,, a "slug-ugly" crime. Brothers George and Rufus Hamilton, in a robbery gone wrong, drunkenly bludgeoned a taxi driver to death with a hammer. It was 1949, and the two siblings, part Mi'kmaq and part African, were both hanged for the killing. Those facts are also skeletons in George Elliott Clarke's family closet. Both repelled and intrigued by his ancestral cousins' deeds, which he only learned about from his mother shortly before her death, Clarke set out to discover just what kind of forces would reduce men to crime, violence and, ultimately, murder. His findings took shape in the 2001 Governor General's Award–winning Execution Poems and culminates brilliantly in George and Rue. The novel shifts seamlessly back into the killers' pasts, recounting a bleak and sometimes comic tale of victims of violence who became killers, a black community too poor and too shamed to assist its downtrodden members, and a white community bent on condemning all blacks as dangerous outsiders . George and Rue is a book about a death that brims with fierce vitality and dark humour. Infused with the sensual, rhythmic beauty that defines Clarke's writing, it is a remarkable literary debut.
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Relating the blues to American social and literary history and to Afro-American expressive culture, Houston A. Baker, Jr., offers the basis for a broader study of American culture at its "vernacular" level. He shows how the "blues voice" and its economic undertones are both central to the American narrative and characteristic of the Afro-American way of telling it.
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These are poems of bubble gum and dictators, kleptomaniacs and CD players left on repeat. A bulimic is watched by her cat, a grandfather dies and becomes a favourite colour, a frustrated lover shops at the 7-11 for forty days and forty nights, two girls make out in a bomb shelter, an ecstatic grandmother cranes her neck out the window of her heron-blue Mercury.
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