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Books : Literature & Fiction : World Literature : Canadian : African Canadian : Authors, A-Z
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So Long Been Dreaming: Postcolonial Science Fiction & Fantasy is an anthology of original new stories by leading African, Asian, South Asian and Aboriginal authors, as well as North American and British writers of color.
Stories of imagined futures abound in Western writing. Writer and editor Nalo Hopkinson notes that the science fiction/fantasy genre "speaks so much about the experience of being alienated but contains so little writing by alienated people themselves." It's an oversight that Hopkinson and Mehan aim to correct with this anthology.
The book depicts imagined futures from the perspectives of writers associated with what might loosely be termed the "third world." It includes stories that are bold, imaginative, edgy; stories that are centered in the worlds of the "developing" nations; stories that dare to dream what we might develop into.
The wealth of postcolonial literature has included many who have written insightfully about their pasts and presents. With So Long Been Dreaming they creatively address their futures.
Contributors include: Opal Palmer Adisa, Tobias Buckell, Wayde Compton, Hiromi Goto, Andrea Hairston, Tamai Kobayashi, Karin Lowachee, devorah major, Carole McDonnell, Nnedi Okorafor-Mbachu, Eden Robinson, Nisi Shawl, Vandana Singh, Sheree Renee Thomas and Greg Van Eekhout.
Nalo Hopkinson is the internationally-acclaimed author of Brown Girl in the Ring, Skin Folk, and Salt Roads. Her books have been nominated for the Hugo, Nebula, Tiptree, and Philip K. Dick Awards; Skin Folk won a World Fantasy Award and the Sunburst Award. Born in Jamaica, Nalo moved to Canada when she was sixteen. She lives in Toronto.
Uppinder Mehan is a scholar of science fiction and postcolonial literature. A South Asian Canadian, he currently lives in Boston and teaches at Emerson College.
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The door to fantastic worlds, skewed realities, and breathtaking other realms is opened wide to you once more in this third anthology of the finest short fantasy fiction to emerge over the past year, compiled by acclaimed editor David G. Hartwell. Rarely has a more magnificent collection of tales been contained between book covers -- phenomenal visions of the impossible-made-possible by some of the field's most accomplished literary artists and stellar talents on the rise. Year's Best Fantasy 3 is a heady brew of magic and wonder, strange journeys and epic quests, boldly concocted by the likes of Ursula K. Le Guin, Michael Swanwick, Tanith Lee, and others. Step into a dimension beyond the limits of ordinary imagination . . . and be amazed!.
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When Mary-Mathilda, one of the most respected women on the colonized island of Bimshire (also known as Barbados), calls the police to confess to a crime, the result is a shattering all-night vigil. She claims the crime is against Mr. Belfeels, the powerful manager of the sugar plantation that dominates the villagers' lives and for whom she has worked for more than thirty years as a field laborer, kitchen help, and maid. She was also Mr. Belfeels's mistress, kept in good financial status in the Great House of the plantation, and the mother of his only son, Wilberforce, a successful doctor, who after living abroad returns to the island.
Set in the period following World War II, The Polished Hoe unravels over the course of twenty-four hours but spans the lifetime of one woman and the collective experience of a society characterized by slavery. Infused with Joycean overtones, this remarkable novel -- winner of the 2002 Giller Prize, the Commonwealth Writers Prize Best Book Award, Canada and Caribbean region; and a bestseller in Canada -- evokes the power of memory and the indomitable strength of the human spirit.
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THE NEW MOON'S ARMS is a mainstream magical realism novel set in the Caribbean on the fictional island of Dolorosse. Calamity, born Chastity, has renamed herself in a way she feels is most fitting. She's a 50-something grandmother whose mother disappeared when she was a teenager and whose father has just passed away as she begins menopause. With this physical change of life comes a return of a special power for finding lost things, something she hasn't been able to do since childhood. A little tingling in the hands then a massive hotflash, and suddenly objects, even whole buildings, lost to her since childhood begin showing up around Calamity.
One of the lost things Calamity recovers is a small boy who washes up on the shore outside her house after a rainstorm. She takes this bruised but cheerful 4-year-old under her wing and grows attached to him, a process that awakens all the old memories, frustrations and mysteries around her own mother and father. She'll learn that this young boy's family is the most unusual group she's ever encountered-and they want their son back.
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The lushness of language and the landscape, wild contrasts, and pure storytelling magic abound in this anthology of Caribbean writing. Steeped in the tradition of fabulism, where the irrational and inexplicable coexist with the realities of daily life, the stories in this collection are infused with a vitality and freshness that most writing traditions have long ago lost. From spectral slaving ships to women who shed their skin at night to become owls, stories from writers such as Jamaica Kincaid, Marcia Douglas, Ian MacDonald, and Kamau Brathwaite pulse with rhythms, visions, and the tortured history of this spiritually rich region of the world.
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It was, by all accounts,, a "slug-ugly" crime. Brothers George and Rufus Hamilton, in a robbery gone wrong, drunkenly bludgeoned a taxi driver to death with a hammer. It was 1949, and the two siblings, part Mi'kmaq and part African, were both hanged for the killing. Those facts are also skeletons in George Elliott Clarke's family closet. Both repelled and intrigued by his ancestral cousins' deeds, which he only learned about from his mother shortly before her death, Clarke set out to discover just what kind of forces would reduce men to crime, violence and, ultimately, murder. His findings took shape in the 2001 Governor General's Award–winning Execution Poems and culminates brilliantly in George and Rue. The novel shifts seamlessly back into the killers' pasts, recounting a bleak and sometimes comic tale of victims of violence who became killers, a black community too poor and too shamed to assist its downtrodden members, and a white community bent on condemning all blacks as dangerous outsiders . George and Rue is a book about a death that brims with fierce vitality and dark humour. Infused with the sensual, rhythmic beauty that defines Clarke's writing, it is a remarkable literary debut.
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A moving collection from one of the foremost Canadian writers of her generation.
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novel, Canada/Haiti, tr David Homel
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These are poems of bubble gum and dictators, kleptomaniacs and CD players left on repeat. A bulimic is watched by her cat, a grandfather dies and becomes a favourite colour, a frustrated lover shops at the 7-11 for forty days and forty nights, two girls make out in a bomb shelter, an ecstatic grandmother cranes her neck out the window of her heron-blue Mercury.
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A joyful, imagistic discovery of woman as speaker and subject. As a woman, a black, and a lesbian, Brand arrives at a rigorous and nakedly ruthless reclamation of the poetic.
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This is a poem about the city. About a man who has visions, hovering on the edge but hating it, restless and at war with the world but wanting the peace that passeth understanding. Everything he does is half-done, except his death. When he falls, his parched spirit crying "thirsty," his family falls apart. This is a poem about Toronto, the city that’s never happened before, about waiting for a bus, standing on a corner, watching a stranger: the bank to one corner, the driving school on another, the milk store and the church. This is also about the poet, her own restless sensibility woven in and out through moments of lyric beauty, dramatic power and storytelling grace. It is written in the margins, like a medieval manuscript with shades of light and darkness.
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Jan Carew combines Caribbean folklore, ghost story, adventure tale, and literature of European exile to create a spirited dialect and colloquial voice that startles and delights; he's comfortable confronting anything, racial prejudice or whimsical fable, the natural world or city slum.
Jan Carew, a writer, educator, philosopher, and advisor to several nation-states, was born and educated in Guyana. In London, he was a broadcaster, writer, and editor with the BBC. The author of six novels and a multitude of plays, poetry, articles, and stories, he has resided in Mexico, England, France, Spain, Ghana, Canada, and now lives in Louisville, Kentucky.
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For almost two decades, The Journey Prize Stories has been taking the pulse of Canada’s literary scene, presenting the best stories published each year by some of our most exciting up-and-coming writers.
Among the stories this year: A holdup marks the beginning of a spectacularly ill-fated romance between a free spirit and a man with the heart and soul of “a criminal born.” When her young imagination is captured by a photo of a Hungarian refugee child, a girl becomes determined to make the orphan a part of her family’s life. In a story set in Venice, amid complications both legal and romantic, a Canadian expat comes to understand the restless path his father’s life has taken. A boy discovers something about fame, mortality, and triple force fields when the kids in his neighbourhood vie for a coveted spot on an arcade game’s high-scores list. In a modern fairytale with a twist, a woman who is always cold is given an unexpected gift. A near-drowning in the Indian Ocean reveals difficult truths to a documentary filmmaker during what is supposed to be a career-advancing trip.