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Books : Literature & Fiction : World Literature : Canadian : Classics
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The adventures in the northern wilderness of a dog who is part wolf and who eventually makes his peace with man.
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Geoffrey Firmin, a former British consul, has come to Quauhnahuac, Mexico. His debilitating malaise is drinking, an activity that has overshadowed his life. On the most fateful day of the consul's life—the Day of the Dead, 1938—his wife, Yvonne, arrives in Quauhnahuac, inspired by a vision of life together away from Mexico and the circumstances that have driven their relationship to the brink of collapse. She is determined to rescue Firmin and their failing marriage, but her mission is further complicated by the presence of Hugh, the consul's half brother, and Jacques, a childhood friend. The events of this one significant day unfold against an unforgettable backdrop of a Mexico at once magical and diabolical.
Under the Volcano remains one of literature's most powerful and lyrical statements on the human condition, and a brilliant portrayal of one man's constant struggle against the elemental forces that threaten to destroy him.
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Ramsay is a man twice born, a man who has returned from the hell of the battle-grave at Passchendaele in World War I decorated with the Victoria Cross and destined to be caught in a no man's land where memory, history, and myth collide. As Ramsay tells his story, it begins to seem that from boyhood, he has exerted a perhaps mystical, perhaps pernicious, influence on those around him. His apparently innocent involvement in such innocuous events as the throwing of a snowball or the teaching of card tricks to a small boy in the end prove neither innocent nor innocuous.
Fifth Business stands alone as a remarkable story told by a rational man who discovers that the marvelous is only another aspect of the real.
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Lucy Maud Montgomery has been beloved by generations of readers for her Anne of Green Gables stories. In the celebrated Emily trilogy, of which Emily of New Moon is the first volume, Montgomery draws a more realistic portrait of a young girl’s life on Prince Edward Island. The twin threads of bright and dark, love and cruelty, hope and despair intertwine in a pattern as significant as it is enduring.
Along with Emily Climbs and Emily’s Quest, Emily of New Moon insightfully portrays the beauty and anguish of growing up.
From the Paperback edition.
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The Best American Series
First, Best, and Best-Selling
The Best American series has been the premier annual showcase for the country's finest short fiction and nonfiction since 1915. Each volume's series editor selects notable works from hundreds of periodicals. A special guest editor, a leading writer in the field, then chooses the very best twenty or so pieces to publish. This unique system has made the Best American series the most respected -- and most popular -- of its kind.
The Best American Short Stories 2005 includes
Dennis Lehane • Tom Perrotta • Alice Munro • Edward P. Jones • Joy Williams • Joyce Carol Oates • Thomas McGuane • Kelly Link • Charles D'Ambrosio • Cory Doctorow • George Saunders • and others
Michael Chabon, guest editor, is the best-selling author of The Mysteries of Pittsburgh, Wonder Boys, A Model World, and, most recently, The Final Solution. His novel The Amazing Adventures of Kavalier and Clay won the Pulitzer Prize in 2000.
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Brian Moore burst upon the literary scene in 1955 with this moving and brilliantly observed study of a woman imprisoned by the passage of time. He went on to be hailed as one of the best fiction writers of his generation.Alone in her room in a Belfast boarding house, Judith Hearne is almost overwhelmed by loneliness. Yet she still believes there is a chance for happiness, and she waits patiently for the moment when her life will turn from sorrowful longing to joy. By chance she meets a man - the man - and her dreams take on a brighter hue, only to be dashed once more.With skill and gentle insight, Moore depicts the disintegration of Judith Hearne's last illusions. Clinging to the bottle for comfort, she becomes a tragic figure who speaks frankly about the human condition. Though we laugh at her foibles, we weep at her plight, and share her primal longing for love and connection.This touching story was made into a critically acclaimed motion picture in 1987.
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Striking out at the conception of criticism as restricted to mere opinion or ritual gesture, Northrop Frye wrote this magisterial work proceeding on the assumption that criticism is a structure of thought and knowledge in its own right. In four brilliant essays on historical, ethical, archetypical, and rhetorical criticism, employing examples of world literature from ancient times to the present, Frye reconceived literary criticism as a total history rather than a linear progression through time.
Literature, Frye wrote, is "the place where our imaginations find the ideal that they try to pass on to belief and action, where they find the vision which is the source of both the dignity and the joy of life." And the critical study of literature provides a basic way "to produce, out of the society we have to live in, a vision of the society we want to live in."
Harold Bloom contributes a fascinating and highly personal preface that examines Frye's mode of criticism and thought (as opposed to Frye's criticism itself) as being indispensable in the modern literary world.
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This is the first of two volumes presenting all seven parts of Francis Parkman's monumental narrative history of the struggle for control of the American continent. Thirty years in the writing, Parkman's "history of the American forest" is an accomplishment hardly less awesome than the adventures he describes. This volume begins with the tragic settlement of French Huguenots in Florida, then shifts north as explorers like Samuel de Champlain map the wilderness and wage savage forest warfare against the Iroquois; resolute Jesuits attempt to convert the Indians and suffer captivity, torture, and martyrdom in the wilderness; conflict rages in French Canada between religious extremists and fur traders. Dominating all is the fiercely indomitable La Salle, whose obsession with colonizing the Mississippi Valley leads to vast treks across the western prairie and assassination in a lonely Texas swamp.
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This is the third book about red-haired Anne Shirley. As her childhood friends get married and move away, Anne too leaves Prince Edward Island for Redmond College in Kingsport. Though Priscilla Grant and Gilbert Blythe are fellow-students, she at first feels lonely and provincial. But Anne soon makes new friends, one of whom is rich, handsome Roy Gardner, whose attentions to Anne make Gilbert very jealous.
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The Stone Angel, The Diviners, and A Bird in the House are three of the five books in Margaret Laurence's renowned "Manawaka series," named for the small Canadian prairie town in which they take place. Each of these books is narrated by a strong woman growing up in the town and struggling with physical and emotional isolation.
In The Stone Angel, Hagar Shipley, age ninety, tells the story of her life, and in doing so tries to come to terms with how the very qualities which sustained her have deprived her of joy. Mingling past and present, she maintains pride in the face of senility, while recalling the life she led as a rebellious young bride, and later as a grieving mother. Laurence gives us in Hagar a woman who is funny, infuriating, and heartbreakingly poignant.
"This is a revelation, not impersonation. The effect of such skilled use of language is to lead the reader towards the self-recognition that Hagar misses."—Robertson Davies, New York Times
"It is [Laurence's] admirable achievement to strike, with an equally sure touch, the peculiar note and the universal; she gives us a portrait of a remarkable character and at the same time the picture of old age itself, with the pain, the weariness, the terror, the impotent angers and physical mishaps, the realization that others are waiting and wishing for an end."—Honor Tracy, The New Republic
"Miss Laurence is the best fiction writer in the Dominion and one of the best in the hemisphere."—Atlantic
"[Laurence] demonstrates in The Stone Angel that she has a true novelist's gift for catching a character in mid-passion and life at full flood. . . . As [Hagar Shipley] daydreams and chatters and lurches through the novel, she traces one of the most convincing—and the most touching—portraits of an unregenerate sinner declining into senility since Sara Monday went to her reward in Joyce Cary's The Horse's Mouth."—Time
"Laurence's triumph is in her evocation of Hagar at ninety. . . . We sympathize with her in her resistance to being moved to a nursing home, in her preposterous flight, in her impatience in the hospital. Battered, depleted, suffering, she rages with her last breath against the dying of the light. The Stone Angel is a fine novel, admirably written and sustained by unfailing insight."—Granville Hicks, Saturday Review
"The Stone Angel is a good book because Mrs. Laurence avoids sentimentality and condescension; Hagar Shipley is still passionately involved in the puzzle of her own nature. . . . Laurence's imaginative tact is strikingly at work, for surely this is what it feels like to be old."—Paul Pickrel, Harper's
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Geoffrey Firmin, a former British consul, has come to Quauhnahuac, Mexico. Here the consul's debilitating malaise is drinking, and activity that has overshadowed his life. Under the Volcano is set during the most fateful day of the consul's life--the Day of the Dead, 1938. His wife, Yvonne, arrives in Quauhnahuac to rescue him and their failing marriage, inspired by a vision of life together away from Mexico and the circumstances that have driven their relationship to the brink of collapse. Yvonne's mission is to save the consul is further complicated by the presence of Hugh, the consul's half-brother, and Jacques, a childhood friend. The events of this one day unfold against a backdrop unforgettable for its evocation of a Mexico at once magical and diabolical.
Under the Volcano remains one of the most powerful and lyrical statements on the human condition and one man's constant struggle against the elemental forces that threaten to destroy him.
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Memoirs of Montparnasse is a delicious book about being young, restless, reckless, and without cares. It is also the best and liveliest of the many chronicles of 1920s Paris and the exploits of the lost generation. In 1928, nineteen-year-old John Glassco escaped Montreal and his overbearing father for the wilder shores of Montparnasse. He remained there until his money ran out and his health collapsed, and he enjoyed every minute of his stay. Remarkable for their candor and humor, Glassco’s memoirs have the daft logic of a wild but utterly absorbing adventure, a tale of desire set free that is only faintly shadowed by sadness at the inevitable passage of time.
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Published in 1947, Fearful Symmetry was Northrop Frye's first book and the product of over a decade of intense labour. Drawing readers into the imaginative world of William Blake, Frye succeeded in making Blake's voice and vision intelligible to the wider public. Distinguished by its range of reference, elegance of expression, comprehensiveness of coverage, coherence of argument, and sympathy to its subject, Fearful Symmetry was immediately recognized as a landmark of Blake criticism. Fifty years later, it is still recognized as having ensured the acceptance of Blake as a canonical poet by permanently dispelling the widespread notion that he was the mad creator of an incomprehensible private symbolism.
For this new edition, the text has been revised and corrected in accordance with the principles of the Collected Works of Northrop Frye series. Frye's original annotation has been supplemented with references to currently standard editions of Blake and others, and many new notes have been provided, identifying quotations, allusions, and cultural references. An introduction by Ian Singer provides biographical and critical context for the book, an overview of its contents, and an account of its reception.
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Wallace Stegner weaves together fiction and nonfiction, history and impressions, childhood remembrance and adult reflections in this unusual portrait of his boyhood. Set in Cypress Hills in southern Saskatchewan, where Stegner's family homesteaded from 1914 to 1920, Wolf Willow brings to life both the pioneer community and the magnificent landscape that surrounds it. This Twentieth-Century Classics edition includes a new introductory essay by Page Stegner.
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In 1904, the Canadian Bank of Commerce transferred teller Robert W. Service to the Yukon Territory. Soon, he was famous as the poet who chronicled the Klondike gold rush and the savage beauty of the frozen north. His tales of hard-bitten propectors and sourdoughs in "The Land God Forgot" make vivid, exciting reading. Here are all the brawling, colorful characters that Service immortalized, including One-Eyed Mike, Dangerous Dan McGrew, Pious Pete, Blasphemous Bill -- and, of course, the lady known as Lou.
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Well-known as a critic, Northrop Frye is also a renowned educator. This book, for the first time, allows us access to his classroom. Here he discusses Shakespeare's comedies, histories and tragedies, and introduces us to a new category - Shakespeare's romances, those glittering, frightening, magical plays of the playwright's later years. Dr. Frye presents lucid expositions of Romeo and Juliet, A Midsummer Night's Dream, Richard II, Henry IV, Measure for Measure, Hamlet, King Lear, Antony and Cleopatra, The Winter's Tale, and The Tempest, relating each of these works to others in the Shakespeare canon so that by the end of the book new light has been shed on all of Shakespeare's plays. Within this framework, Frye discusses many of the central elements of Shakespearean drama - from the traditions of comedy and tragedy to the historical background of the plays, from imagery and patterning to characterization, from the use of myth, folklore, and the supernatural to the anthropological roots of Shakespeare's ideas. Northrop Frye on Shakespeare will be invaluable to any student of literature, but its clarity and accessibility will also attract anyone with an interest in Shakespearean drama. It is as useful to the playgoer as it is to the academic, and proves that literary criticism can be as amusing as it is rewarding.
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Woven around the pursuits of the energetic spirits and erudite scholars of the University of St. John and the Holy Ghost, this dazzling trilogy of novels lures the reader into a world of mysticism, historical allusion, and gothic fantasy that could only be the invention of Canada's grand man of letters.