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Books : Literature & Fiction : World Literature : Canadian : Classics : Authors, A-Z
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Geoffrey Firmin, a former British consul, has come to Quauhnahuac, Mexico. His debilitating malaise is drinking, an activity that has overshadowed his life. On the most fateful day of the consul's life—the Day of the Dead, 1938—his wife, Yvonne, arrives in Quauhnahuac, inspired by a vision of life together away from Mexico and the circumstances that have driven their relationship to the brink of collapse. She is determined to rescue Firmin and their failing marriage, but her mission is further complicated by the presence of Hugh, the consul's half brother, and Jacques, a childhood friend. The events of this one significant day unfold against an unforgettable backdrop of a Mexico at once magical and diabolical.
Under the Volcano remains one of literature's most powerful and lyrical statements on the human condition, and a brilliant portrayal of one man's constant struggle against the elemental forces that threaten to destroy him.
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Ramsay is a man twice born, a man who has returned from the hell of the battle-grave at Passchendaele in World War I decorated with the Victoria Cross and destined to be caught in a no man's land where memory, history, and myth collide. As Ramsay tells his story, it begins to seem that from boyhood, he has exerted a perhaps mystical, perhaps pernicious, influence on those around him. His apparently innocent involvement in such innocuous events as the throwing of a snowball or the teaching of card tricks to a small boy in the end prove neither innocent nor innocuous.
Fifth Business stands alone as a remarkable story told by a rational man who discovers that the marvelous is only another aspect of the real.
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"Who killed Boy Staunton?"This is the question that lies at the heart of Robertson Davies's elegant trilogy comprising Fifth Business, The Manticore, and World of Wonders. Indeed, Staunton's death is the central event of each of the three novels, and Rashomon-style, each circles round to view it from a different perspective. In the first book, Fifth Business, Davies introduces us to Dunstan Ramsey and his "lifelong friend and enemy, Percy Boyd Staunton," both aged 10. It is a winter evening in the small Canadian village of Deptford, and Ramsey and Boy have quarreled. In a rage, Boy throws a snowball with a stone in it, misses his friend and hits the Baptist minister's pregnant wife by mistake. She becomes hysterical and later that night delivers her child prematurely, a baby with birth defects. Even worse, she loses her mind. The snowball, the stone, the deformed baby christened Paul Dempster--this is the secret guilt that will bind Ramsey and Staunton together through their long lives:
I was perfectly sure, you see, that the birth of Paul Dempster, so small, so feeble, and troublesome, was my fault. If I had not been so clever, so sly, so spiteful in hopping in front of the Dempsters just as Percy Boyd Staunton threw that snowball at me from behind, Mrs. Dempster would not have been struck. Did I never think that Percy was guilty? Indeed I did.
Boy, however, "would fight, lie, do anything rather than admit" he feels guilty, too, and so the subject remains unresolved between them right up until the night Boy's body is found in his car, in a lake, with a stone in his mouth. The second novel, The Manticore, follows Staunton's son, David, through a course of Jungian therapy in Switzerland, while World of Wonders concentrates on Magnus Eisengrim, a renowned magician and hypnotist with ties to both Ramsey and Boy Staunton.When it came to writing, three was Davies's favorite number. Before the Deptford books, he wrote The Salterton Trilogy (Tempest-Tost, Leaven of Malice, A Mixture of Frailties), and after it came The Cornish Trilogy (The Rebel Angels, What's Bred in the Bone, The Lyre of Orpheus). Excellent as these and Davies's other novels are, The Deptford Trilogy is arguably the masterpiece for which he'll best be remembered, as the combination of magic, archetype, and good, old-fashioned human frailty at work in these novels is a world of wonders unto itself, and guarantees these three books a permanent place among the great books of our time. --Alix Wilber
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Brian Moore burst upon the literary scene in 1955 with this moving and brilliantly observed study of a woman imprisoned by the passage of time. He went on to be hailed as one of the best fiction writers of his generation.Alone in her room in a Belfast boarding house, Judith Hearne is almost overwhelmed by loneliness. Yet she still believes there is a chance for happiness, and she waits patiently for the moment when her life will turn from sorrowful longing to joy. By chance she meets a man - the man - and her dreams take on a brighter hue, only to be dashed once more.With skill and gentle insight, Moore depicts the disintegration of Judith Hearne's last illusions. Clinging to the bottle for comfort, she becomes a tragic figure who speaks frankly about the human condition. Though we laugh at her foibles, we weep at her plight, and share her primal longing for love and connection.This touching story was made into a critically acclaimed motion picture in 1987.
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Published in 1947, Fearful Symmetry was Northrop Frye's first book and the product of over a decade of intense labour. Drawing readers into the imaginative world of William Blake, Frye succeeded in making Blake's voice and vision intelligible to the wider public. Distinguished by its range of reference, elegance of expression, comprehensiveness of coverage, coherence of argument, and sympathy to its subject, Fearful Symmetry was immediately recognized as a landmark of Blake criticism. Fifty years later, it is still recognized as having ensured the acceptance of Blake as a canonical poet by permanently dispelling the widespread notion that he was the mad creator of an incomprehensible private symbolism.
For this new edition, the text has been revised and corrected in accordance with the principles of the Collected Works of Northrop Frye series. Frye's original annotation has been supplemented with references to currently standard editions of Blake and others, and many new notes have been provided, identifying quotations, allusions, and cultural references. An introduction by Ian Singer provides biographical and critical context for the book, an overview of its contents, and an account of its reception.
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Striking out at the conception of criticism as restricted to mere opinion or ritual gesture, Northrop Frye wrote this magisterial work proceeding on the assumption that criticism is a structure of thought and knowledge in its own right. In four brilliant essays on historical, ethical, archetypical, and rhetorical criticism, employing examples of world literature from ancient times to the present, Frye reconceived literary criticism as a total history rather than a linear progression through time.
Literature, Frye wrote, is "the place where our imaginations find the ideal that they try to pass on to belief and action, where they find the vision which is the source of both the dignity and the joy of life." And the critical study of literature provides a basic way "to produce, out of the society we have to live in, a vision of the society we want to live in."
Harold Bloom contributes a fascinating and highly personal preface that examines Frye's mode of criticism and thought (as opposed to Frye's criticism itself) as being indispensable in the modern literary world.
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Geoffrey Firmin, a former British consul, has come to Quauhnahuac, Mexico. Here the consul's debilitating malaise is drinking, and activity that has overshadowed his life. Under the Volcano is set during the most fateful day of the consul's life--the Day of the Dead, 1938. His wife, Yvonne, arrives in Quauhnahuac to rescue him and their failing marriage, inspired by a vision of life together away from Mexico and the circumstances that have driven their relationship to the brink of collapse. Yvonne's mission is to save the consul is further complicated by the presence of Hugh, the consul's half-brother, and Jacques, a childhood friend. The events of this one day unfold against a backdrop unforgettable for its evocation of a Mexico at once magical and diabolical.
Under the Volcano remains one of the most powerful and lyrical statements on the human condition and one man's constant struggle against the elemental forces that threaten to destroy him.
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Well-known as a critic, Northrop Frye is also a renowned educator. This book, for the first time, allows us access to his classroom. Here he discusses Shakespeare's comedies, histories and tragedies, and introduces us to a new category - Shakespeare's romances, those glittering, frightening, magical plays of the playwright's later years. Dr. Frye presents lucid expositions of Romeo and Juliet, A Midsummer Night's Dream, Richard II, Henry IV, Measure for Measure, Hamlet, King Lear, Antony and Cleopatra, The Winter's Tale, and The Tempest, relating each of these works to others in the Shakespeare canon so that by the end of the book new light has been shed on all of Shakespeare's plays. Within this framework, Frye discusses many of the central elements of Shakespearean drama - from the traditions of comedy and tragedy to the historical background of the plays, from imagery and patterning to characterization, from the use of myth, folklore, and the supernatural to the anthropological roots of Shakespeare's ideas. Northrop Frye on Shakespeare will be invaluable to any student of literature, but its clarity and accessibility will also attract anyone with an interest in Shakespearean drama. It is as useful to the playgoer as it is to the academic, and proves that literary criticism can be as amusing as it is rewarding.
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An examination of the influence of the Bible on Western art and literature and on the Western creative imagination in general. Frye persuasively presents the Bible as a unique text distinct from all other epics and sacred writings. “No one has set forth so clearly, so subtly, or with such cogent energy as Frye the literary aspect of our biblical heritage” (New York Times Book Review). Indices.
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In 1904, the Canadian Bank of Commerce transferred teller Robert W. Service to the Yukon Territory. Soon, he was famous as the poet who chronicled the Klondike gold rush and the savage beauty of the frozen north. His verse tales of hard-bitten prospectors and sourdoughs make vivid, exciting reading, with such colorful characters as One-Eyed Mike, Dangerous Dan McGrew, Pious Pete, Blasphemous Bill-and, of course, the lady known as Lou. This book features 49 of Service's poems, along with stunning duotone photos of people and landscapes of the Yukon.
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Woven around the pursuits of the energetic spirits and erudite scholars of the University of St. John and the Holy Ghost, this dazzling trilogy of novels lures the reader into a world of mysticism, historical allusion, and gothic fantasy that could only be the invention of Canada's grand man of letters.
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In 1904, the Canadian Bank of Commerce transferred teller Robert W. Service to the Yukon Territory. Soon, he was famous as the poet who chronicled the Klondike gold rush and the savage beauty of the frozen north. His tales of hard-bitten propectors and sourdoughs in "The Land God Forgot" make vivid, exciting reading. Here are all the brawling, colorful characters that Service immortalized, including One-Eyed Mike, Dangerous Dan McGrew, Pious Pete, Blasphemous Bill -- and, of course, the lady known as Lou.
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Memoirs of Montparnasse is a delicious book about being young, restless, reckless, and without cares. It is also the best and liveliest of the many chronicles of 1920s Paris and the exploits of the lost generation. In 1928, nineteen-year-old John Glassco escaped Montreal and his overbearing father for the wilder shores of Montparnasse. He remained there until his money ran out and his health collapsed, and he enjoyed every minute of his stay. Remarkable for their candor and humor, Glassco’s memoirs have the daft logic of a wild but utterly absorbing adventure, a tale of desire set free that is only faintly shadowed by sadness at the inevitable passage of time.
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Following the mysterious death of Father Hobbs at the high altar on Good Friday, holistic doctor Jonathan Hullah takes a critical look at his past and at the individuals who shaped his life, and reevaluates his personal philosophies. Reprint. NYT.
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It was a time when the French laid claim to everything, but in truth the wilderness that was Canada belonged to the natives. The Jesuits saw the Savages (as they called them) as souls to be saved. The natives saw the Black Robes (as they called them) as destroyers, threatening the gods and sorceries by which their lives were ordered. Out of that conflict between two cultures, two worlds, Moore has fashioned an extraordinary novel.
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Hailed by the Washington Post Book World as “a modern classic,” Robertson Davies’s acclaimed Deptford Trilogy is a glittering, fantastical, cunningly contrived series of novels, around which a mysterious death is woven. World of Wonders—the third book in the series after The Manticore—follows the story of Magnus Eisengrim—the most illustrious magician of his age—who is spirited away from his home by a member of a traveling sideshow, the Wanless World of Wonders. After honing his skills and becoming better known, Magnus unfurls his life’s courageous and adventurous tale in this third and final volume of a spectacular, soaring work.
“Robertson Davies is one of the great modern novelists.”
—Malcolm Bradbury, The Sunday Times (London)
“Robertson Davies is a novelist whose books are thick and rich with humor, character and incident. They are plotted with skill and much flamboyance.” —The Observer (London)
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Hailed by the Washington Post Book World as "a modern classic," Robertson Davies’s acclaimed Deptford Trilogy is a glittering, fantastical, cunningly contrived series of novels, around which a mysterious death is woven. The Manticore—the second book in the series after Fifth Business—follows David Staunton, a man pleased with his success but haunted by his relationship with his larger-than-life father. As he seeks help through therapy, he encounters a wonderful cast of characters who help connect him to his past and the death of his father.