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Books : Literature & Fiction : World Literature : Canadian : Collections & Readers
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Edited by critically acclaimed, best-selling author Alice Sebold, the stories in this year's collection serve as a provacative literary "antenna for what is going on in the world" (Chicago Tribune). The collection boasts great variety from "famous to first-timers, sifted from major magazines and little reviews, grand and little worlds" (St. Louis Post-Dispatch), ensuring yet another rewarding, eduring edition of the oldest and best-selling Best American.
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"Stories are wondrous things. And they are dangerous." In The Truth About Stories, Native novelist and scholar Thomas King explores how stories shape who we are and how we understand and interact with other people. From creation stories to personal experiences, historical anecdotes to social injustices, racist propaganda to works of contemporary Native literature, King probes Native culture's deep ties to storytelling. With wry humor, King deftly weaves events from his own life as a child in California, an academic in Canada, and a Native North American with a wide-ranging discussion of stories told by and about Indians. So many stories have been told about Indians, King comments, that "there is no reason for the Indian to be real. The Indian simply has to exist in our imaginations." That imaginative Indian that North Americans hold dear has been challenged by Native writers - N. Scott Momaday, Leslie Marmon Silko, Louis Owens, Robert Alexie, and others - who provide alternative narratives of the Native experience that question, create a present, and imagine a future. King reminds the reader, Native and non-Native, that storytelling carries with it social and moral responsibilties. "Don't say in the years to come that you would have lived your life differently if only you had heard this story. You've heard it now."
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Best-selling novelist Jeffery Deaver edits this latest collection of the genre's finest from the past year. Featuring "gritty tales told with panache," this is a "must-read for anybody who cares about crime stories" (Booklist).
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"Simply compelling."--Mordecai Richler. "A cautionary tale of scholarly merit."--William S. Burroughs. "Chilling...will keep you up nights turning pages."--Peter Gorner, The Chicago Tribune. In 1845, Sir John Franklin set off, determined to "penetrate the icy fastness" of the Arctic. But he and his 129 men never made it. For the next 35 years, more than 20 major rescue parties searched fruitlessly for the vanished expedition. In this updated version of a bestseller that sold over 118,000 copies, a top forensic anthropologist and a historian tell the dramatic tale of excavating three sailors from the Franklin party. The bodies, well preserved by the permafrost, gave up their secrets to 20th century science, and the researchers pieced together a story of horrific starvation, scurvy, and cannibalism...Absolutely unforgettable--with photos in both color and black and white. The authors both live in Alberta, Canada. 192 pages, 43 color illus., 5 x 7 3/4.
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The Best American Series First, Best, and Best-Selling
The Best American series has been the premier annual showcase for the country's finest short fiction and nonfiction since 1915. Each volume's series editor selects notable works from hundreds of periodicals. A special guest editor, a leading writer in the field, then chooses the very best twenty or so pieces to publish. This unique system has made the Best American series the most respected -- and most popular -- of its kind.
The Best American Short Stories 2005 includes
Dennis Lehane • Tom Perrotta • Alice Munro • Edward P. Jones • Joy Williams • Joyce Carol Oates • Thomas McGuane • Kelly Link • Charles D'Ambrosio • Cory Doctorow • George Saunders • and others
Michael Chabon, guest editor, is the best-selling author of The Mysteries of Pittsburgh, Wonder Boys, A Model World, and, most recently, The Final Solution. His novel The Amazing Adventures of Kavalier and Clay won the Pulitzer Prize in 2000.
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“While a single short story may have a difficult time raising enough noise on its own to be heard over the din of civilization, short stories in bulk can have the effect of swarming bees, blocking out sound and sun and becoming the only thing you can think about,” writes Ann Patchett in her introduction to The Best American Short Stories 2006.
This vibrant, varied sampler of the American literary scene revels in life’s little absurdities, captures timely personal and cultural challenges, and ultimately shares subtle insight and compassion. In “The View from Castle Rock,” the short story master Alice Munro imagines a fictional account of her Scottish ancestors’ emigration to Canada in 1818. Nathan Englander’s cast of young characters in “How We Avenged the Blums” confronts a bully dubbed “The Anti-Semite” to both comic and tragic ends. In “Refresh, Refresh,” Benjamin Percy gives a forceful, heart-wrenching look at a young man’s choices when his father -- along with most of the men in his small town -- is deployed to Iraq. Yiyun Li’s “After a Life” reveals secrets, hidden shame, and cultural change in modern China. And in “Tatooizm,” Kevin Moffett weaves a story full of humor and humanity about a young couple’s relationship that has run its course.
Ann Patchett “brought unprecedented enthusiasm and judiciousness [to The Best American Short Stories 2006],” writes Katrina Kenison in her foreword, “and she is, surely, every story writer’s ideal reader, eager to love, slow to fault, exquisitely attentive to the text and all that lies beneath it.”
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"Half of our family, the better-looking half, is missing," Nomi tells us at the beginning of A Complicated Kindness. Left alone with her sad, peculiar father, her days are spent piecing together why her mother and sister have disappeared and contemplating her inevitable career at Happy Family Farms, a chicken slaughterhouse on the outskirts of East Village-not the East Village in New York City where Nomi would prefer to live, but a dull, oppressive town founded by Mennonites on the cold, flat plains of Manitoba, Canada.This moving, darkly funny novel is the world according to Nomi Nickel, a bewildered and wry sixteen-year-old trapped in a town governed by fundamentalist religion. In Nomi's droll, refreshing voice, we're told the story of her eccentric, touching family as it falls apart, each member on a collision course with the only community they have ever known. A work of fierce humor and tragedy by a writer poised to take the American market by storm, this searing, tender, comic testament to family love will break your heart.
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Contemplating the appeal of the short story, Lorrie Moore writes in her introduction, "A story's very shortness ensures its largeness of accomplishment, its selfhood and purity. Having long lost its ability to pay an author's rent (in that golden blip between Henry James and television, F. Scott Fitzgerald, for one, wrote stories to fund his novels), the short story has been freed of its commercial life to become serious art, by virtually its every practitioner. As a result, short or long, a story lies less. It sings and informs and blurts. It has nothing to lose." The twenty stories in this year's volume sing to and inform the reader with honesty, intelligence, and often humor. Charles D'Ambrosio's story, "Screenwriter," explores romance in a mental hospital. In "Limestone Diner," Trudy Lewis lays bare one family's strained history in central Missouri. Angela Pneuman's hilarious "All Saints Day" gives readers a child's-eye view of religious fundamentalism. And in John Edgar Wideman's profound story, "What We Cannot Speak About We Must Pass Over in Silence," friendship leads to a meditation on freedom and fairness.
Lorrie Moore has selected twenty stories that rejoice in the absurdities of life, consider the hard truths, and arrive at potent moments of understanding. With The Best American Short Stories 2004 "Lorrie Moore has done writers and readers a great service," Katrina Kenison writes in her foreword, "for her own love of the form and keen sensibility have resulted in a volume that fairly hums with life."
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Brazen Femme: Queering Femininity is a manifesto for the unrepentant bitch, straddling the furious and fantastic. Undeniably celebratory and deeply troubling, this sharp-edged collection (of fiction, prose poetry, personal essay, photographs, and illustration) figures the un-hyphenated femme experience emerging in performance, betrayal, -violence, humor and survival.
Brazen Femme recognizes femme as an identity in flux and in motion, as constantly being reinvented. This mutability sets the stage for creative and thoughtful representation featuring critically acclaimed writers including Michelle Tea, Camilla Gibb, Sky Gilbert, Amber Hollibaugh and Anurima Banerji. The collection includes the entertaining and challenging work of writers and artists whose stories are missing from existing explorations of femme that exclude experiences of men, transsexual women, and sex workers.
Whether by choice or necessity, these frenzied femmes each explore their desires to make (and remake) femininity fit their own queer frames. Darlings, drag queens, whores and action heroes . . . a femme by any other name is spectacular.
With writings by Debra Anderson, Anurima Banerji, T.J. Bryan, Anna Camilleri, Daniel Collins, Lisa Duggan and Kathleen McHugh, Camilla Gibb, Sky Gilbert, Tara Hardy, Amber Hollibaugh, Suzann Kole, Heather Mc-Callister, Elaine Miller, Kathryn Payne, Leah Piepzna-Samarasinha, Elizabeth Ruth, Trish Salah, Abi Slone and Allyson Mitchell, Michelle Tea, Zoe Whittal and Karin Wolf.
With photographs by Chloe Brushwood Rose, and Daniel Collins, and illustrations by comic artists Sandi Rapini, Suzy Malik and Allyson Mitchell.
Chloe Brushwood Rose and Anna Camilleri have been collaborating in Toronto as curators, editors and art-makers for the past four years. Anna co-founded the -interdisciplinary performance troupe Taste This, who -collaborated on the acclaimed Boys Like Her.
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Since its inception in 1915, the Best American series has become the premier annual showcase for the country's finest short fiction and nonfiction. For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected -- and most popular -- of its kind.
Lending a fresh perspective to a perennial favorite, Walter Mosley has chosen unforgettable short stories by both renowned writers and exciting newcomers. The Best American Short Stories 2003 features poignant tales that explore the nuances of family life and love, birth and death. Here are stories that will, as Mosley writes in his introduction, "live with the reader long after the words have been translated into ideas and dreams. That's because a good short story crosses the borders of our nations and our prejudices and our beliefs."
Dorothy Allison
Edwidge Danticat
E. L. Doctorow
Louise Erdrich
Adam Haslett
ZZ Packer
Mona Simpson
Mary Yukari Waters
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This year"s Best American Short Stories is edited by the critically acclaimed and best-selling author Barbara Kingsolver, whose latest book is Prodigal Summer. Kingsolver"s selections for The Best American Short Stories 2001 showcase a wide variety of new voices and masters, such as Alice Munro, Rick Moody, Dorothy West, and John Updike. "Reading these stories was both a distraction from and an anchor to the complexities of my life — my pleasure, my companionship, my salvation. I hope they will be yours." — Barbara Kingsolver
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They say life is what happens while you're busy making other plans. Life, it seems, always has a new surprise in store and that's as true as ever for the Patterson family of For Better or For Worse.Lynn Johnston has been bringing life to the Patterson clan since 1979, and for readers around the world, life just wouldn't seem right without her daily dispatch. I've Got the One-More-Washload Blues give readers more of what they've come to expect from Johnston's beloved cartoon: a sense of connection, a shared intimacy with a family as familiar as their own, and a front-row seat to the enduring, endearing comic saga called life.
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Selected from a survey of more than 200 English professors, award-winning short-story writers, novelists, and fiction workshop directors, a remarkable collection of North American literature written since 1970.
Sherman Alexie • Margaret Atwood • Toni Cade Bambara • Russell Banks • John Barth • Donald Barthelme • Rick Bass • Richard Bausch • Charles Baxter • Madison Smartt Bell • Amy Bloom • Kate Braverman • Robert Olen Butler • Ethan Canin • Raymond Carver • Sandra Cisneros • Michael Cunningham • Junot Diaz • Stuart Dybek • Tony Earley • Louise Erdrich • Richard Ford • David Gates • Tim Gautreaux • Ron Hansen • Amy Hempel • Denis Johnson • Edward P. Jones • Thom Jones • David Michael Kaplan • Janet Kaufman • Jamaica Kincaid • David Leavitt • Reginald McKnight • Lorrie Moore • Bharati Mukherjee • Alice Munro • Joyce Carol Oates • Tim O'Brien • Cynthia Ozick • Annie Proulx • Mark Richard • Lee Smith • Susan Sontag • Amy Tan • Melanie Rae Thon • Stephanie Vaughn • Alice Walker • John Edgar Wideman • Joy Williams
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A collection of witty, irreverent essays on subjects running the gamut from the space program to airport bans on smoking are included in this anthology. Written by Spider Robinson, The Crazy Years takes its name from Robert A. Heinlein's designation of the last years of the 20th century and contains essays from Robinson's tenure as op-ed columnist for The Globe and Mail and from Galaxy Online. Environmentalists that place the survival of earth before the survival of humanity, the idiocy of computer designs, and the downsides of the Internet are among the subjects Robinson uses to take the world to task.
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“Enough incident, shock, and suspense for a dozen books. . . . Filled with stories you haven’t heard before.”—Bret Easton Ellis In steel-tipped prose, Craig Davidson conjures a savage world populated by fighting dogs, prizefighters, sex addicts, and gamblers. In his title story, Davidson introduces an afflicted boxer whose hand never properly heals after a bone is broken. The fighter's career descends to bouts that have less to do with sport than with survival: no referee, no rules, not even gloves. In "A Mean Utility" we enter an even more desperate arena: dogfights where Rottweilers, pit bulls, and Dobermans fight each other to the death.
Davidson's stories are small monuments to the telling detail. The hostility of his fictional universe is tempered by the humanity he invests in his characters and by his subtle and very moving observations of their motivations. He shares with Chuck Palahniuk the uncanny ability to compel our attention, time and time again, to the most difficult subject matter. .
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Sizzling in Sydney - Sexy, macho Cameron Crane knows he needs San Francisco marketing guru Jennifer Talbot to take his Australian surf and boogie board business into the lucrative American market. No worries, mate. He'll just seduce the little sheila. But the minute Cameron lays eyes on Jenn, he's got the feeling the adorable, whip-smart business lady can see right through him-and he's never been more turned on...Surfer Boy - Handling the advertising campaign for Crane surf and boogie boards is hard-working and exec Lise Atwater's dream job. But turning their Australian surfer boy into a product spokesman is going to take a lot of work. Hunky Steve Jackson is a muscular, take-me-as-I-am kind of guy who thinks he's in the States to party and bed women. It's ridiculous, and if Lise weren't so suddenly preoccupied with picking out a new bikini and donning high heels around the office, she'd tell him so. The Great Barrier - Being dumped by his fiancee, Jennifer, for that barely civilized playboy, Cameron Crane, has left Mark Forsythe in a funk. From now on, the straight-arrow Mark is going to be as bad as they come. He's even booked an Australian vacation so he can sow his wild oats down under. On his first night, the novice bad boy ends up passed out in slinky Bronwyn Spencer's bed. Though nothing happened, Bronwyn's happy to let Mark think they've shared a night of passion so hot, he's got to experience it again...
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In these three lectures, Cavell situates Emerson at an intersection of three crossroads: a place where both philosophy and literature pass; where the two traditions of English and German philosophy shun one another; where the cultures of America and Europe unsettle one another."Cavell's 'readings' of Wittgenstein and Heidegger and Emerson and other thinkers surely deepen our understanding of them, but they do much more: they offer a vision of what life can be and what culture can mean. . . . These profound lectures are a wonderful place to make [Cavell's] acquaintance."--Hilary Putnam