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Books : Literature & Fiction : World Literature : Canadian : Native Literature : Authors, A-Z
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In this magical, rollicking tale, the author of the highly-acclaimed novel Medicine River unites two strong and sassy women with three hard-luck, hard-headed men in a search for the middle ground between Native American tradition and the modern world.
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Winner of the Dora Mavor Moore Award for Best New PlayNominated for the Governor General's Award
This award-winning play by Native playwright Tomson Highway is a powerful and moving portrayal of seven women from a reserve attempting to beat the odds by winning at bingo. And not just any bingo. It is THE BIGGEST BINGO IN THE WORLD and a chance to win a way out of a tortured life.
The Rez Sisters is hilarious, shocking, mystical and powerful, and clearly establishes the creative voice of Native theatre and writing in Canada today.
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"Stories are wondrous things. And they are dangerous." In The Truth About Stories, Native novelist and scholar Thomas King explores how stories shape who we are and how we understand and interact with other people. From creation stories to personal experiences, historical anecdotes to social injustices, racist propaganda to works of contemporary Native literature, King probes Native culture's deep ties to storytelling. With wry humor, King deftly weaves events from his own life as a child in California, an academic in Canada, and a Native North American with a wide-ranging discussion of stories told by and about Indians. So many stories have been told about Indians, King comments, that "there is no reason for the Indian to be real. The Indian simply has to exist in our imaginations." That imaginative Indian that North Americans hold dear has been challenged by Native writers - N. Scott Momaday, Leslie Marmon Silko, Louis Owens, Robert Alexie, and others - who provide alternative narratives of the Native experience that question, create a present, and imagine a future. King reminds the reader, Native and non-Native, that storytelling carries with it social and moral responsibilties. "Don't say in the years to come that you would have lived your life differently if only you had heard this story. You've heard it now."
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Thumps DreadfulWater wants the past to stay put. But when two Indian-rights activists arrive in the sleepy town of Chinook and a CIA agent winds up murdered, the laconic Native photographer finds he can't shed his cop skin -- or his youthful involvement with the Red Power movement. This winning recording features King's trademark wry humour.
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Coyote, the trickster, creates the world and all the creatures within it. She is able to control all events to her advantage until a funny-looking red-haired man named Columbus changes her plans. He is unimpressed by the wealth of moose, turtles, and beavers in Coyote’s land. Instead, he is interested in the human beings he can take to sell in Spain. Native American author Thomas King reinterprets the entire Columbus conquest mythology as a trickster tale, making the point that history is influenced by the culture of the reporter. This delightful book has been nominated for a Governor General’s Literary Award. "[A Coyote Columbus Story] is very funny, provocative, and offers a unique and absolutely engaging point of view." — The Toronto Star "An entertaining story ... the language is crisp, colloquial, and very expressive. It is also extremely thought-provoking." — Quill and Quire
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The queer man’s mode of embodiment—his gestural and vocal style, his posture and gait, his occupation of space—remembers a political history. To gesture with the elbow held close to the body, to affect a courtly lisp, or to set an arm akimbo with the hand turned back on the hip is to cite a history in which the sovereign body became the effeminate and sodomitical and, finally, the homosexual body. In Queer Articulations, Thomas A. King argues that the Anglo-American queer body publicizes a history of resistance to the gendered terms whereby liberal subjectivities were secured in early modern England.Arguing that queer agency preceded and enabled the formulation of queer subjectivities, Queer Articulations investigates theatricality and sodomy as performance practices foreclosed in the formation of gendered privacy and consequently available for resistant uses by male-bodied persons who have been positioned, or who have located themselves, outside the universalized public sphere of citizen-subjects. By defining queerness as the lack or failure of private pleasures, rather than an alternative pleasure or substance in its own right, eighteenth-century discourses reconfigured publicness as the mark of difference from the naturalized, private bodies of liberal subjects.Inviting a performance-centered, interdisciplinary approach to queer/male identities, King develops a model of queerness as processual activity, situated in time and place but irreducible to the individual subject's identifications, desires, and motivations.
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Taking on nothing less than the formation of modern genders and sexualities, Thomas A. King develops a history of the political and performative struggles that produced both normative and queer masculinities in the seventeenth and eighteenth centuries. The result is a major contribution to gender studies, gay studies, and theater and performance history.
The Gendering of Men, 1600–1750 traces the transition from a society based on alliance, which had subordinated all men, women, and boys to higher ranked males, to one founded in sexuality, through which men have embodied their claims to personal and political privacy. King proposes that the male body is a performative production marking men’s resistance to their subjection within patriarchy and sovereignty. Emphasizing that categories of gender must come under historical analysis, The Gendering of Men explores men’s particpation in an ongoing struggle for access to a universal manliness transcending other biological and social differentials.
This is volume one of two projected volumes. -
Thomas King is a writer of lyrical, comic poignancy, and a best-selling author in Canada. Of his latest novel, Newsday wrote, "Thomas King has quietly and gorgeously done it again." Truth and Bright Water tells of a summer in the life of Tecumseh and Lum, young Native-American cousins coming of age in the Montana town of Truth, and the Bright Water Reserve across the river in Alberta. It opens with a mysterious woman with a suitcase, throwing things into the river -- then jumping in herself. Tecumseh and Lum go to help, but she and her truck have disappeared. Other mysteries puzzle Tecumseh: whether his mom will take his dad back; if his rolling-stone aunt is home to stay; why no one protects Lum from his father's rages. Then Tecumseh gets a job helping an artist -- Bright Water's most famous son -- with the project of a lifetime. As Truth and Bright Water prepare for the Indian Days festival, their secrets come together in a climax of tragedy, reconciliation, and love.
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An old woman and her animals gather every night to serenade the moon. Coyote wants to join them, but his voice is so bad that the others are sure he’ll scare the moon away. Offended, Coyote wonders, “Who needs the moon, anyway?” Moon is listening, and she knows just the solution for a cheeky Coyote. Unfortunately, Coyote’s friends must pay the price, too!
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A collection of original stories written by some of the country’s most celebrated Aboriginal writers, and inspired by pivotal events in the country’s history.
Inspired by history, Our Story is a beautifully illustrated collection of original stories from some of Canada’s most celebrated Aboriginal writers.
Asked to explore seminal moments in Canadian history from an Aboriginal perspective, these ten acclaimed authors have travelled through our country’s past to discover the moments that shaped our nation and its people.
Drawing on their skills as gifted storytellers and the unique perspectives their heritage affords, the contributors to this collection offer wonderfully imaginative accounts of what it’s like to participate in history. From a tale of Viking raiders to a story set during the Oka crisis, the authors tackle a wide range of issues and events, taking us into the unknown, while also bringing the familiar into sharper focus.
Our Story brings together an impressive array of voices — Inuk, Cherokee, Ojibway, Cree, and Salish to name just a few — from across the country and across the spectrum of First Nations. These are the novelists, playwrights, journalists, activists, and artists whose work is both Aboriginal and uniquely Canadian.
Brought together to explore and articulate their peoples’ experience of our country’s shared history, these authors’ grace, insight, and humour help all Canadians understand the forces and experiences that have made us who we are.
Maria Campbell • Tantoo Cardinal • Tomson Highway • Drew Hayden Taylor • Basil Johnston • Thomas King • Brian Maracle • Lee Maracle • Jovette Marchessault • Rachel Qitsualik
From the Hardcover edition. -
Here is a new combined edition of Lee Maracle's best-loved works of fiction. True to the principles of First Nations oratory, the novel (Sundogs) and short stories (Sojourner's Truth and Other Stories) in this volume are layered with unresolved human dilemmas. Maracle writes with love and humor, whether she's telling the tragic story of a boy's attempt to escape residential school or offering an intimate look at one family's struggle during the Mohawk Warrior Society's defiant stand at Oka. These are stories of the heart -- daring and imaginative, crossing cultures and generations -- by a vital and visionary writer.
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Lee Maracle, author of the best-selling I Am Woman: A Native Perspective on Sociology and Feminism, sets this novel in an urban Native American community on the Pacific Northwest coast in the early 1950s. Ravensong is by turns damning, humorous, inspirational, and prophetic.
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Syndi and Mrs. Teller just love the old dollhouse they found at a yard sale, but Marshall and Simon aren't impressed. Still, when they see an interesting doll in a shop window, they make it a present for Syndi. But when Syndi puts the doll into the house, weirdness ensues. And when Marshall sneaks into a real-life house that looks like the dollhouse, he realizes that he's shrinking. What's the connection between all this and the peculiar new girl in school who looks just like Syndi's doll? Marshall has to find out quick, or else move into a dollhouse himself! .
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They say a black cat is bad luck. They say you shouldn't go for a swim right after eating. But who are the "they" that made up all these rules? Marshall and Simon meet a lost old woman who needs their help: it's time for the annual Gathering of They, when They decide on all their sayings for the year. But somebody doesn't want They to meet. If the boys can't unravel this mystery and bring They together, nobody will know what They say about anything.
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It sees, like an average little town at first. But things are really, REALLY weird in Eerie, Indiana.
SWITCHING CHANNELS
A kid wakes up in Eerie one day and finds a shrunken head in his sweater. This big multicolored toad jumps out of the fridge. And at the breakfast table, the kid's Loopy Letters cereal spells out a warning. Just a normal morning in the universe's strangest town, right? Except for one thing: this kid's name is Mitchell. His next-door neighbor is Stanley. And their dull, drab town is boring. But later on, when they check out a powerful satellite dish in the Cable Stop store, the TV screen fills with static and shows the faces of two other kids. Kids who say they're "Marshall and Simon" and they're from Eerie, Indians--in another dimension. And the weirdness from their world is starting to spill out into Mitchell and Stanley's! With 2,000 channels, could one of the, be connecting the two Eeries? And is so, just how weird are things about to get?





















