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Books : Biographies & Memoirs : People, A-Z : ( F ) : Frye, Northrop
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A Book of Kells recalls the lives of John Kell and Kathleen Ward who meet in 1917 when he is a Canadian sailor stationed in Portsmouth, England. Her father, a Methodist Sunday School teacher, brings him home for tea. Kathleen’s sister writes to Jack until she gets married in 1924 and Kathleen takes up the correspondence. Meanwhile, Jack has been getting an education and has spent a year as a student minister on a Cree mission field where he plans to return for another five years. When he gets Kathleen’s letter it is like manna from heaven. The courtship is awkward and tumultuous. She asks him to come over for another look but, when he does, she rebuffs him. However, they agree to give themselves a year to reconsider. Seventy-two letters get through, even though the Indian reserve is cut off from civilization for six months of the year. They marry in 1927, she goes up to Oxford House by canoe along the old fur trade route, and she treks for five days by horse-drawn toboggan in mid-winter to give birth to a baby. When I enter the picture during the Great Depression, a stressed-out minister’s wife and three little girls are crammed into a duplex on a working-class street in Toronto. We’re working our hearts out as little "examples," trying to help Father. In later years, I discovered an emotional toll to pay. I couldn’t sit through a church service without breaking into unrestrained weeping. My teen-age and college years were full of turmoil. What seemed to be the fundamental problem was that I had been trained to put away my ego in favor of redeeming my soul. Still, religion was a great strength, protecting our family from tendencies towards alcoholism and mental illness. I struggle desperately to avoid the pitfall of black sheep, which seemed inevitable for the youngest of three "perfect" minister’s daughters. The name of this family voyage recalls the famous ninth-century gospel manuscript illuminated by monks.
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The late Northrop Frye is Canada's best-known literary and cultural critic, and one of the most original thinkers of the twentieth century. During his lifetime, Frye developed a profoundly religious epistemology that informed and infused much of what he wrote. In bringing together his writings on the Bible and religion, this volume offers many keys to the dynamic essence of Frye's thought.
Well-organized, insightfully introduced, and carefully edited, this scholarly, annotated edition covers nearly the full range of Frye's intensive intellectual work on religion. (The Great Code and Words with Power will be published in separate volumes of the collected edition.) The writings presented here span a period of fifty-seven years and range from prayers to convocation addresses. Although remarkably diverse in form and content, they reveal the splendid coherence of Frye's vision.
This is a quintessential volume in the Collected Works, indispensable to all who have been inspired by Frye's work. In it we find the brilliant and often unorthodox record of a great mind imaginatively open to the transforming power of the Bible, and open also to what William Blake called "the human form divine."
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An inveterate notebook keeper, Northrop Frye continually jotted down his ideas and thoughts as he worked through the complex schemes of his criticism. Volumes 5 and 6 of the Collected Works are the notebooks that he kept while writing his two final books, "Words with Power" and "The Double Vision". They provide a record of what he was reading and thinking as he struggled with the implications of those projects. In a sense they are the workshops out of which the books were constructed.
While focusing on the works-in-progress, the 3684 entries presented here range over diverse territory, never failing to surprise, delight, and provoke. In these notebooks, for instance, we find comments triggered by a detective story Frye is reading, a lecture he has to prepare, a glance at the books on his shelves, a quotation he remembers, a letter received, or the memory of a trip. In many respects, the notebooks reveal a Frye who is quite different from the critic who made his reputation with "Fearful Symmetry" and "Anatomy of Criticism", displaying aspects of his personality and thought that are not apparent in his books and essays. The notebooks show us the unbuttoned Frye, a complex man capable of both spiritual transcendence and hard-headed pragmatism. Here, for instance, his criticism of Catholicism is far more acerbic than in anything he published. Likewise, his rejection of both Marxist
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Romance was a theme that ran through much of Northrop Frye's corpus, and his notebooks and typed notes on the subject are plentiful. This unpublished material, written between 1944 and 1989, traces a remarkable re-evaluation in his thinking over the course of time. As a young scholar, Frye insisted that romance was an expression of cultural decadence; however, in his later years, he thought of it as "the structural core of all fiction."
The unpublished material Michael Dolzani has gathered for Northrop Frye's Notebooks on Romance shows how the pattern and conventions of romance inform the writing of history, anthropology, psychology, philosophy, and theology. While Frye is best known for his writing on myth and biblical scholarship, he himself eventually conceived of romance as the true and equal contrary to myth and scripture, a "secular scripture" whose message is de te fabula, "this story is about you." Given the current popular revival of romance in fiction and film, the appearance of Frye's unpublished work on romance is of profound importance.
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With the publication of Fearful Symmetry in 1947, Northrop Frye gained wide renown as a literary theorist, a reputation that continued to build throughout his lifetime. This volume in the Collected Works provides a transcription of the seven books of diaries that Frye kept intermittently from 1942 until 1955. During the period of the final six diaries, 1949 - 1955, Frye was at work on Anatomy of Criticism, and he refers frequently to many of the essays written during this period that became a part of the book that brought him international acclaim.
For Frye, diary-writing was a tool for recording "everything of importance" and this ruled out very little. His entries contain a large measure of self-analysis and self-revelation, and in this respect are confessional -- we see his sanguine humour, dark moods and claustrophobia, along with the more self-congratulatory aspects of his character. But the volume also serves as a chronicle. Peering over Frye's shoulder, we watch him teach his classes, plan his career, record his dreams, register his frank reactions to the hundreds of people who cross his path, eye attractive women, reflect on books, music and movies, ponder religious and political issues, consider his various physical and psychological ailments, practise the piano, visit bookstores, frequent Toronto restaurants, and record scores of additional activities, mundane and othe
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Presented here is a selection from the professional and personal correspondence of Northrop Frye, one of the preeminent literary critics of the last century. With frank and accessible appraisals, the letters reveal Frye's attitudes toward scores of topics: the value of James Bond thrillers, the gap between faith and reason, surrealism, hippies, Milton's imagery, comparative literature, political hysteria in the U.S., the nature of the educated imagination, anarchism, the teaching of religion in the university, the Proteus myth, the distinction between subjects and themes, the connection between Nietzsche and Yeats, the difference between cliche and aphorism, the fussy rules of copy editors, and scores of other issues.
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Northrop Frye discusses with David Cayley his life as a teacher and scholar, focusing on the university as "the engine room of society." This fascinating book concludes with Frye's thoughts on religion and his writings on the Bible.
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Even the casual reader will notice a strong preoccupation with religion in the work of Northrop Frye. In his latest book, however, the esteemed Frye scholar Robert Denham shows that it played a far greater role than has been assumed—religion was in fact central to practically everything Frye wrote. Denham’s focus shifts the emphasis from Anatomy of Criticism, Frye’s most famous work, and places it on those works with which Frye began and ended his career—the early Fearful Symmetry and, fifty years later, his two studies of the Bible and The Double Vision. This reevaluation is based on a close examination of Frye’s religiously charged language and aided by Denham’s remarkable and unique access to Frye’s notebooks. The notebooks’ contents not only expand on ideas laid out in Frye’s published works but also touch on subjects most readers would not associate with Frye, such as his wide reading in both Eastern religious texts and in esoteric traditions ranging from astrology to the Cabala.
Denham does not attempt to distill a theology from Frye’s work; rather, he seeks to trace the movement of Frye’s thought, demonstrating the imaginative use to which he put his wide-ranging reading. The result is a pivotal work, redefining our understanding of one of the most important humanists of the twentieth century.
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Northrop Frye's expansive and influential lectures on the literary symbolism of the Bible given during 1981-2 are arguably among his best and most accessible works. This thirteenth volume in the Collected Works of Northrop Frye gathers together these lectures and Frye's notebooks on the Bible, Dante, and Eastern religion. The eleven holograph notebooks and the twenty-four lectures transcribed here present new insights into Frye's personality, methods, and thought, and complement the other published editions of Frye's notebooks in this series, The Late Notebooks (2000) and The 'Third Book' Notebooks (2002).
The notebook material comes mostly from the 1970s, when Frye was at work on the first of his books on the Bible, The Great Code, but also includes one notebook from the 1940s, another from the 1960s, devoted to Frye's reading of Dante's Purgatorio and the first ten cantos of the Paradiso, and another from the 1980s, when Frye was at work on his second book on the Bible, Words with Power. Fully annotated, this latest volume in the Collected Works of Northrop Frye will be an invaluable addition to any literary or religious scholar's library.
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Eradicating once and for all the unfounded notion that Frye was not a political writer, this eleventh volume in the Collected Works of Northrop Frye gathers together all of Northrop Frye's writings on politics, culture, the arts, history, literature, mass media, and music.
Written between 1934 and 1986, these collected works illustrate the extent of Frye's engagement with the unfolding events of twentieth-century political life, from the Great Depression to the Reagan / Thatcher / Mulroney era. The centrepiece of the volume, Frye's learned and wide-ranging contribution to the Canadian confederation celebrations, The Modern Century (1967), is accompanied by pieces that reflect Frye's observations on such diverse political events as the Oxford 'King and Country' debate and the Vietnam war, revealing Frye the literary theorist as Frye the political entity.Jan Gorak's extensive introduction and annotations serve to historicize Frye and situate him and his work in the historical and critical context of twentieth-century Canada and North America. Frye's work is discussed in relation to that of T.S. Eliot, Edmund Wilson, Raymond Williams, Marshall McLuhan, Harold Innis, E.J. Pratt, A.J.M. Smith, F.A. Underhill, J.S. Woodsworth, George Grant, and especially Oswald Spengler. Erudite and enlightening, Frye's comments on politics are as relevant today as they were when he wro
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Prose. "In this book of wit and wisdom readers are allowed to enter the private study and smithy of one of the most penetrating thinkers of the twentieth century, to delight in his shaping of aphorisms unfettered by what anyone else might think, even by what he himself might hold to after further ruminations and formulations" ---Alvin A. Lee, General Editor of the Collected Works of Nortrhop Frye. "Norrie is not struggling for his place in the sun. He is the sun" ---Marshall McLuhan.
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An inveterate notebook keeper, Northrop Frye continually jotted down his ideas and thoughts as he worked through the complex schemes of his criticism. Volumes 5 and 6 of the Collected Works are the notebooks that he kept while writing his two final books, "Words with Power" and "The Double Vision". They provide a record of what he was reading and thinking as he struggled with the implications of those projects. In a sense they are the workshops out of which the books were constructed.
While focusing on the works-in-progress, the 3684 entries presented here range over diverse territory, never failing to surprise, delight, and provoke. In these notebooks, for instance, we find comments triggered by a detective story Frye is reading, a lecture he has to prepare, a glance at the books on his shelves, a quotation he remembers, a letter received, or the memory of a trip. In many respects, the notebooks reveal a Frye who is quite different from the critic who made his reputation with "Fearful Symmetry" and "Anatomy of Criticism", displaying aspects of his personality and thought that are not apparent in his books and essays. The notebooks show us the unbuttoned Frye, a complex man capable of both spiritual transcendence and hard-headed pragmatism. Here, for instance, his criticism of Catholicism is far more acerbic than in anything he published. Likewise, his rejection of both Marxist
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This collection of essays by scholars from a wide range of disciplines and institutions pays tribute to the richness, diversity, and significance of Northrop Frye's contributions to culture and society in Canada and around the world. Alvin Lee and Robert Denham divide the papers into four cohesive sections: 'The Double Vision: Culture, Religion, and Society, ' 'Imagined Community: Frye and Canada, ' 'The Visioned Poet in His Dreams: Frye, Romanticism, and the Modern, ' and 'Dunsinane, Birnam Wood, and Beyon Frye's Theoria of Language and Literature.' The essays consider Frye in relation to Canadian culture, examine his understanding of Romanticism and modernism, and explore and evaluate his contributions to our understanding of literature, criticism, society, and religion. In their introductions, Alvin Lee presents an overview of the central issues, and Robert Denham provides an account of Frye's international presence. The volume also includes a list of Frye's books in their various editions and translations, the libretto of a masque, a poem by Margaret Atwood, and a tribute by Julia Kristeva. As a text that celebrates the vitality and complexity of Northrop Frye as a cultural and literary critic, this book is ideal for classroom use. It is a valuable addition to the existing work on Frye, and will be of special interest to scholars of Canadian studies, literature, literary theory and
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More than fifty years after the publication of Anatomy of Criticism, Northrop Frye remains one of Canada's most influential intellectuals. This reappraisal reasserts the relevance of his work to the study of literature and illuminates its fruitful intersection with a variety of other fields, including film, cultural studies, linguistics, and feminism. Many of the contributors draw upon the early essays, correspondence, and diaries recently published as part of the Collected Works of Northrop Frye series, in order to explore the development of his extraordinary intellectual range and the implications of his imaginative syntheses. They refute postmodernist arguments that Frye's literary criticism is obsolete and propose his wide-ranging and non-linear ways of thinking as a model for twenty-first century readers searching for innovative ways of understanding literature and its relevance to contiguous disciplines. The volume provides an in-depth examination of Frye's work on a range of literary questions, periods, and genres, as well as a consideration of his contributions to literary theory, philosophy, and theology. The portrait that emerges is that of a writer who still has much to offer those interested in literature and the ways it represents and transforms our world. The book's overall argument is that Frye's case for the centrality of the imagination has never be
Robert D. Denham has collected in these volumes the 266 letters, cards, and telegrams that Helen Kemp and Northrop Frye wrote to each other during the six periods when they were apart, from the winter of 1931-32 until the summer of 1939. The letters form a compelling narrative of their early relationship. They tell of a romance in which two people fall in love, want to get married, and are confronted with obstacles blocking their path, including lack of money and the education they both need to advance their careers. But the story is much more than a romance.
The letters reveal Frye's early talent as a writer, illustrating that both the matter and the manner of his criticism had begun to take shape when he was only nineteen. Helen Kemp's expressiveness and intelligence come through clearly in her letters, which were only discovered in 1992. Kemp and Frye share their thoughts on literature, music, religion, politics, education, and a host of other topics. They discuss their alma mater, Victoria College; artists and musicians of Toronto; southwestern Saskatchewan, where Frye spent a summer as a pastor on a United Church circuit; Frye's hometown, Moncton, New Brunswick; and Kemp's neighbourhood on Fulton Avenue in Toronto. We travel with them around the world, from Ottawa to Rome. We see through their eyes the early years of the Co-operative Commonwealth Federation, the struggl
Robert D. Denham has collected in these volumes the 266 letters, cards, and telegrams that Helen Kemp and Northrop Frye wrote to each other during the six periods when they were apart, from the winter of 1931-32 until the summer of 1939. The letters form a compelling narrative of their early relationship. They tell of a romance in which two people fall in love, want to get married, and are confronted with obstacles blocking their path, including lack of money and the education they both need to advance their careers. But the story is much more than a romance.
The letters reveal Frye's early talent as a writer, illustrating that both the matter and the manner of his criticism had begun to take shape when he was only nineteen. Helen Kemp's expressiveness and intelligence come through clearly in her letters, which were only discovered in 1992. Kemp and Frye share their thoughts on literature, music, religion, politics, education, and a host of other topics. They discuss their alma mater, Victoria College; artists and musicians of Toronto; southwestern Saskatchewan, where Frye spent a summer as a pastor on a United Church circuit; Frye's hometown, Moncton, New Brunswick; and Kemp's neighbourhood on Fulton Avenue in Toronto. We travel with them around the world, from Ottawa to Rome. We see through their eyes the early years of the Co-operative Commonwealth Federation, the struggl
'Frye was a person of uncommon gifts, and very little that came from his pen is without interest.' So writes Robert Denham in his introduction to this unique collection of twenty-two papers written by Northrop Frye during his student years. Made public only after Frye's death in 1991, all but one of the essays are published here for the first time.
The majority of these papers were written for courses at Emmanuel College, the theology school of Victoria College at the University of Toronto. Essays such as 'The Concept of Sacrifice,' 'The Fertility Cults,' and 'The Jewish Background of the New Testament' reveal the links between Frye's early research in theology and the form and content of his later criticism. It is clear that even as a theology student Frye's first impulse was always that of the cultural critic. The papers on Calvin, Eliot, Chaucer, Wyndham Lewis, and on the forms of prose fiction show Frye as precociously witty, rigorous, and incisive - a gifted writer who clearly found his voice before his last undergraduate year.
David Lodge wrote in the New Statesman: 'There are not many critics whose twenty-year-old book reviews one can read with pleasure and instruction, but Frye is an exception to most rules.' Northrop Frye's student essays provide pleasure and instruction through their comments on the Augustinian view of history, on beauty, truth, and goodness, on
In Northrop Frye: A Visionary Life, Joseph Adamson examines the life and career of a remarkable scholar and teacher and his quest for meaning in mythic forms and biblical symbolism. Highlights of this illustrated biography include: Frye's boyhood in Eastern Canada; his dramatic encounter with the work of William Blake; the impact and importance of Anatomy of Criticism; Frye's gradual development of a theory of culture; and his culminating achievement, after 20 years, of a comprehensive study of the poetic structures of the Bible.
In the early 1960s, Northrop Frye began keeping notebooks with the aim of creating a critical epic that he referred to as the 'Third Book', a project intended as his third major work following Fearful Symmetry and Anatomy of Criticism. As described by Michael Dolzani, Frye's ambition for the 'Third Book' was for it to become no less than a "symbolic guide to the entire universe". The work he envisioned contemplated the ways in which myth and metaphor are the keys to all verbal structures: how they reach beyond the hypothetical realm of literature to inform, organize, and control historical, conceptual, political, and perhaps scientific thought.
Although ultimately abandoned, the 'Third Book' remains both an essential component of the larger Collected Works of Northrop Frye and an intriguing text in its own right. Michael Dolzani provides an eloquent introduction that adds an essential unifying frame to the fragmented and complex critical musings which comprise this enormous volume of work. Further, he has incorporated much useful background material and cross-referencing, enhancing the value of this volume as an indispensable research tool.
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