Shop Categories
- Italian
- Magic Attic Club
- Customs & Traditions
- Heighton, Steven
- Low-Fat Diet
- Hardcover
- Soutine, Chaim
- Weil, Simone
- Negotiating
- Henderson, Jason
- Psychology & Christianity
- Mice, Hamsters & Guinea Pigs
- Schow, David
- Dutch
- Ducks & Other Waterfowl
- Anno's Math Games
- Paperback
- Burningham, John
- Geometry & Topology
- Substance Abuse
- Jehovah's Witness
- British & Irish
- Ensor, James
- Wilde, Oscar
- General
- Government
- Troubles
- Sexual
- Mathematics
- Polo
- Some of our other sites:
- Books
- Clothing, Shoes and Accessories
- Baby Clothes and Accessories
- Cosmetics, Beauty Products and Fragrances
- Cellphones, Call Plans and Accessories
- Video Games
- DVDs
- Electronics, Gadgets and Computers
- Health and Personal Care
- Home and Garden
- Home DIY
- Jewelry
- Magazines and Newspapers
- Music Downloads
- Musical Instruments
- Office Equipment and Supplies
- Software and Games
- Sporting Goods
- Toys and Games
- Watches
- UK Books
- UK Video Games
- UK Home and Garden
- UK Electronics, Gadgets and Computers
- UK Baby Clothes and Accessories
- UK Software and Games
- UK Sporting Goods
- UK Toys and Games
Books : Arts & Photography : Schools, Periods & Styles : Romanesque
-
-
An Introduction to Music and Art in the Western World, 10th edition, is a clear and attractive guide to the great artists and composers of the West and the societies in which they lived and worked.
-
The early middle ages were an exciting period in the history of European architecture, culminating in the development of the Romanesque style. Major architectural innovations were made during this time including the medieval castle, the church spire, and the monastic cloister. By avoiding the traditional emphasis on chronological development, Roger Stalley provides a radically new approach to the subject, exploring issues and themes rather than sequences and dates. In addition to analysing the language of the Romanesque, the book examines the engineering achievements of the builders, focusing on how the great monuments of the age were designed and constructed. Ranging from Gotland to Apulia, Stalley explores the richness and variety of European architecture in terms of the social and religious aspirations of the time. Symbolic meanings associated with architecture are also thoroughly investigated. Written with style and humour, the lively text includes many quotations from ancient sources, providing fascinating insight into the way that medieval buildings were created, and in the process enlivening study of this period.
-
Medieval architecture comprises much more than the traditional image of Gothic cathedrals and the castles of chivalry. A great variety of buildings--synagogues, halls, and barns--testify to the diverse communities and interests in western Europe in the centuries between 1150 and 1550. This book looks at their architecture from an entirely fresh perspective, shifting the emphasis away from such areas as France towards the creativity of other regions, including central Europe and Spain. Treating the subject thematically, Coldstream seeks out what all buildings, both religious and secular, have in common, and how they reflect the material and spiritual concerns of the people who built and used them. Furthermore, the author considers how and why, after four centuries of shaping the landscapes and urban patterns of Europe, medieval styles were superseded by classicism.
-
-
These substantial volumes on art periods vividly portray the most important achievements from the areas of European architecture, sculpture, and painting. The impressive photographs of works from all visual arts movements are at the center of these richly illustrated volumes. The books successfully provide an overview of the artistic diversity of the individual periods, and they couldn't have been written and illustrated any more clearly. The informative and interesting texts have been written by renowned authors from the fields of history, architecture and art history, providing a multifaceted view of each period. These books are a real pleasure for anyone with an interest in art.
-
Sir Lawrence Alma-Tadema (1836-1912), was one of the finest and most distinctive of the Victorian painters. Dutch-born, he moved to London in 1870 and became famous for his depictions of the luxury and decadence of the Roman Empire, set in fabulous marbled interiors or against a backdrop of dazzling blue Mediterranean sea and sky. In this original study, Rosemary Barrow presents an absorbing and often amusing portrait of an exuberant personality who carved out a brilliant career for himself at the heart of London's artistic and cultural elite. But above all she subjects the paintings to a fresh scrutiny, and reveals that Alma-Tadema, a knowledgeable student of antiquity, repeatedly used literary and archaeological allusions in his paintings to play a game of interpretation with his viewers. Time and again the seeming innocence of the scenes he depicts is subverted by a mischievously placed inscription or statue, suggesting to the initiated a darker and usually risque meaning. Neglected after his death, Alma-Tadema's paintings are once again admired for their beauty and their remarkable mastery of light, colour and texture. With its intriguing insights into his personality and intentions, this book should provide a challenging reassessment of a major artist.
-
-
The Cloisters is the branch of The Metropolitan Museum of Art devoted to the art and architecture of medieval Europe. This splendid new guide, richly illustrated with more than 175 color pictures, offers a broad introduction to the remarkable history of The Cloisters as well as a lively and informative discussion of the treasures within.
Assembled with Romanesque and Gothic architectural elements dating from the twelfth through the fifteenth century, The Cloisters is itself a New York City landmark, overlooking sweeping vistas of the Hudson River in Upper Manhattan. Long cherished as a world-class museum, it also contains beautiful gardens featuring plants, fruit trees, and useful herbs familiar from the collection’s medieval tapestries and other works of art. Among the masterworks of medieval religious and domestic life housed in The Cloisters are exceptional examples of carved ivory, illuminated manuscripts, stained glass, silver- and goldsmiths’ work, and tapestries, including the famous Unicorn in Captivity.
Enriched by the latest scholarship from The Cloisters’ expert staff of curators, educators, and horticulturalists, this volume will stand as the definitive source on the collection for years to come.
In the London circles of Dante Gabriel Rossetti and Frederic Leighton, the notion of “art for art's sake” became a shared concern: if art is not created for the sake of preaching a moral lesson, or supporting a political cause, or making a fortune, or any other objective, what might art be? Art historian Elizabeth Prettejohn traces the emergence of the debates over this issue in the 1860s and 1870s, focusing especially on the Rossetti, Whistler, Leighton, and other protagonists of the Aesthetic Movement and their paintings—some of the most haunting and memorable images in modern art. The English painters' search for the formula to best express the idea of “art for art's sake” was a unified and powerful artistic undertaking, Prettejohn demonstrates, and the Aesthetic Movement made important contributions to the history of modern art.
This superbly illustrated book is the only one of its kind to trace the history of Romanesque and Gothic architecture and sculpture in all of France, focusing especially on the exalted ecclesiastical structures-and the splendid sculpture, painting, illuminated manuscripts, and stained glass made for these churches, monasteries, abbeys, and cathedrals-created by inspired "builders for God."
Touring France province by province, the authors discuss the landmarks of the period, such as Notre-Dame, Cluny, and the Cathedral of Chartres, all of which reflect the religious intensity of the medieval world. Whether exploring the religious history of Catholic France, the historical development of Romanesque and Gothic styles, or the lives and works of the builders and artists who sought to glorify God, this lavishly illustrated, carefully researched book is invaluable for scholars yet accessible for the general reader.
VIVIANE MINNE-SÈVE has taught at the Ecole d'Architecture in Geneva and is currently a professor at the Institut Suprieur de Tourisme in Paris. She specializes in the Romanesque period and has contributed to several Swiss and Italian publications.
HERVÉ KERGALL is a sculptor and a specialist in Gothic art who has written for many exhibition catalogues, often on the working methods of architects of the Romanesque and Gothic periods.
300 illustrations in full color, 50 maps, floor plans, and diagrams, 101/2 x 121/2"
Presents the Romanesque period, from 1050 to 1200 A.D., through an entirely new approach; including discussions of issues important to the period. The book emphasizes society, the role of women, patronage, and the development of institutions such as the monastery and the university. This approach serves to enliven a period in art and culture that had been previously burdened by reference as “the Dark Ages.” It also provides a social and political context for a discussion of the period and presents broader survey scope through references to Islam, Judaism, and other non-Christian cultures.
Le Thoronet Abbey, one of the wonders of twelfth-century Cistercian architecture and still revered by architects today, nestles in a wooded valley in Provence, south of France. This book is a pictorial appreciation of the abbey, photographed by Lucien Hervé in the mid-1950s and introduced by Le Corbusier. 'The pictures in this book are witnesses to the truth', is how he describes Hervé's photographs of the Romanesque abbey. Hervé's exquisite study presents the building throughout the course of a day, depicting the changing play of light and shadow on its stone vaulted exterior and interior. Highly textured and almost abstract in quality, his photographs reveal how the abbey is defined as much by light as by the conventions of Romanesque architecture, as well as conveying the intense spirituality of the Cistercian monastic order. Arranged according to the canonical hours of prayer, Hervé's photographs are complemented by quotations from the psalms and the saints. An essay by Father Samuel of the Abbey of Notre-Dame de Sept-Fons provides an insight into the Cistercian monastic order, while architect John Pawson contributes a personal appreciation of this fine example of Cistercian architecture.
The Stammheim Missal is one of the most visually dazzling and theologically ambitious works of German Romanesque art. Containing the text recited by the priest and the chants sung by the choir at mass, the manuscript was produced in Lower Saxony around 1160 at Saint Michael's Abbey at Hildesheim, a celebrated abbey in medieval Germany.
This informative volume features color illustrations of all the manuscript's major decorations. The author surveys the manuscript, its illuminations, and the circumstances surrounding its creation, then explores the tradition of the illumination of mass books and the representation of Jewish scriptures in Christian art. Teviotdale then considers the iconography of the manuscript's illuminations, identifies and translates many of its numerous Latin inscriptions, and finally considers the missal and its visually sophisticated and religiously complex miniatures as a whole.
This informative volume features color illustrations of all the manuscript's major decorations. The author surveys the manuscript, its illuminations, and the circumstances surrounding its creation, then explores the tradition of the illumination of mass books and the representation of Jewish scriptures in Christian art. Teviotdale then considers the iconography of the manuscript's illuminations, identifies and translates many of its numerous Latin inscriptions, and finally considers the missal and its visually sophisticated and religiously complex miniatures as a whole.
The magnificent bronze doors of Hildesheim Cathedral, the ivory, gold, enameled, and bejeweled book covers made to contain superbly illuminated manuscripts, the startling reliquary caskets made in the shape of the part of the body supposed to be contained within them-these and other sacred objects were contained within church treasuries and cloisters in the early Middle Ages in Europe. This beautiful book traces the development of these so-called Minor Arts and the major role they played alongside the other pictorial arts and architectural sculpture of the period.
A wealth of stunning, high-quality images; fascinating analysis from an expert and eloquent author; and a surprisingly accessible price distinguish this breathtaking and superbly designed volume. It offers an in-depth, visually exciting exploration of Romanesque and Gothic style, the two great art movements that flourished during Europe’s Middle Ages. Exquisite, vibrant photos bring this extraordinary, still-mysterious world to life. The masterpieces on display range from little country churches to grandiose cathedrals and abbeys; mosaics to brilliantly colored religious frescoes; and carvings in cloisters and on portals to precious objects of wood, silver, gold, and ivory. It makes a beautiful gift for friends, family, or oneself.
Whereas twelfth-century pilgrims flocked to the church of St-Lazare in Autun to visit the relics of its patron saint, present-day pilgrims journey there to admire its superb sculpture, said to have been created by the artist Gislebertus whose name is inscribed above one of the church doors. These two cults, of sculptor and of saint, form points of departure and arrival for Linda Seidel's study.
Legends in Limestone reveals how "Gislebertus, sculptor" was discovered and subsequently sanctified over the course of the last century. Seidel makes a compelling case for the identification of the name with an ancestor of the local ducal family, invoked for his role in the acquisition of the precious relics. With the aid of evidence drawn from the richly carved decoration of the building, she demonstrates how medieval visitors would have read a different holy narrative in the church fabric, one that constructed before their eyes an account of their patron saint's life.
Legends in Limestone, an absorbing study of one of France's most revered medieval monuments, provides fresh insights into modern and medieval interpretive practices.
Legends in Limestone reveals how "Gislebertus, sculptor" was discovered and subsequently sanctified over the course of the last century. Seidel makes a compelling case for the identification of the name with an ancestor of the local ducal family, invoked for his role in the acquisition of the precious relics. With the aid of evidence drawn from the richly carved decoration of the building, she demonstrates how medieval visitors would have read a different holy narrative in the church fabric, one that constructed before their eyes an account of their patron saint's life.
Legends in Limestone, an absorbing study of one of France's most revered medieval monuments, provides fresh insights into modern and medieval interpretive practices.
