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Books : Arts & Photography : Artists, A-Z : ( A-C ) : Caillebotte, Gustave
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A study of Gustave Caillebotte, one of the most engaging personalities of the impressionist movement. Prepared by an international team of scholars to accompany the major 1994-5 retrospective organized by the Reunion des Musees Nationaux/Musee d'Orsay, Paris, and The Art Institute of Chicago, this volume reproduces 89 of his paintings and 28 of his drawings and studies, many of them from little-known private collections. There are essays examining his work and his crucial role as an early patron and promoter of impressionism. A chronology, list of exhibitions, and a selected bibliography provide additional information.
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Like Monet and his beloved Giverny, Impressionist painter Gustave Caillebotte (1848-1894) created a unique body of work celebrating a personal, life-long project, his garden at Yerres. The text includes a chronological survey of Caillebotte's known works.
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A stunning study of the life and work of Gustave Caillebotte, until recently the "forgotten man" of Impressionism but now recognised as one of the most interesting and attractive artists in the group and as the painter of some of its most powerful and memorable images. The book includes beautiful colour reproductions of all Caillebotte's most important works, his working drawings, and a selection of critical responses to his art when first shown.
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Rowers and divers, strolling couples, scenes of Parisian working life: This is the world of Gustave Caillebotte (1848-1894). Though he was affiliated with Impressionism from the start (he funded several early Impressionist exhibitions and often supported colleagues like Renoir, Monet and Pissarro by buying their works), and though he shared its commitment to "optic truth," Caillebotte was a Realist in the tradition of Courbet, and his painting is characterized more by its relation to early photography than by its optical subjectivity or its brushwork. Vertiginously tilting or zooming-in perspectives, whether along Parisian boulevards and the Seine or indoors, across intimate interiors, are Caillebotte's forte: His famous "Paris Street, Rainy Day" of 1877 (now in the collection of The Art Institute of Chicago), in which the street's wet paving stones loom up to the viewer, visually rivaling the buildings above them, is one example of such photography-derived effects. This publication is an invitation to discover Caillebotte, whose name has lately become more prominent, in part because of his pioneering blend of photography and painting. It particularly addresses Caillebotte's fondness for riverside and coastal scenes: He loved rowing and sailing, and his water landscapes, which feature colorful, glowing depictions of rowers on the Yerres, the Normandy coast, the banks of the Seine and the
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Gustave Caillebotte was a French painter and member of the Impressionists group. Born in 1848 to an upper-class family on the rue Faubourg, St-Denis. Educated as a lawyer in 1868, he didn't study painting until after he served in the Franco-Prussian War. He became a student of Leon Bonnat and had his first exhibition in 1876. Caillebotte's painting style is from the School of Realism, but influenced by Impressionism. With his inheritance, he was able to fund Impressionist exhibitions and support his fellow artists.
Caillebotte art book contains 100+ Impressionist Reproductions of landscapes, and still lifes, seascapes, portraits and cityscapes with title and date.
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Gustave Caillebotte book includes 200 high quality reproductions of his greatest masterpieces with title and date.
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Gustave Caillebotte. L'oublie de l'Impressionnisme (1848-1894) (PocheCouleur N° 6) (French Edition)
On the 21st of February 1894, Gustave Caillebotte died at age 46. He had built a solid and imposing body of work within a relatively short period - nineteen years.
His work has long been neglected and his life as a painter often obscured by the part which he played in the development of Impressionism as an art collector.
Between Monet's ardent, free style, and the Naturalism of Degas with whom he shared an appetite for modernity, he appears as a singularly original artist. His work focuses on modern themes. Where Impressionism was torn between a respect for the pictorial tradition and the urge to rid itself of the limitations of this same tradition, Gustave Caillebotte succeeded in accomplishing an innovative and coherent body of work.
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Gustave Caillebotte's (1848-1894) paintings grasp the viewer due to their radicalism and modernity. In this monograph with 48 individual analyses, the oeuvre of this idiosyncratic newcomer amongst the impressionists is presented to the public for the first time. Gustave Caillebotte, known as a major patron of the Impressionists, left a body of work of almost 500 paintings. His paintings stood on equal footing with those impressionists at whose exhibitions he partook as of 1876. His realistic style and virtuous color compositions provided a modern-looking perspective and understanding of space that made his work distinctly unique. In four chapters, Caillebotte's work is placed in the context of the changing city and society that thematize the Parisian cityscape of Hausmann, the civic and urban life of the time, the sports and leisure culture, and the landscape. German text.
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Miniature reproductions of masterpieces by the French painter and collector who was also a chief patron of the Impressionists: Paris Street; Rainy Day, Oarsmen, The Orange Trees, Sailboats in Argenteuil, 12 others. Dover Original.
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Illustrated with black-and-white reproductions. Featured artists: Bombois, Boudin, Caillebotte, Chagall, DeChirico, Cross, Delaunay, Derain, Dufy, D'Espagnat, Friesz, Guillaumin, Laurencin, Lebasque, Matta, Mane-Katz, Metzinger, Miro, Rivera, Tamayo, Utrillo, Vallotton, Valtat, and Vlaminck.
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