Books : Arts & Photography : Artists, A-Z : ( A-C ) : Callahan, Harry

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Books : Arts & Photography : Artists, A-Z : ( A-C ) : Callahan, Harry

• Harry Callahan: Nature

  Sarah Greenough, John Szarkowski

  
  "Callahan did somehow arrive quickly at the sure knowledge that the function of his own work was to describe not the public issues of the great world, but the interior shape of his private experience." John SzarkowskiNature is a selection of Harry Callahan's nature studies, 12 intimately scaled prints that the artist assembled into a series in the early 1990s, herein reproduced as beautiful tipped-in plates. Over the course of a career that spanned six decades, Callahan made nature of one his foremost themes, and continually researched new ways of seeing trees, weeds, snow and surf. Ranging in date from 1941 to 1991, these images are typical of the artist's innovative approach to these subjects, as well as of his intention to "capture a moment that people can't always see." Some images give a striking description of surface detail on natural forms, while others reduce those forms to compelling abstract patterns. Consistent throughout the series is the technical refinement that distinguishes Callahan's style and that has secured his place among the foremost American photographers of the twentieth century.
  
   

• Harry Callahan: The Photographer at Work

  Britt Salvesen

  
  Harry Callahan (1912–1999) was one of the most influential photographic artists of the twentieth century. A master of modernist experimentation, Callahan explored a range of subjects—from landscapes to city streets to portraits of his wife—and techniques throughout his career.
  
  Beautifully designed and produced, this book focuses on understanding how Callahan worked—both his day-to-day photographic explorations and his resulting fifty-year career in photography. Exploring the rich contents of the Harry Callahan Archive at the Center for Creative Photography, the authors look at how Callahan’s choice of subjects and visual ideas emerged from deliberate and improvisational processes, and how such processes might be revealed with archival materials such as negatives, transparencies, proof prints, sequential ordering, and variant printings. This close investigation of Callahan’s individual and experimental approach to materials in turn leads to a larger consideration of his relationship to seemingly contradictory strains in American visual culture of the twentieth century.
  
  Reproducing a host of previously unpublished images and documents, this volume juxtaposes select artifacts—such as contact sheets and variants—with final images to explicate Callahan’s life in and influence upon photography. Harry Callahan: The Photographer at Work will offer a rare glimpse into the creative process of an important and fascinating artist.