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Books : Arts & Photography : Artists, A-Z : ( A-C ) : Cole, Thomas
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During his peak popularity in the 1820s -1840s, artists flocked to New York's Catskill Mountains and Hudson Valley to confront the wilderness and emulate Cole's vision, and America's first indiginous art movement was born--the Hudson River School of landscape painting.
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This is a biography of Thomas Cole, founder of the Hudson River school of landscape painting. The authors present Cole in a broader dimension, painting him as a man deeply concerned with the historical issues of his time.
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The development of the American nation has typically been interpreted in terms of its expansion through space, specifically its growth westward. In this innovative study, Thomas Allen posits time, not space, as the most significant territory of the young nation. He argues that beginning in the nineteenth century, the actual geography of the nation became less important, as Americans imagined the future as their true national territory.Allen explores how transformations in the perception of time shaped American conceptions of democratic society and modern nationhood. He focuses on three ways of imagining time: the romantic historical time that prevailed at the outset of the nineteenth century, the geological "deep time" that arose as widely read scientific works displaced biblical chronology with a new scale of millions of years of natural history, and the technology-driven "clock time" that became central to American culture by century's end. Allen analyzes cultural artifacts ranging from clocks and scientific treatises to paintings and literary narratives to show how Americans made use of these diverse ideas about time to create competing visions of American nationhood.
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Now in PaperbackThomas Cole (1801-1848) is widely considered the founder of the popular Hudson River School of painting. Cole, who emigrated to the United States from England in 1819, awakened a passion for landscape that would characterize American painting throughout the 19th century and change the way Americans, and the world, viewed the young nation.
In a series of breathtaking canvases, painted principally in the Catskill Mountains, Cole portrayed vast spaces, awesome horizons, and vibrant color. Earl A. Powell III, director of the National Gallery of Art, Washington, traces Cole's development and explores the Romantic theories that guided his thinking and informed his vision. Superb color reproductions bring Cole's paintings to life, revealing the America that once was.
EARL A. POWELL III, director of the National Gallery of Art, Washington, D.C., has written articles and exhibition catalogues on American artists of the 19th and 20th centuries, and has curated exhibitions devoted to the art of those periods.
111 illustrations, 67 in full color, 91/2 x 11"
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Along the Juniata focuses on the dissemination of American landscape imagery in the early to mid-19th century. Through a variety of media including drawings, paintings, engravings, and decorative arts, images of the American landscape were translated and reproduced in large numbers to provide an eager audience with examples of patriotic views and scenes of natural wonders. This book investigates the art of Thomas Cole as representative of this process and examines the means by which an 1827 drawing by the artist of a scene in the Allegheny Mountains was transformed into a painting, engraved copies, and adorned imported Staffordshire ceramics designed to appeal specifically to an American audience. The widespread use of this popular image by Cole demonstrates the cultural demand for images of the American landscape as it was fueled by a period of increased nationalism during the first half of the 19th century.Additionally, a selection of Hudson River School paintings and engravings illustrates the popularity of American landscape imagery as it appeared in painted and printed formats. Artists include Thomas Cole, Asher Brown Durand, Albert Bierstadt, John Frederick Kensett, John William Casilear, Jervis McEntee, Edmund Darch Lewis, Norton Bush, David Johnson, and Arthur Fitzwilliam Tait. These paintings are all recent discoveries and are illustrated for the first time. AUTHOR BIO: Nancy Siegel is director of the Juniata College Museum of Art and assistant professor of art history. She is the author of The Morans: The Artistry of a Nineteenth-Century Family of Painter-Etchers and Uncommon Visions of Juniataís Past.
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Provides a new look at the founder of the Hudson River School of American landscape painting.