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Books : Arts & Photography : Artists, A-Z : ( J-L ) : Da Vinci, Leonardo
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Leonardo da Vinci (1452-1519) possessed arguably the greatest mind the world has ever known. Artist, draftsman, inventor, and philosopher, his contributions to modern society are profound and wide-reaching. Throughout his life, Leonardo kept dozens of notebooks, elegant studies on topics ranging from architecture to botany to philosophy—indeed nearly anything of which the human imagination could conceive.
Leonardo’s Notebooks collects a variety of the most fascinating of these studies and compiles them into one monumental volume that demystifies his insights and clearly illustrates his ideas, experiments, and observations with hundreds of his original sketches, line drawings, and paintings. Topics include Anatomy and the Movement of the Human Figure; Botany and Landscape; Engineering and Military Engineering; Physical Sciences; Aerodynamics and Flight; Geography—and more.
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Building on the success of The Da Vinci Code--a bestseller in 48 countries--this book brings inventions from the artist's original coded notebooks alive. There's more interest than ever in Leonardo Da Vinci, and here readers will find a rare glimpse into the innovator's brilliant mind, with:-Gorgeous color artwork that breathes life into Leonardo's inventions--from flying and war machines to musical instruments
-Annotated diagrams that show exactly how each contraption would have worked
-A look at how the inventions would be used in modern life
With incredible detail and mechanical accuracy, Leonardo's Machines unlocks the mystery of the artist's notebooks in a way that's both fascinating and educational!
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Isabella d’Este, daughter of the Duke of Ferrara, born into privilege and the political and artistic turbulence of Renaissance Italy, is a stunning black-eyed blonde and a precocious lover and collector of art. Worldly and ambitious, she has never envied her less attractive sister, the spirited but naïve Beatrice, until, by a quirk of fate, Beatrice is betrothed to the future Duke of Milan. Although he is more than twice their age, openly lives with his mistress, and is reputedly trying to eliminate the current duke by nefarious means, Ludovico Sforza is Isabella’s match in intellect and passion for all things of beauty. Only he would allow her to fulfill her destiny: to reign over one of the world’s most powerful and enlightened realms and be immortalized in oil by the genius Leonardo da Vinci.
Though Isabella weds the Marquis of Mantua, a man she has loved since childhood, Beatrice’s fortunes rise effortlessly through her marriage to Ludovico. The two sisters compete for supremacy in the illustrious courts of Europe, and Isabella vows that she will not rest until she wrestles back her true fate and plays temptress to the sensuous Ludovico and muse to the great Leonardo. But when Ludovico’s grand plan to control Europe begins to crumble, immortality through art becomes a luxury, and the two sisters must choose between familial loyalty and survival in the treacherous political climate.
Leonardo’s Swans is an exceptionally vivid evocation of the artist during his years in the glittering court of Milan, re-creating the thrilling moments when he conceived The Last Supper and the Mona Lisa. It portrays a genius ahead of his time who can rarely escape the demands of his noble patrons long enough to express his own artistic vision.
A haunting novel of rivalry, love, and betrayal that transports readers back to Renaissance Italy, Leonardo’s Swans will have you dashing to the works of the great painter—not for clues to a mystery but to contemplate the secrets of the human heart.
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TASCHEN's 25th anniversary - Special edition! Special bestseller price Leonardo da Vinci (1452-1519) possessed one of the greatest minds of all time; his importance and influence are inestimable. This XXL-format comprehensive survey is the most complete book ever made on the subject of this Italian painter, sculptor, architect, engineer, scientist and all-around genius. With huge, full-bleed details of Leonardo's masterworks, this highly original publication allows the reader to inspect the subtlest facets of his brushstrokes. * Part I explores Leonardo's life and work in ten chapters. All of his paintings are interpreted in depth, with The Annunciation and The Last Supper featured on large double-spreads. * Part II comprises a catalogue raisonn? of Leonardo's paintings, which covers all of his surviving and lost painted works and includes texts describing their states of preservation. * Part III contains an extensive catalogue of his drawings (numbering in the thousands, they cannot all be reproduced in one book); 663 are presented, arranged by category (architecture, technical, anatomical, figures, proportion, cartography, etc). This sumptuous TASCHEN offering is the most thorough and beautifully produced Leonardo book ever published, and this special edition offers it for a third of the usual price.
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Volume 1 of 2-volume set. Total of 1,566 extracts reveal full range of Leonardo's versatile genius: his writings on painting, sculpture, architecture, anatomy, mining, inventions, music. Dual Italian-English texts, with 186 plates and faithful reproductions of more than 500 additional drawings.
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This masterly account of Leonardo da Vinci and his vision of the world has long been recognized as the classic treatment of the Renaissance giant, offering unparalleled insight into Leonardo's intellect and vision at every stage of his artistic career.
Martin Kemp, one of the world's leading authorities on Leonardo, takes us on a mesmerizing journey through the whole span of the great man's life, painting a fully integrated picture of his artistic, scientific, and technological achievements. Kemp shows how Leonardo's early training in Florence provided a crucial foundation in the "science of art," particularly perspective and anatomy, while his period in the service of the Sforzas of Milan enlarged his outlook to embrace a wide range of natural sciences and mathematics, as he searched for scientific rules governing both man and the universe. It was these rules, Kemp argues, which provided the basis for his imaginative reconstruction of nature in masterworks such as the Last Supper, The Mona Lisa, and St. John, which reveal his increasingly complex vision of man in the context of nature. And towards the end of his life, Leonardo became fascinated with the mathematics underlying the "design of nature," behind which lay the ultimate force of the "prime mover," as manifested with supreme power in his Deluge drawings.
Covering every aspect of Leonardo's achievement, generously illustrated, and now including a new introductory chapter setting Leonardo's work in its historical context, this fully updated edition provides unparalleled insight into the mind of this central figure in western art.
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The Nature of Genius
Leonardo da Vinci was one of history's true geniuses, equally brilliant as an artist, scientist, and mathematician. Readers of The Da Vinci Code were given a glimpse of the mysterious connections between math, science, and Leonardo's art. Math and the Mona Lisa picks up where The Da Vinci Code left off, illuminating Leonardo's life and work to uncover connections that, until now, have been known only to scholars.
Following Leonardo's own unique model, Atalay searches for the internal dynamics of art and science, revealing to us the deep unity of the two cultures. He provides a broad overview of the development of science from the dawn of civilization to today's quantum mechanics. From this base of information, Atalay offers a fascinating view into Leonardo's restless intellect and modus operandi, allowing us to see the source of his ideas and to appreciate his art from a new perspective. William D. Phillips, who won the Nobel Prize in physics in 1997, writes of the author, "Atalay is indeed a modern renaissance man, and he invites us to tap the power of synthesis that is Leonardo's model."
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A representative selection of Leonardo's various achievements: drawings of plants, landscapes, human face and figure, and more, as well as studies for The Adoration of the Magi, The Last Supper, the Sforza monument, and more. 60 illustrations.
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As the success of blockbusters like The Da Vinci Code shows, the incomparable and enigmatic Leonardo da Vinci continues to captivate. In this widely acclaimed biography, Charles Nicholl uncovers the man behind the myth of the “Renaissance master.” Painter, sculptor, inventor, draftsman, anatomist—Leonardo’s life and career encompassed so many of the creative achievements that made his era spectacular. Nicholl skillfully captures it all while tracing his subject’s journey from an illegitimate child in Tuscany to his service with some of the most powerful families of Renaissance Europe. Rich with historical background, packed with black-and-white and color illustrations, and utterly engaging, this is the definitive look at a figure whose genius reaches out to us through the centuries.
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First published in France, Serge Bramly's acclaimed biography reveals Leonardo to be as complicated, seductive, and profoundly sympathetic as the figures he painted. Bramly spent five years gathering evidence to reconstruct the artist's life--from his early years as an illegitimate child to his death in the arms of the King of France. Four pages of color photographs; 75 B&W photos.
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Explains some basic techniques of Da Vinci by analyzing several of his better-known paintings.
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Clark's study of Leonardo is generally considered the clearest introduction available to the work of the controversial genius. This edition contains 128 plates, integrated into the text; a revised list of dates; an updated bibliography; and a new introduction.
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This book captures the beauty and genius of Leonardo da Vinci's writings, which are accompanied by his evocative sketches and drawings. Discover the farsightedness and brilliance of the mind that brought us some of the greatest artwork and most incredible inventions from the Mona Lisa to the hot air balloon. The text is concentrated on four themes:
• Science—observations of the physical world
• Mechanics—looking at wheels and weight, swimming and flight
• Art—color, form, light, proportion, and more
• Life—tales and allegories, and the nature and meaning of life
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The life and work of the great Italian Renaissance artist and scientist Leonardo da Vinci (1452– 1519) have proved endlessly fascinating for generations. In Leonardo da Vinci, Sherwin Nuland completes his twenty-year quest to understand an unlettered man who was a painter, architect, engineer, philosopher, mathematician, and scientist. What was it that propelled Leonardo’s insatiable curiosity? Nuland finds clues in his subject’s art, relationships, and scientific studies—as well as in a vast quantity of notes that became widely known in the twentieth century. Scholarly and passionate, Nuland’s Leonardo da Vinci takes us deep into the first truly modern, empirical mind, one that was centuries ahead of its time.
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The Anatomical, Physiological and Embryological Drawings of Leonardo da Vinci
With more than 1200 reproductions of drawings by the master's own hand, this book is the definitive and most complete collection of Leonardo's anatomical drawings currently in print. Here Leonardo's notebooks have been arranged according to the systems of the body in order to indicate the full extent of his anatomical work. This book will captivate curious laymen, medical professionals, and art and history enthusiasts alike. Also included are:
• Translations of Leonardo's anatomical notes which were written in his cryptic reverse handwriting. These translations provide an unusual glimpse into Leonardo's creativity and genius.
•Extensive commentary from the editors.
•A thorough background of Leonardo's life that reintroduces him to the world not just as a master artist, but as a brilliant scientist.
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Here, the world's leading authority on Leonardo da Vinci takes us to the heart of the Renaissance master's genius--his visual thinking. Probing the mystery of how da Vinci thought graphically, on paper, Martin Kemp traces not only his approach to modeling but also fascinating efforts by modern engineering to build his inventions. Could these inventions have worked? We see da Vinci visualizing mighty ideas from the arts of peace to the science of war--great visions of the earth, the mystery of mathematical proportion in the design of the universe, detailed observations on the motion of waters, and meticulous reconstructions of how heart valves function, as well as his flying machine, tank, and giant crossbow.
No one ever used paper as a laboratory for thinking on the scale of Leonardo da Vinci. No one graced pages with such an impetuous cascade of observations, visualized thoughts, brainstormed alternatives, theories, polemics, and debates concerning virtually every branch of knowledge about the visible world.
This lavishly illustrated and elegantly written book examines 200 extraordinary pages from da Vinci's notebooks, some virtually unknown, to illuminate the most fundamental aspect of his work.
Published on the occasion of an exhibition at London's Victoria and Albert Museum, Leonardo da Vinci: Experience, Experiment, and Design provides unrivaled insight into the workings of the artist's visual mind. Leonardo da Vinci never lost his sense of awe over the wonders of natural design. With this book, we can experience a comparable sense of awe when faced with the enduring grandeur and freshness of his vision.
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The fun and easy way to understand his work, his methods, and his mind
Thanks to the phenomenal success of the bestselling The Da Vinci Code, interest in this famed Renaissance artist has never been higher. This friendly guide provides an easy-to-follow introduction to da Vinci's life and works, including the story behind celebrated paintings such as the Mona Lisa and The Last Supper, the lowdown on his inventions, which include the helicopter and bicycle, and plain-English explanations of his groundbreaking scientific work in anatomy, zoology, botany, geology, optics, aerodynamics, and hydrodynamics.
The book also discusses his famed notebooks, his relationship to the Catholic Church, and the factual basis of The Da Vinci Code.
Jessica Teisch, PhD (Berkeley, CA) is Managing Editor of Bookmarks magazine and has written hundreds of profiles and book reviews for this award-winning publication. She has also written books and articles on subjects ranging from literature to technological, environmental, intellectual, and cultural history.
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A picture universally recognized, endlessly scrutinized and described, incessantly copied, adapted, lampooned: does Leonardo's near-ruined Last Supper still offer anything new to be seen or to be said? This book is a resounding Yes to both questions. With direct perception—-and with attention paid to the work of earlier scholars and to the criticism embodied in the production of copyists over the past five hundred years—Leo Steinberg demonstrates that Leonardo's mural has been consistently oversimplified. This most thought-out picture in Western art, painted in the 1490s on the north wall of the refectory of Santa Maria delle Grazie, Milan, is a marvel of compressed meanings. Its subject is not one arrested moment, but successiveness and duration. It is not only Christ's announcement of the forthcoming betrayal, but in equal measure the institution of the Eucharist. More than the spur of the moment animates the disciples, and more than perspective determines their housing. Though Leonardo's geometry obeys all rules, it responds as well to Christ's action at center, as if in emanation from the prime mover. The picture is simultaneously narrative and sacramental. As its protagonist is two-natured, as the twofold event of this night is both human submission and divine dispensation—-so the entire picture is shown to have been conceived in duplexity: a sublime pun.
Meanwhile, the unending disagreement as to what exactly is represented, what the depicted actions express, how and where this assembly is seated—-all these still-raging disputes are traced to a single mistaken assumption: that Leonardo intended throughout to be unambiguous and clear, and that any one meaning necessarily rules out every other.
As Steinberg reveals an abundance of significant interrelations previously overlooked, Leonardo's masterpiece regains the freshness of its initial conception and the power to fascinate.
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As he examines the changing views of Leonardo since the sixteenth century, A. Richard Turner both gives the reader a cultural history in brief of western Europe during this period and provides a context for examining Leonardo's relevance to our own ways of perceiving and interpreting the world.