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Books : Arts & Photography : Artists, A-Z : ( D-F ) : Donatello
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This book is an ambitious work that surveys the development of a major sculptural medium in Italy across four centuries. It is the first work of its kind to consider the varieties of fired clay sculpture, especially in the context of the sculptural process. Whenever possible, clay models have been juxtaposed with finished works in order to show changes between a sculptor's initial concept and the final product. Over eighty objects are considered, ranging from drawings and sketch models to enamelled terracottas and marbles. The entries are supplemented by a series of essays, addressing major aspects of clay sculpture from the Renaissance to Neo-classicism; there is also a survey of recent information gleaned from the conservation of terracotta sculpture.
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In two volumes, containing 145 illustrations.
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The present study is concerned with sculptures of the Virgin and Child, produced in the circle of Donatello during the Early Renaissance. Madonna reliefs and statues in media such as terracotta or stucco were a routine and inexpensive part of Florentine workshop production. Detailed analysis of compositional and qualitative differences among the many surviving versions after the master's designs has helped to define the development of Donatello's involvement with this genre. The systematic compendium of Madonnas, those which are autograph, casts after Donatello's designs, bronze plaquettes, later replicas as well as related compositions by contemporary Florentine artists serves to illustrate the relationship between the master and his various followers with a concrete series of casestudies.
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This Elibron Classics book is a facsimile reprint of a 1903 edition by J. H. Ed. Heitz (Heitz & Mündel), Strassburg.
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