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Books : Entertainment : Music : Musical Genres : General
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The musical adventure of a lifetime. The most exciting book on music in years. A book of treasure, a book of discovery, a book to open your ears to new worlds of pleasure. Doing for music what Patricia Schultz—author of the phenomenal 1,000 Places to See Before You Die—does for travel, Tom Moon recommends 1,000 recordings guaranteed to give listeners the joy, the mystery, the revelation, the sheer fun of great music.
This is a book both broad and deep, drawing from the diverse worlds of classical, jazz, rock, pop, blues, country, folk, musicals, hip-hop, world, opera, soundtracks, and more. It's arranged alphabetically by artist to create the kind of unexpected juxtapositions that break down genre bias and broaden listeners’ horizons— it makes every listener a seeker, actively pursuing new artists and new sounds, and reconfirming the greatness of the classics. Flanking J. S. Bach and his six entries, for example, are the little-known R&B singer Baby Huey and the '80s Rastafarian hard-core punk band Bad Brains. Farther down the list: The Band, Samuel Barber, Cecelia Bartoli, Count Basie, and Afropop star Waldemer Bastos.
Each entry is passionately written, with expert listening notes, fascinating anecdotes, and the occasional perfect quote—"Your collection could be filled with nothing but music from Ray Charles," said Tom Waits, "and you'd have a completely balanced diet." Every entry identifies key tracks, additional works by the artist, and where to go next. And in the back, indexes and playlists for different moods and occasions.
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For well over a century, the G. Schirmer edition of 24 Italian Songs and Arias of the 17th and 18th Centuries has introduced millions of beginning singers to serious Italian vocal literature. Offered in two accessible keys suitable for all singers, it is likely to be the first publication a voice teacher will ask a first-time student to purchase. The classic Parisotti realizations result in rich, satisfying accompaniments which allow singers pure musical enjoyment. For ease of practice, carefully prepared accompaniments are also recorded on CD by John Keene, a New York-based concert accompanist and vocal coach who has performed throughout the United States for radio and television. Educated at the University of Southern California, Keene has taught accompanying at the university level and collaborated with Gian Carlo Menotti and Thea Musgrave on productions of their operas.
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Recognized as the finest survey of Western art music in the English language, this distinguished book has enlightened a multitude of music lovers since it first appeared in 1960. This handsome new edition incorporates the latest advances in music scholarship.
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Widely regarded as the original country-rock band, The Flying Burrito Brothers were determined to pull rock music back from the psychedelic abyss and return it to its pure and simple roots. To say that they succeeded would be an understatement. In a brief four-year span, the original troupe became one of the most influential rock groups of all time, reaching everyone from the Eagles and Jackson Browne to Uncle Tupelo and Alan Jackson. Hot Burritos is the colorful, hard-hitting, insightful, and deeply personal account of this maverick band, as told by founder Chris Hillman and other group members and associates. It shatters common myths about the group, taking readers for the first time inside the Parsons-Hillman partnership, their notoriously extravagant 1969 train trip tour, the doomed Altamont Festival, the Rolling Stones' inner circle, the discovery of Emmylou Harris, Parsons’ overindulgence and ultimate dismissal, and the legacy the group, and the enigmatic Parsons, left behind.
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From Adam (de la Halle) to Zwilich (Ellen), The Norton Anthology of Western Music provides a comprehensive collection of scores illustrating every significant trend, genre, and national school. These authoritative readings are reproduced from reliable and easy-to-read originals, and all foreign-language texts are accompanied by English translations. Each work in the anthology is discussed in A History of Western Music. The editor's notes and comments follow the score of each work.The new Fourth Edition includes twenty-two new selections, including works by Luca Marenzio, Benjamin Britten, Amy Beach, John Adams, and Ellen Taaffe Zwilich, all of whom are newly represented in The Norton Anthology of Western Music.
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Empirically proving that -- no matter where you are -- kids wanna rock, this is Chuck Klosterman's hilrious memoir of growing up as a shameless metalhead in Wyndmere, North Dakotoa (population: 498). With a voice like Ace Frehley's guitar, Klosterman hacks his way through hair-band history, beginning with that fateful day in 1983 when his older brother brought home Mötley Crüe's Shout at the Devil. The fifth-grade Chuck wasn't quite ready to rock -- his hair was too short and his farm was too quiet -- but he still found a way to bang his nappy little head. Before the journey was over, he would slow-dance to Poison, sleep innocently beneath satanic pentagrams, lust for Lita Ford, and get ridiculously intellectual about Guns N' Roses. C'mon and feel his noize.
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This is the most comprehensive guide to classical music recordings. Drawing on the reviews by Gramophone magazine’s unparalleled roster of critics, the guide offers authoritative opinions on over 3000 recordings from popular works like the Beethoven symphonies to more obscure repertoire for the classical music aficionado.
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At a time when listeners increasingly download or upload songs, creating personal playlists on MP3 players and I-Pods, the art of packaging music seems to be fading away. But, for more than 50 years, musicians have released their work inside brilliantly-designed packages that made an important statement about their music and style. Look at the cover of Sgt. Pepper’s Lonely Heart Band, for example—just one of the 500 memorable images in this amazing collection, all chosen by a panel of 50 experts and each accompanied by enlightening commentary. Among the choices: the brilliantly psychedelic and way-out art from the Rolling Stones’ Their Satanic Majesties Request; Peter Tosh’s fiery cover for Bush Doctor; and the somewhat demented-looking prom queen on Hole’s Live Through This album. From rock to pop, jazz to blues, these are all artistically, stylistically, and culturally significant in their own way, and will undoubtedly spark a debate with fans around the world.
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A compendium of the world's most loved music. True to the spirit of the great composers, this volume fills the needs of students and teachers. Over 100 works including Schubert?s Moment Musicale, Chopin?s Minute Waltz, and Beethoven?s Rondo a Cappriccio.
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"A fascinating and genuinely accessible guide....Educating, enjoyable, and delightfully unscary."—Classical Music
What if Bach and Mozart heard richer, more dramatic chords than we hear in music today? What sonorities and moods have we lost in playing music in "equal temperament"—the equal division of the octave into twelve notes that has become our standard tuning method? Thanks to How Equal Temperament Ruined Harmony, "we may soon be able to hear for ourselves what Beethoven really meant when he called B minor 'black'" (Wall Street Journal).
In this "comprehensive plea for more variety in tuning methods" (Kirkus Reviews), Ross W. Duffin presents "a serious and well-argued case" (Goldberg Magazine) that "should make any contemporary musician think differently about tuning" (Saturday Guardian). 48 illustrations.
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Recorded during the blazing summer of 1971 at Villa Nellcote, Keith Richards’ seaside mansion in the south of France, Exile on Main St. has been hailed as one of the Rolling Stones’ best albums-and one of the greatest rock records of all time. Yet its improbable creation was difficult, torturous...and at times nothing short of dangerous.In self-imposed exile, the Stones-along with wives, girlfriends, and a crew of hangers-on unrivaled in the history of rock-spent their days smoking, snorting, and drinking whatever they could get their hands on. At night, the band descended like miners into the villa’s dank basement to lay down tracks. Out of those grueling sessions came the familiar riffs and rhythms of “Rocks Off,” “Tumbling Dice,” “Happy,” and “Sweet Virginia.”All the while, a variety of celebrities-John Lennon, Yoko Ono, and Gram Parsons among them-stumbled through the villa’s neverending party, as did the local drug dealers, known to one and all as “les cowboys.” Villa Nellcote became the crucible in which creative strife, outsize egos, and all the usual byproducts of the Stones’ legendary hedonistic excess fused into something potent, volatile, and enduring.Here, for the first time, is the season in hell that produced Exile on Main St.
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This has remained the best and most successful guide to classical music for more than forty years. Fully revised by its team of eminent authors and written with wit and passion, The Penguin Guide to Recorded Classical Music offers reviews of all the latest releases as well as the finest established recordings. It also includes an overview of the greatest historic performances, major period instrument recordings, an in-depth survey of the best of the budget-priced CDs, and the core collection of 100 handpicked, must-have CDs. Now published annually for the first time, this book is essential reading for every serious classical music fan.
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In this informed and indispensable guide, National Public Radio's Ted Libbey takes you by the hand through the classical repertory and helps you build a core collection. Not just another rating book, this is an expert's lively appreciation-work by work-of the symphonies, concertos, chamber pieces, keyboard works, sacred works, and operas that belong in every music-lover's library. Where do you start with Berlioz? If you love Schubert's "Trout" Quintet, what about his sonatas? "Cosi fan tutte" or "The Marriage of Figaro?" Webern or Vaughn Williams? And which of Beethoven's 16 string quartets should you not live without? Moreover, the author's discriminating picks of the best performers, performances, and recordings for each work-all on CD-will get you started immediately.
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With its superb recording package and innovative listening charts, this landmark text teaches students how to listen to music better than any other. Listen makes music approachable by placing it in its cultural context with lavish illustrations, timelines, and maps. Equipped with a free Study Guide CD-ROM, the new edition is more accessible than ever, offering additional help in focused listening and in music fundamentals.
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A complete education in classical music, written with verve and wit. No music lover can pick up this one-volume compendium without becoming a more knowledgeable, discerning listener. • The sonata form revealed, and why it's been deeply satisfying for three centuries. • What to listen for in Brahms, a self-described Classicist who was one of music's great innovators. • Pizzicato, fioritura, parlando, glissando. • The transformative power of Toscanini–who earned more conducting the New York Philharmonic than his contemporary Babe Ruth made with the Yankees. • And throughout, more than 2,000 recommended recordings.
Log on and listen. Created with Naxos, the world's largest classical music label, the book includes a unique Web site featuring more than 500 examples cited in the text. Look up barcarolle. First read about its swaying 6/8 meter and Venetian origins; then log on to the music Web site and hear it performed in Act IV of Offenbach's Les contes d'Hoffmann. If that whets your curiosity about Offenbach, click to hear the cancan in his La vie parisienne. All online samples are marked by an icon in the text.
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Hardcore punk was an underground tribal movement created with anger and passion but ultimately destroyed by infighting and dissonance. This oral history includes photographs, discographies, and a complete national perspective on the genre.
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First published in 1966, Conducting Technique has been accepted as a standard text for both choral and orchestral conducting courses taught at universities, colleges, and conservatories throughout the English-speaking world. For this revised edition the author has made a number of corrections and additions, including a new preface.
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Jazz is the most colorful and varied art form in the world and it was born in one of the most colorful and varied cities, New Orleans. From the seed first planted by slave dances held in Congo Square and nurtured by early ensembles led by Buddy Belden and Joe "King" Oliver, jazz began its long winding odyssey across America and around the world, giving flower to a thousand different forms--swing, bebop, cool jazz, jazz-rock fusion--and a thousand great musicians. Now, in The History of Jazz, Ted Gioia tells the story of this music as it has never been told before, in a book that brilliantly portrays the legendary jazz players, the breakthrough styles, and the world in which it evolved.
Here are the giants of jazz and the great moments of jazz history--Jelly Roll Morton ("the world's greatest hot tune writer"), Louis Armstrong (whose O-keh recordings of the mid-1920s still stand as the most significant body of work that jazz has produced), Duke Ellington at the Cotton Club, cool jazz greats such as Gerry Mulligan, Stan Getz, and Lester Young, Charlie Parker's surgical precision of attack, Miles Davis's 1955 performance at the Newport Jazz Festival, Ornette Coleman's experiments with atonality, Pat Metheny's visionary extension of jazz-rock fusion, the contemporary sounds of Wynton Marsalis, and the post-modernists of the Knitting Factory. Gioia provides the reader with lively portraits of these and many other great musicians, intertwined with vibrant commentary on the music they created. Gioia also evokes the many worlds of jazz, taking the reader to the swamp lands of the Mississippi Delta, the bawdy houses of New Orleans, the rent parties of Harlem, the speakeasies of Chicago during the Jazz Age, the after hours spots of corrupt Kansas city, the Cotton Club, the Savoy, and the other locales where the history of jazz was made. And as he traces the spread of this protean form, Gioia provides much insight into the social context in which the music was born. He shows for instance how the development of technology helped promote the growth of jazz--how ragtime blossomed hand-in-hand with the spread of parlor and player pianos, and how jazz rode the growing popularity of the record industry in the 1920s. We also discover how bebop grew out of the racial unrest of the 1940s and '50s, when black players, no longer content with being "entertainers," wanted to be recognized as practitioners of a serious musical form.
Jazz is a chameleon art, delighting us with the ease and rapidity with which it changes colors. Now, in Ted Gioia's The History of Jazz, we have at last a book that captures all these colors on one glorious palate. Knowledgeable, vibrant, and comprehensive, it is among the small group of books that can truly be called classics of jazz literature.
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In Nutcracker, the premier children's book illustrator of our time adds his own magic to a story that has long enchanted children and grown-ups alike. Maurice Sendak created this illustrated version of Hoffmann's wonderful tale, basing his illustrations on the sets and costumes he designed for a dance production staged by the Pacific Northwest Ballet. Illustrations.
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A Martin acoustic guitar is the beloved instrument of millions of fans and famous players worldwide. Starting with the early days in New York circa 1833, this fabled story comes to life in the long-awaited revision of the seminal Martin History book. Originally published in 1975, this new edition is completely updated and re-designed by well-known industry experts. Part of a two-book set, The History: Book 1 covers the people, the places, and the stories of an American icon. Richly illustrated, this book covers the story right up to the fifth-generation president Chris Martin IV. Because the original and revision authors had complete access to authorized archives, this version is the most accurate and detailed reference on the topic. Leading up to the re-vitalization of the 1990s and the remarkable sustenance of its legacy, hundreds of photographs and documents effectively show the people and the guitars that made the company famous.