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Books : Arts & Photography : Artists, A-Z : ( M-O ) : Mantegna, Andrea
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In this extraordinary explication of one of the most enigmatic and influential works of the Renaissance, the Uffizi Circumcision of Christ, Jack M. Greenstein reassesses the nature and goals of high humanist narrative painting.
"Greenstein has raised the level of sophistication of the historical criticism of Renaissance painting by at least one whole notch; at the same time, he has written a book for everyone interested in problems of interpretation."—David Summers, University of Virginia
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This beautiful series lavishly illustrates the world's major fresco cycles from the early fourteenth through the seventeenth centuries. Each book also contains a comprehensive text, a biography of the artist, a bibliography, and a glossary.
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Mantegna's magnificent painting, in the Getty collection, is based on one of Christianity's most beloved stories. The picture is much more than a Christmas-card image though. Dawson Carr explores Mantegna's life and milieu in fifteenth-century Padua and provides a fascinating closer look at the painting itself, considering Mantegna's innovative treatment of the subject, the relationship of the narrative to the viewer, and problems associated with the conservation of its beautiful, but fragile, distemper medium.
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Mantegna was born in 1431. He trained in painting at the Padua School where Donatello and Paolo Uccello had previously attended. Even at a young age commissions for Andrea's work flooded in, for example the frescoes of the Ovetari Chapel of Padua. In a short space of time Mantegna found his niche as a modernist due to his highly original ideas; the use of perspective in his works. His marriage with Nicolosia Bellini, the sister of Giovanni, paved the way for his
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