- Watches
- Home and Garden
- UK Electronics
- UK Books
- Health and Personal Care
- UK Sporting Goods
- Clothing, Shoes and Accessories
- Electronics, Gadgets and Computers
- CDs and Music Downloads
- UK Software and Video Games
- UK Toys and Games
- UK Home and Garden
- UK Video Games
- UK Baby Clothes and Accessories
- Books On
- German Electronics
Books : Arts & Photography : Artists, A-Z : ( M-O ) : Millais, John Everett
-
John Everett Millais (1829 - 1896) was one of the most significant English painters of the nineteenth century, successful and respected during his career, honoured as the first painter to be created a baronet, he remains, as recent exhibitions of his work have demonstrated, equally well known today. Whilst his substantial contributions are rarely, if ever, denied, in past art historical accounts of Millais's long career there has been an unfortunate tendency to superficially distinguish between the early promise of his Pre-Raphaelite masterpieces and the perceived commercial and traditionalist orientation of his later works. In this new study of the artist's life and work Rosenfeld argues that such readings are far from accurate, demonstrating that the development of Millais's art was at the forefront of contemporary painting throughout his life. At the same time as Manet and Monet were liberating their nation's art from traditional forms and subjects, Millais was leading British art with the bravura manner and looser symbolic associations of Aestheticism (the most important movement after Pre-Raphaelitism), which in turn influenced the portraits of John Singer Sargent and the landscapes of Vincent Van Gogh. In Rosenfeld's words, it is a 'consistently relevant and inventive Millais' that emerges in this book. Millais's lifetime saw radical transformations in art, and his productive car
-
Sir John Everett Millais, 1st Baronet, PRA (8 June 1829–13 August 1896) was an English painter and illustrator and one of the founders of the Pre-Raphaelite Brotherhood. Millais (pronounced Mih-lay) was born in Southampton, England in 1829, of a prominent Jersey-based family. His prodigious artistic talent won him a place at the Royal Academy schools at the unprecedented age of eleven. While there, he met William Holman Hunt and Dante Gabriel Rossetti with whom he formed the Pre-Raphaelite Brotherhood (known as the "PRB") in September 1848 in his family home on Gower Street, off Bedford Square.
Millais' Christ In The House Of His Parents (1850) was highly controversial because of its realistic portrayal of a working class Holy Family labouring in a messy carpentry workshop. Later works were also controversial, though less so. Millais achieved popular success with A Huguenot (1852), which depicts a young couple about to be separated because of religious conflicts. He repeated this theme in many later works.
Millais art book contains over 60 Reproductions of Fantasy, Portraits, Religious and Royal Family Themes with title and date.
-
John Everett Millais (1829-1896) was one of the most celebrated figures of Victorian art. As a young man, he founded the Pre-Raphaelite Brotherhood with Dante Gabriel Rossetti and William Holman Hunt. In later years, he rose to wealth, acclaim, and social prestige as a landscapist, illustrator, and painter of subject and genre pictures and as the most successful British portrait painter of his generation. This lavishly illustrated book, published to accompany a major exhibition at the National Portrait Gallery in London, is the first comprehensive survey of Millais's portraits. It is also a historically important record of High Victorian England, containing the artist's memorable images of such leading political and cultural figures as Gladstone, Disraeli, Tennyson, Ruskin, Carlyle, and Lillie Langtry. The book includes 100 color reproductions as well as essays by eminent scholars that place Millais's work in the context of his public and private life, making this an authoritative and visually compelling study of the artist's extraordinary contributions to portraiture.
Peter Funnell begins the book by describing Millais's astonishing popularity and the artist's public persona, examining his practice as a portraitist and assessing the view common among later critics that Millais's mature work failed to fulfill his youthful promise. Leonée Ormond examines Millais's early portraits, from his precocious boyhood sketches to his magnificent portrait of Ruskin (1853-54) and his paintings of Ruskin's wife, Effie, who famously left her husband to marry Millais. Malcolm Warner interprets Millais's portraits of children--including the elegiac painting Autumn Leaves (1855-56) and the melancholy Nina Lehmann (1869)--as reflections of Millais's nostalgic ideas about the naturalness, innocence, and beauty of childhood. H. C. G. Matthew assesses Millais's portraits of men of power, which include paintings of four Prime Ministers (Gladstone, Disraeli, Salisbury, and Rosebery). Kate Flint discusses Millais's portraits of women, which ranged from likenesses of family and friends to glamorous paintings of the rich, aristocratic, and beautiful. Each essay is followed by its own thematic catalogue of portraits.
The elegantly written essays and stunning reproductions are supplemented by Warner's extensive documentation about individual works of art, drawings from Millais's sketchbooks, and photographs of the artist in his studio. In its words and images, in its scholarship and its accessibility to the general reader, this is an exceptional book about one of the most influential artists of the nineteenth century.
-
John Everett Millais (1829-96) is widely regarded as one of the most important artists of his generation. He was a founding member of the Pre-Raphaelite Brotherhood and was later president of the Royal Academy of Arts. Less well-known are his 400 designs for illustrations, made over a period of 30 years. He was immensely varied both in his style and in the types of literature he tackled - he illustrated poetry by Tennyson and Christina Rossetti, novels by Anthony Trollope and Harriet Martineau, children's books, books of sheet music and religious works, culminating in his celebrated The Parables of our Lord in 1864. Through reproductions of drawings, watercolours, wood-engravings, and printed books and periodicals, this book reveals the variety and quality of Millais' work in this often overlooked area of his oeuvre. Millais is without doubt the most significant practitioner in this field of all the Pre-Raphaelite artists. Victorian specialist Paul Goldman examines the importance of Millais' distinguished contribution to the history and development of British book illustration, while Tessa Sidey considers the acquisition of a major collection of Millais drawings by Birmingham Museums and Art Gallery. This book, which accompanies an important touring exhibition of Millais' illustrations and designs for illustrations at Birmingham Museum and Art Gallery and Leighton House, London, includes
-
Published to coincide with the centenary of the death of Millais (1829-96), this book celebrates the lif e & work of the most successful British painter of the 19th century, with an appraisal of his career & 40 reproductions of his finest works. '
-
John Everett Millais (1829-1896) was a founding member of the Pre-Raphaelite Brotherhood and the quintessential English gentleman artist. A Baronet and president of the Royal Academy, Millais produced some of the most famous images of his time. His first Pre-Raphaelite work, The Carpenter's Shop, had a dramatic effect on the critics; Charles Dickens famously described his portrayal of the Christ child as a "hideous, wry-necked, blubbering, red-haired boy in a night-gown." Author Christine Riding analyzes his artistic career, his critics, and his audience, exploring the broader issues that preoccupied his contemporaries on the subject of art itself.
-
The long and stellar career of John Everett Millais (1829-1896) has been framed in terms of his rise to notoriety as an original member of the Pre-Raphaelite Brotherhood followed by a compromising descent into comfortable success as a popular painter and leading figure in the Royal Academy. But this dismissal of Millais's post-Raphaelite work overlooks more than forty years of artistic endeavour and distinction. In this book, nine scholars reexamine Millais's entire career from a variety of perspectives, arriving at a new vision of his place in the history of British art and finding that fame and recognition did not represent the end of this important Victorian artist's development. The contributors consider the whole fabric of Millais's work, seeking the patterns of continuity through his career. They acknowledge the significance of Millais's association with the Pre-Raphaelite Brotherhood yet place that brief phase into the context of his entire body of work Exploring such topics as Millais's position among contemporary artists; his active interests in theatre, literature, and science; his lifelong love of nature; his role as a celebrity and a popular artist; and his enduring fascination with the poignant spectre of mortality, the book presents a portrait of Millais not limited by the parameters of the Pre-Raphaelite movement. It is a portrait of a supremely gifted artist, a rival of
-
-
First edition. John Everett Millais is admired as one of the most celebrated of Pre-Raphaelite painters. Perhaps less known is the major contribution he made both to book and periodical illustration between 1852 and 1883. Many of these book illustrations remain little known today, largely due to the fact that they are scattered in hundreds of 19th century books and periodicals. This important new work brings together over 300 examples of Millais illustrations, enabling this part of his work to be viewed and appreciated by new generations. This work will be an important reference to any scholar interested in Victorian book illustration. Paul Goldman was a curator in the Department of Prints and Drawings at the British Museum. He is the author of Victorian Illustrated Books 1850-1870 - The Heyday of Wood-Engraving (British Museum Press, 1994) and Victorian Illustration - The Pre-Raphaelites, The Idyllic School and The High Victorians (Scolar Press, 1996). Co-Published with the Private Libraries Association and The British Library. Sales rights North and South America. Available in June 2005.
-
Collected from his work for Trollope, Tennyson, Collins, and the weekly periodicals over most of his long working life, these prints range from visionary romance to comedy of manners. Together they represent some of the finest black and white work of the Victorian era. Sir John Everett Millais's Pre-Raphaelite Brotherhood with six other painters revolutionized the art world with a visionary intensity of both subject matter and style. Although Millais soon abandoned the Pre-Raphaelite style—with an increasingly broad use of paint, and an interest in aestheticism, portraiture, and stirring national historical subjects—he remained the preeminent painter of his period. Not least among his achievements was a revival of serious black and white work. His drawings were widely published and became very influential, leading to the creation of a distinct and greatly respected English school of printmaking. This book shows the wide range of his work.
-
In this book, Paul Barlow challenges the popular view of the art of John Everett Millais as being sentimental Victorian kitsch and argues that Millais' work is worthy of serious consideration.
-
-
-
-
-
-
-
-
-