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Books : Arts & Photography : Artists, A-Z : ( M-O ) : Muybridge, Eadweard
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The 4,789 photographs in this definitive selection show the human figure — models almost all undraped — engaged in over 160 different types of action: running, climbing stairs, tumbling, dressing, undressing, hopping on one foot, dancing, etc. Children walking, crawling and many dozens of other activities.
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Definitive selection of 3,919 photographs, plus author's observations on animals' movements. Incredible true-action shots cover 34 different animals and birds in 132 characteristic motions. Horses, goats, cats, gnus, eagles, gazelles, sloths, camels, many others shown walking, running, flying, leaping, more.
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The world as we know it today began in California in the late 1800s, and Eadweard Muybridge had a lot to do with it. This striking assertion is at the heart of Rebecca Solnit’s new book, which weaves together biography, history, and fascinating insights into art and technology to create a boldly original portrait of America on the threshold of modernity. The story of Muybridge—who in 1872 succeeded in capturing high-speed motion photographically—becomes a lens for a larger story about the acceleration and industrialization of everyday life. Solnit shows how the peculiar freedoms and opportunities of post–Civil War California led directly to the two industries—Hollywood and Silicon Valley—that have most powerfully defined contemporary society.
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This amazing collection of 167 black-and-white photographic sequences captures the movements of 34 different animals as they run, fly, leap, and perform other characteristic actions. Essential for illustrating animals in art and animation, these strips are great for art and craft projects, too. Includes 10 bonus Flash animations plus 15 photographic sequences that are ready to be animated.
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Sixty of the best, most representative sequences from original 5,000 prints. Taken at speeds up to 1/6000th of a second, incredibly precise images show undraped male and female subjects against a ruled background, running, walking, leaping, twisting, throwing, many other activities. Views from front, rear and three-quarter angle.
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Volume 2 of 3-volume hardcover set includes studies of draped and semi-nude men and women plus the disabled, in remarkable stopped-action photographs by pioneering master photographer. Essential for artists, animators, photographers, cinematographers, anyone interested in the mechanics of people in motion.
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Time/Motion brings together the work of three photographers-Eadweard Muybridge, Harold Edgerton and Jonathan Shaw-whose work demonstrates the extraordinary potential of the photographic image to explore and capture movement and the passage of time. Spanning 130 years from 1872 to the present day, all three developed technological solutions to explore concepts of time and movement, using specialized cameras and photographic processes.
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With essays by David Harris and Eric Sandweiss. Preface by Phyllis Lambert.
These photographs from the CCA collection and other private and public collections document one of the supreme technical and conceptual achievements in the history of architectural photography.
On July 14, 1877, Eadweard Muybridge (1830-1904) announced in the San Francisco Chronicle the publication of a set of photographs, Panorama of San Francisco from California Street Hill. It was available in two formats: as a set of albumen prints mounted on cabinet cards, and as an album of 11 albumen prints. Approximately one year later, Muybridge rephotographed the view, this time using a mammothplate camera. The result, a breathtaking 360-degree panorama measuring more than 17 feet in length, was published as an album, comprising 13 albumen prints.
This book documents Muybridge's panoramas of a now-vanished San Francisco, and also discusses the antecedents of his work, thereby placing it within its historical context.
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Eadweard Muybridge, one of the great pioneer-innovators of the 19th century, is a familiar figure to students of art history, photography, and cinema. Best known for the photographs of horses and other animals in motion that he made in the 1870s and '80s, Muybridge was the first person to use photography to freeze rapid action for analysis and study. He devised a method for photographing episodes of behavior using a series of cameras, producing some of the most famous sequential photographs ever made. These pictures, the first successful photographs of rapidly moving subjects, revolutionized expectations of what photography could reveal about the natural world, and ultimately led to the invention of the motion picture in the mid-1890s.
Time Stands Still is the catalogue that accompanies a major exhibition celebrating Muybridge's fascinating work. Though the instantaneous photography movement stands as a crucial event in the progression of photography to motion pictures, this exhibition represents the first major organized treatment of the subject. Opening in spring 2003 at the Iris and B. Gerald Cantor Center for Visual Arts at Stanford University and touring through 2004, it combines an examination of the artist's career in motion photography with a survey of early attempts to photograph moving subjects. Guest curator Phillip Prodger is the primary author of the catalogue, but the book also includes a valuable essay covering cinema's earliest experiments by Tom Gunning, an acknowledged expert on early film from the University of Chicago. The exhibition will display Muybridge's zoopraxiscope and other equipment, drawings, ephemera, and photographs made from the invention of photography in the 1830s to the end of Muybridge's career, which culminated with the publication of his encyclopedic work, Animal Locomotion, in 1887.
The photographs and objects are drawn largely from the collection of the Cantor Center and are supplemented with a selection of stop-action photographs from other private and public collections. Among those represented will be the work of Talbot, Rejlander, Maray, Eakins, Edison, the Lumiere Freres, and others.
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The 55 Series This is one of the most unique monograph series in the history of photography! The 55 Series represents the work of many of photography s most important figures. Each book contains 55 of the photographer s key works, presented chronologically and through them tells the photographer s own story. These books are small, but surprisingly rich in content and reproduction quality. They are a most economical way to bring the world of photography into your home. Each book is 128 pp. 6 1/4 x 5 3/4 , softbound.
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Best, most representative sequences have been specially selected from the monumental original and are presented here in crisp, double-page plates printed on high-quality stock. Horses hauling, walking, trotting, etc., plus sequences of donkeys, an ox, pig, dog, cat, deer and other animals capture details of anatomy and movement with astonishing clarity.
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The photographs of Eadweard Muybridge are immediately familiar to us. Less familiar is the dramatic personal story of this seminal and wonderfully eccentric Victorian pioneer, now brought to life for the first time in this engaging and thoroughly entertaining biography.
His work is iconic: the first icons of the modern visual age. Men, women, boxers, wrestlers, racehorses, elephants and camels frozen in time, captured in the act of moving, fighting, galloping, living. Scarcely a day goes by without their derivate use somewhere in today's media. And if most of us have seen Muybridge's distinctive stop-motion photographs, all of us have seen the fruit of his extraordinary technological innovation: today's cinema and television.
But it is his personal life that possesses all the ingredients of a classic non-fiction best-seller: a passionately driven man struggling against the odds; dire treachery and shocking betrayal; a cast of larger-than-life characters set against a backdrop of San Francisco and the Far West in its most turbulent and dangerous era; a profusion of scientific and artistic advances and discoveries, one hotly following on another; the nervous intensity of two spectacular courtroom dramas (one pitting Muybridge against the richest man in the land and staring ruin in the face, the other sees him fighting for his life). And for the opening act, a foul murder on a dark and stormy night.
Skillfully articulating the fascinating history of a now ubiquitous technology, author Brian Clegg combines ingredients from science and biography to create an eminently readable, fast-paced, and surprising story.
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Fascinating biography not only details Muybridge's groundbreaking photographic work, but also recounts his early life in England, his stormy relationship with Leland Stanford, his marriage to a young beauty, and his acquittal on murder charges after shooting her lover. Also his collaboration with artist Thomas Eakins and influence on Frederic Remington and Marcel Duchamp.
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Perhaps no nation has been so thoroughly shaped by its dreams as has America, and perhaps no other dreams have been captured on camera as often and as diversely as America's. The mythic American Dream has been the subject of photographic documentation since the 1840s, when photographers first began traveling to the New World in search of subjects. From an unknown photographer's picture of newborn George B. Billings Rego, scion of an immigrant Portuguese family and the first child ever born at Boston Long Wharf, to Lewis Hine's wrenching image of a young cotton mill worker in Georgia, to Alfred Stieglitz's awesome New York cityscapes, the photographs collected here reveal the multiple facets of 100 of the most decisive years of American development. Between 1840 and 1940, immigrants became homeowners, untouched lands exploded in superhuman industrial growth, tourists replaced pioneers, and the American metropolis grew taller and shinier--and the camera caught it all.
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Volume 1 of 3-volume set includes studies of nude men and women in remarkable stopped-action photographs by pioneering master photographer. Essential for artists, animators, photographers, cinematographers, anyone interested in the mechanics of people in motion.
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