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Books : Arts & Photography : Artists, A-Z : ( M-O ) : O'Keeffe, Georgia
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Georgia O'Keeffe, one of the most original painters America has ever produced, left behind a remarkable legacy when she died at the age of ninety-eight. Her vivid visual vocabulary -- sensuous flowers, bleached bones against red sky and earth -- had a stunning, profound, and lasting influence on American art in this century.O'Keeffe's personal mystique is as intriguing and enduring as her bold, brilliant canvases. Here is the first full account of her exceptional life -- from her girlhood and early days as a controversial art teacher...to her discovery by the pioneering photographer of the New York avant-garde, Alfred Stieglitz...to her seclusion in the New Mexico desert, where she lived until her death.
And here is the story of a great romance -- between the extraordinary painter and her much older mentor, lover, and husband, Alfred Stieglitz.
Renowned for her fierce independence, iron determination, and unique artistic vision, Georgia O'Keeffe is a twentieth-century legend. Her dazzling career spans virtually the entire history modern art in America.
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Ansel Adams and Georgia O'Keeffe first metin Taos, New Mexico, in 1929. She was already an established artist, while he was at the beginning of his career, and their friendship lasted for the rest of their lives.
GEORGIA O'KEEFE AND ANSEL ADAMS: NATURAL AFFINITIES suggests parallels in their distinctive visions of both natural and human-made environments and illustrates the artists' achievements in capturing the reality and essence of the world around them. More than 100 beautifully reproduced paintings and photographs are accompanied by critical essays on Adams and O'Keeffe and a biographical essay on the friendship between Adams, O'Keeffe, and Alfred Stieglitz.
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Georgia O’Keeffe is one of the great artists of the twentieth century, and one of the best loved. The Georgia O’Keeffe Museum in Santa Fe, New Mexico, holds the largest collection of her work, her archives, and her houses at Ghost Ranch and in Abiquiu.
This lavishly illustrated volume presents a magnificent selection of O’Keeffe’s paintings, drawings, and sculptures, all reproduced in faithful color. It also offers a generous portfolio of photographs—some previously unpublished—by O’Keeffe; many by Alfred Stieglitz, her husband and mentor; and others by such renowned photographers as Ansel Adams, Eliot Porter, Philippe Halsman, Yousuf Karsh, and Todd Webb.
In addition, there are a number of works by American Modernist painters who painted in New Mexico—George Bellows, Thomas Hart Benton, and Edward Hopper, among others.
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In this entertaining, informative collection, readers discover the idiosyncrasies-sometimes humorous, sometimes tragic-of twenty famous artists, including Michelangelo, Cassatt, van Gogh, Kahlo, and Warhol. “Fresh, spirited, and unconventional.”--Kirkus Reviews
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When Georgia O'Keeffe first visited New Mexico in 1917, she was instantly drawn to the stark beauty of its unusual architectural and landscape forms. In 1929, she began spending part of almost every year painting there, first in Taos, and subsequently in and around Alcalde, Abiquiu, and Ghost Ranch, with occasional excursions to remote sites she found particularly compelling. Georgia O'Keeffe and New Mexico is the first book to analyze the artist's famous depictions of these Southwestern landscapes.
Beautifully illustrated and gracefully written, the book accompanies an exhibition of the same name at the Georgia O'Keeffe Museum in Santa Fe, New Mexico. It reproduces the exhibition's 50 paintings and includes striking photographs of the sites that inspired them as well as diagrams of the region's distinctive geology. The book examines the magnificence of O'Keeffe's work through essays by three noted authors. Barbara Buhler Lynes, Curator of the Georgia O'Keeffe Museum and organizer of the exhibition, discusses the relationship of the artist's paintings to the places that inspired her.
Frederick Turner offers an illuminating essay contrasting O'Keeffe's fabled aloofness from the well-established art colony in Santa Fe with her intense closeness to the local landscape she so fiercely loved. Lesley Poling-Kempes furnishes a fascinating chronicle of O'Keeffe's years in the region as well as a useful explanation of the geological forces that produced the intense colors and dramatic shapes of the landscapes O'Keeffe painted.
EXHIBIT SCHEDULE:
Georgia O'Keeffe Museum
Santa Fe, New Mexico
June 11-September 12, 2004Columbus Museum of Art
Columbus, Ohio
October 1, 2004-January 16, 2005Albright-Knox Art Gallery
Buffalo, New York
January 28-May 08, 2005
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(20080801)From her appearance as a provocative young artist in Alfred Stieglitz’s photographs to her depiction as a grande dame of the art world in silkscreens by Andy Warhol, Georgia O’Keeffe captivated the media with her image of a woman as bold as her art. This beautifully illustrated book tells the stories behind the portraits of one of the 20th century’s foremost American painters.
O’Keeffe’s professional and personal relationships with the leading photographers of her time come to light, as does her ability to shape public perceptions of her career. Stieglitz first created photographs of his protégée posing in front of her abstract artworks as a manifestation of a sexually liberated woman. O’Keeffe later redefined her image, sometimes working with photographers at her homes in New Mexico, where she emerged as a rugged individualist among the animal bones and gnarled trees that she often painted.
This publication brings together for the first time photographs by Stieglitz, Newman, Loengard, Webb, and others—many of which probe fascinating tensions between abstractionism and realism in O’Keeffe’s art. In addition, a selection of O’Keeffe’s works chronicles the span of her long career.
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"The definitive life of O'Keeffe."—Hilton Kramer, Los Angeles Times
Georgia O'Keeffe (1887-1986) was one of the most successful American artists of the twentieth century: her arresting paintings of enormous, intimately rendered flowers, desert landscapes, and stark white cow skulls are seminal works of modern art. But behind O'Keeffe's bold work and celebrity was a woman misunderstood by even her most ardent admirers. This large, finely balanced biography offers an astonishingly honest portrayal of a life shrouded in myth.
When she was still unknown as an artist, O'Keeffe married Alfred Stieglitz, twenty-three years her senior and well established as a pioneer in art photography. The relationship was physically and intellectually passionate, but Stieglitz was a man of the world. Through the author's access to previously unavailable materials—including interviews with Dorothy Norman, Alfred Stieglitz's longtime paramour—we are offered new knowledge about O'Keeffe's defining relationships and the effect of her husband's infidelity. Driven to a nervous breakdown by the Norman affair, O'Keeffe relocated and redefined herself in New Mexico, where she created her unforgettable signature paintings. 16 pages of black-and-white illustrations, 32 color plates.
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Georgia O’Keeffe: Nature and Abstraction–published for the exhibition at Irish Museum of Modern Art, Dublin–explores O’Keeffe’s method of transforming known or recognizable objects into painted abstractions that express the essential elements of form, color, and allusion. This catalog presents O’Keeffe’s oeuvre through a selection of paintings that display her penchant for abstract forms derived from her personal observation of the natural world. It displays the development of her aesthetic vocabulary, as well as it’s evolution–as seen through her later work which she created well into the 1970s. Also presented are examples of O’Keeffe’s personal inspirations, such as flowers, trees, dried bones, and aerial perspectives, as well as her favorite places, such as New York City and New Mexico.
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Twenty remarkable O Keeffe works are featured in this beautiful and useful engagement calendar, among them The Black Iris, House with Tree Green, and Series I From the Plains. Also included are a brief essay about O Keeffe, fifty-four weekly grids, twelve full-page monthly grids, double-page spreads of 2009 and 2010 yearly grids, lists of international holidays and international calling codes/time differences, pages to record notes/expenses, and a personal information page.
Size: 6 5/8 x 8 in.; 112 pages; hardcover Wire-O bound.
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A celebration of the artist's familar works encompasses one hundred of her famous flower masterpieces as gathered from private collections and leading museums, and is presented in an accessible, coffee-table format.
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Almost 24 years his junior, Georgia O'Keeffe became for Alfred Stieglitz a near icon of American art--as well as his wife. In a marvelous, multileveled biography, Benita Eisler traces the epic and stormy relationship of these incomparable artists, from their consuming ambition to their sexual experimentation.
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The definitive book on Georgia O'Keeffe's work--selected, designed, and supervised by the artist herself, with her own text. Includes 108 magnificent full-color plates, some never reproduced elsewhere or publicly shown. Covers the entire range of O'Keeffe's career, from her intense, personal abstractions to her unique depictions of nature--flowers, bones, rocks, and landscapes.
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Georgia O'Keeffe, well known for her striking paintings of the Southwest, carried her creativity into the kitchen, where she took great pride in her healthy culinary style. The meals served in her household focused on homegrown and natural foods. They were always tasty, nutritious, modest, and beautifully prepared.
A Painter's Kitchen is Margaret Wood's recollection of seventy recipes from Georgia O'Keeffe's kitchen. As Miss O'Keeffe's companion for five years, Wood's responsibilities included, among other things, preparing many of the meals. O'Keeffe directed Miss Wood in the preparation of simple, delicious food using many fresh ingredients and insisted that Wood pay scrupulous attention to every step of food production and preparation. Besides containing recipes from Miss O'Keeffe's kitchen, the book describes in charming detail Miss O'Keeffe's outlook on food, philosophy, life, art, and the world, while maintaining respect for the artist's well-known desire for privacy.
Margaret Wood left Miss O'Keeffe's employ in 1982. She was a production weaver for Kozikowski Tapestry Weavers and since 1988 has been a speech/language pathologist.
"Lavishly sprinkled with black-and-white photographs of the artist as well as full-color food photos, "A Painter's Kitchen" is a feast for the eyes as well as the mind and stomach."-Mail Order Gourmet
"More than just a cookbook, this text describes O'Keeffe's outlook on life and art in 128 pages."-Southwest Art
"Here is a way of cooking and eating serene in accumulated wisdom (Miss O'Keeffe was in her nineties at the time the author knew her) and rich in undiminished sensual delight."-Cook Book
Sample Recipe:
During the 1960s and 1970s, many prominent magazines featured interviews with Georgia O'Keeffe, along with photographs of both her houses. During supper one evening she recalled the occasion when a female staff member from one of the magazines had come to the Abiquiu house and was straightening everything up so meticulously that it no longer looked like the painter's house. At one point, when the woman was making every curtain pleat perfect, Miss O'Keeffe could not resist saying to her,
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This magnificent book examines O'Keeffe's life and work, focusing on the quintessential American qualities of her art and her idiosyncratic way of seeing. Eldredge discovers for example, O'Keeffe's connection to the Transcendentalist tradition in American thought, and her relationship to America's awakening enthusiasm for Freudian theorizing and feminine self-revelation. He also describes O'Keeffe's modernity, her innovative readiness to push her art toward abstraction and serial art.
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This calendar features a dozen images O Keeffe painted between 1919 and 1943, among them Red Cannas, Lake George with Crows, The White Flower, Pink Shell with Seaweed, White Flower on Red Earth No. 1, and Red, Yellow and Black Streak.
Size: 12 x 13 in.; opens to 12 x 26 in.
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For seven decades Georgia O'Keeffe (1887-1986) was a major figure in American art who, remarkably, maintained her independence from shifting artistic trends. She painted prolifically, and almost exclusively, the flowers, animal bones, and landscapes around her studios in Lake George, New York, and New Mexico, and these subjects became her signature images. Remaining true to her own unique artistic vision, she created a highly individual style of painting that synthesized the formal language of modern European abstraction and the subjects of traditional American pictorialism. Ever popular with American critics and the public since the first years of her career, O'Keeffe's reputation with contemporary audiences has expanded into the international arena. This comprehensive and illuminating new book surveys Georgia O'Keeffe's complete oeuvre—drawings, watercolors, and paintings from all periods—and explains her life in the context of her artistic output. The accessible text provides in-depth analysis of her most important pictures and highlights the recurring themes and images that unite her large body of work. The discussion incorporates current scholarship and benefits from the recent publication of the artist's catalogue raisonné. O'Keeffe's relationships with fellow artists such as Arthur Dove, Marsden Hartley, John Marin, Paul Strand, and, especially, Alfred Stieglitz are also explored. It was not uncommon for her to adapt to her own artistic purposes specific images, themes, or compositions from other people's work, although her ideas more often paralleled, and sometimes even preceded, those of other artists. Throughout her long and productive life, Georgia O'Keeffe was emphatic in her belief that art could not be explained adequately with words: "Colors & line & shapes seem for me a more definite statement than words." Yet, despite her protestations, candid writings from every period exist in the artist's vast correspondence, and they are quoted here to provide greater understanding of her personality and her thoughts about art. 75 color and 75 b/w illustrations.
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The first exploration of the art that Georgia O'Keeffe retained for her personal collection, including works that have never been publicly exhibited. Georgia O'Keeffe was one of America's preeminent artists and one of the first to experiment with abstract form, though she never abandoned her deep response to and observation of nature. An enormously popular artist, she became identified and respected as an independent American spirit through both her art and her life. At the time of her death in 1986, Georgia O'Keeffe owned more than half of the approximately 2,000 works she had produced during the eighty years she was active as an artist: some 400 works in oil, charcoal, pastel, pencil, and watercolor, as well as more than 700 sketches. For various reasons, she had always kept a portion of her art out of the public eye and these works were not published, exhibited, or available for purchase during her lifetime. Among the works that had been exhibited and sold over the years, some were repurchased by O'Keeffe as they became available. This book explores for the first time the significance of O'Keeffe's collection of her own work. Approximately 75 seminal works, dating from about 1910 through the 1960s and reproduced in full color, document the range and quality of the art that O'Keeffe either chose to retain in her estate or consciously distributed to institutions in her lifetime and as bequests. It reveals her thinking in relation to her oeuvre, providing a unique perspective from which to understand O'Keeffe as artist and collector. The book accompanies an exhibition organized by the Milwaukee Art Museum and the Georgia O'Keeffe Museum, the principal recipients to date of art from the O'Keeffe estate. The exhibition coincides with the opening of the Milwaukee Art Museum's major addition designed by noted Spanish architect Santiago Calatrava. 110 color and 20 b/w illustrations.