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Books : Nonfiction : Philosophy : Movements : Marxist
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“In its less dramatic versions,” writes author Dan Palmer, “structuralism is just a method of studying language, society, and the works of artists and novelists. But in its most exuberant form, it is a philosophy, an overall worldview that provides an account of reality and knowledge.” Poststructuralism is a loosely knit intellectual movement, comprised mainly of ex-structuralists who either became dissatisfied with the theory or felt they could improve it. Structuralism and Poststructuralism For Beginners is an illustrated tour through the mysterious landscape of these two theories. The book’s starting point is the linguistic theory of Ferdinand de Saussure. The book moves on to the anthropologist and literary critic Claude Levi-Strauss; the semiologist and literary critic Roland Barthes; the Marxist philosopher Louis Althusser; the psychoanalyst Jacques Lacan; the deconstructionist Jacques Derrida. The book concludes by examining the postmodern obsession with language and with the radical claim of the disappearance of the individual–obsessions that unite the work of all of these theorists.
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"... no other book undertakes to relate all these French philosophers to each other the way that [Lawlor] does, brilliantly." -- François Raffoul
For many, Jacques Derrida, Michel Foucault, and Gilles Deleuze represent one of the greatest movements in French philosophy. But these philosophers and their works did not materialize without a philosophical heritage. In Thinking through French Philosophy, Leonard Lawlor shows how the work of Maurice Merleau-Ponty formed an important current in sustaining the development of structuralism and post-structuralism. Seeking the "point of diffraction," or the specific ideas and concepts that link Derrida, Foucault, and Deleuze, Lawlor discovers differences and convergences in these thinkers who worked the same terrain. Major themes include metaphysics, archaeology, language and documentation, expression and interrogation, and the very experience of thinking. Lawlor's focus on the experience of the question brings out critical differences in immanence and transcendence. This illuminating and provocative book brings new vitality to debates on contemporary French philosophy.
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Friedrich Nietzsche is cited as the philosopher who anticipates the philosophical themes that have dominated French theory since structuralism. Informed by developments in both contemporary French philosophy and Nietzsche scholarship, this study provides an examination of the way the French have appropriated Nietzsche in developing their own critical projects. Using Nietzsche's thought as a springboard, this study aims to makes accessible the ideas of some of the most important and difficult of contemporary French poststructuralist theorists.
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Jean Paul Sartre is still widely regarded as France's most famous and influential philosopher. Yet, to many, his work has been superseded by the work of subsequent poststructuralist and postmodernist philosophers such as Michel Foucault, Jacques Derrida, Jean Baudrillard and Gilles Deleuze. "The New Sartre" presents a radical reassessment of Sartre's work and his relationship to postmodernism. It presents the reader with a detailed analysis of Sartre's entire oeuvre, from the 1930s to the 1970s, focusing in particular on his two main philosophical texts, "Being and Nothingness" and "The Critique of Dialectical Reason". Arguing that Sartre was a schizophrenic and transitional thinker, a thinker caught between modern constructionism and postmodern deconstruction, the book explores the differences and similarities between Sartrean existentialism and French poststructuralism. A fundamental re-evaluation of one of the central figures of 20th Century thought, "The New Sartre" highlights the critical value and enduring relevance of Sartre's work to our postmodern times.
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Caws offers a nondogmatic and highly detailed commentary on, and analysis of, structuralism as philosophical movement and theory of language, society, and systems.
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In Inscriptions, Hugh J. Silverman investigates two divergent yet related philosophical movements: phenomenology from the later Husserl through Sartre and Heidegger to Merleau-Ponty, and structuralism from de Saussure through Levi-Strauss and Lacan to Barthes. This reading of the tradition culminates in an assessment of Derrida and Foucault. From this foundation, Silverman moves beyond structuralism and phenomenology, and develops his own philosophical position in the context of semiotics, hermeneutics, and deconstruction. A new preface by the author updates this classic text.
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Kathrin Koslicki offers an analysis of ordinary material objects, those material objects to which we take ourselves to be committed in ordinary, scientifically informed discourse. She focuses particularly on the question of how the parts of such objects are related to the wholes which they compose.
Many philosophers today find themselves in the grip of an exceedingly deflationary conception of what it means to be an object. According to this conception, any plurality of objects, no matter how disparate or gerrymandered, itself composes an object, even if the objects in question fail to exhibit interesting similarities, internal unity, cohesion, or causal interaction amongst each other.
This commitment to initially counterintuitive objects follows from the belief that no principled set of criteria is available by means of which to distinguish intuitively gerrymandered objects from commonsensical ones; the project of this book is to persuade the reader that systematic principles can be found by means of which composition can be restricted, and hence that we need not embrace this deflationary approach to the question of what it means to be an object.
To this end, a more full-blooded neo-Aristotelian account of parthood and composition is developed according to which objects are structured wholes: it is integral to the existence and identity of an object, on this conception, that its parts exhibit a certain manner of arrangement. This structure-based conception of parthood and composition is explored in detail, along with some of its historical precursors as well as some of its contemporary competitors.
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In a wide-ranging and original study of Claude Lévi-Strauss's aesthetic thought, Boris Wiseman demonstrates not only its centrality within his oeuvre but also the importance of Levi-Strauss for contemporary aesthetic enquiry. Reconstructing the internal logic of Lévi-Strauss's thinking on aesthetics, and showing how anthropological and aesthetic ideas intertwine at the most elemental levels in the elaboration of his system of thought, Wiseman demonstrates that Lévi-Strauss's aesthetic theory forms an integral part of his approach to Amerindian masks, body decoration and mythology. He reveals the significance of Lévi-Strauss's anthropological analysis of an 'untamed' mode of thinking (pensée sauvage) at work in totemism, classification and myth-making for his conception of art and aesthetic experience. In this way, structural anthropology is shown to lead to ethnoaesthetics. Lévi-Strauss, Anthropology and Aesthetics adopts a broad-ranging approach that combines the different perspectives of anthropology, philosophy, aesthetic theory and literary criticism into an unusual and imaginative whole.
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Ethics and Representation provides a critique and overview of contemporary post-structuralist theory. Exploring the Kantian and phenomenological background of Derrida, Deleuze, Foucault and Irigaray, this book raises some key questions and issues in critical theory. These questions are looked at from a number of angles including the notion of point of view and perspective, the critique of anthropologism from Kant to Deleuze, and the relation between representation and modernity. This is an original contribution to ethical and critical theory which situates poststructuralism in its philosophical background, and in the sustained problematic of the enlightenment.
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