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Books : History : United States : State & Local : Mid-Atlantic
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When the British wrested New Amsterdam from the Dutch in 1664, the truth about its thriving, polyglot society began to disappear into myths about an island purchased for 24 dollars and a cartoonish peg-legged governor. But the story of the Dutch colony of New Netherland was merely lost, not destroyed: 12,000 pages of its records–recently declared a national treasure–are now being translated. Drawing on this remarkable archive, Russell Shorto has created a gripping narrative–a story of global sweep centered on a wilderness called Manhattan–that transforms our understanding of early America.
The Dutch colony pre-dated the “original” thirteen colonies, yet it seems strikingly familiar. Its capital was cosmopolitan and multi-ethnic, and its citizens valued free trade, individual rights, and religious freedom. Their champion was a progressive, young lawyer named Adriaen van der Donck, who emerges in these pages as a forgotten American patriot and whose political vision brought him into conflict with Peter Stuyvesant, the autocratic director of the Dutch colony. The struggle between these two strong-willed men laid the foundation for New York City and helped shape American culture. The Island at the Center of the World uncovers a lost world and offers a surprising new perspective on our own.
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A forerunner of the modern highway system, the Long Island Motor Parkway was constructed during the advent of the automobile and at a pivotal time in American history. Following a spectator death during the 1906 Vanderbilt Cup Race, the concept for a privately owned speedway on Long Island was developed by William K. Vanderbilt Jr. and his business associates. It would be the first highway built exclusively for the automobile. Vanderbilt's dream was to build a safe, smooth, police-free road without speed limits where he could conduct his beloved automobile races without spectators running onto the course. Features such as the use of reinforced concrete, bridges to eliminate grade crossings, banked curves, guardrails, and landscaping were all pioneered for the parkway. Reflecting its poor profitability and the availability of free state-built public parkways, the historic 48-mile Long Island Motor Parkway closed on Easter Sunday, April 17, 1938.
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The Soprano State details the you-couldn't-make-this-up true story of the corruption that has pervaded New Jersey politics, government, and business for the past thirty years. From Jimmy Hoffa purportedly being buried somewhere beneath the end zone in Giants Stadium in the Meadowlands, through allegations of a thoroughly corrupt medical and dental university, through Mafia influence at all levels, to a governor who suddenly declares himself a “gay American” and resigns, the Garden State might indeed be better named after the HBO mobsters.
Where else would:
- A state attorney general show up after police pulled over her boyfriend who was driving without a valid license?
- A state senator and mayor of Newark (the same guy) spend thousands of dollars of taxpayers’ money on a junket to Rio days before leaving office?
- A politically connected developer hire a prostitute to tape sex acts with his own brother-in-law and then send the tape to his sister?
Only in the Soprano State.
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“Part treatise, part miscellany, unfailingly entertaining.”
–The New York Times
“A small pearl of a book . . . a great tale of the growth of a modern city as seen through the rise and fall of the lowly oyster.”
–Rocky Mountain News
Award-winning author Mark Kurlansky tells the remarkable story of New York by following the trajectory of one of its most fascinating inhabitants–the oyster.
For centuries New York was famous for this particular shellfish, which until the early 1900s played such a dominant a role in the city’s life that the abundant bivalves were Gotham’s most celebrated export, a staple food for all classes, and a natural filtration system for the city’s congested waterways.
Filled with cultural, historical, and culinary insight–along with historic recipes, maps, drawings, and photos–this dynamic narrative sweeps readers from the seventeenth-century founding of New York to the death of its oyster beds and the rise of America’s environmentalist movement, from the oyster cellars of the rough-and-tumble Five Points slums to Manhattan’s Gilded Age dining chambers. With The Big Oyster, Mark Kurlansky serves up history at its most engrossing, entertaining, and delicious.
“Suffused with [Kurlansky’s] pleasure in exploring the city across ground that hasn’t already been covered with other writers’ footprints.”
–Los Angeles Times Book Review
“Fascinating stuff . . . [Kurlansky] has a keen eye for odd facts and natural detail.”
–The Wall Street Journal
“Kurlansky packs his breezy book with terrific anecdotes.”
–Entertainment Weekly
“Magnificent . . . a towering accomplishment.”
–Associated Press
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A New York Public Library Outstanding Reference Book
The rich and eminently browsable visual guide to the history of New York, in an all-new
second edition
The Historical Atlas of New York City, second edition, takes us, neighborhood by neighborhood, through four hundred years of Gotham's rich past, describing such crucial events as the city's initial settlement of 270 people in thirty log houses; John Jacob Astor's meteoric rise from humble fur trader to the richest, most powerful man in the city; and the fascinating ethnic mixture that is modern Queens. The full-color maps, charts, photographs, drawings, and mini-essays of this encyclopedic volume also trace the historical development and cultural relevance of such iconic New York thoroughfares as Fifth Avenue, Wall Street, Park Avenue, and Broadway. This thoroughly updated edition brings the Atlas up to the present, including three all-new two-page spreads on Rudolph Giuliani's New York, the revival of Forty-second Street, and the rebuilding of Ground Zero.
A fascinating chronicle of the life of a metropolis, the handsome second edition of The Historical Atlas of New York City provides a vivid and unique perspective on the nation's cultural capital.
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They called it Satan’s Circus—a square mile of Midtown Manhattan where vice ruled, sin flourished, and depravity danced in every doorway. At the turn of the twentieth century, it was a place where everyone from the chorus girls to the beat cops was on the take and where bad boys became wicked men; a place where an upstanding young policeman such as Charley Becker could become the crookedest cop who ever stood behind a shield.
Murder was so common in the vice district that few people were surprised when the loudmouthed owner of a shabby casino was gunned down on the steps of its best hotel. But when, two weeks later, an ambitious district attorney charged Becker with ordering the murder, even the denizens of Satan’s Circus were surprised. The handsome lieutenant was a decorated hero, the renowned leader of New York’s vice-busting Special Squad. Was he a bad cop leading a double life, or a pawn felled by the sinister rogues who ran Manhattan’s underworld?
With appearances by the legendary and the notorious—including Big Tim Sullivan, the election-rigging vice lord of Tammany Hall; future president Theodore Roosevelt; beloved gangster Jack Zelig; and the newly famous author Stephen Crane—Satan’s Circus brings to life an almost-forgotten Gotham. Chronicling Charley Becker’s rise and fall, the book tells of the raucous, gaudy, and utterly corrupt city that made him, and recounts not one but two sensational murder trials that landed him in the electric chair.
From the Hardcover edition.
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From nineteenth-century paintings of fires raging through New York City to scenes of Manhattan engulfed by a gigantic wave in the 1998 movie Deep Impact, images of the city’s end have been prolific and diverse. Why have Americans repeatedly imagined New York’s destruction? What do the fantasies of annihilation played out in virtually every form of literature and art mean? This book is the first to investigate two centuries of imagined cataclysms visited upon New York, and to provide a critical historical perspective to our understanding of the events of September 11, 2001.
Max Page examines the destruction fantasies created by American writers and imagemakers at various stages of New York’s development. Seen in every medium from newspapers and films to novels, paintings, and computer software, such images, though disturbing, have been continuously popular. Page demonstrates with vivid examples and illustrations how each era’s destruction genre has reflected the city’s economic, political, racial, or physical tensions, and he also shows how the images have become forces in their own right, shaping Americans’ perceptions of New York and of cities in general.
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For seventy-five years, it’s been Manhattan’s richest apartment building, and one of the most lusted-after addresses in the world. One apartment had 37 rooms, 14 bathrooms, 43 closets, 11 working fireplaces, a private elevator, and his-and-hers saunas; another at one time had a live-in service staff of 16. To this day, it is steeped in the purest luxury, the kind most of us could only imagine, until now.
The last great building to go up along New York’s Gold Coast, construction on 740 Park finished in 1930. Since then, 740 has been home to an ever-evolving cadre of our wealthiest and most powerful families, some of America’s (and the world’s) oldest money—the kind attached to names like Vanderbilt, Rockefeller, Bouvier, Chrysler, Niarchos, Houghton, and Harkness—and some whose names evoke the excesses of today’s monied elite: Kravis, Koch, Bronfman, Perelman, Steinberg, and Schwarzman. All along, the building has housed titans of industry, political power brokers, international royalty, fabulous scam-artists, and even the lowest scoundrels.
The book begins with the tumultuous story of the building’s construction. Conceived in the bubbling financial, artistic, and social cauldron of 1920’s Manhattan, 740 Park rose to its dizzying heights as the stock market plunged in 1929—the building was in dire financial straits before the first apartments were sold. The builders include the architectural genius Rosario Candela, the scheming businessman James T. Lee (Jacqueline Kennedy Onassis’s grandfather), and a raft of financiers, many of whom were little more than white-collar crooks and grand-scale hustlers.
Once finished, 740 became a magnet for the richest, oldest families in the country: the Brewsters, descendents of the leader of the Plymouth Colony; the socially-registered Bordens, Hoppins, Scovilles, Thornes, and Schermerhorns; and top executives of the Chase Bank, American Express, and U.S. Rubber. Outside the walls of 740 Park, these were the people shaping America culturally and economically. Within those walls, they were indulging in all of the Seven Deadly Sins.
As the social climate evolved throughout the last century, so did 740 Park: after World War II, the building’s rulers eased their more restrictive policies and began allowing Jews (though not to this day African Americans) to reside within their hallowed walls. Nowadays, it is full to bursting with new money, people whose fortunes, though freshly-made, are large enough to buy their way in.
At its core this book is a social history of the American rich, and how the locus of power and influence has shifted haltingly from old bloodlines to new money. But it’s also much more than that: filled with meaty, startling, often tragic stories of the people who lived behind 740’s walls, the book gives us an unprecedented access to worlds of wealth, privilege, and extraordinary folly that are usually hidden behind a scrim of money and influence. This is, truly, how the other half—or at least the other one hundredth of one percent—lives.
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The demolition of Penn Station in 1963 destroyed not just a soaring neoclassical edifice but also a building that commemorated one of the last centurya (TM)s great engineering feats---the construction of railroad tunnels into New York City. Now, in this gripping narrative, Jill Jonnes tells this fascinating story.
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An alluring exploration of the people and the legendary craftsmanship behind a single Steinway piano
Like no other instrument, a grand piano melds engineering feats with the magical sounds of great music: the thunder of a full-throated bass, the bright, delicate trill of the upper treble. Alone among the big piano companies, Steinway still crafts all of its pianos largely by hand, imbuing each one with the promise and burden of its brand.
In this captivating narrative, James Barron of The New York Times tells the story of one Steinway piano, from raw lumber to finished instrument. Barron follows that brand-new piano—known by its number, K0862—on its eleven-month journey through the Steinway factory, where time-honored manufacturing methods vie with modern-day industrial efficiency. He looks over the shoulders of men and women—some second- and third-generation employees, some recently arrived immigrants—who transform wood and steel into a concert grand. Together, they carry on the traditions begun more than 150 years ago by the immigrants who founded Steinway & Sons—a family that soared to prominence in the music world and, for a while, in New York City’s political and economic life. Barron also explores the art and science of developing a piano’s timbre and character before its first performance, when the essential question will be answered: Does K0862 live up to the Steinway legend?
From start to finish, Piano will charm and enlighten music lovers.
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One of every seven people in the United States can trace their family back to Brooklyn, New York—all seventy-one square miles of it; home to millions of people from every corner of the globe over the last 150 years. Now Peter Golenbock, the author of the acclaimed book Bums: An Oral History of the Brooklyn Dodgers, returns to Kings County to collect the firsthand stories of the life and times of the people of Brooklyn—and how they changed the world.
The nostalgic myth that is Brooklyn is all about egg creams and stickball, and, of course, the Dodgers. The Dodgers left fifty years ago, but Brooklyn is still here—transformed by waves of suburban flight, new immigrants, urban homesteaders, and gentrification. Deep down, Brooklyn has always been about new ideas—freedom and tolerance paramount among them—that have changed the world, all the way back to Lady Deborah Moody, who escaped religious persecution in both Old and New England, and founded Coney Island and the town of Gravesend in the 1600s.
So why was Jackie Robinson embraced by Brooklynites of all colors, and so despised everywhere else? Why was Brooklyn one of the first urban areas to decay into slums—and one of the first to be reborn? And what was it that made Brooklynites fight for their rights, for their country, for their ideas—sometimes to the detriment of their own well-being? In the Country of Brooklyn, filled with rare photos, is history at its very best—engaging, personal, fascinating—a social history and a history of social justice; an oral history of a land and its people spanning the twentieth and twenty-first centuries; a microcosm of how Americans there faced and defeated discrimination, oppression, and unjust laws, and fought for what was right. And the voices and stories are as amazing as they are varied.
Meet: Daily Worker sportswriter Lester Rodney rock and roll DJ "Cousin Brucie" Morrow labor leader Henry Foner Guardian Angels founder Curtis Sliwa journalist and author Pete Hamill Black Pantherturned-politician Charles Barron Hall of Fame baseball player Monte Irvin Spanish Civil War veteran Abe Smorodin borough president Marty Markowitz real estate developer Joseph Sitt jujitsu world champion Robert Crosson songwriter Neil Sedaka NYPD officer John Mackie ACLU president Ira Glasser and many others!
It's Brooklyn as we've never seen it before, a place of social activism, political energy, and creative thinking—a place whose vitality has spread around the world for more than 350 years. And a place where you can still get a decent egg cream.
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Amid all the stories of tragedy and heroism on September 11, there is one tale that has yet to be told–the gripping account of ordinary men and women braving the inferno at the Pentagon to rescue friends and co-workers, save the nation’s military headquarters, and defend their country.
Pentagon firefighters Alan Wallace and Mark Skipper had just learned the shocking news that planes had struck the World Trade Center when they saw something equally inconceivable: a twin-engine jetliner flying straight at them. It was American Airlines Flight 77, rushing toward its target. In his Pentagon office, Army major David King was planning a precautionary evacuation when the room suddenly erupted in flames. Arlington firefighters Derek Spector, Brian Roache, and Ron Christman, among the first responders at the scene, were stunned by the sight that met them: a huge flaming hole gouged into the Pentagon’s side, a lawn strewn with smoking debris, and thousands of people, some badly injured, stumbling away from what would become one of the most daunting fires in American history.
For more than twenty-four hours, Arlington firefighters and other crews faced some of the most dangerous and unusual circumstances imaginable. The size and structure of the Pentagon itself presented unique challenges, compelling firefighters to devise ingenious tactics and make bold decisions–until they finally extinguished the fire that threatened to cripple America’s military infrastructure just when it was needed most.
Granted unprecedented access to the major players in the valiant response efforts, Patrick Creed and Rick Newman take us step-by-step through the harrowing minutes, hours, and days following the crash of American Airlines Flight 77 into the Pentagon’s western façade. Providing fascinating personal stories of the firefighters and rescuers, a broader view of how the U.S. national security command structure was held intact, and a sixteen-page insert of dramatic photographs, Firefight is a unique testament to the fortitude and resilience of America.
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From the acclaimed author of Bound for Canaan comes a major work of American history on the astonishing compromises and alliances involved in making Washington, D.C., the capital of the new nation.
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In a landmark work of history, Russell Shorto presents astonishing information on the founding of our nation and reveals in riveting detail the crucial role of the Dutch in making America what it is today.
In the late 1960s, an archivist in the New York State Library made an astounding discovery: 12,000 pages of centuries-old correspondence, court cases, legal contracts, and reports from a forgotten society: the Dutch colony centered on Manhattan, which predated the thirteen “original” American colonies. For the past thirty years scholar Charles Gehring has been translating this trove, which was recently declared a national treasure. Now, Russell Shorto has made use of this vital material to construct a sweeping narrative of Manhattan’s founding that gives a startling, fresh perspective on how America began.
In an account that blends a novelist’s grasp of storytelling with cutting-edge scholarship, The Island at the Center of the World strips Manhattan of its asphalt, bringing us back to a wilderness island—a hunting ground for Indians, populated by wolves and bears—that became a prize in the global power struggle between the English and the Dutch. Indeed, Russell Shorto shows that America’s founding was not the work of English settlers alone but a result of the clashing of these two seventeenth century powers. In fact, it was Amsterdam—Europe’s most liberal city, with an unusual policy of tolerance and a polyglot society dedicated to free trade—that became the model for the city of New Amsterdam on Manhattan. While the Puritans of New England were founding a society based on intolerance, on Manhattan the Dutch created a free-trade, upwardly-mobile melting pot that would help shape not only New York, but America.
The story moves from the halls of power in London and The Hague to bloody naval encounters on the high seas. The characters in the saga—the men and women who played a part in Manhattan’s founding—range from the philosopher Rene Descartes to James, the Duke of York, to prostitutes and smugglers. At the heart of the story is a bitter power struggle between two men: Peter Stuyvesant, the autocratic director of the Dutch colony, and a forgotten American hero named Adriaen van der Donck, a maverick, liberal-minded lawyer whose brilliant political gamesmanship, commitment to individual freedom, and exuberant love of his new country would have a lasting impact on the history of this nation.
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And the Golden Plunger goes to…
Forget about the Oscars, Grammys, and Golden Globes. After two decades of producing interesting, entertaining, and mind-boggling stories, Uncle John has come up with his own unique opinions about what deserves an award. So he recruited the dedicated staff at the BRI to compile this collection of 100 things he deems award-worthy.
Here are just a few of the Golden Plunger Awards Uncle John is giving out: Scrumptious Cookie, Baseball’s Unbelievable Blunder, Versatile Condiment, Enduring Sports Rivalry, Stinkiest Cheese, American Dream Hero, Memorable Commercial, Classic Cocktail, Essential Bathroom Accessory, Oldest Con, Supreme Sex Symbol, Breakthrough Graphic Novel, Inspirational Speech, Intriguing Unsolved Mystery, and Best Tattoo.
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A New York Times Bestseller
On March 25, 1911, at quitting time, a fire broke out in the Triangle shirtwaist factory in New York's Greenwich Village. Within minutes the building's upper three stories were consumed. Firemen's ladders weren't tall enough to rescue those trapped inside. In the worst workplace disaster in the city's history, 146 died - 123 of them women. This harrowing yet compulsively readable chronicle of that tragedy is also a vibrant portrait of an entire age.
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Americans call Niagara Falls a natural wonder, but the Falls aren't very natural anymore. In fact, they are a study in artifice. Water diverted, riverbed reshaped, brink stabilized and landscape redesigned, the Falls are more a monument to man's meddling than to nature's strength. Held up as an example of something real, they are hemmed in with fakery -- waxworks, haunted houses, IMAX films and ersatz Indian tales. A symbol of American manifest destiny, they are shared politely with Canada. Emblem of nature's power, they are completely human-controlled. Archetype of natural beauty, they belie an ugly environmental legacy still bubbling up from below. On every level, Niagara Falls is a monument to how America falsifies nature, reshaping its contours and redirecting its force while claiming to submit to its will.Combining history, reportage and personal narrative, Inventing Niagara traces Niagara's journey from sublime icon to engineering marvel to camp spectacle. Along the way, Ginger Strand uncovers the hidden history of America's waterfall: the Mohawk chief who wrested the Falls from his adopted tribe, the revered town father who secretly assisted slave catchers, the wartime workers who unknowingly helped build the Bomb and the building contractor who bought and sold a pharaoh. With an uncanny ability to zero in on the buried truth, Strand introduces us to underwater dams, freaks of nature, mythical maidens and 280,000 radioactive mice buried at Niagara.
From LaSalle to Lincoln to Los Alamos, Mohawks to Marilyn, Niagara's story is America's story, a tale of dreams founded on the mastery of nature. At a time of increasing environmental crisis, Inventing Niagara shows us how understanding the cultural history of nature might help us rethink our place in it today.