- Monarchy
- Sweet Valley Twins
- General AAS
- Community Legal Services
- More, Thomas
- Digital Effects
- General AAS
- Nonfiction
- James, Montague Rhodes
- General
- Kalogridis, Jeanne
- General
- General
- Travel
- More Languages
- Miro, Joan
- Information Technology
- Nuclear
- Algebra
- Gilgamesh
- New Testament
- Vocational Guidance
- Management & Leadership
- Speech
- Frutkin, Mark
- Watches
- Home and Garden
- UK Electronics
- UK Books
- Health and Personal Care
- UK Sporting Goods
- Clothing, Shoes and Accessories
- Electronics, Gadgets and Computers
- CDs and Music Downloads
- UK Software and Video Games
- UK Toys and Games
- UK Home and Garden
- UK Video Games
- UK Baby Clothes and Accessories
- Books On
- German Electronics
Books : Nonfiction : Social Sciences : Communication : Propaganda
-
-
-
-
Propaganda. Manipulation. Spin. Control. It has ever been thus—or has it? On the eve of the 60th anniversary of George Orwell's classic essay on propaganda (Politics and the English Language), writers have been invited to explore what Orwell didn't—or couldn't—know. Their responses, framed in pithy, focused essays, range far and wide: from the effect of television and computing, to the vast expansion of knowledge about how our brains respond to symbolic messages, to the merger of journalism and entertainment, to lessons learned during and after a half-century of totalitarianism. Together, they paint a portrait of a political culture in which propaganda and mind control are alive and well (albeit in forms and places that would have surprised Orwell). The pieces in this anthology sound alarm bells about the manipulation and misinformation in today's politics, and offer guideposts for a journalism attuned to Orwellian tendencies in the 21st century.
-
The Third Edition of this successful book has been revised, updated and expanded, building on the book's excellence. The book covers: an explanation of what propoganda is, its history, media and developing audiences, theory and research, and the use of propoganda in psychological warfare. Original methods of propoganda analysis are presented, there are new and revised case studies and a process model that depicts how propoganda works in modern society. This book provides students and scholars with a cogent, applicable approach to the study of persuasion and propoganda.
-
In this new, fully revised and expanded Third Edition, Rice and Katz provide readers with a comprehensive, up-to-date look into the field of public communication campaigns. Largely rewritten to reflect the latest theories and research, this text continues in the tradition of ongoing improvement and expansion into new areas. This Third Edition contains several new features. First, an expanded "sampler" section including more recent, intriguing and controversial campaigns has been added. Second, more attention is given to specific practical implications and evaluation of campaigns, using examples from both AIDS and anti-drug campaigns. Third, the book's final section introduces a variety of recent campaign dimensions including community-oriented campaigns, entertainment-education campaigns, and Internet/Web-based campaigns.
This volume will be a valuable resource for both students and researchers in the fields of communication, journalism, public relations, mass media, advertising, and public health programs.
-
Superhero adventure comics have a long history of commenting upon American public opinion and government policy, and the surge in the popularity of comics since the events of September 11, 2001, ensures their continued relevance. This critical text examines the seventy-year history of comic book superheroes on film and in comic books and their reflections of the politics of their time. Superheroes addressed include Batman, Wonder Woman, Spider-Man, Superman, the Fantastic Four and the X-Men, and topics covered include American wars, conflicts, and public policy.
-
-
The Rough Guide to Conspiracy Theories is the definitive guide to the world''s most controversial conspiracies. From phoney crucifictions to fake moon landings, and from stolen elections to manufactured viruses, there''s always another story lurking behind the ''official version''. This guide questions whether Princess Diana''s death was an accident? What really happened on 9/11? Why did Space Shuttle Columbia disintegrate on entry? Some theories are sobering, some troubling , others simply crazy, The Rough Guide to Conspiracy Theories sorts the myths from the realities.
-
News for a Change provides step-by-step instructions for working with the media to promote social change. The authors are seasoned activists in the use of media advocacy -- the strategic use of news media, advertising and community organizing to change public policy. In this media-driven age, strategic media approaches are vital to achieving visibility, gathering support, and challenging those in positions of power.
-
Early in World War II censors placed all photographs of dead and badly wounded Americans in a secret Pentagon file known to officials as the Chamber of Horrors. Later, as government leaders became concerned about public complacency brought on by Allied victories, they released some of these photographs of war's brutality. But to the war's end and after, they continued to censor photographs of mutilated or emotionally distressed American soldiers, of racial conflicts at American bases, and other visual evidence of disunity or disorder. In this book George H. Roeder, Jr., tells the story of how American opinions about World War II were manipulated both by the wartime images that citizens were allowed to see and by the images that were suppressed. His text is amplified by visual essays that include many previously unpublished photographs from the army's censored files. Examining news photographs, movies, newsreels, posters, and advertisements, Roeder explores the different ways that civilian and military leaders used visual imagery to control the nation's perception of the war and to understate the war's complexities. He reveals how image makers tried to give minorities a sense of equal participation in the war while not alarming others who clung to the traditions of separate races, classes, and gender roles. He argues that the most pervasive feature of wartime visual imagery was its polar
-
On the evening of September 11, 2002, with the Statue of Liberty shimmering in the background, television cameras captured President George W. Bush as he advocated the charge for war against Iraq. This carefully staged performance, writes Susan Brewer, was the culmination of a long tradition of sophisticated wartime propaganda in America.
In Why America Fights, Brewer offers a fascinating history of how successive presidents have conducted what Donald Rumsfeld calls "perception management," from McKinley's war in the Philippines to Operation Iraqi Freedom. Her intriguing account ranges from analyses of wartime messages to descriptions of the actual operations, from the dissemination of patriotic ads and posters to the management of newspaper, radio, and TV media. When Woodrow Wilson carried the nation into World War I, he created the Committee on Public Information, led by George Creel, who called his job "the world's greatest adventure in advertising." In World War II, Roosevelt's Office of War Information avowed a "strategy of truth," though government propaganda still depicted Japanese soldiers as buck-toothed savages. After examining the ultimately failed struggle to cast the Vietnam War in a favorable light, Brewer shows how the Bush White House drew explicit lessons from that history as it engaged in an unprecedented effort to sell a preemptive war in Iraq. Yet the thr
-
Military interventions on supposedly humanitarian grounds have become an established feature of the post-Cold War global order. Since September 11, this form of militarism has taken on new and unpredictable proportions. Diana Johnstone's well-documented study demonstrates that a crucial moment in establishing in the public mind
and above all, within the political context of liberalism and the left the legitimacy of such interventions was the "humanitarian" bombing of the former Yugoslavia in 1999. In the course of the civil wars that led to the break-up of Yugoslavia, a complex history came to be presented as a morality play in which the parts were scripted to meet the moral needs of the capitalist West. The identification of Muslims as defenseless victims and Serbs as genocidal monsters inflamed fears and hatreds within Yugoslavia, and prepared the way for power to be shifted from the people of the region to such international agencies as NATO.
Deceptions and Self-Deceptionstests the popular myths against the reality of Yugoslav history. Johnstone identifies the common geopolitical interests running through such military interventions, and argues persuasively that they create problems rather than solving them. She shows that the "Kosovo war" was in reality the model for future destruction of countries seen as potential threats to the hegemony of an "i
-
In Selling Air Power, Steve Call provides the first comprehensive study of the efforts of post-war air power advocates to harness popular culture in support of their agenda. In the 1940s and much of the 1950s, hardly a month went by without at least one blatantly pro–air power article appearing in general interest magazines.Public fascination with flight helped create and sustain exaggerated expectations for air power in the minds of both its official proponents and the American public. Articles in the Saturday Evening Post, Reader's Digest, and Life trumpeted the secure future assured by American air superiority. Military figures like Henry H. "Hap" Arnold and Curtis E. LeMay, radio-television personalities such as Arthur Godfrey, cartoon figures like Steve Canyon, and actors like Jimmy Stewart played key roles in the unfolding campaign. Movies like Twelve O'Clock High!, The Court-Martial of Billy Mitchell, and A Gathering of Eagles projected onto the public imagination vivid images confirming what was coming to be the accepted wisdom: that America's safety against the Soviet threat could best be guaranteed by air power, coupled with nuclear capability.But as the Cold War continued and the specter of the mushroom cloud grew more prominent in American minds, another, more sinister interpretation began to take hold. Call chronicles the shift away from the heroic, patriotic posture of the years just after World War II, toward the threatening, even bizarre imagery of books and movies like Catch-22, On the Beach, and Dr. Strangelove.Call's careful analysis goes beyond the public relations campaigns to probe the intellectual climate that shaped them and gave them power. Selling Air Power adds a critical layer of understanding to studies in military and aviation history, as well as American popular culture.
-
When America was attacked on 9/11, its citizens almost unanimously rallied behind its new, untested president as he went to war. What they didn't know at the time was that the Bush administration's highest priority was not to vanquish Al Qaeda but to consolidate its own power at any cost. It was a mission that could be accomplished only by a propaganda presidency in which reality was steadily replaced by a scenario of the White House's own invention—and such was that scenario's devious brilliance that it fashioned a second war against an enemy that did not attack America on 9/11, intimidated the Democrats into incoherence and impotence, and turned a presidential election into an irrelevant referendum on macho imagery and same-sex marriage.
As only he can, acclaimed New York Times columnist Frank Rich delivers a step-by-step chronicle of how skillfully the White House built its house of cards and how the institutions that should have exposed these fictions, the mainstream news media, were too often left powerless by the administration's relentless attack machine, their own post-9/11 timidity, and an unending parade of self-inflicted scandals (typified by those at The New York Times). Demonstrating the candor and conviction that have made him one of our most trusted and incisive public voices, Rich brilliantly and meticulously illuminates the White House's disturbing love affair with "truthiness," and the ways in which a bungled war, a seemingly obscure Washington leak, and a devastating hurricane at long last revealed the man-behind-the-curtain and the story that had so effectively been sold to the nation, as god-given patriotic fact.
-
It was just over 60 years ago that Adolf Hitler and Benito Mussolini, two of the world's most powerfully imposing leaders, died and their regimes crumbled. One of the most illuminating facts about this dark era of history is the way in which these tyrants, and others like them, used graphic design as an instrument of power. But how did these regimes succeed in influencing the minds of millions? It is in the visual language the imagery, the typeface, the color palette that the answers truly take shape.
Phaidon Press is pleased to announce the publication of Iron Fists: Branding the 20th Century Totalitarian State by Steven Heller, the first illustrated survey of the propaganda art, graphics, and artifacts created by the totalitarian governments of Nazi Germany, Fascist Italy and the Communist regimes of the USSR and China. The book sets the disturbingly powerful graphic devices in historical context.
The infamous symbols produced by these regimes are recognized universally: the swastika and gothic typography of Hitler's Germany, Mussolini's streamlined Futurist posters and Black Shirt uniforms, the stolid Social Realism of Stalin's USSR and Mao s Little Red Book. Author Steven Heller, a world-renowned design historian, who has long collected two-and-three-dimensional examples from this period, reveals how these symbols were used in a wide variety of p
-
Now entering Hollywood Nation—where fact blurs with fiction, virtue with vice
Millions of Americans are outraged by the radical politics of self-appointed celebrity pundits like Michael Moore, Barbra Streisand, Sean Penn, and Susan Sarandon. And actually, these stars’ public pronouncements could be the least of our worries, as New York Times bestselling author and media critic James Hirsen reveals in Hollywood Nation.
Now more than ever, Hirsen shows, Hollywood elites are blurring the lines between entertainment and news to force their views onto the rest of the country. With their politically charged films, distorted documentaries, and skewed docudramas, they’re trying to set the agenda with little regard for the truth. Even worse, many so-called journalists are doing the same thing, dangerously mixing information and entertainment in an attempt to ratchet up ratings—and to inject their own views into the news.
Hollywood Nation also reveals how the New Media are now leading the counterattack against the relentless liberal assault that comes from East Coast newsrooms and Left Coast studios. Through his extensive research and exclusive interviews with news and entertainment iconoclasts—including Bill O’Reilly, Mel Gibson, Ann Coulter, Dick Morris, Peggy Noonan, Laurie Dhue, and many others—Hirsen shows how liberals can no longer dominate the political and cultural debates.
With a sharp eye and a keen wit, Hirsen takes the reader on a fun and fascinating journey through this Hollywood nation of ours. Along the way you’ll discover:
•How mainstream media figures’ fame fundamentally distorts the delivery of news
•How far news organizations are going in their quest to sex things up—and what celebrity journalists are saying about the plastic surgery push
•An exclusive behind-the-scenes account of Mel Gibson’s The Passion of the Christ—a fascinating story that captures how the Left is finally losing its stranglehold on information
•A cable news journalist spilling the beans about a rival news channel’s commercial stunt
•How Michael Moore’s films are heralding a new trend toward over-the-top liberal propaganda—but how a newly emerging conservative Hollywood is fighting back
•How the New Media are shaking things up and evening things out
These days we’re just one big Hollywood nation. James Hirsen reminds us all that we need to pay attention to the Hollywood influence—not least because we must combat it.
-
“George W. Bush is a liar. He has lied large and small, directly and by omission. He has mugged the truth—not merely in honest error, but deliberately, consistently, and repeatedly.” —from the Introduction
All American presidents have lied, but George W. Bush has relentlessly abused the truth. In this scathing indictment of the president and his inner circle, David Corn, the Washington editor of The Nation, reveals and examines the deceptions at the heart of the Bush presidency. In a stunning work of journalism, he details and substantiates the many times the Bush administration has knowingly and intentionally misled the American public to advance its own interests and agenda, including:
* Brazenly mischaracterizing intelligence and resorting to deceptive arguments to whip up public support for war with Iraq
* Misrepresenting the provisions and effects of the president’s supersized tax cuts
* Offering misleading explanations— instead of telling the full truth — about the 9/11 attacks
* Lying about connections to corporate crooks
* Presenting deceptive and disingenuous claims to sell controversial policies on the environment, stem cell research, missile defense, Social Security, white-collar crime, abortion, energy, and other crucial issues
* Running a truth-defying, down-and-dirty campaign during the 2000 presidential contest and recount drama
The Lies of George W. Bush is not a partisan whine—it is instead a carefully constructed, fact-based account that clearly denotes how Bush has relied on deception—from the campaign trail to the Oval Office—to win political and policy battles. With wit and style, Corn explains how Bush has managed to get away with it and explores the dangerous consequences of such presidential deceit in a perilous age.
From the Hardcover edition.
-
Liberté? Egalité? Fraternité? Or just plain gall?
In this provocative and brilliantly researched history of how the French have dealt with the United States, John J. Miller and Mark Molesky demonstrate that the cherished idea of French friendship has little basis in reality. Despite the myth of the “sister republics,” the French have always been our rivals, and have harmed and obstructed our interests more often than not.
This history of French hostility goes back to 1704, when a group of French and Indians massacred American settlers in Deerfield, Massachusetts. The authors also debunk the myth of French aid during the Revolution: contrary to popular notions, the French did not enter the war until very late and were mainly interested in hurting their rivals, the British. After the war, the French continued to see themselves as major players in the Western hemisphere and shaped their policies to limit the growth and power of the new nation. The notorious XYZ affair, involving French efforts to undermine the government of George Washington, led to an undeclared naval war with France in 1798. During the Civil War, the French supported the Confederacy and installed a puppet emperor in Mexico.
In the twentieth century, Americans clashed with the French repreatedly. The French victory over President Wilson at Versailles imposed a short-sighted and punitive settlement on Germany that paved the way for the rise of fascism in the 1930s. During World War II, Vichy French troops killed hundreds of American soldiers in North Africa, and diehard French fascist units fought against the Allies in the rubble of Berlin. During the Cold War, Charles DeGaulle yanked France out of NATO and obstructed our efforts to roll back Soviet expansion.
The legacy of French imperial power has been no less disastrous. The French left Haiti in a shambles, got us into Vietnam, and educated many of the world’s worst tyrants at their elite universities, including Pol Pot, the genocidal Cambodian dictator. The fascist Baath regimes in Iraq and Syria are another legacy of failed French colonialism.
Americans have been particularly irritated by French cultural arrogance—their crusades against American movies, McDonalds, Disney, and the exclusion of American words from their language have always rubbed us the wrong way. This irritation has now blossomed into outrage. Our Oldest Enemy shows why that outrage is justified.
-
Mao's starring role in Chinese propaganda art
With his smooth, warm, red face which radiated light in all directions, Chairman Mao Zedong was a fixture in Chinese propaganda posters produced between the birth of the People's Republic in 1949 and the early 1980s.
These infamous posters were, in turn, central fixtures in Chinese homes, railway stations, schools, journals, magazines, and just about anywhere else where people were likely to see them. Chairman Mao, portrayed as a stoic superhero (a.k.a. the Great Teacher, the Great Leader, the Great Helmsman, the Supreme Commander), appeared in all kinds of situations (inspecting factories, smoking a cigarette with peasant workers, standing by the Yangzi River in a bathrobe, presiding over the bow of a ship, or floating over a sea of red flags), flanked by strong, healthy, ageless men and "masculinized" women and children wearing baggy, sexless, drab clothing.
The goal of each poster was to show the Chinese people what sort of behavior was considered morally correct and how great the future of Communist China would be if everyone followed the same path toward utopia by uniting together. Combining fact and fiction in a way typical of propaganda art, these posters exuded positive vibes and seemed to suggest that Mao was an omnipresent force that would accompany China to happine
-