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Books : Science : Archaeology : Archaeological Collections
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A journey across four continents to the heart of the conflict over who should own the great works of ancient art
Why are the Elgin Marbles in London and not on the Acropolis? Why do there seem to be as many mummies in France as there are in Egypt? Why are so many Etruscan masterworks in America? For the past two centuries, the West has been plundering the treasures of the ancient world to fill its great museums, but in recent years, the countries where ancient civilizations originated have begun to push back, taking museums to court, prosecuting curators, and threatening to force the return of these priceless objects.
Where do these treasures rightly belong? Sharon Waxman, a former culture reporter for The New York Times and a longtime foreign correspondent, brings us inside this high-stakes conflict, examining the implications for the preservation of the objects themselves and for how we understand our shared cultural heritage. Her journey takes readers from the great cities of Europe and America to Egypt, Turkey, Greece, and Italy, as these countries face down the Louvre, the Metropolitan Museum, the British Museum, and the J. Paul Getty Museum. She also introduces a cast of determined and implacable characters whose battles may strip these museums of some of their most cherished treasures.
For readers who are fascinated by antiquity, who love to frequent museums, and who believe in the value of cultural exchange, Loot opens a new window on an enduring conflict.
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The discovery of the tomb of Tutankhamun - the most spectacular royal tomb ever found - is one of the most famous events in the history of archaeology. The treasures of this tomb surpass all others and the 50 Tutankhamun artifacts featured in this book illustrate many uses of gold and other precious materials in ancient Egypt, providing us with a glimpse into the extraordinary richness of this ancient civilization. The book also includes cutting-edge forensic data that may provide tantalizing clues to Tutankhamun's mysterious life and death. In addition, artifacts from the period preceding the reign of Tutankhamun will be featured, illuminating this fascinating era of Egyptian history and setting the stage for the treasures of Tut. These pieces will illustrate the history of the 18th dynasty, daily life under the golden pharaohs and the journeys of both kings and commoners to the afterlife and will include pieces dating to the reigns of four 18th dynasty pharaohs, the direct ancestors of Tutankhamun: Amenhotep II, Tuthmosis IV, Amenhotep III and Akhenaten
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The story begins, as stories do in all good thrillers, with a botched robbery and a police chase. Eight Apuleian vases of the fourth century B.C. are discovered in the swimming pool of a German-based art smuggler. More valuable than the recovery of the vases, however, is the discovery of the smuggler's card index detailing his deals and dealers. It reveals the existence of a web of tombaroli—tomb raiders— who steal classical artifacts, and a network of dealers and smugglers who spirit them out of Italy and into the hands of wealthy collectors and museums. Peter Watson, a former investigative journalist for the London Sunday Times and author of two previous exposés of art world scandals, names the key figures in this network that has depleted Europe's classical artifacts. Among the loot are the irreplaceable and highly collectable vases of Euphronius, the equivalent in their field of the sculpture of Bernini or the painting of Michelangelo. The narrative leads to the doors of some major institutions: Sothebys, the Getty Museum in L.A., the Museum of Fine Arts in Boston, and the Metropolitan Museum of Art in New York among them. Filled with great characters and human drama, The Medici Conspiracy authoritatively exposes another shameful round in one of the oldest games in the world: theft, smuggling and duplicitous dealing, all in the name of art.
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A chronicle of the search for the truth about the life and death of a legendary Native American.Captured in the hills of northern California in 1911, Ishi, the last stone-age Indian in North America, was brought to San Francisco by the famous anthropologist Alfred Kroeber, and became a living museum display until his death five years later.
Ishi's Brain is a first-person account by anthropologist Orin Starn, who sought to unravel the mystery of Ishi's true nature and to locate his brain in the archives of the Smithsonian museum in the hope of finally repatriating Ishi's remains. The trail to Ishi's brain leads Starn through the painful history of the extermination of the Indians, the strange and sometimes scandalous history of anthropology, and the changing, mixed-up world of Native California today.
This absorbing new portrait of Ishi, wild man of Deer Creek, museum curiosity, and last of his tribe, will appeal to anyone interested in Native America, a story of science and scandal, and the life and legend of California's most famous Indian. 15 illustrations.
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By leading Egyptologist and author, Zahi Hawass, this sumptuous book of rare Egyptian antiquities from the tomb of Tutankhamun and other archaeological sites - many never published before - showcases the best collection of Egyptian art through the ages and recounts the adventures that led to their discovery. Hidden Treasures features rare antiquities that embody the mystery of the world's oldest and most refined civilisations and will feed a market hungry for the glories of ancient Egypt. The 100-plus artefacts were chosen from thousands stored at the century-old Egyptian Museum in Cairo and other storehouses all over the country. World-famous Egyptologist Zahi Hawass takes the reader on an adventure of discovery, telling the stories of how these stunning objects were unearthed by archaeologists over the last 150 years, then rediscovered in the storehouses where they had been packed away for decades. Some have not been seen since Howard Carter and others discovered them. Many have never been featured in a publication before, including 3,000-year-old objects from the tomb of boy king Tut.
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As a Federal archaeologist and a Choctaw Indian, Joe Watkins is uniquely qualified to speak about the relationship between American Indians and archaeologists. Tracing the often stormy relationship between the two, Watkins highlights the key arenas where the two parties intersect: ethics, legislation, and archaeological practice. Watkins describes cases where the mixing of indigenous values and archaeological practice has worked well--and some in which it hasn't--both in the United States and around the globe. He surveys the attitudes of archaeologists toward American Indians through an inventive series of of hypothetical scenarios, with some eye-opening results. And he calls for the development of Indigenous Archaeology, in which native peoples are full partners in the key decisions about heritage resources management as well as the practice of it. Watkins' book is an important contribution in the contemporary public debates in public archaeology, applied anthropology, cultural resources management, and Native American studies.
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Few beyond the insider realize that museums own millions of objects the public never sees. In Lost in the Museum, Nancy Moses takes the reader behind the Oemployees onlyO doors to uncover the stories buried--along with the objects--in the crypts of museums, historical societies, and archives. Weaving the stories of the object, its original owner, and the often idiosyncratic institution where the object resides, the book reveals the darkest secret of the cultural world: the precarious balance of art, culture, and politics that keep items, for decades, lost in the museum.
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Grave Injustice is the powerful story of the ongoing struggle of Native Americans to repatriate the objects and remains of their ancestors that were appropriated, collected, manipulated, sold, and displayed by Europeans and Americans. Anthropologist Kathleen S. Fine-Dare focuses on the history and culture of both the impetus to collect and the movement to repatriate Native American remains.
Using a straightforward historical framework and illuminating case studies, Fine-Dare first examines the changing cultural reasons for the appropriation of Native American remains. She then traces the succession of incidents, laws, and changing public and Native attitudes that have shaped the repatriation movement since the late nineteenth century. Her discussion and examples make clear that the issue is a complex one, that few clear-cut heroes or villains make up the history of the repatriation movement, and that little consensus about policy or solutions exists within or beyond academic and Native communities.
The concluding chapters of this history take up the Native American Graves Protection and Repatriation Act (NAGPRA), which Fine-Dare considers as a legal and cultural document. This highly controversial federal law was the result of lobbying by American Indian and Native Hawaiian peoples to obtain federal support for the right to bring back to their communities the human remains and associated objects that are housed in federally funded institutions all over the United States.
Grave Injustice is a balanced introduction to a longstanding and complicated problem that continues to mobilize and threatens to divide Native Americans and the scholars who work with and write about them.
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History of Anthropology is a series of annual volumes, inaugurated in 1983, each of which treats an important theme in the history of anthropological inquiry. Objects and Others, the third volume, focuses on a number of questions relating to the history of museums and material culture studies: the interaction of museum arrangement and anthropological theory; the tension between anthropological research and popular education; the contribution of museum ethnography to aesthetic practice; the relationship of humanistic and anthropological culture, and of ethnic artifact and fine art; and, more generally, the representation of culture in material objects. As the first work to cover the development of museum anthropology since the mid-nineteenth century, it will be of great interest and value not only to anthropologist, museologists, and historians of science and the social sciences, but also to those interested in "primitive" art and its reception in the Western world.
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Thieves of Baghdad is a riveting account of Colonel Matthew Bogdanos and his team’s extraordinary efforts to recover over 5,000 priceless antiquities stolen from the Iraqi National Museum after the American invasion of Baghdad.
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The original Getty Museum, housed in a replica of a Roman Villa on a site overlooking the Pacific Ocean, is one of Los Angeles's most treasured landmarks. Closed for almost ten years while renovations were made to the building and the site itself was transformed into a center for the study of antiquities and conservation, the Getty Villa is now set to open late in 2005.
The Getty Villa is a lively history of the Getty Museum, its renowned antiquities collections, and its growth from a small museum in a ranch house in Malibu to its first home in a building designed to replicate what we know of the Villa dei Papiri, an ancient Roman villa partially uncovered in Herculaneum. Most engagingly, this book records the ten-year adventure in reconfiguring a beautiful, but topographically challenging, site into one that could continue to accommodate the splendid Museum building and also provide for an outdoor theater, laboratories for conservation work and research, offices for staff and visiting scholars, and an education program for adults and children.
This is a story of architectural imagination, geographical challenges, and legal hurdles, all of which have resulted in a truly unique and beautiful site. The story is an enlightening and rewarding one for anyone interested in architecture and in the difficulties posed by building on a grand scale in the twenty-first century. Beautifully illustrated throughout, the book includes 250 reproductions of works of art, photographs of both the old and the new Getty Museum, site plans, and architectural elevations.
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Here is a photographic celebration of the greatest Buddhist art and monuments—all placed in a rich historical and cultural context. These beautifully presented sacred treasures and relics paint a vivid portrait of this venerable religion, from its point of origin in northern India and outward, through the different kingdoms and empires of central, southern, and eastern Asia. Each region receives individual attention, with an examination of Buddhism’s influence on the area, its incredible legacy of artifacts and monuments, and the meaning of the faith’s exquisite devotional paintings and emblems. In close-up images see The Temple of the God King in Cambodia; an elaborately carved ivory netsuke—or Japanese miniature sculpture that was hung from kimonos and sashes; and a gilt statue of the Buddha himself.
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Ancient Colchis, which was located on the eastern coast of the Black Sea, is best known from Greek mythology as the land where Jason and the Argonauts went in search of the Golden Fleece and Jason fell in love with Medea, who helped the hero complete his legendary feat. Archaeological finds prove that Colchis was indeed rich in gold. But what defined Colchian identity beyond its wealth in this precious metal? Wine, Worship, and Sacrifice explores this question by providing an overview of life at Vani, an important administrative and religious center in Colchis. This richly illustrated catalogue, which accompanies a major inaugural exhibition at the Institute for the Study of the Ancient World at New York University, is the first comprehensive English-language publication about Vani.
Wine, Worship, and Sacrifice presents findings from five of Vani's richest graves, which include an impressive array of gold jewelry as well as imports from its western and eastern neighbors. These graves also give evidence of human sacrifice and of the important role that wine, drinking, and libation played in Colchian life. Darejan Kacharava and Guram Kvirkvelia provide a historical and archaeological overview of the city, while the other contributors explore such topics such as the rich tradition of Colchian gold working and the Greek view of Colchis through the myth of Medea.
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Preservation and presentation are central activities in the conservation of the historic environment. But are they mutually supportive or do they work against each other? Managing Historic Sites and Buildings looks at the choices and tensions that exist in the conservation and interpretation of sites of heritage. In essays discussing a variety of locations - from a prehistoric sacred site to World War II military remains, from a medieval monastery to a 1970s housing estate - contributors look at contemporary concerns and debates about the way that the past is shaped, physically and metaphorically, by these two aspects of heritage management. Arguing that the fundamental purpose of the whole process is to communicate understanding about the human past, the collection explores the crucial relationship between preserving historic places and promoting an awareness of their significance.
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