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Books : Science Fiction & Fantasy : Authors, A-Z : ( V ) : Vonnegut, Kurt
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The richest and most depraved man on Earth takes a wild space journey to distant worlds, learning about the purpose of human life along the way.
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Kurt Vonnegut is a master of contemporary American Literature. His black humor, satiric voice, and incomparable imagination first captured America's attention in The Siren's of Titan in 1959 and established him as "a true artist"* with Cat's Cradle in 1963. He is, as Graham Greene has declared, "one of the best living American writers."
Welcome to the Monkey House is a collection of Kurt Vonnegut's shorter works. Originally printed in publications as diverse as The Magazine of Fantasy and Science Fiction and The Atlantic Monthly, what these superb stories share is Vonnegut's audacious sense of humor and extraordinary range of creative vision.
*The New York Times
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Kurt Vonnegut is a master of contemporary American literature. His black humor, satiric voice, and incomparable imagination first captured America’s attention in The Sirens of Titan in 1959 and established him as a “true artist”* with Cat’s Cradle in 1963. He is, as Graham Greene has declared, “one of the best living American writers.”
Mother Night is a daring challenge to our moral sense. American Howard W. Campbell, Jr., a spy during World War II, is now on trial in Israel as a Nazi war criminal. But is he really guilty? In this brilliant book rife with true gallows humor, Vonnegut turns black and white into a chilling shade of gray with a verdict that will haunt us all.
*The New York Times
“A great artist.”—Cincinnati Enquirer
“Vonnegut is George Orwell, Dr. Caligari and Flash Gordon compounded into one writer…a zany but moral mad scientist.”—Time -
“Beautiful…provocative, arresting reading.”–USA Today
KURT VONNEGUT is a master of contemporary American literature. His black humor, satiric voice, and incomparable imagination first captured America’s attention in The Sirens of Titan in 1959 and established him as “a true artist”* with Cat’s Cradle in 1963. He is, as Graham Greene has declared, “one of the best living American writers.”
Galápagos takes the reader back one million years, to a.d. 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galápagos Islands are about to become the progenitors of a brave new, and totally different human race. Here, America’s master satirist looks at our world and shows us all that is sadly, madly awry–and all that is worth saving.
“Vonnegut is a postmodern Mark Twain... Galápagos is a madcap genealogical adventure.”–The New York Times Book Review
* The New York Times -
Vonnegut’s first novel spins the chilling tale of engineer Paul Proteus, who must find a way to live in a world dominated by a super computer and run completely by machines. Paul’s rebellion is vintage Vonnegut–wildly funny, deadly serious, and terrifyingly close to reality.
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A rich man attempts a noble experiment with human nature. The result is an etched-in-acid portrayal of universal greed, hypocrisy, and follies of the flesh.
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Jailbird takes us into a fractured and comic, pure Vonnegut world of high crimes and misdemeanors in government. . .and in the heart. This wry tale follows bumbling bureaucrat Walter F. Starbuck from Harvard to the Nixon White House to the penitentiary as Watergate's least known co-conspirator. But the humor turns dark when Vonnegut shines his spotlight on the cold hearts and calculated greed of the mighty, giving a razor-sharp edge to an unforgettable portait of power and politics in our times.
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Hocus Pocus is the fictional autobiography of a West Point graduate who was in charge of the humiliating evacuation of U.S. personnel from the Saigon rooftops at the close of the Vietnam War. Returning home from the war, he unknowingly fathered an illegitimate son. In 2001, the son begins a search for his father and catches up with him just in time to see him arrested for masterminding the prison break of 10,000 convicts.
Using his famous brand of satire and wit, Vonnegut captures twenty-first century America as only he could foresee it. In Hocus Pocus, listeners will find a fresh novel, as fascinating and brilliantly offbeat as anything he's written. -
Cat's Cradle is Vonnegut's satirical commentary on modern man and his madness. An apocalyptic tale of this planet's ultimate fate, it features a midget as the protagonist; a complete, original theology created by a calypso singer; and a vision of the future that is at once blackly fatalistic and hilariously funny.
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Presented here are brilliant dramatizations of works by Hugo and Nebula award-winning authors originally created for a prize-winning NPR series treasured by science-fiction fans. 2000X: Tales of the Next Millennia is a winner of the Bradbury Award of the Science-Fiction Writers of America, and includes "Pillar of Fire" by Ray Bradbury, "By His Bootstraps" by Robert A. Heinlein, "Tomorrow and Tomorrow and Tomorrow" by Kurt Vonnegut, "'Repent Harlequin!' Said the Ticktockman" by Harlan Ellison, and others.
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At Millennium's End looks back over the body of Kurt Vonnegut's writing, examining the novels, essays, and short stories of one of the century's most beloved and widely read authors and social critics. It also looks forward, projecting Vonnegut's relevance to the next millennium. The essays, by noted Vonnegut scholars and personal friends, are each written from the perspective of someone familiar with Vonnegut's entire canon.
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The 4-D DOODLER by GRAPH WALDEYER
"Do you believe, Professor Gault, that this four dimensional plane contains life-intelligent life?"
At the question, Gault laughed shortly. "You have been reading pseudo-science, Dr. Pillbot," he twitted. "I realize that as a psychiatrist, you are interested in minds, in living beings, rather than in dimensional planes. But I fear you will find no minds to study in the fourth dimension. There aren't any there!"
Professor Gault paused, peered from beneath bushy white brows out over the laboratory. To his near sighted eyes the blurred figure of Harper, his young assistant, seemed busily at work over his mathematical charts.
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Bby KURT VONNEGUT, JR.
Everything was perfectly swell.
There were no prisons, no slums, no insane asylums, no cripples, no poverty, no wars.
All diseases were conquered. So was old age.
Death, barring accidents, was an adventure for volunteers.
The population of the United States was stabilized at forty-million souls.
One bright morning in the Chicago Lying-in Hospital, a man named Edward K. Wehling, Jr., waited for his wife to give birth. He was the only man waiting. Not many people were born a day any more.
Wehling was fifty-six, a mere stripling in a population whose average age was one hundred and twenty-nine.
X-rays had revealed that his wife was going to have triplets. The children would be his first.
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Groverzb knew what he wanted-peace and quiet. He was willing to scream his head off for it!
QUIET, PLEASE By KEVIN SCOTT
The big man eased the piano off his back and stood looking at Groverzb.
"You ain't gonna like it here." He mopped his face. "Boy, will I ever be glad to get off this cockeyed planet."
Groverzb pushed at his spectacles, sniffed, and said, "Quite."
The big man said, "Ain't no native here over three feet tall. And they got some crazy kind of communication. They don't talk."
Groverzb said, "Quiet."
"Uh?"
"Precisely why I am here. I," said Groverzb, sniffing again, "loathe conversation."
"Oh. Well." He left.
Alone, Groverzb surveyed his realm. The house was the shell of what had formerly been a Little People apartment building. Ceilings, floors and walls had been removed to form one large room. The tiny doors and windows had been sealed, and a single window and door had been cut into the shell for Groverzb's use.
********CROSSROADS OF DESTINY by H. Piper Beam
I still have the dollar bill. It's in my box at the bank, and I think that's where it will stay. I simply won't destroy it, but I can think of nobody to whom I'd be willing to show it-certainly nobody at the college, my History Department colleagues least of all. Merely to tell the story would brand me irredeemably as a crackpot, but crackpots are tolerated, even on college faculties. It's only when they begin producing physical evidence that they get themselves actively resented.
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When I went into the club-car for a nightcap before going back to my compartment to turn in, there were five men there, sitting together.
One was an Army officer, with the insignia and badges of a Staff Intelligence colonel. Next to him was a man of about my own age, with sandy hair and a bony, Scottish looking face, who sat staring silently into a highball which he held in both hands. Across the aisle, an elderly man, who could have been a lawyer or a banker.
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In this 1973 interview with Heywood Hale Broun Jr., the hilarious Kurt Vonnegut, whose book "Breakfast of Champions" had just been published, tells what it's like to be a famous writer who receives as much fan mail as Eddie Fisher. Reissued on CD in 2007. 55 minutes. Product No. C40021D.
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Collectors Edition bound in geniune leather
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Brand new LEATHER BOUND book accented in 22kt gold.














