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Books : Entertainment : Sheet Music & Scores : Forms & Genres
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Carole King takes us from her early beginnings in Brooklyn, to her remarkable success as one of the world's most acclaimed songwriting and performing talents of all time. A NATURAL WOMAN chronicles King's extraordinary life, drawing readers into her musical world, including her phenomenally successful #1 album Tapestry, and into her journey as a performer, mother, wife and present-day activist. Deeply personal, King's long-awaited memoir offers readers a front-row seat to the woman behind the legend. The book will include dozens of photos from King's childhood, her own family, and behind-the-scenes images from her performances.
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In her first two books, Sheila Davis classified the major song forms and enduring principles that have been honored for decades by America's foremost songwriters. Those books have become required reading in music courses from NYU to UCLA.
In The Songwriters Idea Book, Davis goes one step further, giving you 40 strategies for designing distinctive songs. You'll break new ground in your own songwriting by learning about the inherent relationship between language style, personality type and the brain.
- You'll go, step by step, through the creative process as you activate, incubate, separate and discriminate.
- You'll learn to use the whole-brain techniques of imaging, brainstorming and clustering.
- You'll expand your skilled use of figurative language with paragrams, metonyms, synecdoche and antonomasia.
- You'll be challenged to design metaphors, form symbols, make puns and coin words.
- And, you'll learn how to prevent writer's block, increase your productivity and maintain your creative flow.
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The Must-Have Guide for Songwriters Writing Better Lyrics has been a staple for songwriters for nearly two decades. Now this revised and updated 2nd Edition provides effective tools for everything from generating ideas, to understanding the form and function of a song, to fine-tuning lyrics.
Perfect for new and experienced songwriters alike, this time-tested classic covers the basics in addition to more advanced techniques. Songwriters will discover:
- How to use sense-bound imagery to enhance a song's emotional impact on listeners
- Techniques for avoiding clichés and creating imaginative metaphors and similes
- Ways to use repetition as an asset
- How to successfully manipulate meter
- Instruction for matching lyrics with music
- Ways to build on ideas and generate effective titles
- Advice for working with a co-writer
- And much more
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39 of the best songs, all chosen from Rolling Stone® magazines ""500 Greatest Songs of All Time."" Fingering, lyrics, and chord symbols are included in these Easy Piano arrangements by Dan Coates. Titles: Baby Love (The Supremes)
* Beat It (Michael Jackson)
* Blowin in the Wind (Bob Dylan)
* The Boys of Summer (Don Henley)
* Bridge Over Troubled Water (Simon and Garfunkel)
* Bye Bye Love (The Everly Brothers)
* Dancing Queen (ABBA)
* Everyday People (Sly and the Family Stone)
* Gimme Some Lovin (Spencer Davis Group)
* Go Your Own Way (Fleetwood Mac)
* (Your Love Keeps Lifting Me) Higher and Higher (Jackie Wilson)
* Hotel California (Eagles)
* How Deep Is Your Love (Bee Gees)
* I Believe I Can Fly (R. Kelly)
* I Only Have Eyes for You (The Flamingos)
* Iron Man (Black Sabbath)
* Killing Me Softly with His Song (Roberta Flack)
* La Bamba (Ritchie Valens)
* Layla (Derek and the Dominos)
* Like a Prayer (Madonna)
* Lola (The Kinks)
* Losing My Religion (R.E.M.)
* Mack the Knife (Bobby Darin)
* Moondance (Van Morrison)
* Mr. Tambourine Man (The Byrds)
* My Generation (The Who)
* The Night They Drove Old Dixie Down (The Band)
* Ode to Billie Joe (Bobbie Gentry)
* Runaway (Del Shannon)
* Running on Empty (Jackson Browne)
* (I Cant Get No) Satisfaction (The Rolling Stones)
* Summertime Blues (Eddie Cochran)
* Sunshine of Your Love (Cream)
* Sweet Child O Mine (Guns n Roses)
* Thunder Road (Bruce Springsteen)
* Whatd I Say (Ray Charles)
* When a Man Loves a Woman (Percy Sledge)
* Why Do Fools Fall in Love? (Frankie Lymon and the Teenagers)
* Wish You Were Here (Pink Floyd).
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Easy arrangements of 120 Beatles hits. A truly remarkable collection including: All My Loving * And I Love Her * Come Together * Eleanor Rigby * Get Back * Help! * Hey Jude * I Want to Hold Your Hand * Let It Be * Michelle * many, many more.
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Sixty-seven of the best songs of the rock era, all chosen from Rolling Stone® magazine's 500 Greatest Songs of All Time issue. The songbook covers 67 classic songs spanning the classic rock era to the modern rock era all arranged to include all important guitar parts and yet remain easily playable. Songs Include: Alison * Another Brick in the Wall Part 2 * Back in Black * Bad Moon Rising * Beat It * Billie Jean * Bitter Sweet Symphony * Bizarre Love Triangle * Black Dog * Blitzkrieg Bop * Born in the U.S.A. * Born to Run * The Boys of Summer * Brown Sugar * Come Together * Comfortably Numb * Fake Plastic Trees * Family Affair * Fast Car * Get Up (I Feel Like Being a) Sex Machine * Gimme Shelter * Go Your Own Way * God Save the Queen * Good Times * Graceland * Heartbreaker * Highway to Hell * Hotel California * I Wanna Be Sedated * Into the Mystic * Iron Man * Kashmir * Knocking on Heaven's Door * Layla * Like a Prayer * Lola * London Calling * Losing My Religion * Lust for Life * Maggie May * Moondance * No Woman, No Cry * Paradise City * Paranoid * Paranoid Android * (What's So Funny 'Bout) Peace Love and Understanding? * Personality Crisis * Radio Free Europe * (Don t Fear) the Reaper * Respect * Sheena Is a Punk Rocker * Should I Stay or Should I Go * Spirit in the Sky * Stairway to Heaven * Stayin Alive * Sweet Child O' Mine * Tangled Up in Blue * Thank You (Falettinme Be Mice Elf Agin) * Thunder Road * Walk on the Wild Side * Welcome to the Jungle * What s Going On * Whipping Post * Whole Lotta Love * Wild Horses * Wish You Were Here * You Can't Always Get What You Want.
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In a city as ancient as Venice, myths and legends passed down from generation to generation record more than just love or murder. They are the storehouse of a city's mores, emblems of its identity. In "Venetian Curiosities", acclaimed novelist Donna Leon recounts some of Venice's most intriguing tales: an elephant brought in for Carnival wreaks havoc upon the city before seeking refuge in a church, the city employs prostitutes in an attempt to prevent homosexuality, innocent men are mistakenly condemned to death, a gambler bets the family palazzo. In an introduction and seven essays, Leon offers enchanting details and astute insights into Venetian customs of the past and present. "Venetian Curiosities" is beautifully illustrated and, like Handel's Bestiary, it comes with a CD. Here the music is by Antonio Vivaldi, with tracks for each section of the book, expertly played by Il Complesso Barocco. With the splendid music, the delightful images, and the perceptive, amusing words of Donna Leon, "Venetian Curiosities" is a harmonious exploration of one of the world's most beloved cities.
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![The Teen's Musical Theatre Collection: Young Women's Edition: 33 Songs from Stage and Film [with a Companion CD of Accompaniements]](http://ecx.images-amazon.com/images/I/51Po65rWRmL._SL160_.jpg)
These popular publications are compiled especially for the tastes and abilities of the talented teenage singer/actor. Songs span from classic stage musicals, to "the golden age of Hollywood," to the stage and cinema of the 1980s and '90s. Indispensible for teaching young singers, these book/CD packs also include notes on each selection. The Young Women's Edition includes 33 songs: Beauty and the Beast * Diamonds Are a Girl's Best Friend * Honey Bun * I Could Have Danced All Night * I Enjoy Being a Girl * I Have Confidence * Many a New Day * Memory * My Favorite Things * On My Own * Part of Your World * Sisters * Think of Me * Wouldn't It Be Loverly * and more.
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Lyrics and guitar chords for nearly 1,200 songs are arranged in a compact, easy-to-use format in this comprehensive collection. Folk revival favorites; Broadway show tunes; Beatles songs; hymns, spirituals, and gospel standards; songs about peace, freedom, labor, and the environment; and chanteys are among the songs included. This revised and retypeset version of the enormously popular group singing songbook makes this essential resource easier to read and use than ever before.
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The RZA, founder of the Wu-Tang Clan, imparts the lessons he's learned on his journey from the Staten Island projects to international superstardom. A devout student of knowledge in every form in which he's found it, he distills here the wisdom he's acquired into seven "pillars," each based on a formative event in his life-from the moment he first heard the call of hip-hop to the death of his cousin and Clan- mate, Russell Jones, aka ODB. Delivered in RZA's unmistakable style, at once surprising, profound, and provocative, The Tao of Wu is a spiritual memoir the world has never seen before, and will never see again. A nonfiction Siddhartha for the hip-hop generation, it will enlighten, entertain, and inspire.
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In his first book, The Daily Adventures of Mixerman, the author detailed the frustrating and often hilarious goings on during the process of recording a major-label band. Musicians, engineers, and producers laughed and cried at the crazy goings-on they'd never imagined - or recognized all too well. Now Mixerman turns his razor-sharp gaze to the art of mixing and gives followers and the uninitiated reason to hope - if not for logic and civility in the recording studio then at least for a good sounding record. With a firm commitment to art over technology and to maintaining a grasp of each, Mixerman outlines his own approach to recording success, based on his years mixing records in all genres of music for all kinds of artists, often under trying circumstances. As he states in his introduction to the new volume, "Even if you're not a professional mixer, even if you're a musician trying to mix your own work or a studio owner in a smaller market, you have your own set of pressures to deal with while you're mixing. Regardless of what those pressures are, it's important to identify and recognize them, if for no other reason than so you can learn to completely ignore them." But how? "That's where the Zen comes in."
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After his acclaimed and best-selling Finishing the Hat (named one of the New York Times 10 Best Books of 2010), Stephen Sondheim returns with the second volume of his collected lyrics, Look, I Made a Hat, giving us another remarkable glimpse into the brilliant mind of this living legend, and his life’s work.
Picking up where he left off in Finishing the Hat, Sondheim gives us all the lyrics, along with excluded songs and early drafts, of the Pulitzer Prize–winning Sunday in the Park with George, Into the Woods, Assassins and Passion. Here, too, is an in-depth look at the evolution of Wise Guys, which subsequently was transformed into Bounce and eventually became Road Show. Sondheim takes us through his contributions to both television and film, some of which may surprise you, and covers plenty of never-before-seen material from unproduced projects as well. There are abundant anecdotes about his many collaborations, and readers are treated to rare personal material in this volume, as Sondheim includes songs culled from commissions, parodies and personal special occasions over the years—such as a hilarious song for Leonard Bernstein’s seventieth birthday. As he did in the previous volume, Sondheim richly annotates his lyrics with invaluable advice on songwriting, discussions of theater history and the state of the industry today, and exacting dissections of his work, both the successes and the failures.
Filled with even more behind-the-scenes photographs and illustrations from Sondheim’s original manuscripts, Look, I Made a Hat is fascinating, devourable and essential reading for any fan of the theater or this great man’s work.
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This is a chronological presentation of the development of Western music within Western culture. This edition has increased coverage of 20th-century music, and timelines covering musical events throughout history.
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Ever heard a song on the radio and thought you could write a better one? Now's your chance! The Everything® Songwriting Book provides you with all the tools you need to create, perform and sell hit songs. In easy-to-follow language, pro songwriter and consultant C.J. Watson gives you tried and tested instruction on choosing a song style, getting your story across, and finding the right music to match the words. From developing an idea and creating a hook to recording your songs and getting heard, here's all you need to bring your talent to the next level!
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Volume I of authoritative Schenker edition includes Op. 2, Nos. 1-3; Op. 7; Op. 10, Nos. 1-3; Op. 13; Op. 14, Nos. 1-2; Op. 22; Op. 26; Op. 27, Nos. 1-2; Op. 28. Noteheads have been reproduced in a size large enough to read easily at the keyboard, and there are generous spaces for written notes. The footnotes and Preface have been newly translated for this edition.
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Known internationally as a curator and influencer amongst the world’s top DJs, producers, and artists, Wesley Pentz, better known as Diplo, is at the nexus of music, fashion, and cultural trends. His record label Mad Decent has helped bring Brazilian baile funk, Angolan Kuduro, and other unknown music to clubs around the world, while his work as a producer has brought a unique sound to hits like M.I.A.’s “Paper Planes,” Chris Brown’s “Look at Me Now,” and Beyoncé’s “Run the World (Girls).”
128 Beats Per Minute follows Diplo on this fantastic journey, from his involvement with dub reggae in Jamaica to the electro/techno underground in Tel Aviv. Each chapter chronicles his tastes and travels, complete with tweets and playlists, as documented by photographer Shane McCauley. 128 Beats Per Minute provides unique access to the hottest scenes shaping music’s landscape today.
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Punk rock and hip-hop. Disco and salsa. The loft jazz scene and the downtown composers known as Minimalists. In the mid-1970s, New York City was a laboratory where all the major styles of modern music were reinvented—all at once, from one block to the next, by musicians who knew, admired, and borrowed from one another. Crime was everywhere, the government was broke, and the city’s infrastructure was collapsing. But rent was cheap, and the possibilities for musical exploration were limitless.
Love Goes to Buildings on Fire is the first book to tell the full story of the era’s music scenes and the phenomenal and surprising ways they intersected. From New Year’s Day 1973 to New Year’s Eve 1977, the book moves panoramically from post-Dylan Greenwich Village, to the arson-scarred South Bronx barrios where salsa and hip-hop were created, to the Lower Manhattan lofts where jazz and classical music were reimagined, to ramshackle clubs like CBGBs and The Gallery, where rock and dance music were hot-wired for a new generation. As they remade the music, the musicians at the center of the book invented themselves: Willie Colón and the Fania All-Stars renting Yankee Stadium to take salsa to the masses, New Jersey locals Bruce Springsteen and Patti Smith claiming the jungleland of Manhattan as their own, Grandmaster Flash transforming the turntable into a musical instrument, David Byrne and Talking Heads proving that rock music “ain’t no foolin’ around.” Will Hermes was there—venturing from his native Queens to the small dark rooms where the revolution was taking place—and in Love Goes to Buildings on Fire he captures the creativity, drive, and full-out lust for life of the great New York musicians of those years, who knew that the music they were making would change the world.