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Books : Entertainment : Music : Musical Genres : Opera : Composers
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Born in Austria in 1756, Wolfgang Amadeus Mozart composed his first piece of music, a minuet, when he was just five years old! Soon after, he was performing for kings and emperors. Although he died at the young age of thirty-five, Mozart left a legacy of more than 600 works. This fascinating biography charts the musician's extraordinary career and personal life while painting a vivid cultural history of eighteenth-century Europe. Black-and-white illustrations on every spread explore such topics as the history of opera and the evolution of musical instruments. There is also a timeline and a bibliography.
Illustrated by Carrie Robbins.
Cover illustration by Nancy Harrison.
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Hailed as a masterpiece for its original interpretations of Beethoven's life and music, this edition takes into account the latest information and literature. Includes a 30-page bibliographical essay, numerous illustrations, and a full-color pictorial biography of the composer.
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CD of Pictures at an Exhibition included.
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Ludwig van Beethoven (1770-1827) was a genius so universal that his popularity, extraordinary even during his lifetime, has never ceased to grow. It now encircles the globe: Beethoven's most famous works are as beloved in Beijing as they are in Boston.
Edmund Morris, the author of three bestselling presidential biographies and a lifelong devotee of Beethoven, brings the great composer to life as a man of astonishing complexity and overpowering intelligence. A gigantic, compulsively creative personality unable to tolerate constraints, he was not so much a social rebel as an astute manipulator of the most powerful and privileged aristocrats in Germany and Austria, at a time when their world was threatened by the rise of Napoleon Bonaparte.
But Beethoven's achievement rests in his immortal music. Struggling against progressive, incurable deafness (which he desperately tried to keep secret), he nonetheless produced towering masterpieces, such as his iconic Fifth and Ninth symphonies. With sensitivity and insight, Edmund Morris illuminates Beethoven's life, including his interactions with the women he privately lusted for but held at bay, and his work, whose grandeur and beauty were conceived "on the other side of silence."
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Written after Nietzsche had ended his friendship with Richard Wagner and had been forced to leave academic life through ill health, Human, All Too Human (1878) can be read as a monument to his personal crisis. It also marks the point when he matured as a philosopher, rejecting the German romanticism espoused by Wagner and Schopenhauer and instead returning to sources in the French Enlightenment. Here he sets out his unsettling views in a series of 638 stunning aphorisms - assessing subjects ranging from art to arrogance, boredom to passion, science to vanity and women to youth. This work also contains the seeds of concepts crucial to Nietzsche's later philosophy, such as the will to power and the need to transcend conventional Christian morality. The result is one of the cornerstones of his life's work.
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Presents a biography of Wolfgang Amadeus Mozar
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Presents a biography of Ludwig van Beethoven
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Presents a biography of Peter Tchaikovsky
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Commentary on and a concise, lucid interpretation of the opera world's most complex masterwork, expanded from the author's popular intermission talks during Met Opera broadcasts. "Anyone, whether knowledgeable or not, will profit by reading it..." - Opera Quarterly
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The four early essays in Untimely Meditations are key documents for understanding the development of Nietzsche's thought and clearly anticipate many of his later writings. They deal with such broad topics as the relationship between popular and genuine culture, strategies for cultural reform, the task of philosophy, the nature of education, and the relationship among art, science and life. This new edition presents R. J. Hollingdale's translation of the essays and a new introduction by Daniel Breazeale, who places them in their historical context and discusses their significance for Nietzsche's philosophy.
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Features 457 of Beethoven's most candid letters dealing with such topics as his deafness, his declining health, other composers and their influence, and his own work. Includes 15 illustrations.
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There has long been a need for a modern English translation of Wagner's Ring -- a version that is reliable and readable yet at the same time is a true reflection of the literary quality of the German libretto. Stewart Spencer's well-reviewed translation, which follows the verse form of the original exactly, has filled that niche. It reads smoothly and idiomatically yet is the result of prolonged thought and deep background knowledge. The translation is accompanied by Spencer's introductory essay on the libretto and a series of specially commissioned texts by Barry Millington, Roger Hollinrake, Elizabeth Magee, and Warren Darcy that discuss the cycle's musical structure, philosophical implications, medieval sources, and Wagner's own changing attitude to its meaning. With a glossary of names, a review of audio and video recordings, and a select bibliography, the book serves as an essential complement to Wagner's great epic.
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In this interpretation of the composer's life and works, Beethoven scholar Lewis Lockwood interweaves the composer's musical and biographical dimensions and places them in their historical and artistic contexts. Written for the lay reader, this book explores the special problems that Beethoven faced as an artist who fulfilled his destiny as Mozart's sucessor while remaining a true, rebellious original. It uncovers the artistic challenges that Beethoven set for himself and shows how they were fulfilled in his compositions. In this way, Lockwood develops a new interpretation of the composer's character that puts to rest the "heroic" model as the only basis for understanding Beethoven's career. While taking the latest scholarship fully into account, Lockwood presents the reader with a portrait of the composer that is based principally on his artistic achievements.
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Beethoven's piano sonatas form one of the most important collections of works in the whole history of music. Spanning several decades of his life as a composer, the sonatas soon came to be seen as the first body of substantial serious pieces for piano suited to performance in large concert halls seating hundreds of people. In this comprehensive and authoritative guide, Charles Rosen places the works in context and provides an understanding of the formal principles involved in interpreting and performing this unique repertoire, covering such aspects as sonata form, phrasing, and tempo, as well as the use of pedal and trills. In the second part of his book, he looks at the sonatas individually, from the earliest works of the 1970s through the sonatas of Beethoven's youthful popularity of the early 1800s, the subsequent years of mastery, the years of stress (1812-1817), and the last three sonatas of the 1820s. Composed as much for private music-making as public recital, Beethoven's sonatas have long formed a bridge between the worlds of the salon and the concert hall. For today's audience, Charles Rosen has written a guide that brings out the gravity, passion, and humour of these works and will enrich the appreciation of a wide range of readers, whether listeners, amateur musicians or professional pianists. This book includes a free CD of Rosen performing extracts from several of the sonatas, illustrating points made in the text.
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0riginating at the National Theatre of Great Britain, Amadeus was the recipient of both the Evening Standard Drama Award and the Theatre Critics Award. In the United States, the play won the coveted Tony Award and went on to become a critically acclaimed major motion picture winning eight Oscars, including Best Picture.
Now, this extraordinary work about the life of Wolfgang Amadeus Mozart is available with a new preface by Peter Shaffer and a new introduction by the director of the 1998 Broadway revival, Sir Peter Hall. Amadeus is a must-have for classical music buffs, theatre lovers, and aficionados of historical fiction.
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For the first time in Wolfgang's life, the famous composer was at a loss for a tune. He tried every trick to get his imagination going. He sang standing on his head. He played his violin in the bathtub. He even threw darts at the blank music paper. Alas, nothing worked.An imaginative story about Mozart's many inspirationsWolfgang Mozart must compose a new piano concerto to perform at the famous Burgtheatre in Vienna. But Mozart can't think of a note to write. When he hears his hungry pet starling sing out melodiously, his creativity begins to flow. Before he can put notes to paper, however, his muse escapes through the window, and Mozart is off on a frantic search to bring her back. Will Mozart find both his friend and song in time?Based on a true story about the famous composer and his beloved pet starling, this enchanting tale celebrates inspiration in any form it takes.
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