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Books : Religion & Spirituality : Christianity : Authors, A-Z : ( C ) : Chesterton, G. K.
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Aesop (c620-560 BC), known only for the genre of fables ascribed to him, was by tradition a slave who was a contemporary of Croesus and Peisistratus in the mid-sixth century BC in ancient Greece. The various collections that go under the rubric Aesop's Fables are still taught as moral lessons and used as subjects for various entertainments, especially children's plays and cartoons. Most of what are known as Aesopic fables is a compilation of tales from various sources, many of which originated with authors who lived long before Aesop. Aesop himself is said to have composed many fables, which were passed down by oral tradition. Socrates was thought to have spent his time turning Aesop's fables into verse while he was in prison. Demetrius Phalereus, another Greek philosopher, made the first collection of these fables around 300 BC. This was later translated into Latin by Phaedrus, a slave himself, around 25 BC. The fables from these two collections were soon brought together and were eventually retranslated into Greek by Babrius around A. D. 230. Many additional fables were included, and the collection was in turn translated to Arabic and Hebrew, further enriched by additional fables from these cultures.
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A collection of essays dealing with various topics, such as human nature, current affairs, science and religion
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It will be very reasonably asked why I should consent, though upon a sort of challenge, to write even a popular essay in English history, who make no pretence to particular scholarship and am merely a member of the public. The answer is that I know just enough to know one thing: that a history from the standpoint of a member of the public has not been written. What we call the popular histories should rather be called the anti-popular histories. They are all, nearly without exception, written against the people; and in them the populace is either ignored or elaborately proved to have been wrong. It is true that Green called his book "A Short History of the English People"; but he seems to have thought it too short for the people to be properly mentioned. For instance, he calls one very large part of his story "Puritan England." But England never was Puritan. It would have been almost as unfair to call the rise of Henry of Navarre "Puritan France." And some of our extreme Whig historians would have been pretty nearly capable of calling the campaign of Wexford and Drogheda "Puritan Ireland."
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This large print title is set in Tiresias 16pt font as recommended by the RNIB.
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Chesterton’s second novel chronicles a hot dispute between two Scotsmen, a Roman Catholic and an atheist, whose fanatically held opinions inspire a host of comic adventures. The story’s allegorical levels vigorously explore the debate between theism and atheism. Introduction by Martin Gardner.
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This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.
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Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: THE OPTIMISM OF BYRON Evebything is against our appreciating the spirit and the age of Byron. The age that has just passed from us is always like a dream when we wake in the morning, a thing incredible and centuries away. And the world of Byron seems a sad and faded world, a weird and inhuman world, where men were romantic in whiskers, ladies lived, apparently, in bowers, and the very word has the sound of a piece of stage scenery. Roses and nightingales recur in their poetry with the monotonous elegance of a wall-paper pattern. Thewhole is like a revel of dead men, a revel with splendid vesture and half-witted faces. But the more shrewdly and earnestly we study the histories of men, the less ready shall we be to make use of the word "artificial." Nothing in the world has ever been artificial. Many customs, many dresses, many works of art are branded with artificiality because they exhibit vanity and self-consciousness: as if vanity were not a deep and elemental thing, like love and hate and the fear of death. Vanity may be found in darkling deserts, in the hermit and in the wild beasts that crawl around him. It may be good or evil, but assuredly it is not artificial: vanity is a voice out of the abyss. The remarkable fact is, however, and it bears strongly on the present position of Byron, that when a thing is unfamiliar to us, when it is remote and the product of some other age or spirit, we think it not savage or terrible, but merely artificial. There are many instances of this: a fair one is the case of tropical plants and birds. When we see some of the monstrous and flamboyant blossoms that enrich the equatorial woods, we do not feel that they are conflagrations of nature; silent explosions of her frightful energy. We simply find it hard to believe that they are n...
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Perhaps the most light-hearted of all Chesterton’s "serious" works, Manalive pits a group of disillusioned young people against Mr. Innocent Smith, a bubbly, high-spirited gentleman who literally falls into their midst. Accused of murder and denounced for repeatedly marrying his wife and attempting to live in various houses (all of which turn out to be his own), Smith prompts his newfound acquaintances to recognize an important idea: that life is worth living.
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Publisher: John Lane company Publication date: 1916 Subjects: Irish question World War, 1914-1918 Great Britain Germany European War, 1914-1918 History / Europe / Great Britain Notes: This is an OCR reprint. There may be typos or missing text. There are no illustrations or indexes. When you buy the General Books edition of this book you get free trial access to Million-Books.com where you can select from more than a million books for free. You can also preview the book there.
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This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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1912 work by the highly influential English writer of the early 20th century. Includes chapters on the homelessness of man, imperialism, feminism, education and the home of man.
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Books for All Kinds of Readers. ReadHowYouWant offers the widest selection of on-demand, accessible format editions on the market today. Our 7 different sizes of EasyRead are optimized by increasing the font size and spacing between the words and the letters. We partner with leading publishers around the globe. Our goal is to have accessible editions simultaneously released with publishers' new books so that all readers can have access to the books they want to read. To find more books in your format visit www.readhowyouwant.com
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Father Brown, one of the most quirkily genial and lovable characters to emerge from English detective fiction, first made his appearance in The Innocence of Father Brown in 1911. That first collection of stories established G.K. Chesterton's kindly cleric in the front rank of eccentric sleuths. This complete collection contains all the favourite Father Brown stories, showing a quiet wit and compassion that has endeared him to many, whilst solving his mysteries by a mixture of imagination and a sympathetic worldliness in a totally believable manner.
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The author writes, "None of us think enough of these [small, everyday] things on which the eye rests. But don?t let us let the eye rest. Let us exercise the eye until it learns to see startling facts that run across the landscape as plain as a painted fence. Let us be ocular athletes. Let us learn to write essays on a stray cat or a coloured cloud. I have attempted some such thing in what follows." Includes such small masterpieces as "On Lying in Bed," "What I Found in My Pocket," and the justifiably famous "A Piece of Chalk." Newly designed and typeset by Waking Lion Press.
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The story of Dr Jekyll, a good man who dedicates his life to helping others, but who also uses a powerful potion to create another version of himself, Mr Hyde, to do his wicked deeds for him.
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