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Books : Comics & Graphic Novels : Cartooning
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With intros by John Waters and Mo Willems! The Complete Peanuts 1967-1968 is a particularly Snoopy-heavy collection. In addition to seeing the beagle adopt multiple personas, this volume also sees the appearance of what would be Schulz's most controversial major character: Franklin. In Charles Schulz's The Complete Peanuts 1969-1970, Woodstock makes his first appearance, Snoopy is left in the Van Pelt family's care as the Browns vacation... and the Little Red-Haired Girl moves away.
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The first of four volumes collecting Feiffer's landmark Village Voice strips.
"My aim was to take the Robert Benchley hero and launch him into the Age of Freud."—Jules Feiffer
In 1956, a relatively unknown cartoonist by the name of Jules Feiffer started contributing a strip to the only alternative weekly published in the US, a small radical newspaper called The Village Voice. It was originally titled Sick Sick Sick, but Feiffer changed the name to, simply, Feiffer, because he got tired of explaining that the title referred to the society he was commenting on, not the nature of his humor, which, he insisted, was not sick.
Politically, the '50s was dominated by the insipid Presidency of Dwight D. Eisenhower; the backwash of Joe McCarthy; and the Cold War, which was in full swing. Culturally, the Beats were revolutionizing literature, Marlon Brando was changing the face of acting, and Elvis Presley was altering the public's perception of pop music. The post-war suburban bliss of the country was being challenged by sociologists and economists in books like The Lonely Crowd, The Other America, and The Afflulent Society. The civil rights movement was gaining momentum. Camelot was just around the corner, and would be shattered by the assassinations of JFK, RFK, and MLK. The Vietnam War would polarize the country. It was into this scrambled political-cultural climate that Jules Feiffer flung himself full throttle for the next ten years.
His strip tackled just about every issue, private and public, that affected the sentient American: relationships, sexuality, love, family, parents, children, psychoanalysis, neuroses, presidents, politicians, media, race, class, labor, religion, foreign policy, war, and one or two other existential questions. It was the first time that the American public had been subjected to a weekly dose of comics that so uncompromisingly and wittily confronted individuals' private fears and society's public transgressions. Explainers is the first of four volumes collecting Feiffer's entire run of weekly strips from The Village Voice. This edition contains approximately 500 strips originally published between 1956 and 1966 in a brick-like landscape hardcover format.
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In Charles Schulz's The Complete Peanuts 1969-1970, Woodstock makes his first appearance, Peppermint Patty runs afoul of her school's dress code, Lucy declares herself a "New Feminist," and Snoopy returns to the Daisy Hill Puppy Farm on a speaking engagement. Speaking of Snoopy, this volume falls under the sign of the Great Beagle, as three separate storylines focus on the mysterious sovereign of Beagledom. Lucy throws Schroeder's piano into the maw of the kite-eating tree, with gruesome results... Miss Othmar goes on strike and Linus gets involved... Charlie Brown's baseball team has an actual (brief) winning streak... Snoopy's quest to compete in the Oakland ice skating competition is thwarted by his inability to find a partner... Charlie Brown goes to a banquet to meet his hapless baseball hero Joe Shlabotnik... Snoopy is left in the Van Pelt family's care as the Browns vacation... and the Little Red-Haired Girl moves away.
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Rabbits. We'll never quite know why, but sometimes they decide they've just had enough of this world- and that's when they start getting inventive. The Book of Bunny Suicides follows over one hundred bunnies as they find ever more outlandish ways to do themselves in. From an encounter with the business end of Darth Vader's lightsaber, to supergluing themselves to a diving submarine, to hanging around underneath a loose stalactite, these bunnies are serious about suicide.
Illustrated in a stark and simple style, The Book of Bunny Suicides is a collection of hilarious and outrageous cartoons that will appeal to anyone in touch with their evil side.
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The definitive book on animation, from the Academy Award-winning animator behind Who Framed Roger Rabbit?Animation is one of the hottest areas of filmmaking today--and the master animator who bridges the old generation and the new is Richard Williams. During his more than forty years in the business, Williams has been one of the true innovators, winning three Academy Awards and serving as the link between Disney's golden age of animation by hand and the new computer animation exemplified by Toy Story. Perhaps even more important, though, has been his dedication in passing along his knowledge to a new generation of animators so that they in turn could push the medium in new directions. In this book, based on his sold-out master classes in the United States and across Europe, Williams provides the underlying principles of animation that every animator--from beginner to expert, classic animator to computer animation whiz --needs. Urging his readers to "invent but be believable," he illustrates his points with hundreds of drawings, distilling the secrets of the masters into a working system in order to create a book that will become the standard work on all forms of animation for professionals, students, and fans.
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In this stunning collection of step-by-step lessons, award-winning entertainment artist Doug Chiang gives artists the inside scoop on his processes, techniques, and theories for creating eye-popping science fiction artwork. Readers will learn to draw the creatures, robots, vehicles and drama of distant worlds--perennial favorites in film, television, toys and games. With Chiang's expert advice, 25 step-by-step demonstrations using both traditional and digital techniques, and a stunning gallery showcasing his amazing visual style, artists have no choice but to be inspired to create their own phenomenal works of art..
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Acclaimed as a "quiet triumph"* and a "brutally moving work of art,"** the first volume of Art Spiegelman's Maus introduced readers to Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist trying to come to terms with his father, his father's terrifying story, and History itself. Its form, the cartoon (the Nazis are cats, the Jews mice), succeeds perfectly in shocking us out of any lingering sense of familiarity with the events described, approaching, as it does, the unspeakable through the diminutive. As the New York Times Book Review commented," [it is] a remarkable feat of documentary detail and novelistic vividness...an unfolding literary event."
This long-awaited sequel, subtitled And Here My Troubles Began, moves us from the barracks of Auschwitz to the bungalows of the Catskills. Genuinely tragic and comic by turns, it attains a complexity of theme and a precision of thought new to comics and rare in any medium. Maus ties together two powerful stories: Vladek's harrowing tale of survival against all odds, delineating the paradox of daily life in the death camps, and the author's account of his tortured relationship with his aging father.
Vladek's troubled remarriage, minor arguments between father and son, and life's everyday disappointments are all set against a backdrop of history too large to pacify. At every level this is the ultimate survivor's tale -- and that too of the children who somehow survive even the survivors.
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One of America's most beloved comic geniuses is back, with this collectible 25th anniversary compendium of the best of Opus, joined by his hilarious supporting cast, including Binkley, Milo, Bill the Cat, Steve Dallas, Ronald Ann, and the rest of residents of Bloom County and Outland. From Antarctica to Omaha, Opus has cavorted with space creatures, impersonated rock stars, fended off accusations of penguin lust, and even campaigned for office. Now, in addition to the classic strips, Berkeley Breathed also brings us original all-new material from his new OPUS comic. Brace yourself for the sidesplitting, table-pounding, milk-through-the- nose-spewing laughter that only Opus and his outlandish friends can generate. The perfect collection for both die-hard fans and those discovering the matchless humor of Berkeley Breathed for the first time.
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Presenting the complete WWII cartoons of Bill Mauldin, the greatest cartoonist of the Greatest Generation.
"The real war," said Walt Whitman, "will never get in the books." During WW II, the closest most Americans ever came to the "real war" was through the cartoons of Bill Mauldin, the most beloved enlisted man in the U.S. Army. Here, for the first time, Fantagraphics Books brings together Mauldin's complete works from 1940 through the end of the war. This collection of over 600 cartoons, most never before reprinted, is more than the record of a great artist: it is an essential chronicle of America's citizen-soldiers from peace through war to victory.
Bill Mauldin knew war because he was in it. He had created his characters, Willie and Joe, at age 18, before Pearl Harbor, while training with the 45th Infantry Division and cartooning part-time for the camp newspaper. His brilliant send-ups of officers were pure infantry, and the men loved it.
After wading ashore with his division on the first of its four beach invasions in July 1943, Mauldin and his men changed—and Mauldin's cartoons changed accordingly. Months of miserable weather, bad food, and tedium interrupted by the terror of intense bombing and artillery fire took its toll. By the year's end, virtually every man in Mauldin's original rifle company was killed, wounded, or captured.
The wrinkles in Willie's and Joe's uniforms deepened, the bristle on their faces grew, and the eyes—"too old for those young bodies," as Mauldin put it—betrayed a weariness that would remain the entire war. With their heavy brush lines, detailed battlescapes, and pidgin of army slang and slum dialect, Mauldin's cartoons and captions recreated on paper the fully realized world of the American combat soldier. Their dark, often insubordinate humor sparked controversy among army brass and incensed General George S. Patton, Jr.
This is first of several volumes publishing the best of Bill Mauldin's single panel strips from 1940 to 1991 (when he stopped drawing). His Willie & Joe cartoons will be presented in a deluxe, beautifully designed two-volume slipcased edition of over 600 pages. The series is edited by Todd DePastino, whose Mauldin scholarship will be on full display in a biography of the artist coming in February 2008 from W. W. Norton. Willie & Joe will contain an introduction and running commentary by DePastino, providing context for the drawings, pertinent biographical details of Mauldin's life, and occasional background on specific cartoons (such as the ones that made Patton howl).
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Since 2001, cult comic favorite Achewood has built a six-figure international following. Intelligent, hilarious, and adult (but not filthy), it's the strip you'll wish you'd discovered as an underappreciated fifteen-year-old. Dark Horse presents the hardbound edition of Achewood's The Great Outdoor Fight, the story of "Three Days, Three Acres, Three Thousand Men."
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The award-winning Perry Bible Fellowship has a achieved a cult following both online and in its weekly appearances in newspapers and magazines around the world. Now, for the first time, the hilarious cartoons of Nicholas Gurewitch are being collected in this handsome hardcover edition.
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When cartoonist Bill Watterson announced that his phenomenally popular cartoon strip would be discontinued on the last day of 1995, Calvin and Hobbes fans throughout the world went into mourning. Fans have learned to survive - despite the absence of the boy and his tiger in the daily newspaper. Now, like the wave of a sweet memory; comes one last chance to experience Calvin and Hobbes, in its final collection. Like the thirteen extraordinarily successful Watterson books that came before it, this volume promises to deliver all the satisfaction of visiting its characters once more. Calvin fans will be able to see their favorite mischief maker stir it up with his furry friend, long-suffering parents, classmate Susie Derkins, school teacher Miss Wormwood, and Rosalyn the baby-sitter. This collection, including full-color Sundays, has it all: Calvin-turned-firefly waking Hobbes with his flashlight glow; courageous Spaceman Spiff rocketing through alien galaxies as he battles Dad-turned-Bug-Being; and Calvin's always inspired snowman art. There's no better way for Watterson fans to savor once again the special qualities of their favorite strip.
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