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Books : Religion & Spirituality : Religious
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When Rita Brock and Rebecca Parker began traveling the Mediterranean world in search of art depicting the dead, crucified Jesus, they discovered something that traditional histories of Christianity and Christian art had underplayed or sought to explain away: it took Jesus Christ a thousand years to die.
During their first millennium, Christians filled their sanctuaries with images of Christ as a living presence in a vibrant world. He appears as a shepherd, a teacher, a healer, an enthroned god; he is an infant, a youth, and a bearded elder. But he is never dead. When he appears with the cross, he stands in front of it, serene, resurrected. The world around him is ablaze with beauty. These are images of paradise—paradise in this world, permeated and blessed by the presence of God.
But once Jesus perished, dying was virtually all he seemed able to do.
Saving Paradise offers a fascinating new lens on the history of Christianity, from its first centuries to the present day, and asks how its early vision of beauty evolved into one of torture. In tracing the changes in society and theology that marked the medieval emergence of images of Christ crucified, Saving Paradise exposes the imperial strategies embedded in theologies of redemptive violence and sheds new light on Christianity's turn to holy war. It reveals how the New World, established through Christian conquest and colonization, is haunted by the loss of a spiritual understanding of paradise here and now.
Brock and Parker reconstruct the idea that salvation is paradise in this world and in this life, and they offer a bold new theology for saving paradise. They ground justice and peace for humanity in love for the earth and open a new future for Christianity through a theology of redemptive beauty.
"Only rarely is a single book an event. This book is such a rarity. Rita Brock and Rebecca Parker show that solid scholarship can be expressed with passion and literary grace as they recover the beauty of an earth-loving Christianity lost for a thousand years beneath dry creeds and formulae and poisonous myths of sacralized violence."
—Professor Daniel C. Maguire, author of A Moral Creed For All Christians
"Every Christian theologian and preacher should read this book and be profoundly challenged."
—Professor James H. Cone, author of Malcolm & Martin & America
"Saving Paradise challenges us to recover an ancient world view which is life transforming and earth affirming. It reminds us of a biblical perspective which does not reserve paradise for the dead, but invites the living to find grace, justice, peace and compassion--here and now--amid the jangling discords of violence and war. It may mark the beginning of a paradigm shift in contemporary Christian understanding and interfaith dialogue."
—Reverend James A. Forbes, Jr., President and Founder of the Healing of the Nations Foundation, Senior Minister Emeritus of the Riverside Church of New York City
"The message of Early Christian art is about God's miraculous intervention in the daily lives of Christian believers. How then did Christianity become a religion of finitude and guilt rather than one of promise and celebration? Brock and Parker ran with the evidence, showing us the importance of art, ritual, devotional practices, and liturgical space for early Christians. This tangible past transformed their research and led them to see that paradise in this world lies at the heart of Christianity."
—Diane Apostolos-Cappadona, author of Dictionary of Christian Art
"This powerful, unprecedented, and compelling book brings real Christianity out of the shadows. It lights up the religious roots of American society at a time when progressives need to challenge conservative politicians who use Christianity as a false prop for their ideology."
—George Lakoff, author of Don't Think of an Elephant!
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With paper and markers, you will draw closer to God.
Thousands of people have already discovered this truly simple, transformative spiritual practice. Now this companion to the surprise bestseller Praying in Color provides the perfect journal to help you experience a whole new way of talking with God--by "praying in color."
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* ISBN: 0740774301, * ISBN-13: 9780740774300, * Format: Wall Calendar, 24 Pages, * Publisher: Andrews McMeel Publishing, * Pub. Date: July 2008, From the Publisher: Thomas Kinkade is America's most collected living artist, a painter-communicator whose tranquil, light-infused paintings bring hope and joy to millions every year. He has earned the Collector Editions Award of Excellence and he has been named the National Association of Limited Edition Dealers' Artist of the Year three times. Thomas Kinkade is the most collected artist in the world. Known as the Painter of Light, he creates glorious paintings from simple inspirations: family, tradition, community, and the beauty and goodness of God's creation. A devout Christian, Thom uses his gift as a vehicle to communicate and spread inherent life-affirming values. These heartwarming motivations are evident in this 2009 Thomas Kinkade calendar. 2009 marks the twenty-fifth anniversary of Thom's first published limited edition artwork. This calendar showcases Thom's all-time favorite twelve images handpicked by the artist himself, accompanied by personal anecdotes describing their inspiration. The calendar includes an individually numbered, collector's keepsake card in a velum envelope and is sold in a beautifully printed folio sleeve.
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Five hundred years ago Michelangelo began work on a painting that became one of the most famous pieces of art in the world—the Sistine Chapel ceiling. Every year millions of people come to see Michelangelo's Sistine ceiling, which is the largest fresco painting on earth in the holiest of Christianity's chapels; yet there is not one single Christian image in this vast, magnificent artwork.
The Sistine Secrets tells the fascinating story of how Michelangelo embedded messages of brotherhood, tolerance, and freethinking in his painting to encourage "fellow travelers" to challenge the repressive Roman Catholic Church of his time.
"Driven by the truths he had come to recognize during his years of study in private nontraditional schooling in Florence, truths rooted in his involvement with Judaic texts as well as Kabbalistic training that conflicted with approved Christian doctrine, Michelangelo needed to find a way to let viewers discern what he truly believed. He could not allow the Church to forever silence his soul. And what the Church would not permit him to communicate openly, he ingeniously found a way to convey to those diligent enough to learn his secret language."—from the Preface
Blech and Doliner reveal what Michelangelo meant in the angelic representations that brilliantly mocked his papal patron, how he managed to sneak unorthodox heresies into his ostensibly pious portrayals, and how he was able to fulfill his lifelong ambition to bridge the wisdom of science with the strictures of faith. The Sistine Secrets unearths secrets that have remained hidden in plain sight for centuries.
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For almost a year, veteran National Geographic photographer Jim Stanfield captured nearly every corner of the Vatican, both the world’s smallest country and the center of the Roman Catholic Church. Along with author Bart McDowell, he provides an insider’s view into the history of this 108.7-acre enclave, from the first St. Peter’s, built in the fourth century, through the amazing reign of Pope John Paul II, and beyond. Rarely seen areas of the complex, such as the Pope’s personal quarters and the world-renowned libraries, and up-close views of the stunning and priceless art and architecture provide an unrivaled insider’s look into this amazing nation.
In this revised trade paperback edition, Washington Post writer Howard Schneider brings the story of the Vatican up-to-date, including the death and funeral of Pope John Paul II and the selection and ordination of Pope Benedict XVI. Pope Benedict XVI’s recent trip to the United States is also documented in poignant words and images.
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Wassily Kandinsky was one of the most influential painters of the twentieth century, and this text, in which he laid out the tenets of painting as he saw them and made the case for nonobjective artistic forms, is universally recognized as an essential document of Modernist art theory. A brilliant philosophical treatise and an emphatic avant-garde tract, it provides the theoretical underpinnings for Kandinsky's own work and that of his associates in the Blaue Reiter movement. While Michael Sadler's masterful translation has been available and authoritative since its original publication in 1914, what hasn't been published until now is the significant correspondence between the translator and the artist, who followed the progress of his book's transformation closely, and who offered numerous insights into and explanations of its meanings. These letters, from the archives of Tate Britain, have here been appended to Kandinsky's text to provide the first comprehensively annotated edition of this seminal work. This volume, which supersedes any previous edition, includes the letters, Kandinsky's prefaces and prose poems relating to the period in which the book was written and Sadler's selected writings on art. It is more than an expanded edition--it is a major event, the first full account of a remarkable literary collaboration.
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An Italian village on a hilltop near the Adriatic coast, a decaying palazzo facing the sea, and in the basement, cobwebbed and dusty, lit by a single bulb, an archive unknown to scholars. Here, a young graduate student from Rome, Francesca Cappelletti, makes a discovery that inspires a search for a work of art of incalculable value, a painting lost for almost two centuries.
The artist was Caravaggio, a master of the Italian Baroque. He was a genius, a revolutionary painter, and a man beset by personal demons. Four hundred years ago, he drank and brawled in the taverns and streets of Rome, moving from one rooming house to another, constantly in and out of jail, all the while painting works of transcendent emotional and visual power. He rose from obscurity to fame and wealth, but success didn’t alter his violent temperament. His rage finally led him to commit murder, forcing him to flee Rome a hunted man. He died young, alone, and under strange circumstances.
Caravaggio scholars estimate that between sixty and eighty of his works are in existence today. Many others–no one knows the precise number–have been lost to time. Somewhere, surely, a masterpiece lies forgotten in a storeroom, or in a small parish church, or hanging above a fireplace, mistaken for a mere copy.
Prizewinning author Jonathan Harr embarks on an spellbinding journey to discover the long-lost painting known as The Taking of Christ–its mysterious fate and the circumstances of its disappearance have captivated Caravaggio devotees for years. After Francesca Cappelletti stumbles across a clue in that dusty archive, she tracks the painting across a continent and hundreds of years of history. But it is not until she meets Sergio Benedetti, an art restorer working in Ireland, that she finally manages to assemble all the pieces of the puzzle.
Told with consummate skill by the writer of the bestselling, award-winning A Civil Action, The Lost Painting is a remarkable synthesis of history and detective story. The fascinating details of Caravaggio’s strange, turbulent career and the astonishing beauty of his work come to life in these pages. Harr’s account is not unlike a Caravaggio painting: vivid, deftly wrought, and enthralling.
". . . Jonathan Harr has gone to the trouble of writing what will probably be a bestseller . . . rich and wonderful. . .in truth, the book reads better than a thriller because, unlike a lot of best-selling nonfiction authors who write in a more or less novelistic vein (Harr's previous book, A Civil Action, was made into a John Travolta movie), Harr doesn't plump up hi tale. He almost never foreshadows, doesn't implausibly reconstruct entire conversations and rarely throws in litanies of clearly conjectured or imagined details just for color's sake. . .if you're a sucker for Rome, and for dusk. . .[you'll] enjoy Harr's more clearly reported details about life in the city, as when--one of my favorite moments in the whole book--Francesca and another young colleague try to calm their nerves before a crucial meeting with a forbidding professor by eating gelato. And who wouldn't in Italy? The pleasures of travelogue here are incidental but not inconsiderable." --The New York Times Book Review
"Jonathan Harr has taken the story of the lost painting, and woven from it a deeply moving narrative about history, art and taste--and about the greed, envy, covetousness and professional jealousy of people who fall prey to obsession. It is as perfect a work of narrative nonfiction as you could ever hope to read." --The Economist
From the Hardcover edition.
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-- Religious Studies Review
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An icon (from the Greek word "eikon," "image") is a wooden panel painting of a holy person or scene from Orthodox Christianity, the religion of the Byzantine Empire that is practiced today mainly in Greece and Russia. It was believed that these works acted as intermediaries between worshipers and the holy personages they depicted. Their pictorial language is stylized and primarily symbolic, rather than literal and narrative. Indeed, every attitude, pose, and color depicted in an icon has a precise meaning, and their painters--usually monks--followed prescribed models from iconographic manuals.
The goal of this book is to catalogue the vast heritage of images according to iconographic type and subject, from the most ancient at the Monastery of Saint Catherine in the Sinai to those from Greece, Constantinople, and Russia. Chapters focus on the role of icons in the Orthodox liturgy and on common iconic subjects, including the fathers and saints of the Eastern Church and the life of Jesus and his followers. As with other volumes in the Guide to Imagery series, this book includes a wealth of color illustrations in which details are called out for discussion.
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Thomas Kinkade is the most collected artist in the world. Known as the Painter of Light, he creates glorious paintings from simple inspirations: family, tradition, community, and the beauty and goodness of God's creation. A devout Christian, Thom uses his gift as a vehicle to communicate and spread inherent life-affirming values. These heartwarming motivations are evident in this 2009 Thomas Kinkade calendar.* 2009 marks the twenty-fifth anniversary of Thom's first published limited edition artwork.
This full-color monthly calendar features twelve Thomas Kinkade images to brighten anywhere wall space is tight and is packaged in a custom printed keepsake folio envelope.
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Churches and cathedrals were originally built to be read. They are alive with images and symbols--all of which are packed with meaning. But today few people, from regular visitors to tourists, truly understand the wealth of meaning in what they find there.How to Read a Church is must reading for anybody who wants to know more about what they see in a church or cathedral. It explores the principal features of churches and what each represents. It also explains: " the significance of church layout " the importance of such details as the use of colors or letters " the identity and significance of people and scenes " the symbolism of animals, plants, colors, numbers, and letters " the meaning of it all
In addition to exploring these brick-and-mortar motifs, the author also reveals fascinating and unexpected details such as how to 'read' the priest and the congregation, and he shows the varied ways that church architecture and appointments reflect the Christian year. From major themes to small but vital details, How to Read a Church will serve as a fascinating guide to the history, meanings, and messages of these beautiful buildings and the treasures they contain.
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The ancient and enduring spirit of Jewish tradition comes alive in the Hebrew Illuminations 2008-2009 wall calendar. Jewish artist Adam Rhine has created ornate, highly detailed Judaic paintings in watercolor and acrylic. Each work is crafted to honor the infinite nobility of the Lord, and to visually bring forth His energy within different combinations of overlapping shapes, rich colors and intricate patterns. The sheer elegance of their construction conveys wisdom and ideas. This unique calendar features the first six letters of the Hebrew alphabet plus 10 new illuminations of significant Jewish concepts, such as Ner Tamid (Eternal Light) and Neshamah (The Jewish Soul). Adam Rhine's highly detailed Judaica paintings combine modern palettes and aesthetics with the influence of medieval illuminated manuscripts.
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For more than a thousand years, Eastern Christians have used their hands and hearts to create icons, proclaiming God's reality in a visible-and breathtakingly beautiful-way. This ancient art is enjoying a renewed interest in the West, as people of faith create icons and use them to meditate on mysteries for which there are no words.A Brush With God is a guide to painting icons and using them in prayer. Written with warmth and energy, it describes the history of icons and examines why they've been a spiritual tool for so many centuries. Written from a uniquely Western perspective, the book guides artists-from novices to professionals-through the process of icon painting, using traditional techniques but employing contemporary materials. Included are eight full-color plates of the artist's icons.
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Thomas Kinkade is the most collected artist in the world. Known as the Painter of Light, he creates glorious paintings from simple inspirations: family, tradition, community, and the beauty and goodness of God's creation. A devout Christian, Thom uses his gift as a vehicle to communicate and spread inherent life-affirming values. These heartwarming motivations are evident in this 2009 Thomas Kinkade calendar.* 2009 marks the twenty-fifth anniversary of Thom's first published limited edition artwork.
This favorite calendar format from Thomas Kinkade will contain for the first time a different image of Thom's artwork on every page. Each will also include a Bible verse.
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Many Christians, wary of creating graven images, have steered clear of artistic creativity. But the Bible offers a robust affirmation of the arts. The human impulse to create reflects our being created in the image of a creator God.
Art and the Bible has been a foundational work for generations of Christians in the arts. In this book's classic essays, Francis Schaeffer first examines the scriptural record of the use of various art forms, and then establishes a Christian perspective on art. With clarity and vigor, Schaeffer explains why "the Christian is the one whose imagination should fly beyond the stars."
Market/Audience- Artists, writers and musicians
- Students
- Worship team participants and leaders
Features and Benefits- A new edition of an IVP classic.
- Written by Francis Schaeffer, a respected theologian with a deep interest in the arts.
- Suggests eleven perspectives within which a Christian view of art can take shape.
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Certain symbols abound in modern Western culture that are instantly recognizable: the cross signifies Christianity, the six-pointed Star of David is revered by Jews, the golden arches frequently means it's time for lunch. Other symbols, however, require a bit of decoding-particularly those found in cemeteries. < BR> Cemeteries are virtual encyclopedias of symbolism. Engravings on tombstones, mausoleums and memorials tell us just about everything there is to know about a person- date of birth and death as well as religion, ethnicity, occupation, community interests, and much more. In the fascinating new book Stories in Stone: The Complete Guide to Cemetery Symbolism by noted author Douglas Keister, the secrets of cemetery symbolism are finally revealed. For instance, did you know that it is quite rare to see a sunflower on a tombstone? Did you know that the human foot symbolizes humility and service since it consistently touches the earth? Or the humble sheaf of wheat-while it is often used to denote someone who has lived a long and fruitful life, do you know other meanings it might carry? < BR> Stories in Stone provides history along with images of a wide variety of common and not-so-common cemetery symbols, and offers an in-depth examination of stone relics and the personal and intimate details they display-flora and fauna, religious icons, society symbols, and final impressions of how the deceased wished to be remembered. Douglas Keister has created a practical field guide that is compact and portable, perfect for those interested in family histories and genealogical research, and is the only book of its kind that unlocks the language of symbols in a comprehensive and easy-to-understand manner. < BR> Douglas Keister has photographed fourteen award-winning, critically acclaimed books (including Red Tile Style: America's Spanish Revival Architecture, The Bungalow: America's Arts & Crafts Home, and Storybook Style: America's Whimsical Homes of the Twenties) earning him the title "America's most noted photographer of historic architecture." He also writes and illustrates magazine articles and contributes photographs and essays to other books, calendars, posters, and greeting cards. Doug lives in Chico, California, and travels frequently to photograph and lecture on historic architecture and photography.< BR>
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Renaissance man: Michelangelo as never seen before. Before reaching the tender age of thirty, Michelangelo Buonarroti (1475-1564) had already sculpted David and Pieta, two of the most famous sculptures in the entire history of art. Like fellow Florentine Leonardo da Vinci, Michelangelo was a shining star of the Renaissance and a genius of consummate virtuosity. His achievements as a sculptor, painter, draughtsman, and architect are unique- no artist before or after him has ever produced such a vast, multi-faceted, and wideranging oeuvre. Only a handful of other painters and sculptors have attained a comparable social status and enjoyed a similar artistic freedom. This is demonstrated not only by the frescoes of the Sistine Chapel but also by Michelangelo's monumental sculptures and his unconventional architectural designs, whose forms went far beyond the accepted vocabulary of his day. Such was his talent that Michelangelo was considered a demigod by his contemporaries and was the subject of two biographies during his lifetime. Adoration of this remarkable man's work has only increased on the intervening centuries. Following the success of our XL title Leonardo da Vinci, TASCHEN brings you this massive tome that explores Michelangelo's life and work in more depth and detail then ever before. The first part concentrates on the life of Michelangelo via an extensive and copiously illustrated biographical essay; the main body of the book presents his owrk in four parts providing a complete analytical inventory of Michelangelo's paintings, sculptures, buildings and drawings. Grorgeous, full page reproductions and enlarged details bring readers up close to the works. This sumptuous tome also takes account, to a previously unseen extent, of Michelangelo's more personal traits and circumstances, such as his solitary nature, his thirst for money and commissions, his miserliness, his immense wealth, and his skill as a property investor. In addition, the book tackles the controversial issue of the attribution of Michelangelo drawings, an area in which decisions continue to be steered by the interests of the art market and the major collections. This is the definitive volume about Michelangelo for generations to come.
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