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Books : Gay & Lesbian : Literature & Fiction : Drama
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Terry goes to jail and comes out a little bit different. Not only is he different but his wife, sister, brother, and best friend have changed. The only thing they have in common are their secrets and their need to hide them. They soon find out that all things will be brought to light… one way or another.
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Written by the leading gender communication scholar, Julia Wood's text introduces students to theories, research, and pragmatic information that demonstrate the multiple and often interactive ways in which our views of masculinity and femininity are shaped within contemporary culture. With the most up-to-date research, balanced perspectives of masculinity and femininity, a personal introduction to the field, and a conversational first-person writing style, GENDERED LIVES provides students with an engaging text that encourages them to think critically about gender and our society.
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On October 7, 1998, a young gay man was discovered bound to a fence in the hills outside Laramie, Wyoming, savagely beaten and left to die in an act of hate that shocked the nation. Matthew Shepard’s death became a national symbol of intolerance, but for the people of Laramie the event was deeply personal, and it’s they we hear in this stunningly effective theater piece, a deeply complex portrait of a community.
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The most anticipated new American play of the decade, this brilliant work is an emotional, poetic, political epic in two parts: Millennium Approaches and Perestroika. Spanning the years of the Reagan administration, it weaves the lives of fictional and historical characters into a feverish web of social, political, and sexual revelations.
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An autobiographical narrative by the author of Bastard out of Carolina explores such topics as love and loss, beauty and terror, and the intricacies of family love and hatred while illuminating the rural poverty of the South. 50,000 first printing. Tour.
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Everyone's afraid of the high school bully, but even less dare to walk a day in his shoes. In "Bully", find out how it feels to be the school bad guy...the day after one of his victims turns up dead.
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Act 1, Scene 1. Ashland, Oregon. Enter WREN LANDRY.
Wren has happily fled San Francisco and her nationally-known work as secretive food critic Eno Threlkeld for a few weeks’ vacation to visit her twin brother, Raven. Enter Raven, thrilled to be playing Beatrice in this season’s Much Ado About Nothing.
Enter SOPHIE WARD, former investment banker, now goat farmer and cheese monger, followed by a ruthless celebrity chef with a grudge against Eno, a zealous cupcake competitor, a baker who makes aebleskivers everybody covets, a family of Danish immigrants with a fishy back story, and a dubious seer whose predictions might just hold the key to averting disaster.
In this mixed-up story of mistaken identities, mysterious loves, miscues, merriment and mayhem, love runs amok on the streets of a Shakespearean festival, and not even the goats on the Tallulah Rose Farm know how it all ends.
Join Golden Crown Literary Award winner Robbi McCoy for an unforgettable romp through the comedy of love on the road to happiness and beautiful cheese. No pentameters, iambic or otherwise, were harmed in the writing of this romantic novel.
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From his Glaswegian childhood and American adolescence to his starring role in the Doctor Who spinoff Torchwood, this memoir traces the life and career of actor John Barrowman. John made a name for himself with remarkable West End achievements, including an Olivier Award nomination and success in the movies The Producers and De-Lovely. Television success was also assured when Torchwood won a Best Drama BAFTA. John also lays bare his personal life: his emigration as a child, coming out to his family, turning down a job at Disney, and his civil partnership with long-term partner Scott Gill. Revelatory and insightful, told with real heart and characteristic Barrowman charm, this is a wonderful tale of how one boy achieved his dreams.
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Dangerous love that melt your body and heart.
Invitation which is given by acceding on the summer beach...
but it's a sweet trap by Asami.
Enjoy unpublished episode of much-loved series all over the world, Viewfinder Series!
Age 18+
Explicit content
Suggested for mature readers
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Romantic ice-age hilarity ensues as young whaler Anituk's miserable life with doting parents and an oversexed wife-hunting brother, is rudely interrupted by the arrival of Abalu, a tall handsome stranger who delights in encroaching upon Anituk's angst.
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The complete story of the actor's career, including his secret gay life. Raymond Burr (1917-1993) was an enigma. A film noir star regularly known for his villainous roles in movies like Rear Window, he delighted millions of viewers each week with the top-rated shows Perry Mason and Ironside, which ran virtually uninterrupted for 20 years. But Burr was leading a secret gay life at a time in Hollywood when such a lifestyle was akin to career suicide. He invented a tragic biography for himself in which he was mythologized as a heartbroken husband and father. There was even an invented affair with a teenage Natalie Wood, 21 years his junior. He fought for truth as Perry Mason and Robert T. Ironside, yet he couldn't admit his own deception. Burr met his partner, struggling actor Robert Benevides, on the set of Perry Mason, and they remained together for over 35 years until Burr's death. Together, they built a business empire, traveled the world, and shared their passion for orchids and fine wine - keeping the true nature of their relationship a secret from all but their closest friends - a secret revealed here for the first time in depth.
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Selling One's Body at Japan's most popular Host Club comes naturally for Junsuke Aki.
In fact, he is the club's top performer (and earner!) and is easily the most popular Host with the female clientele.
However, his lover, a former Host named Shinobu Hishiya, has forsaken the wild club lifestyle in favor of his new job as a construction worker. Together, they share wild days and passionate nights, making love whenever, wherever, and however they want.
But when jealousy and male pride enter the picture, their blissful, sexy relationship may not be able to handle the strain.
Age 18+
Explicit content
Suggested for mature readers
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The beautiful Izumi frequently models for members of the all-male Photography Club.
However, his secret admirer, the cool and mysterious Shino'oka, has been yearning to get his attention. Things take a turn towards the erotic as the photographer pushes his beautiful subject into a series of erotic poses, each more provocative than the last!
Age 18+
Explicit content
Suggested for mature readers
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Martin Sherman's worldwide hit play Bent took London by storm in 1979 when it was first performed by the Royal Court Theatre, with Ian McKellen as Max (a character written with the actor in mind). The play itself caused an uproar. "It educated the world," Sherman explains. "People knew about how the Third Reich treated Jews and, to some extent, gypsies and political prisoners. But very little had come out about their treatment of homosexuals." Gays were arrested and interned at work camps prior to the genocide of Jews, gypsies, and handicapped, and continued to be imprisoned even after the fall of the Third Reich and liberation of the camps. The play Bent highlights the reason why - a largely ignored German law, Paragraph 175, making homosexuality a criminal offense, which Hitler reactivated and strengthened during his rise to power.
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"You, go to an island with Kiria's son."
One day, Tohru is told this by his father, who is the 5th boss of the Suki Clan. A huge war in the Yakuza world is expected in the near future, so he is given an order to hide on the island.
After that, Tohru and Mutsumi Kiria begin their secluded life together, and before they realize it...
Age 18+
Explicit content
Suggested for mature readers
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In Disappearing Acts, Diana Taylor looks at how national identity is shaped, gendered, and contested through spectacle and spectatorship. The specific identity in question is that of Argentina, and Taylor’s focus is directed toward the years 1976 to 1983 in which the Argentine armed forces were pitted against the Argentine people in that nation’s "Dirty War." Combining feminism, cultural studies, and performance theory, Taylor analyzes the political spectacles that comprised the war—concentration camps, torture, "disappearances"—as well as the rise of theatrical productions, demonstrations, and other performative practices that attempted to resist and subvert the Argentine military.
Taylor uses performance theory to explore how public spectacle both builds and dismantles a sense of national and gender identity. Here, nation is understood as a product of communal "imaginings" that are rehearsed, written, and staged—and spectacle is the desiring machine at work in those imaginings. Taylor argues that the founding scenario of Argentineness stages the struggle for national identity as a battle between men—fought on, over, and through the feminine body of the Motherland. She shows how the military’s representations of itself as the model of national authenticity established the parameters of the conflict in the 70s and 80s, feminized the enemy, and positioned the public—limiting its ability to respond. Those who challenged the dictatorship, from the Mothers of the Plaza de Mayo to progressive theater practitioners, found themselves in what Taylor describes as "bad scripts." Describing the images, myths, performances, and explanatory narratives that have informed Argentina’s national drama, Disappearing Acts offers a telling analysis of the aesthetics of violence and the disappearance of civil society during Argentina’s spectacle of terror.
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Three-time Pulitzer Prize-winner Edward Albee's most provocative, daring, and controversial play since Who's Afraid of Virginia Woolf?, The Goat won four major awards for best new play of the year (Tony, New York Drama Critics Circle, Drama Desk, and Outer Critics Circle). In the play, Martin, a successful architect who has just turned fifty, leads an ostensibly ideal life with his loving wife and gay teenage son. But when he confides to his best friend that he is also in love with a goat (named Sylvia), he sets in motion events that will destroy his family and leave his life in tatters.
The playwright himself describes it this way: "Every civilization sets quite arbitrary limits to its tolerances. The play is about a family that is deeply rocked by an unimaginable event and how they solve that problem. It is my hope that people will think afresh about whether or not all the values they hold are valid."