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Books : Entertainment : Performing Arts : Theater : Playwriting
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Wilde was both a glittering wordsmith and a social outsider. His drama emerges out of these two perhaps contradictory identities, combining epigrammatic brilliance and shrewd social observation. This book includes "Lady Windermere's Fan", "Salome", "A Woman of No Importance", "An Ideal Husband", "A Florentine Tragedy" and "The Importance of Being Earnest", which appears in full with the 'Grigsby' scene which originally made up the fourth act.
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Un Unabridged, Digitally Enhanced Printing Of The Play As Presented At The St. James' Theatre, London, With An Updated Layout And Typeface
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The "Annotated Shakespeare" series allows readers to fully understand and enjoy the rich plays of the world's greatest dramatist. One of the most frequently read and performed of all stage works, Shakespeare's "Hamlet" is unsurpassed in its complexity and richness. This fully annotated version of "Hamlet" makes the play completely accessible to readers in the 21st century. It has been carefully assembled with students, teachers and the general reader in mind. Eminent linguist and translator Burton Raffel offers help with vocabulary and usage of Elizabethan English, pronunciation, prosody and alternative readings of phrases and lines. His on-page annotations provide readers with all the tools they need to comprehend the play and begin to explore its many possible interpretations. In his introduction, Raffel offers important background on the origins and previous versions of the Hamlet story, along with an analysis of the characters of Hamlet and Ophelia. And in a concluding essay, Harold Bloom meditates on the originality of Shakespeare's achievement.
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Drama / 7m, 3f, 1 boy / Int. This groundbreaking play starred Sidney Poitier, Claudia McNeill, Ruby Dee and Diana Sands in the Broadway production which opened in 1959. Set on Chicago's South Side, the plot revolves around the divergent dreams and conflicts within three generations of the Younger family: son Walter Lee, his wife Ruth, his sister Beneatha, his son Travis and matriarch Lena, called Mama. When her deceased husband's insurance money comes through, Mama dreams of moving to a new home and a better neighborhood in Chicago. Walter Lee, a chauffeur, has other plans, however: buying a liquor store and being his own man. Beneatha dreams of medical school. The tensions and prejudice they face form this seminal American drama. Sacrifice, trust and love among the Younger family and their heroic struggle to retain dignity in a harsh and changing world is a searing and timeless document of hope and inspiration. This Thirtieth Anniversary edition was revised by the late author's husband and executor, Robert Nemiroff in 1989. Winner of the NY Drama Critic's Award as Best Play of the Year "Pivotal play in the history of the American Black theatre." - Newsweek "A milestone in the American Theatre." - Ebony
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Drama / 5m, 2f / 1 Set Winner of the New York Drama Critic's and Tony Awards as well as the Pulitzer Prize, this sensational drama starred James Earl Jones as Troy Maxson, a former star of the Negro baseball leagues who now works as a garbage man in 1957 Pittsburgh. Excluded as a Negro from the major leagues during his prime, Troy's bitterness takes it's toll on his relationships with both his wife and son who now wants his own chance to play. "One of the great characters in American drama." - The New York Post "One of the richest experiences I have ever had in the theatre. I wasn't just moved. I was transfixed." - The New York Post "A blockbuster and a major American play." - New York Daily News
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'There is only one thing I fear in life, my friend... One day the black will swallow the red.'
Under the watchful gaze of his young assistant and the threatening presence of a new generation of artists, Mark Rothko takes on his greatest challenge yet: to create a definitive work for an extraordinary setting.
A moving and compelling account of one of the greatest artists of the 20th century whose struggle to accept his growing riches and praise became his ultimate undoing..
Nominated for 7 Olivier Awards (2009) and winner of six Tony Awards 2010 including Best New Play.
'A fresh, exciting portrait of a brilliant mind.' -Ben Brantley, The New York Times.
'Smart and scintillating Red deftly conjures what most plays about artists don't: the exhilaration of the act.' -John Lahr, The New Yorker.
'An electrifying new play.' -Marilyn Stasio, Variety.
"Plays about painters are fraught with difficulty. Either the hero preaches about art without practising it, or the Bohemian lifestyle supersedes the work. But John Logan's play about Mark Rothko overcomes these obstacles with finesse... It's a measure of the play's success that it makes you want to rush out and renew acquaintance with Rothko's work. 4 stars" Michael Billington - The Guardian
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On October 7, 1998, a young gay man was discovered bound to a fence in the hills outside Laramie, Wyoming, savagely beaten and left to die in an act of hate that shocked the nation. Matthew Shepard’s death became a national symbol of intolerance, but for the people of Laramie the event was deeply personal, and it’s they we hear in this stunningly effective theater piece, a deeply complex portrait of a community.
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To make this quintessential Greek drama more accessible to the modern reader, this Prestwick House Literary Touchstone Edition? includes a glossary of difficult terms, a list of vocabulary words, and convenient sidebar notes. By providing these, it is our intention that readers will more fully enjoy the beauty, wisdom, and intent of the play.The curse placed on Oedipus lingers and haunts a younger generation in this new and brilliant translation of Sophocles? classic drama. The daughter of Oedipus and Jocasta, Antigone is an unconventional heroine who pits her beliefs against the King of Thebes in a bloody test of wills that leaves few unharmed. Emotions fly as she challenges the king for the right to bury her own brother. Determined but doomed, Antigone shows her inner strength throughout the play.Antigone raises issues of law and morality that are just as relevant today as they were more than two thousand years ago. Whether this is your first reading or your twentieth, Antigone will move you as few pieces of literature can.
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4 Males, 2 Females
Synopsis: In the waning days of the Kosovo conflict, two American doctors travel to Macedonia to offer their services to Albanian refugees. Into the chaos of the medical camp, a mysterious boy arrives, forcing the doctors to re-examine their actions and the personal ethics that guide them.
"There are enough issues in this play to keep the U.N. busy for years."
-- Philadelphia City Paper
"Wonderful and provocative"
-- Trinity Rep.
"I was very impressed."
-- Philadelphia Weekly
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The hilarious script for the Broadway play Peter and the Starcatcher is presented along with commentary by the playwright, the directors, the composer, the set designer, and our own Dave Barry and Ridley Pearson. Filled with behind-the-scenes information and photos of the cast and crew, this annotated script will enchant and entertain fans of the book and the play alike.
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Each edition includes: • Freshly edited text based on the best early printed version of the play
• Full explanatory notes conveniently placed on pages facing the text of the play
• Scene-by-scene plot summaries
• A key to famous lines and phrases
• An introduction to reading Shakespeare's language
• An essay by an outstanding scholar providing a modern perspective on the play
• Illustrations from the Folger Shakespeare Library's vast holdings of rare books
Essay by Barbara A. Mowat
The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit
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This guide to playreading for students and practitioners of both theater and literature complements, rather then contradicts or repeats, traditional methods of literary analysis of scripts.
Ball developed his method during his work as Literary Director at the Guthrie Theater, building his guide on the crafts playwrights of every period and style use to make their plays stageworthy. The text is full of tools for students and practitioners to use as they investigate plot, character, theme, exposition, imagery, motivation/obstacle/conflict, theatricality, and the other crucial parts of the superstructure of a play. He includes guides for discovering what the playwright considers the play’s most important elements, thus permitting interpretation based on the foundation of the play rather than its details.
Using Hamlet as illustration, Ball assures a familiar base for illustrating script-reading techniques as well as examples of the kinds of misinterpretation readers can fall prey to by ignoring the craft of the playwright. Of immense utility to those who want to put plays on the stage (actors, directors, designers, production specialists) Backwards and Forwards is also a fine playwriting manual because the structures it describes are the primary tools of the playwright.
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Moss Hart once said that you never really learn how to write a play; you only learn how to write this play. Crafted with that adage in mind, The Dramatic Writer’s Companion is designed to help writers explore their own ideas in order to develop the script in front of them. No ordinary guide to plotting, this handbook starts with the principle that character is key. “The character is not something added to the scene or to the story,” writes author Will Dunne. “Rather, the character is the scene. The character is the story.”
Having spent decades working with dramatists to refine and expand their existing plays and screenplays, Dunne effortlessly blends condensed dramatic theory with specific action steps—over sixty workshop-tested exercises that can be adapted to virtually any individual writing process and dramatic script. Dunne’s in-depth method is both instinctual and intellectual, allowing writers to discover new actions for their characters and new directions for their stories.
Dunne’s own experience is a crucial element of this guide. His plays have been selected by the Eugene O’Neill Theatre Center for three U.S. National Playwrights Conferences and have earned numerous honors, including a Charles MacArthur Fellowship, four Bay Area Theatre Critics Circle Awards, and two Drama-Logue Playwriting Awards. Thousands of individuals have already benefited from his workshops, and The Dramatic Writer’s Companion promises to bring his remarkable creative method to an even wider audience.
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This collection of essays is aimed at students who are working on The Merchant of Venice and who are looking for new ways of thinking about Shakespeare's most controversial play and new ways of thinking about their own practice as critics. The collection offers a spectrum of the more recent writings on the play that open up its historical, cultural and political significance, and serve to demonstrate some of the ways in which contemporary criticism is both based upon critical theory and is also about the practice of criticism. This is an illuminating and helpful collection of essays by some of the liveliest critics working on Shakespeare today.
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The Right Shoes – After meeting her perfect internet boyfriend, Monica is determined to find the perfect pair of shoes, no matter the cost.
Sanctioned – When Katrina decides to take the public bus to work, another rider’s bizarre demands sends her on a journey she will never forget.
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“This brave new musical, haunting and electrifying by turns, restores the mystery, the thrill to that shattering transformation that stirs in all our souls.”—Charles Isherwood, The New York Times
“The staggering purity of this show will touch all open hearts…In its refined, imaginative simplicity, it daringly reverses all the conventional rules by returning the American musical to an original state of innocence.”—John Heilpern, The New York Observer
“An unexpected jolt of sudden genius, edgy in its brutally honest, unromanticized depiction of human sexuality.”—New York Post
Spring Awakening is an extraordinary new rock musical with book and lyrics by Steven Sater and music by Grammy Award-nominated recording artist Duncan Sheik. Inspired by Frank Wedekind’s controversial 1891 play about teenage sexuality and society’s efforts to control it, the piece seamlessly merges past and present, underscoring the timelessness of adolescent angst and the universality of human passion.
Steven Sater’s plays include the long-running Carbondale Dreams, Perfect for You, Doll (Rosenthal Prize/Cincinnati Playhouse), Umbrage (Steppenwolf New Play Prize), and a reconceived version of Shakespeare’s Tempest, which played in London.
Duncan Sheik is a singer/songwriter who also collaborated with Sater on the musical The Nightingale. He has composed original music for The Gold Rooms of Nero and for The Public Theater’s Twelfth Night in Central Park.
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Story structure—the writing below the surface of the words—revealed in a helpful guide for both writers and readers
Acclaimed by successful screenwriters and authors, Invisible Ink is a helpful, accessible guide to the essential elements of the best storytelling. Brian McDonald, an award winning screenwriter who has taught his craft at several major studios, supplies writers with tools to make their work more effective and provides readers and audiences a deeper understanding of the storyteller's art.
When people think of a screenplay, they usually think about dialogue—the "visible
ink" that is readily accessible to the listener, reader, or viewer. But a successful
screenplay needs Invisible Ink as well, the craft below the surface of words.
Invisible Ink lays out the essential elements of screenplay structure, using vivid
examples from famous moments in popular movies as well as from one of his own
popular scripts. You will learn techniques for building a compelling story around a
theme, making your writing engage audiences, creating appealing characters, and
much more.
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