Shop Categories
- Watches
- Home and Garden
- UK Electronics
- UK Books
- Health and Personal Care
- UK Sporting Goods
- Clothing, Shoes and Accessories
- Electronics, Gadgets and Computers
- CDs and Music Downloads
- UK Software and Video Games
- UK Toys and Games
- UK Home and Garden
- UK Video Games
- UK Baby Clothes and Accessories
- Books On
- German Electronics
Books : Literature & Fiction : World Literature : United States : African American : Jones, Gayl
Pages:
-
Here is Gayl Jones's classic novel, the tale of blues singer Ursa, consumed by her hatred of the nineteenth-century slave master who fathered both her grandmother and mother.
"Corregidora is the most brutally honest and painful revelation of what has occurred, and is occurring, in the souls of Black men and women."
—James Baldwin -
-
Imprisoned for the bizarre murder of her lover, Eva Medina Canada recalls a life tormented by sexual abuse and emotional violence. Eva's Man is Gayl Jones's second novel.
"An American writer with a powerful sense of vital inheritance, of history in the blood."
—John Updike, The New Yorker -
-
This exquisite book-length poem based closely on history and set in colonial Brazil, recounts the destruction of Palmares, the last of seven fugitive slave enclaves beset by the Portuguese. Amid the flight and re-enslavement of its inhabitants emerges the love store of Anninho and Almeyda, former African slaves.
-
Originally published in 1977, White Rat contains twelve provocative tales that explore the emotional and mental terrain of a diverse cast of characters, from the innocent to the insane.
In each, Jones displays her unflinching ability to dive into the most treacherous of psyches and circumstances: the title story examines the identity and relationship conundrums of a black man who can pass for white, earning him the name “White Rat” as an infant; “The Women” follows a girl whose mother brings a line of female lovers to live in their home; “Jevata” details eighteen-year-old Freddy’s relationship with the fifty-year-old title character; “The Coke Factory” tracks the thoughts of a mentally handicapped adolescent abandoned by his mother; and “Asylum” focuses on a woman having a nervous breakdown, trying to protect her dignity and her private parts as she enters an institution.
In uncompromising prose, and dialect that veers from northern, educated tongues to down-home southern colloquialisms, Jones illuminates lives that society ignores, moving them to center stage. -
-
-
-
-
-
Pages:
-









