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Books : Literature & Fiction : World Literature : British : Classics : General
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""The Winter's Tale" is high fantasy, a tale to be told by the fire! The play belongs to the type known as "tragicomedy", but Shakespeare has separated the tragedy from the comedy. The first part has the same kind of tragic development as "Othello"; the second part is pure idyllic comedy. "The Winter's Tale" is a far better play to hear and see than to read; it needs the voice of the actor to give it life." - G.B. Harrison, editor of texts for The Shakespeare Recording Society.
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This volume is produced from digital images created through the University of Michigan University Library's large-scale digitization efforts. The Library seeks to preserve the intellectual content of items in a manner that facilitates and promotes a variety of uses. The digital reformatting process results in an electronic version of the original text that can be both accessed online and used to create new print copies. The Library also understands and values the usefulness of print and makes reprints available to the public whenever possible. This book and hundreds of thousands of others can be found in the HathiTrust, an archive of the digitized collections of many great research libraries. For access to the University of Michigan Library's digital collections, please see http://www.lib.umich.edu and for information about the HathiTrust, please visit http://www.hathitrust.org
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First performed in 1606, Macbeth is given a fresh spin by Fiona Shaw in this production that swerves from medieval Scotland to 2Oth century Albania with the ensuing themes of tension, politics, and power struggles that are central to the story. The music is composed by Stephen Warbeck.
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Each edition includes: • Freshly edited text based on the best early printed version of the play
• Full explanatory notes conveniently placed on pages facing the text of the play
• Scene-by-scene plot summaries
• A key to famous lines and phrases
• An introduction to reading Shakespeare's language
• An essay by an outstanding scholar providing a modern perspective on the play
• Illustrations from the Folger Shakespeare Library's vast holdings of rare books
Essay by Michael Neill
The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.
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General Books publication date: 2009 Original publication date: 1904 Original Publisher: T. Y. Crowell
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William Shakespeare's "Romeo and Juliet" is considered to be one of the greatest tragic love stories of all time. Romeo who is a member of the house of Montague falls in love with Juliet who is a member of the house of Capulet. The Montagues and the Capulets have been engaged in a feud for many years and as such the love between Romeo and Juliet is forbidden. Written near the end of the 16th century, "Romeo and Juliet," which is one of Shakespeare's earliest dramas, is the story of love that can never be realized and the tragedy that ensues.
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Bill Bryson's Shakespeare pairs one of history's most celebrated writers with one of the most popular writers in the English language today. In this elegant, updated, illustrated edition, the superstitions, academic discoveries and myths surrounding the life of one of the world's greatest poets are evoked through a series of full-color paintings, drawings, portraits, documents and photographs. Bryson also discusses the recent discoveries of the Cobbe portrait and the remains of Shakespeare's first theatre in Shoreditch.
The centuries of mysteries, half-truths and downright lies about Shakespeare are deftly explored, as Bryson draws a picture that includes many aspects of the poet's life, making sense of the man behind the masterpieces. In a journey down the streets of Shakespeare's time, Bryson brings to life the hubbub of Elizabethan England and delights in details of his folios and quartos, poetry and plays. He celebrates the glory of Shakespeare's language and his ceaseless inventiveness, which gave us hundreds of now indispensable phrases, images and words.
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This new edition of Hamlet is part of the established Cambridge School Shakespeare series and has been substantially updated with new and revised activities throughout. Remaining faithful to the series' active approach it treats the play as a script to be acted, explored and enjoyed. As well as the complete script of Hamlet, you will find a variety of classroom-tested activities, an eight-page colour section and an enlarged selection of notes including information on characters, performance, history and language.
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"The Merchant of Venice" is the story of Antonio, the drama's title character, and his friend Bassanio. Bassanio is in need of money so that he may woo Portia, a wealthy heiress. Bassanio asks Antonio for a loan and Antonio agrees to this loan, however all his money is tied up in shipping ventures. Together the two go to Shylock, a Jewish moneylender, to request a loan for Bassanio to be guaranteed against Antonio's shipping ventures. Shylock agrees to the loan at no interest in the condition that if the debt is not repaid Shylock may collect a pound of Antonio's flesh. At the same time Portia, who is being wooed by various suitors, is upset over a curious stipulation in her father's will regarding the man that she may marry.
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No Fear Shakespeare gives you the complete text of Romeo and Juliet on the left-hand page, side-by-side with an easy-to-understand translation on the right.
Each No Fear Shakespeare contains
- The complete text of the original play
- A line-by-line translation that puts Shakespeare into everyday language
- A complete list of characters with descriptions
- Plenty of helpful commentary
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William Shakespeare (1564-1616) was an English poet and playwright, now widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright. Between 1585 and 1592 he began a successful career in London as an actor, writer, and part owner of the playing company the Lord Chamberlain's Men, later known as the King's Men. He produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. Next he wrote mainly tragedies until about 1608, producing plays, such as Hamlet, King Lear, and Macbeth, considered some of the finest in the English language. In his last phase, he wrote tragicomedies and collaborated with other playwrights.
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The beloved play by William Shakespeare.
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No Fear Shakespeare gives you the complete text of Hamlet on the left-hand page, side-by-side with an easy-to-understand translation on the right.
Each No Fear Shakespeare contains
- The complete text of the original play
- A line-by-line translation that puts Shakespeare into everyday language
- A complete list of characters with descriptions
- Plenty of helpful commentary
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It is entirely probable that the date of "The Tempest" is 1611, and that this was the last play completed by Shakespeare before he retired from active connection with the theater to spend the remainder of his life in leisure in his native town of Stratford-on-Avon. The main thread of the plot of the drama seems to have been some folk-tale of a magician and his daughter, which, in the precise form in which Shakespeare knew it, has not been recovered. The storm and the island were, it is believed, suggested by the wreck on the Bermudas in 1609 of one of the English expeditions to Virginia. Traces are found, too, of the author¿s reading in contemporary books of travel. But the plot itself is of less importance than usual. Supernatural elements are introduced with great freedom, and the dramatist¿s interest was clearly not in the reproduction of lifelike events. The presentation of character and the attractive picturing of the beauty of magnanimity and forgiveness are the things which, along with its delightful poetry, make the charm of this play. It is not to be wondered at that readers have frequently been led to find in the figure of the great magician, laying aside his robes and wonder-working rod in a spirit of love and peace toward all men, a symbol of the dramatist himself at the close of his great career; and it is surely legitimate to play with this idea without assuming that Shakespeare consciously embodied it. One can hardly conceive a more fitting epilogue to the volume which is the crown of the world¿s dramatic literature than the romance of "The Tempest."
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Perhaps no other Shakespearean drama so engulfs its readers in the ruinous journey of surrender to evil as does Macbeth. A timeless tragedy about the nature of ambition, conscience, and the human heart, the play holds a profound grip on the Western imagination.
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No Fear Shakespeare gives you the complete text of Julius Caesar on the left-hand page, side-by-side with an easy-to-understand translation on the right.
Each No Fear Shakespeare contains
- The complete text of the original playA line-by-line translation that puts Shakespeare into everyday languageA complete list of characters with descriptionsPlenty of helpful commentary
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Each edition includes:
• Freshly edited text based on the best early printed version of the play• Full explanatory notes conveniently placed on pages facing the text of the play
• Scene-by-scene plot summaries
• A key to famous lines and phrases
• An introduction to reading Shakespeare's language
• An essay by an outstanding scholar providing a modern perspective on the play
• Illustrations from the Folger Shakespeare Library's vast holdings of rare books
Essay by Susan Snyder
The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs.
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John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.
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The beloved plays of Shakespeare are still produced everywhere, yet the life of the world’s most famous playwright remains largely a mystery. Young Will left the town of Stratford to pursue theater in London, where his work eventually thrived and made him a famous and wealthy man. With black-and-white illustrations that include a diagram of the famous Globe theater, Celeste Davidson Mannis puts together the pieces of Shakespeare’s life and work for young readers.
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The beloved classic by William Shakespeare. "Good night, good night! Parting is such sweet sorrow, that I shall say good night till it be morrow. Sleep dwell upon thine eyes, peace in thy breast! Would I were sleep and peace, so sweet to rest!"