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Books : Children's Books : Arts & Music : Performing Arts : Drama & Theater : Plays, Skits & Musicals
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"I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart)
The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged.
Each volume features:
* Authoritative, reliable texts
* High quality introductions and notes
* New, more readable trade trim size
* An essay on the theatrical world of Shakespeare and essays on Shakespeare's life and the selection of texts
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Step back to an English village in 1255, where life plays out in dramatic vignettes illuminating twenty-two unforgettable characters.
Maidens, monks, and millers’ sons — in these pages, readers will meet them all. There’s Hugo, the lord’s nephew, forced to prove his manhood by hunting a wild boar; sharp-tongued Nelly, who supports her family by selling live eels; and the peasant’s daughter, Mogg, who gets a clever lesson in how to save a cow from a greedy landlord. There’s also mud-slinging Barbary (and her noble victim); Jack, the compassionate half-wit; Alice, the singing shepherdess; and many more. With a deep appreciation for the period and a grand affection for both characters and audience, Laura Amy Schlitz creates twenty-two riveting portraits and linguistic gems equally suited to silent reading or performance. Illustrated with pen-and-ink drawings by Robert Byrd — inspired by the Munich-Nuremberg manuscript, an illuminated poem from thirteenth-century Germany — this witty, historically accurate, and utterly human collection forms an exquisite bridge to the people and places of medieval England.
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Marc Antony comes "to bury Caesar, not to praise him," and his funeral oration unleashes a power struggle among the Roman Empire's mightiest generals and statesmen. Books in this new, illustrated series present complete texts of Shakespeare's plays. However, the lines are set up so students can see the bard's original poetic phrases printed side-by-side and line-by-line with a modern "translation" on the facing page. Starting in the late 1580s and for several decades that followed, Shakespeare's plays were popular entertainment for London's theatergoers. His Globe Theatre was the equivalent of a Broadway theater in today's New York. The plays have endured, but over the course of 400+ years, the English language has changed in many ways—which is why today's students often find Shakespeare's idiom difficult to comprehend. Simply Shakespeare offers an excellent solution to their problem. Introducing each play is a general essay covering Shakespeare's life and times. At the beginning of each of the five acts in every play, a two-page spread describes what is about to take place. The story's background is explained, followed by brief descriptions of key people who will appear in the act, details students should watch for as the story unfolds, discussion of the play's historical context, how the play was staged in Shakespeare's day, and explanation of puns and plays on words that occur in characters' dialogues. Identifying icons preceding each of these study points are printed in a second color, then are located again as cross-references in the play's original text. For instance, where words spoken by a person in the play offer insights into his or another character's personality, the "Characters" icon will appear as a cross-reference in both the introductory spread and the play proper. Following each act, a closing spread presents questions and discussion points for use as teachers' aids. Guided by the inspiring format of this fine new series, both teachers and students will come to understand and appreciate the genius of Shakespeare as never before.
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Dramatic script relating the interactions of Amanda, her son, and her daughter, Laura and the very important gentleman caller.
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Acclaimed as a modern dramatic masterpiece, "Rosencrantz and Guildenstern Are Dead" is the fabulously inventive tale of "Hamlet" as told from the worm's-eye view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare's play. In Tom Stoppard's best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of "Waiting for Godot" resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end.
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The works of William Shakespeare are timelessand they are time-consuming. Too valuable to be passed over by todays younger generation, Shakespeares plays are, nonetheless, all too often avoided by students and teachers alike. Author Cass Foster, who has been involved in all aspects of theatre for over 35 years, has provided a solution. The Sixty-Minute Shakespeare series is an ideal alternative for those who lack the time to tackle the unabridged versions of the worlds most widely read playwright. Foster has condensed the Bards language, but has left the integrity of Shakespeares writings intact so that students can experience the thrill of his stories as well as the beauty of his prose. In addition, the author has provided footnotes explaining some of the more arcane words and phrases so that the reader can better understand and, therefore, enjoy the plays. This new series contains Much Ado About Nothing, Romeo and Juliet, Twelfth Night, Macbeth, A Midsummer Nights Dream, and Hamlet. Foster, is quick to point out that The Sixty-Minute Shakespeare series is intended to be merely a stepping stone in the study of Shakespeare, not a substitute for the original works. He urges readers, Go beyond the Sixty-Minute versions, using the appreciation and self-confidence you gained to go further. The more you read, the more you gain. An ideal companion piece, Shakespeare: To Teach or Not to Teach was co-authored by Foster and Lynn G. Johnson. This manual helps teachers prepare and present the teachings of Shakespeare from as early as second grade all the way through high school. Foster is the director of a theatre program in a small college in central Arizona and currently the fight choreographer for the Grand Canyon Shakespeare Festival. He has directed shows and staged fights at theatres and universities throughout the country.
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One of Shakespeare's finest works is available in a new edition, based on the best early printed version of the play. This new edition of Othello reflects the latest scholarship and includes information on Shakespeare's life, explanatory notes, and a Modern Perspective section. Illustrated.
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Trapped aboard a fantastic submarine with a mad sea captain, a French professor and his companions come face to face with exotic ocean creatures and strange, forbidden sights hidden from the world above. This is the classic deep sea adventure from the world's first and best science-fiction author.
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Illustrated in full color. The colorful characters from Sesame Street teach
young children about racial harmony. Muppets, monsters, and humans compare
noses, hair, and skin and realize how different we all are. But as they look
further, they also discover how much we are alike.
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No Fear Shakespeare Graphic Novels is a series based on the translated texts of the plays found in No Fear Shakespeare. The original No Fear series made Shakespeare’s plays much easier to read, but these dynamic visual adaptations are impossible to put down. Each of the titles is illustrated in its own unique style, but all are distinctively offbeat, slightly funky, and appealing to teen readers. Each book will feature:
Illustrated cast of characters A helpful plot summary Line-by-line translations of the original play Illustrations that show the reader exactly what’s happening in each scene—making the plot and characters even clearer than in the original No Fear Shakespeare books
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No Fear Shakespeare Graphic Novels is a series based on the translated texts of the plays found in No Fear Shakespeare. The original No Fear series made Shakespeare’s plays much easier to read, but these dynamic visual adaptations are impossible to put down. Each of the titles is illustrated in its own unique style, but all are distinctively offbeat, slightly funky, and appealing to teen readers. Each book will feature:
Illustrated cast of characters A helpful plot summary Line-by-line translations of the original play Illustrations that show the reader exactly what’s happening in each scene—making the plot and characters even clearer than in the original No Fear Shakespeare books
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The Crucible, Arthur Miller's classic play about the witch-hunts and trials in seventeenth-century Salem, Massachusetts, is returning to Broadway. To mark the occasion, Penguin is pleased to offer this beautiful hardcover edition.
"A powerful drama." (Brooks Atkinson, The New York Times)
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The Shakespearean Originals Series takes as its point of departure the question: "What is it that we read Shakespeare?" The answer may seem self-evident: we read the words that Shakespeare wrote. But do we? In the case of all the major editions of Shakespeare available in the market, the fact of the matter is that many of the words that we read in an edition of, say, Hamlet, never appeared in the text as it was printed during or shortly after Shakespeare's own lifetime. They are the interpetations and interpolations of a series of editors who have been systematically changign Shakespeare's text from the eighteenth century onwards. Series has caused much debate, interest and favorable reviews within the academic community. Each volume in the series follows the same format and is produced to the same design. Students, researchers, teachers of Literary Studies and Shakepeare Studies. A Harvester Wheatsheaf Book.
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A Pulitzer Prize winner. Garbage collector Troy Maxson clashes with his son over an athletic scholarship.
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When Woolf debuted in 1961, audiences and critics alike could not get enough of Edward Albee's masterful play. A dark comedy, it portrays husband and wife George and Martha in a searing night of dangerous fun and games. By the evening's end, a stunning revelation provides a climax that has shocked audiences for years. With the play's razor-sharp dialogue and the stripping away of social pretense, Newsweek keenly foresaw Who's Afraid of Virginia Woolf? as "a brilliantly original work of art-an excoriating theatrical experience, surging with shocks of recognition and dramatic fire that will be igniting Broadway for some time to come."
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The widely acclaimed Oxford School Shakespeare series offers students the perfect introduction to Shakespeare's plays. THE TEMPEST, probably written around 1611, dramatizes Prospero's plight to escape banishment to a lonely island by his brother Antonio.
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Shakespeare's fourteen comedies and six tragedies retold in prose.
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A dramatization in verse of the murder of Thomas Becket at Canterbury. “The theatre as well as the church is enriched by this poetic play of grave beauty and momentous decision” (New York Times). “Within its limits the play is a masterpiece.... Mr. Eliot has written no better poem than this and none which seems simpler” (Mark Van Doren, The Nation).