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Books : Literature & Fiction : World Literature : Mythology : Gilgamesh
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This edition provides a prose rendering of The Epic of Gilgamesh, the cycle of poems preserved on clay tablets surviving from ancient Mesopotamia of the third mi llennium B.C. One of the best and most important pieces of epic poetry from human history, predating even Homer's Iliad by roughly 1,500 years, the Gilgamesh epic tells of the various adventures of that hero-king, including his quest for immortality, and an account of a great flood similar in many details to the Old Testament's story of Noah. The translator also provides an interesting and useful introduction explaining much about the historical context of the poem and the archeological discovery of th e tablets.
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Gilgamesh is considered one of the masterpieces of world literature, and although previously there have been competent scholarly translations of it, until now there has not been a version that is a superlative literary text in its own right. Acclaimed translator Stephen Mitchell's lithe, muscular rendering allows us to enter an ancient masterpiece as if for the first time, to see how startlingly beautiful, intelligent, and alive it is. His insightful introduction provides a historical, spiritual, and cultural context for this ancient epic, showing that Gilgamesh is more potent and fascinating than ever.
Gilgamesh dates from as early as 1700 BCE -- a thousand years before the Iliad. Lost for almost two millennia, the eleven clay tablets on which the epic was inscribed were discovered in 1853 in the ruins of Nineveh, and the text was not deciphered and fully translated until the end of the century. When the great poet Rainer Maria Rilke first read Gilgamesh in 1916, he was awestruck. "Gilgamesh is stupendous," he wrote. "I consider it to be among the greatest things that can happen to a person."
The epic is the story of literature's first hero -- the king of Uruk in what is present-day Iraq -- and his journey of self-discovery. Along the way, Gilgamesh discovers that friendship can bring peace to a whole city, that a preemptive attack on a monster can have dire consequences, and that wisdom can be found only when the quest for it is abandoned. In giving voice to grief and the fear of death -- perhaps more powerfully than any book written after it -- in portraying love and vulnerability and the ego's hopeless striving for immortality, the epic has become a personal testimony for millions of readers in dozens of languages.
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Originally the work of an anonymous Babylonian poet who lived more than 3,700 years ago, The Epic of Gilgamesh tells of the heroic exploits of the ruler of the walled city of Uruk. Not content with the immortality conveyed by the renown of his great deeds, Gilgamesh journeys to the ends of the earth and beyond in his search for eternal life, encountering the wise man Uta-napishti, who relates the story of a great flood that swept the earth. This episode and several others in the epic anticipate stories in the Bible and in Homer, to the great interest of biblical and classical scholars. Told with intense feeling and imagination, this masterful tale of love and friendship, duty and death, is more than an object of scholarly concern; it is a vital rendering of universal themes that resonate across the ages and is considered the world's first truly great work of literature.
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Herbert Mason's best-selling Gilgamesh is the most widely read and enduring interpretation of this ancient Babylonian epic. One of the oldest and most universal stories known in literature, the epic of Gilgamesh presents the grand, timeless themes of love and death, loss and reparations within the stirring tale of a hero-king and his doomed friend. A finalist for the National Book Award, Mason's retelling is at once a triumph of scholarship, a masterpiece of style, and a labor of love that grew out of the poet's long affinity with the original.
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The ancient civilization of Mesopotamia thrived between the rivers Tigris and Euphrates over 4,000 years ago. The myths collected here, originally written in cuneiform on clay tablets, include parallels with the biblical stories of the Creation and the Flood, and the famous Epic of Gilgamesh, the tale of a man of great strength, whose heroic quest for immortality is dashed through one moment of weakness.
Recent developments in Akkadian grammar and lexicography mean that this new translation--complete with notes, a glossary of deities, place-names, and key terms, and illustrations of the mythical monsters featured in the text--will replace all other versions. -
In this second volume in the Gilgamesh trilogy, Enkidu joins Gilgamesh in the quest to slay Humbaba, the monster who has attacked the city and caused great destruction, including the death of the beautiful singer, Shamat. Gilgamesh and Enkidu successfully slay the monster and in so doing, Gilgamesh attracts the attention of the goddess Ishtar. In rejecting her advances, he incurs her revenge and an attack by the Bull of Heaven. Enkidu manages to kill the bull, but is slain by Ishtar, striking at the bond between the two friends. Shattered, Gilgamesh vows he will destroy the last monster: death.
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This edition of one of the world's greatest epic narratives is accompanied by interpretative headings and explanatory annotations. The book also includes critical essays and two groups of ancient poetry: a collection of older Sumerian poems; and Hittite material about Gilgamesh.
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Adventurers, explorers, kings, gods, and goddesses come to life in this “useful, entertaining and informative” story of the first great epic (The Washington Post)Composed in Middle Babylonia around 1200 BCE, The Epic of Gilgamesh foreshadowed later stories that would become as fundamental as any in human history: The Odyssey and the Bible. But in 600 BCE, the clay tablets that bore the story were lost to the world, buried beneath ashes and ruins.
David Damrosch begins with the rediscovery of the epic in 1872 and from there goes backward in time, all the way to Gilgamesh himself. The Buried Book is an illuminating tale of history as it was written, stolen, lost, and—after 2,000 years and countless battles, conspiracies, and revelations—finally found. -
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A major publishing event - two of the UK's outstanding prize-winning artists working together for the first time The legend of Gilgamesh is the oldest known story, pre-dating both The Bible and The Iliad. An epic story about a quest for immortality, it also includes a legend of the Flood that is remarkably similar to the story of Noah. * Geraldine McCaughrean has won every major prize for children's literature in this country, including the Carnegie Medal, the Whitbread Award, the Guardian Children's Fiction Award, and, most recently, The Blue Peter Best Book to Keep Forever Award * David Parkins is a highly acclaimed artist, and has been shortlisted for the Kurt Maschler and Smarties awards. He received many critical accolades for God's Story with Jan Mark
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It was at the instigation of C.G. Jung that Dr. Kluger undertook the interpretation of the Gilgamesh Epic, the oldest known epic-myth. A classic in world literature, it originated in the Sumero-Babylonian culture, a vital root of modern Western civilization. Rich in poetic imagery and archetypal content, it has not lost its meaning for modern man. In this book, based primarily on her seminars at the Zurich Jung Institute, Dr. Kluger deals with the psychological significance of the hero-king’s fateful adventures, from his building of the city walls to his travel to the "Babylonian Noah" in search of immortality, for which her expertise in the fields of comparative religion and Jungian psychology uniquely fit her. In her vivid yet scholarly presentation, she brings alive the implications of the fascinating episodes of this myth both on a personal and on a collective level; the changes of individual consciousness, and its reactions to unconscious (archetypal) contents, the evolving process of individuation, and the development of religion. Using modern dreams and examples from analytic practice, she shows the relevance of this ancient myth for today’s world and its concerns, from sexuality and homosexuality, the role of the feminine and the still living goddess Ishtar, to the current spiritual search of contemporary mankind.
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The story of Gilgamesh, an ancient epic poem written on clay tablets in a cuneiform alphabet, is as fascinating and moving as it is crucial to our ability to fathom the time and the place in which it was written. Gardner's version restores the poetry of the text and the lyricism that is lost in the earlier, almost scientific renderings. The principal theme of the poem is a familiar one: man's persistent and hopeless quest for immortality. It tells of the heroic exploits of an ancient ruler of the walled city of Uruk named Gilgamesh. Included in its story is an account of the Flood that predates the Biblical version by centuries. Gilgamesh and his companion, a wild man of the woods named Enkidu, fight monsters and demonic powers in search of honor and lasting fame. When Enkidu is put to death by the vengeful goddess Ishtar, Gilgamesh travels to the underworld to find an answer to his grief and confront the question of mortality.
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Bringing new life to the world's oldest story, Yusef Komunyakaa and Chad Gracia have refashioned a classic Sumerian legend into a compelling verse play. In this ageless saga, Gilgamesh of Uruk, part god and part man, embarks on an other-worldly quest in search of immortality. This new version elaborates on the key themes of the story and weaves them into a vibrant and emotional new form. Wesleyan's edition of Gilgamesh is like no other and will take its place among the most powerful and engaging interpretations of this timeless tale.
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In the purple predawn of civilization before pyramids and coliseums, in the land between the Tigris and Euphrates Rivers… GILGAMESH
is king of Uruk, mightiest city in the Fertile Crescent
ENKIDU
is the creature of the wilderness, last of an ancient tribe now eclipsed into legend
SIDURI
is the mysterious outsider living in the fabled country called the Mouth of the Rivers
Here is the world’s oldest adventure, the time-honored Epic of Gilgamesh, told as a novel like never before. Here is the original tale of friendship, of loss, and of one man’s desperate quest for immortality.
NEVER GROW OLD
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Cuneiform records made some three thousand years ago are the basis for this essay on the ideas of death and the afterlife and the story of the flood which were current among the ancient peoples of the Tigro-Euphrates Valley. With the same careful scholarship shown in his previous volume, The Babylonian Genesis, Heidel interprets the famous Gilgamesh Epic and other related Babylonian and Assyrian documents. He compares them with corresponding portions of the Old Testament in order to determine the inherent historical relationship of Hebrew and Mesopotamian ideas.
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The longing stretch toward the infinite...the reluctant embrace of the temporal. This is the eternal lot of mankind. This is The Epic of Gilgamesh. Our revised 2nd edition of mankind's first epic features a lucid historical and cultural introduction by Dr. Biggs, a new interpretive essay on the themes of Gilgamesh by James G. Keenan and their echoes in other literature, and ancient world and original illustrations.
Though The Epic of Gilgamesh exists in several editions, this version has been undertaken with a very specific intent -- to remain faithful to the source material while attempting to convey the poetic scope of a work that is both lusty and tender and that retains the ability to arouse compassion and empathy in all who follow Gilgamesh on his journey. This edition aims to reanimate the story of Gilgamesh and Enkidu for modern readers, bringing it new life through indelible poetic images.
For centuries the beginnings of the literary history of the West were defined by the Hebrew Bible--what most people call the Old Testament--and Homer's epic poems, the Iliad and Odyssey. These texts were once naively imagined to have come about in splendid isolation either as a miracle of divine creation or the spontaneous combustion of the ?Greek genius.? The mighty stream of words down over the millennia to our own time are so many generations of offspring still somehow beholden to their initial begetters. Thus do we construe Western Literature.
- from Ancient Epic Poetry Chapter 8: Gilgamesh
Charles Rowan Beye
Special Features
* Story Commentary
* Historical Notes
* Illustrated Introduction
* 15 Original Woodcut Prints
* 18 PhotosAlso available:
Ancient Epic Poetry: Homer, Apollonius, Virgil With A Chapter On The Gilgamesh Poems - ISBN 0865166072
The Evolution of the Gilgamesh Epic - ISBN 0865165467 -
Gilgamesh: A Reader provides 25 interpretative essays on the epic that stands at the dawn of literature. This collection is designed to enrich the reader's background with selections from experts on Near Eastern literature; to draw connections between Gilgamesh and other literature with interdisciplinary selections; to enliven interest in the world's oldest epic; and to stimulate thought and discussion. Influences of Gilgamesh on later literature, philological and literary studies since 1982, and Gilgamesh from other perspectives are the three broad areas covered.
Also available:
The Epic of Gilgamesh - ISBN 0865163529
The Evolution of the Gilgamesh Epic - ISBN 0865165467 -
he Epic of Gilgamesh is one of the world's oldest known epics-it predates Homer by several centuries and is recognized as seminal to the cultural history of the Ancient Near East. Interpretation and decipherment of the story of Gilgamesh--fragmentary and contradictory as its several variants are--has been a monumental scholarly task, spanning more than a century...until Jeffrey Tigay teased out the epic's evolution. In this volume, Tigay traces the development of the composition of The Gilgamesh Epic over nearly two millennia and through the several languages in which it has been transmitted. The result is a study both comprehensive in breadth and impressive in methodology. The author breaks from his scholarly predecessors in relying on documented textual evidence rather than on critical analysis and hypotheses.
The immense contribution represented by this study has been acknowledged since its first publication in 1982. This reprint edition once again makes Tigay's groundbreaking work readily available to humanists, historians of literature and religion, biblical and classical scholars, anthropologists, and folklorists.
Special Features
* Aims to show how The Gilgamesh Epic developed from its earliest to its latest form
* Systematic, step-by-step tracking of the stylistic, thematic, structural, and theological changes in The Gilgamesh Epic
* Relation of changes to factors (geographical, political, religious, literary) that may have prompted them
* Attempts to identify the sources (biographical, historical, literary, folkloric) of the epic's themes, and to suggest what may have been intended by use of these themes
* Extensive bibliography
* IndicesAlso available:
The Epic of Gilgamesh: A Myth Revisited - ISBN 0865165270
The Epic of Gilgamesh - ISBN 0865163529 -
In his thrillingly contemporary retelling of the world’s oldest epic, award-winning poet Derrek Hines brings us as close as we may ever come to re-creating the power it had over its original listeners more than four thousand years ago in the ancient Near East.
Gilgamesh, the semi-divine ruler of Uruk, is a larger-than-life bully and abuser of his people. In order to tame the arrogant king, the gods create the wild and handsome Enkidu. But after Enkidu and Gilgamesh become fast friends, they defy the gods in a series of outsized adventures that brings Gilgamesh face to face with both loss and death itself. Hines energizes this timeless tale with vivid and electrifyingly modern images, from the goddess Ishtar cracking the sound barrier, to a battlefield nightmare of spectral snipers and exploding hand grenades, to the CAT-scan image of a dying friend. The themes of love and friendship, grief, despair, and hope had their first great expression in this story, and this dazzling new interpretation brings us into its thrall again.



















