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Books : Religion & Spirituality : Authors, A-Z : ( W ) : Wiesel, Elie
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With a foreword by Nobel Laureate Elie Wiesel!Israel Meir Lau, one of the youngest survivors of Buchenwald, was just eight years old when the camp was liberated in 1945. Descended from a 1,000-year unbroken chain of rabbis, he grew up to become Chief Rabbi of Israel--and like many of the great rabbis, Lau is a master storyteller. Out of the Depths is his harrowing, miraculous, and inspiring account of life in one of the Nazis' deadliest concentration camps, and how he managed to survive against all possible odds.Lau, who lost most of his family in the Holocaust, also chronicles his life after the war, including his emigration to Mandate Palestine during a period that coincides with the development of the State of Israel. The story continues up through today, with that once-lost boy of eight now a brilliant, charismatic, and world-revered figure who has visited with Popes John Paul and Benedict; the Dalai Lama, Nelson Mandela, and countless global leaders including Ronald Reagan, Bill and Hillary Clinton, and Tony Blair.
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“The author…has built knowledge into artistic fiction.”—The New York Times Book Review
Elisha is a young Jewish man, a Holocaust survivor, and an Israeli freedom fighter in British-controlled Palestine; John Dawson is the captured English officer he will murder at dawn in retribution for the British execution of a fellow freedom fighter. The night-long wait for morning and death provides Dawn, Elie Wiesel’s ever more timely novel, with its harrowingly taut, hour-by-hour narrative. Caught between the manifold horrors of the past and the troubling dilemmas of the present, Elisha wrestles with guilt, ghosts, and ultimately God as he waits for the appointed hour and his act of assassination. Dawn is an eloquent meditation on the compromises, justifications, and sacrifices that human beings make when they murder other human beings.
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"Not since Albert Camus has there been such an eloquent spokesman for man." --The New York Times Book Review
The publication of Day restores Elie Wiesel's original title to the novel initially published in English as The Accident and clearly establishes it as the powerful conclusion to the author's classic trilogy of Holocaust literature, which includes his memoir Night and novel Dawn. "In Night it is the 'I' who speaks," writes Wiesel. "In the other two, it is the 'I' who listens and questions."
In its opening paragraphs, a successful journalist and Holocaust survivor steps off a New York City curb and into the path of an oncoming taxi. Consequently, most of Wiesel's masterful portrayal of one man's exploration of the historical tragedy that befell him, his family, and his people transpires in the thoughts, daydreams, and memories of the novel's narrator. Torn between choosing life or death, Day again and again returns to the guiding questions that inform Wiesel's trilogy: the meaning and worth of surviving the annihilation of a race, the effects of the Holocaust upon the modern character of the Jewish people, and the loss of one's religious faith in the face of mass murder and human extermination.
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Set in a medieval European village where three itinerant Jewish actors put God on trial to answer for His silence during a pogrom, a powerful drama considers historical and especially post-Holocaust issues surrounding faith. Reprint.
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From Elie Wiesel, winner of the Nobel Peace Prize, comes a magical book that introduces us to the towering figure of Rashi—Rabbi Shlomo Yitzchaki—the great biblical and Talmudic commentator of the Middle Ages.
Wiesel brilliantly evokes the world of medieval European Jewry, a world of profound scholars and closed communities ravaged by outbursts of anti-Semitism and decimated by the Crusades. The incomparable scholar Rashi, whose phrase-by-phrase explication of the oral law has been included in every printing of the Talmud since the fifteenth century, was also a spiritual and religious leader: His perspective, encompassing both the mundane and the profound, is timeless.
Wiesel’s Rashi is a heartbroken witness to the suffering of his people, and through his responses to major religious questions of the day we see still another side of this greatest of all interpreters of the sacred writings.
Both beginners and advanced students of the Bible rely on Rashi’s groundbreaking commentary for simple text explanations and Midrashic interpretations. Wiesel, a descendant of Rashi, proves an incomparable guide who enables us to appreciate both the lucidity of Rashi’s writings and the milieu in which they were formed.
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In Souls on Fire: Portraits and Legends of Hasidic Masters, Elie Wiesel reenters, like an impassioned pilgrim, the universe of Hasidism. "When I am asked about my Jewish affiliation, I define myself as a Hasid, " writes the author. "Hasid I was, Hasid I remain". Yet Souls on Fire is not a simple chronological history of Hasidism, nor is it a comprehensive book on its subject. Rather, Elie Wiesel has captured the essence of Hasidism through tales, legends, parables, sayings, and deeply personal reflections. His book is a testimony, not a study. Hasidism is revealed from within and not analyzed from the outside. "Listen attentively, " Elie Wiesel's grandfather told him, "and above all, remember that true tales are meant to be transmitted - to keep them to oneself is to betray them". As a critic appearing on the front page of The New York Times Book Review has written, "The judgment has been offered before: Elie Wiesel is one of the great writers of this generation". Wiesel does not merely tell us, but draws, with the hand of a master, the portraits of the leaders of the movement that created a revolution in the Jewish world. Souls on Fire is a loving, personal affirmation of Judaism, written with words and with silence. The author brings his profound knowledge of the Bible, the Talmud, Kabbala, and the Hasidic tale and song to this masterpiece, showing us that Elie Wiesel is perhaps our ge
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Gregor—a teenaged boy, the lone survivor of his family—is hiding from the Germans in the forest. He hides in a cave, where he meets a mysterious stranger who saves his life. He hides in the village, posing as a deaf-mute peasant boy. He hides among the partisans of the Jewish resistance. But where, he asks, is God hiding? And where can one find redemption in a world that God has abandoned? In a story punctuated by friendship and fear, sacrifice and betrayal, Gregor's wartime wanderings take us deep into the ghost-filled inner world of the survivor.
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The U. S. official who spearheaded the fight to reclaim the stolen and confiscated assets of Holocaust survivors and other victims of World War II tells the inside story of that fight and how it was won. . In the second half of the 1990s, Stuart Eizenstat was perhaps the most controversial U. S. foreign policy official in Europe. His mission had nothing to do with Russia, the Middle East, Yugoslavia, or any of the other hotspots of the day. Rather, Eizenstat's mission was to provide justice-albeit belated and imperfect justice-for the victims of World War II. Imperfect Justice is Eizenstat's account of how the Holocaust became a political and diplomatic battleground fifty years after the war's end, as the issues of dormant bank accounts, slave labor, confiscated property, looted art, and unpaid insurance policies convulsed Europe and America. He recounts the often heated negotiations with the Swiss, the Germans, the French, the Austrians, and various Jewish organizations, showing how these moral issues, shunted aside for so long, exposed wounds that had never healed and conflicts that had never been properly resolved. Though we will all continue to reckon with the crimes of World War II for a long time to come, Eizenstat's account shows that it is still possible to take positive steps in the service of justice.
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In 1986, Elie Wiesel received the Nobel Peace Prize in recognition of his victory over “the powers of death and degradation, and to support the struggle of good against evil in the world.” Soon after, he and his wife, Marion, created the Elie Wiesel Foundation for Humanity. A project at the heart of the Foundation’s mission is its Ethics Prize—a remarkable essay-writing contest through which thousands of students from colleges across the country are encouraged to confront ethical issues of personal significance. The Ethics Prize has grown exponentially over the past twenty years.
“Of all the projects our Foundation has been involved in, none has been more exciting than this opportunity to inspire young students to examine the ethical aspect of what they have learned in their personal lives and from their teachers in the classroom,” writes Elie Wiesel. Readers will find essays on Bosnia, the genocide in Rwanda, sweatshops and globalization, and the political obligations of the mothers of Argentina’s Disappeared. Other essays tell of a white student who joins a black gospel choir, a young woman who learns to share in Ladakh, and the outsize implications of reporting on something as small as a cracked windshield. Readers will be fascinated by the ways in which essays on conflict, conscience, memory, illness (Rachel Maddow’s essay on AIDS appears), and God overlap and resonate with one another.
These essays reflect those who are “sensitive to the sufferings and defects that confront a society yearning for guidance and eager to hear ethical voices,” writes Elie Wiesel. “And they are a beacon for what our schools must realize as an essential component of a true education.”
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A collection of tales immortalizing the heroic deeds and visions of people Wiesel knew during and after World War II.
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Night is one of the masterpieces of Holocaust literature. First published in 1960, it is the autobiographical account of an adolescent boy and his father in Auschwitz. Wiesel writes of their battle for survival, and of his battle with God for a way to understand the wanton cruelty he witnesses each day.
In the short novel Dawn (1961), a young man who has survived the Second World War and settled in Palestine is apprenticed to a Jewish terrorist gang. Command to execute a British officer who has been taken hostage, the former victim becomes an executioner.
In The Accident, (1962), Wiesel again turns to fiction to question the limits of the spirit and the self: Can Holocaust survivors forge a new life without the memories of the old? As the author writes in his introduction, "In Night it is the 'I' who speaks; in the other two [narratives], it is the 'I' who listens and questions."
Wiesel's trilogy offers meditations on mankind's attraction to violence and on temptation of self-destruction.
A Hill & Wang Teacher's Guide is available for this title.
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