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Books : Children's Books : People & Places : Explore the World : Fiction : Other
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"A shockingly imaginative graphic novel that captures the sense of adventure and wonder that surrounds a new arrival on the shores of a shining new city. Wordless, but with perfect narrative flow, Tan gives us a story filled with cityscapes worthy of Winsor McCay." -- Jeff Smith, author of Bone
"A magical river of strangers and their stories!" -- Craig Thompson, author of Blankets
"Magnificent." -- David Small, Caldecott Medalist
In a heartbreaking parting, a man gives his wife and daughter a last kiss and boards a steamship to cross the ocean. He's embarking on the most painful yet important journey of his life - he's leaving home to build a better future for his family. Shaun Tan evokes universal aspects of an immigrant's experience through a singular work of the imagination. He does so using brilliantly clear and mesmerizing images. Because the main character can't communicate in words, the book forgoes them too. But while the reader experiences the main character's isolation, he also shares his ultimate joy. -
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As a child Great-aunt Alice Rumphius resolved that when she grew up she would go to faraway places, live by the sea in her old age, and do something to make the world more beautiful--and she does all those things, the last being the most difficult of all.
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Illustrated in full color. In this playful introduction to maps and geography, step by simple step, a young girl shows readers herself on a map of her room, her room on the map of her house, her house on the map of her street--all the way to her country on a map of the world. Once the reader is familiar with the maps, she demonstrates how readers can find their own country, state, and town--all the way back to their room--on each colorful map. Easy-to-read text, bright artwork, and charming details give children a lot to search for and will have them eager to help navigate on the next family vacation.
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Eight-year-old Kahu, a member of the Maori tribe of Whangara, New Zealand, fights to prove her love, her leadership, and her destiny. Her people claim descent from Kahutia Te Rangi, the legendary "whale rider." In every generation since Kahutia, a male heir has inherited the title of chief. But now there is no male heir, and the aging chief is desperate to find a successor. Kahu is his only great-grandchild--and Maori tradition has no use for a girl. But when hundreds of whales beach themselves and threaten the future of the Maori tribe, it is Kahu who saves the tribe when she reveals that she has the whale rider's ancient gift of communicating with whales.
Now available in simultaneous hardcover and paperback editions.
Feature film in theaters in June 2003! -
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"Truly one of the most remarkable books to come out of the war. Mr. Michener is a born story-teller."
THE NEW YORK TIMES
Winner of the 1948 Pulitzer Prize for Fiction
Enter the exotic world of the South Pacific, meet the men and women caught up in the drama of a big war. The young Marine who falls madly in love with a beautiful Tonkinese girl. Nurse Nellie and her French planter, Emile De Becque. The soldiers, sailors, and nurses playing at war and waiting for love in a tropic paradise. -
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Felipa's beloved grandmother, Abuelita, has died. Felipa misses her terribly and is very sad. Her parents try to comfort Felipa. They tell her that the souls of the dead live on forever. So Felipa decides to find Abuelita's soul. But where is it? She asks her grandmother's donkey, her pig, and her llamas for help. She treks many miles to the highest mountain, but grandmother's soul is nowhere to be found. Then, months later, the entire village is bustling with preparations for the Day of the Dead. Felipa joins in the celebrations honoring loved ones who have died, and in the process finally finds Abuelita's soul.
Birte Muller's sweet story captures the essence of this special holiday, which is celebrated throughout Latin America and in parts of the United States. She celebrates the universal spirit of remembrance, where sorrow and loss are coupled with joy as people commemorate and commune with loved ones who have died. -
Illustrated by Mike Benny
The White Table is set in many mess halls as a symbol for and remembrance to service members fallen, missing, or held captive in the line of duty. Solitary and solemn, it is the table where no one will ever sit.
As a special gift to her Uncle John, Katie and her sisters are asked to help set the white table for dinner. As their mother explains the significance of each item placed on the table Katie comes to understand and appreciate the depth of sacrifice that her uncle, and each member of the Armed Forces and their families, may be called to give.
It was just a little white table...
but it felt as big as America when we helped Mama put each item on it and she told us why it was so important."We use a Small Table, girls," she explained first, "to show one soldier's lonely battle against many. We cover it with a White Cloth to honor a soldier's pure heart when he answers his country's call to duty."
"We place a Lemon Slice and Grains of Salt on a plate to show a captive soldier's bitter fate and the tears of families waiting for loved ones to return," she continued.
"We push an Empty Chair to the table for the missing soldiers who are not here..."
Margot Theis Raven has been a professional writer working in the fields of radio, television, magazines, newspapers, and children's books for 30 years. Margot's first children's book, Angels in the Dust, won five national awards, including an IRATeacher's Choice Award. Her first book with Sleeping Bear Press, Mercedes and the Chocolate Pilot, was the runner-up for the 2004 Texas Bluebonnet Award. She lives with her family in Charleston, South Carolina.
Mike Benny's illustrations have appeared in Time, GQ, New Yorker and Sports Illustrated Magazines. He has also been awarded two Gold Medals from the Society of Illustrators. This is Mike's first children's book. He lives in Austin, Texas with his wife Mary Ann and daughter Adele.
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The day after Liyana got her first real kiss, her life changed forever. Not because of the kiss, but because it was the day her father announced that the family was moving from St. Louis all the way to Palestine. Though her father grew up there, Liyana knows very little about her family's Arab heritage. Her grandmother and the rest of her relatives who live in the West Bank are strangers, and speak a language she can't understand. It isn't until she meets Omer that her homesickness fades. But Omer is Jewish, and their friendship is silently forbidden in this land. How can they make their families understand? And how can Liyana ever learn to call this place home?
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There was a man. He had a knife. He attacked us down by the river.
It was just a harmless little lie.
Anna, Emma and Mariah concoct a story about why they're late getting home one night—a story that will replace their parents' anger with
concern. They just have to stand by it. No matter what. Suddenly the police are involved, and the town demands that someone be punished. And then there is the man who is arrested and accused of a crime that never happened.
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In Parvana’s Journey, the Taliban still control Afghanistan, but Kabul is in ruins. Parvana’s father has just died, and her mother, sister, and brother could be anywhere in the country. Parvana knows she must find them. Despite her youth, Parvana sets out alone, masquerading as a boy. She soon meets other children who are victims of war — an infant boy in a bombed-out village, a nine-year-old girl who thinks she has magic powers over landmines, and a boy with one leg. The children travel together, forging a kind of family out of sheer need. The strength of their bond makes it possible to survive the most desperate conditions. Royalties from this book will go toward an education fund for Afghan girls in Pakistani refugee camps.
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Everyone has heard of the old lady who swallowed a fly, but there is something particularly fishy about this old lady... Eye-popping paintings capture the scenery and wildlife of the Pacific Northwest in this energetic recasting of a favorite children's rhyme. The buoyant text bobs along as the old lady swallows a salmon, an otter, a seal, a walrus ... until eventually she swallows the entire sea and the trout swims free! This pure flight of fancy gives a fresh twist to a familiar song.
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Sixteen-year-old Meghan Powers likes her life just the way it is. She likes living in Massachusetts. She likes her school. And she has plenty of friends. But all that is about to change. Because Meg’s mother, one of the most prestigious senators in the country, is running for President. And she’s going to win.
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Fiery colors and hundreds of details evoke the sun–drenched beauty, the sweet smells, and the joyful sounds of a jewel–like little Caribbean island that a young boy rediscovers while on a visit with his best friend.
Ages 3–6
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It's nearly six months since our country was invaded. We've lived in a war zone since January, and now it's July. So short a time, so long a time . . . I'm an expert on fear now. I think I've felt every strong feeling there is: love, hate, jealousy, rage. But fear's the greatest of them all. Nothing reaches inside and grabs you by the guts the way fear does. Nothing else possesses you like that. It's a kind of illness, a fever, that takes you over. Ellie and her friends return from a camping trip to find their country at war. Learning together, they fight back - battling fear, rage, and the invading army that has stolen their land, seized their homes, taken their families, and destroyed their future. Continuing the story begun in Tomorrow When the War Began and The Dead of Night, John Marsden paints a shockingly realistic portrait of teenagers who take great risks to defend what is theirs.
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When Sitti, an American girl, goes to visit her grandmother in her small Middle Eastern village on the other side of the world, they don't need words to understand each other's heart. "A thoughtful, loving affirmation of the bonds that transcend language barriers, time zones, and national borders."--School Library Journal. Full color.




















