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Books : Literature & Fiction : Authors, A-Z : ( H ) : Huxley, Aldous
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The astonishing novel Brave New World, originally published in 1932, presents Aldous Huxley's vision of the future -- of a world utterly transformed. Through the most efficient scientific and psychological engineering, people are genetically designed to be passive and therefore consistently useful to the ruling class. This powerful work of speculative fiction sheds a blazing critical light on the present and is considered to be Huxley's most enduring masterpiece.
Following Brave New World is the nonfiction work Brave New World Revisited, first published in 1958. It is a fascinating work in which Huxley uses his tremendous knowledge of human relations to compare the modern-day world with the prophetic fantasy envisioned in Brave New World, including threats to humanity, such as overpopulation, propaganda, and chemical persuasion.
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When the novel Brave New World first appeared in 1932, its shocking analysis of a scientific dictatorship seemed a projection into the remote future. Here, in one of the most important and fascinating books of his career, Aldous Huxley uses his tremendous knowledge of human relations to compare the modern-day world with his prophetic fantasy. He scrutinizes threats to humanity, such as overpopulation, propaganda, and chemical persuasion, and explains why we have found it virtually impossible to avoid them. Brave New World Revisited is a trenchant plea that humankind should educate itself for freedom before it is too late.
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Sebastian Barnack, a handsome English schoolboy, goes to Italy for the summer, and there his real education begins. His teachers are two quite different men: Bruno Rontini, the saintly bookseller, who teaches him about things spiritual; and Uncle Eustace, who introduces him to life's profane pleasures.
The novel that Aldous Huxley himself thought was his most successful at "fusing idea with story," Time Must Have a Stop is part of Huxley's lifelong attempt to explore the dilemmas of twentieth-century man and to create characters who, though ill-equipped to solve the dilemmas, all go stumbling on in their painfully serious comedies (in this novel we have the dead atheist who returns in a seance to reveal what he has learned after death but is stuck with a second-rate medium who garbles his messages). Time Must Have a Stop is one of Huxley's finest achievements.
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London life just after World War I, devoid of values and moving headlong into chaos at breakneck speed Aldous Huxley's Antic Hay, like Hemingway's The Sun Also Rises, portrays a world of lost souls madly pursuing both pleasure and meaning. Fake artists, third-rate poets, pompous critics, pseudo-scientists, con-men, bewildered romantics, cock-eyed futurists all inhabit this world spinning out of control, as wildly comic as it is disturbingly accurate. In a style that ranges from the lyrical to the absurd, and with characters whose identities shift and change as often as their names and appearances, Huxley has here invented a novel that bristles with life and energy, what the New York Times called "a delirium of sense enjoyment!"
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These six volumes collect the complete essays of one of the giants of modern English prose and of social commentary in our time. At their best, Huxley's essays stand among the finest examples of the genre in modern literature. His place in English literature is unique and is certainly assured. --T.S. Eliot. He was among the few writers who...played with ideas so freely, so gaily, with such virtuosity, that the responsive reader...was dazzled and excited. --Isaiah Berlin
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In a renovated Italian palace high above the blue sea, the Junoesque figure of Mrs Aldwinkle moves among her guests — a brilliant Huxleyan cast of posturers. Those Barren Leaves bites the hands of those who dare to feign sophistication and is as comically fresh today as when it was first published.
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These first two volumes of a projected six collect the complete essays of one of the major writers of the 20th century. His reading was immense, his taste impeccable, and his ear acute....His place in English literature is unique and is certainly assured. --T. S. Eliot. Edited with Commentary by Robert S. Baker and James Sexton.
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These first two volumes of a projected six collect the complete essays of one of the major writers of the 20th century. His reading was immense, his taste impeccable, and his ear acute....His place in English literature is unique and is certainly assured. --T. S. Eliot. Edited with Commentary by Robert S. Baker and James Sexton.
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In this fourth volume of a projected six, Huxley registers his deep misgivings about the course of history in the late 1930s as the world moved toward a second global war. Many of his essays reflect his continuing interest in the conventions of popular culture as well as the philosophy of science and history, particularly as they inform developments in art and politics.
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At their best, Huxley's essays stand among the finest examples of the genre in modern literature. From 1938 to 1956 Aldous Huxley continues to explore the role of science and technology in modern culture, and seeks a final level of foundational Truth that might provide the basis for his growing interest in religious mysticism. It is in this period that his philosophy of history took its final form. Here is the fifth volume of a projected six. He writes with an easy assurance and a command of classical and modern cross-references. --Christopher Hitchens, Los Angeles Times. There is much to enjoy in these volumes...they are important as a document of his times, and of a window on to a stage in the evolution of his mind. --Economist. Aldous Huxley very early in life became one of the leading essayists of the 20th century. --Michael Potemra, National Review
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Combining logical argument with literary imagination, Peter Kreeft uses a dialog between C. S. Lewis, John F. Kennedy and Aldous Huxley to investigate the claims of Christ.
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This third volume (including the years 1930D1935) of a projected six reinforces Huxley's stature as one of the most acute and informed observers of the social and ideological trends of the years between the world wars. These essays register his growing ambivalence about the role of technocracy and science in an era of experimentation in the concentration of executive and legislative power. He was among the few writers who...played with ideas so freely, so gaily, with such virtuosity, that the responsive reader...was dazzled and excited. --Isaiah Berlin. Commendable. --Times Literary Supplement. A remarkable publishing event...beautifully produced and authoritatively edited. --Jeffrey Hart, Washington Times. Edited with Commentary by Robert S. Baker and James Sexton.
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Newly published essays and letters, edited and introduced by David Bradshaw, showing Huxley's transformation from a scourge of the masses in the 1920s to their compassionate spokesman by the 1930s, and including writings on art and literature, and letters to H. L. Mencken and H. G. Wells.
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