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Books : Arts & Photography : Painting : Portraits
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The art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world.
Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters’ technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features.
Richly illustrated with the work of preeminent masters such as Millet, Géricault, and van Gogh, as well as some of today’s leading portrait artists—and featuring seven detailed step-by-step portrait demonstrations—Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.
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From Caucasian to Latino and East Indian hues, this convenient book features master mixes for an arry of skin colors, plus recipes for hair, eye, and lip colors. The concealed wire-o bound book also includes a plastic color-mixing grid for measuring out paints, as well as a handy conversion chart for finding acrylic equivalents of oil paints and vice versa.
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The story behind the legendary John Singer Sargent painting that propelled the artist to international renown but condemned his subject to a life of public ridicule.
John Singer Sargent's Madame X is one of the world's best-known portraits. As the Metropolitan's most frequently requested painting for loans, it travels to museums around the globe. The image of "Madame X" decorates book and magazine covers, greeting cards and screen savers. She's even been immortalized as a Madame Alexander doll.
Few people, though, know the fascinating story behind the painting. "Madame X" was actually a twenty-three-year-old New Orleans Creole, Virginie Gautreau, who moved to Paris and quickly became the "it girl" of her day. All the leading artists wanted to paint her, but it was Sargent, a relative nobody, who won the commission. Gautreau and Sargent must have recognized in each other a like-minded hunger for fame.
Unveiled at the 1884 Paris Salon, Gautreau's portrait did generate the attention she craved-but it led to infamy rather than stardom. Sargent had painted one strap of Gautreau's dress dangling from her shoulder, suggesting, to outraged Parisian viewers, either the prelude or the aftermath of sex. Her reputation irreparably damaged, Gautreau retired from public life, destroying all the mirrors in her home so she would never have to look at herself again.
Why had Sargent chosen to portray her in such a provoc-ative manner? Was the painting, with the scandal it generated, the machination of a sexually conflicted man who desired a woman and a lifestyle he could never possess? Drawing on documents from private collections and other previously unexamined materials and featuring a cast of characters including Oscar Wilde and Richard Wagner, Strapless is an enthralling tale of art and celebrity, obsession and betrayal.
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All artists are tired of persuading their nearest and dearest to look sad…look glad…look mad…madder…no, even madder…okay, hold it. For those artists (and their long-suffering friends), here is the best book ever. Facial Expressions includes more than 2,500 photographs of 50 faces—men and women of a variety of ages, shapes, sizes, and ethnicities—each demonstrating a wide range of emotions and shown from multiple angles. Who can use this book? Oh, only every artist on the planet, including art students, illustrators, fine artists, animators, storyboarders, and comic book artists. But wait, there’s more! Additional photos focus on people wearing hats and couples kissing, while illustrations show skull anatomy and facial musculature. Still not enough? How about a one-of-a-kind series of photos of lips pronouncing the phonemes used in human speech? Animators will swoon—and artists will show a range of facial expressions from happy to happiest to ecstatic.
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Collection of portraits, selected from public and private holdings by art historian Trevor J. Fairbrother, reveal the technical skill and intuitive eye for which American portrait painter John Singer Sargent is renowned. Drawings in pencil, pastels and charcoal—a lesser-known aspect of Sargent’s oeuvre—are shown. List of Plates. Introduction. Captions.
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Learn to draw amazingly realistic portraits in seven easy stagesThis book is the perfect guide for creating lifelike representations of the human head in graphite. Experienced artist Lance Richlin begins by explaining drawing tools and materials, shading techniques, and the important anatomical structures of the head. Following these basics, he shows how to light the subject, block in and render each feature of the face, and address a variety of expressions-from subtle smiles to toothy grins. Then he guides the reader through four impressive projects, showing how to develop a lifelike head drawing in seven simple stages: the lay-in, plumb lines, volume, outline, tonal pattern, value, and finishing. Readers also will find an in-depth troubleshooting section to help them identify and solve any problems that lessen the realism and accuracy of their drawings. In an age full of technological shortcuts, this book emphasizes drawing from life and seeks to preserve the methods of the old masters.
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This volume aims to set out the fundermental but easy-to-follow principles that you can apply to all painting and drawing mediums to create skin tones. It breaks human skin colours down into four main groups, and explains the tonal and colour variations you might expect within each group.
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From CHOICE:
London art historian and critic Mullins has brought together a study of contemporary artists who paint the human figure. Included are 200 color reproductions by 85 artists from around the world. Some artists, such as Lucien Freud and Chuck Close, are well known, but many are still developing their reputations. Mullins chose artists who paint people interacting with the world and, in doing so, explore themes of modern times. Her chapters are arranged by these themes: ""The Figure Unravelled,"" ""The Urban Condition,"" ""Other Worlds"" (which explores themes of romanticism), ""Folk Tales"" (the telling of unique and well-known stories), and ""Past Deconstructed"" (focusing on the use of photography by these artists). Many of the works reflect on the isolation of the people portrayed, some are disturbing, and some emphasize the newest technology that these artists employ, including the use of photography in their work. This valuable collection of modern art includes excellent bibliographies for each artist. Summing Up: Highly recommended. General readers; lower-division undergraduates through professionals. -- N. M. Lambert, University of South Carolina Upstate"
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Capture the charm of children in a fresh and lively manner.Discover the secrets to painting portraits that radiate the magical spark of childhood. Inside, you'll learn how to use the fresh, direct medium of pastel to capture realistic likenesses, as well as the unique spirits of your young subjects - from little ballerinas and flower pixies, to cowboys and explorers.
- 15 mini-demonstrations illustrate basic techniques, from creating a color wheel to painting expressive hands, facial features and clothing.
- 9 complete step-by-step demonstrations explore a range of poses, skin tones, hair types and fabric textures.
- Friendly instruction covers lighting, poses, color, composition, background and other elements of successful portraits.
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Portraits from Life in 29 Steps presents an elegant, simple and direct procedure for painting a convincing portrait in 29 logical steps. John Howard Sanden has developed this method in more than three decades of painting, demonstrating and teaching.At the heart of this book are two complete portrait-painting demonstrations; each of the 29 steps is descriptively titled, explained and illustrated to show the clear progression of the portrait. Sanden uses an exciting and appealing premier coup approach to painting, where the artist attempts to execute a finished painting from the very first stroke.
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By first explaining basic techniques and color selection, this guide for botanical and amateur artists of all skill levels shows how to capture the individuality of blossoming artichokes, the smooth contours of eggplants, the sumptuous reds of glossy peppers, the cool yellows of bananas, and much more. Using traditional methods that include overlaying washes, dry brush techniques, glazing, and masking—sometimes with an unconventional and amusing twist—the amazing paintings and vibrant palette showcased here clearly explain how to create a terrific selection of shapes and textures, each accompanied by detailed, step-by-step instructions.
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Forty-seven masterpieces of drawing from the great schools and traditions of Italy and northern Europe, spanning four centuries from Filippino Lippi, Andrea del Sarto and Titian to Rembrandt, Van Dyck and Ingres. 47 plates.
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This fascinating new addition to the acclaimed Oxford History of Art series explores the world of portraiture from a number of vantage points, and asks key questions about its nature. How has portraiture changed over the centuries? How have portraits represented their subjects, and how have they been interpreted? The book provides a clear, yet thorough overview of the history of portraiture in terms of social, political, economic, and psychological factors over a broad time span. Issues such as identity, modernity, and gender are considered within their cultural and historical contexts. Shearer West uncovers intriguing aspects of portraiture-a genre that has often been seen as purely representational, featuring examples from African tribes to Renaissance princes, and from 'stars' such as David and Victoria Beckham to everyday people. West examines the many meanings and uses of portraits throughout the ages and includes a wide range of artists from Botticelli to Picasso, and Hans Holbein to Frida Kahlo. In the process, she reveals the faces of the past in an exciting new way. Beautifully illustrated throughout, this book is a unique and accessible introduction to the history of portraiture.
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“Appearance, semblance is the theme of my life.” This statement by Gerhard Richter (b. 1932) suggests the importance of portraiture to his career. One of the greatest artists working today, Richter has been intensively engaged with portraiture since 1962. His portraits invite critical consideration of both portraiture and painting; they include images of specific people—whether sensational subjects of people in the media, icons of the popular imagination, or close friends and relatives. However, all are transformed when Richter puts them onto canvas, for they often become anonymous in the process or become significant simply for being included. Richter’s investigation into how we understand what surrounds us is at the heart of all his work.
In this large-scale book—ideal for Richter’s portraits—Paul Moorhouse offers a major advance in the understanding and appreciation of the renowned artist’s work. With keen insight, Moorhouse studies the portraits in close detail, examining the sophisticated ways in which Richter has challenged and extended the genre of portraiture and revealing the startling range of the artist’s source material.
Featuring never-before-published images, this book clearly eclipses any previous publication on Richter’s portraiture.
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Paint beautiful and expressive portraits by combining watercolor with other mediums!What makes an eye-popping, eye-stopping portrait? It's all about contrast and the play of opposites, round shape against square, light against dark, transparent with opaque. Combining mediums allows you to push the inherent properties of each for a lively play of opposites. You'll be able to paint glorious lights, richer darks, intriguing texture and mysterious passages that create mood and a strong sense of place, space and character. Jean Pederson gives you all the advice and instruction you need to paint beautiful, expressive portraits filled with life and spirit. Let your portraits speak to the world!
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Standing. Seated. Reclining. Kneeling. Bending. Crouching. Running. World-renowned photographer Mark Edward Smith has captured women of every age and form in every type of movement, then gathered his striking, unusual images into The Nude Female Figure. An indispensable reference for artists who have limited access to live figure models, this remarkable book features striking images of shapely young women as well as elegiac photos of more mature women. The models in these full-color pictures include women of every type--slender women, not-so-slender women, pregnant women, and women of color. A special section shows close-ups of the hands and feet. Each pose is beautiful, and the unparalleled attention to composition, lighting, and reproduction make it easy for artists to see the relationships between the parts of the body and to study the classic female figure.
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The archives of British Vogue define modern portraiture. Its collection remains a stylish barometer of the social and cultural changes that shaped the 20th century. From princesses to rock stars, models to actors, society beauties to world leaders, these are portraits of figures who have made an enduring mark on their age. And just as the pictures are a who’s who of the brilliant and beautiful, the selection of photographers is equally stellar. Daring, discerning, iconoclastic—here are the people who defined their art, including Horst, Beaton, Steichen, Penn, Snowdon, Parkinson, Bailey, and Testino.
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From 1874 to 1882, John Singer Sargent (1856–1925) produced more than 200 paintings and water-colors aside from portraiture, including figures in landscape settings, architectural studies, seascapes, subject paintings, and studies after old masters. From powerful studies of models in Paris in the mid-1870s to compelling paintings set in Venice in the early 1880s, the works published in this volume of the catalogue raisonné show the variety of his aesthetic responses. He worked in the studio and en plein air, travelling widely during the eight years covered in this volume and painting in Paris, Brittany, Capri, Spain, North Africa, and Venice.
This is the first time that Sargent’s early work has been mapped so comprehensively. With very few exceptions, this beautifully produced book illustrates all the pictures under discussion in color. Each painting, including several which have never been published before, is documented in depth with full provenance, exhibition history, and bibliography, and in many cases new information is provided. The volume also reproduces a wealth of Sargent’s preliminary and related drawings and of comparative works by other artists.
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Widely regarded as one of the most important American painters of the 20th century, Alice Neel is internationally recognized for her contributions to Abstract Expressionism, especially her perceptive portraiture. Neel (1900–1984) was a portrait painter at a time when this was traditionally the role of a male artist. After ascending to prominence in the 1960s as the feminist movement gained momentum, she has remained an iconic figure in the history of American painting.
A self-proclaimed “collector of souls,” Neel often painted friends and family, as well as the celebrated artists and writers of her day, such as Andy Warhol, Frank O’Hara, and Meyer Shapiro, delving into personalities and idiosyncrasies with a rare frankness. Alice Neel: Painted Truths brings together paintings that demonstrate Neel’s range and ability, along with insightful commentary from four leading art historians. Although the book focuses on her portraits, it also covers the artist’s early social realist paintings and cityscapes, tracing the evolution of Neel’s style and examining themes that she revisited throughout her career.