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Books : Arts & Photography : Painting : Portraits
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Mary Cassatt was an American painter and print-maker. Known to this day as the “painter of mothers and children,” a title given in her lifetime. Born into a fairly wealthy conventional American family in Allegheny City, Pennsylvania., she had the opportunity to grow up in an environment that nurtured travel as part of her education. Cassatt spent five years in Europe and visited many countries, including Paris, London and Berlin. Her exposure to many different artists prompted her to study painting and music. Even though her family objected to her becoming a professional artist, Mary at the age of 15, began studying at the Pennsylvania Academy of the Fine Arts in Philadelphia. After she left the academy, she again traveled to Paris and studied with masters from the Ecole des Beaux-Arts.
Cassatt had a long and distinguished career and is the only American to exhibit with the Impressionists in Paris.
Cassatt art book contains 150+ Portrait Reproductions of children, mother and child, family outings, the theater and women in victorian and edwardian clothing with title and date.
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From Caucasian to Latino and East Indian hues, this convenient book features master mixes for an arry of skin colors, plus recipes for hair, eye, and lip colors. The concealed wire-o bound book also includes a plastic color-mixing grid for measuring out paints, as well as a handy conversion chart for finding acrylic equivalents of oil paints and vice versa.
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In many of Edouard Vuillard's (1868-1940) most famous paintings, figures are nestled in intimate settings among bold patterns and colors. As the viewer's eye adjusts to the complexity of the scene, the artist's world opens up. At a young age, Vuillard was one of a group of avant-garde painters in Paris who favored rich palettes and dreamlike imagery. He was equally a member of the literary and theatrical circles that included writers like Marcel Proust and Stéphane Mallarmé. As his career progressed into the new century, he entered the rarefied society of upper-class French families—many of them Jewish—who collected the new art, published the new poetry, and wrote the new criticism.
This beautifully illustrated book examines the master artist's work in the context of a unique circle of friends and patrons between the turn of the 20th century and World War II. Essays by leading scholars explore the artist's relationship with key members of this glamorous social circle, as well as the connections between Vuillard and Proust, two of the world's great observers of a world now lost.
A fascinating exploration of artistic culture in Paris before the war, Edouard Vuillard establishes the artist as one of the masters of the modern portrait.
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Discover a simple approach to capturing a world of beautiful skin tones
Chris Saper takes the mystery and guesswork out of portrait painting while leaving its joy fully intact. Continuing the exploration started in the her first book, Painting Beautiful Skin Tones with Color & Light, this sequel offers step-by-step demonstrations that cover an even wider range of ethnic groups and ages. You'll get professional advice on working from life, using reference photos, and combining the two approaches to create realistic likenesses that say something about the way you view an individual's unique beauty and character. Inside you'll find:
- A series of 14 step-by-step demonstrations of 7 diverse subjects painted from life and from photos that illustrate the advantages of each approach
Techniques for seeing and recording accurate colors at live sittings, and retaining that accuracy when working from photographic references - Tips on posing and lighting your subjects using both artificial and natural light sources
- Expert advice for shooting, selecting and working from reference photographs, including how to compose dynamic multiple-subject portraits
- Techniques for painting eyes, eyeglasses, mouths, wrinkles and other defining details
- A series of 14 step-by-step demonstrations of 7 diverse subjects painted from life and from photos that illustrate the advantages of each approach
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The story behind the legendary John Singer Sargent painting that propelled the artist to international renown but condemned his subject to a life of public ridicule.
John Singer Sargent's Madame X is one of the world's best-known portraits. As the Metropolitan's most frequently requested painting for loans, it travels to museums around the globe. The image of "Madame X" decorates book and magazine covers, greeting cards and screen savers. She's even been immortalized as a Madame Alexander doll.
Few people, though, know the fascinating story behind the painting. "Madame X" was actually a twenty-three-year-old New Orleans Creole, Virginie Gautreau, who moved to Paris and quickly became the "it girl" of her day. All the leading artists wanted to paint her, but it was Sargent, a relative nobody, who won the commission. Gautreau and Sargent must have recognized in each other a like-minded hunger for fame.
Unveiled at the 1884 Paris Salon, Gautreau's portrait did generate the attention she craved-but it led to infamy rather than stardom. Sargent had painted one strap of Gautreau's dress dangling from her shoulder, suggesting, to outraged Parisian viewers, either the prelude or the aftermath of sex. Her reputation irreparably damaged, Gautreau retired from public life, destroying all the mirrors in her home so she would never have to look at herself again.
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All artists are tired of persuading their nearest and dearest to look sad…look glad…look mad…madder…no, even madder…okay, hold it. For those artists (and their long-suffering friends), here is the best book ever. Facial Expressions includes more than 2,500 photographs of 50 faces—men and women of a variety of ages, shapes, sizes, and ethnicities—each demonstrating a wide range of emotions and shown from multiple angles. Who can use this book? Oh, only every artist on the planet, including art students, illustrators, fine artists, animators, storyboarders, and comic book artists. But wait, there’s more! Additional photos focus on people wearing hats and couples kissing, while illustrations show skull anatomy and facial musculature. Still not enough? How about a one-of-a-kind series of photos of lips pronouncing the phonemes used in human speech? Animators will swoon—and artists will show a range of facial expressions from happy to happiest to ecstatic.
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Learn to draw amazingly realistic portraits in seven easy stagesThis book is the perfect guide for creating lifelike representations of the human head in graphite. Experienced artist Lance Richlin begins by explaining drawing tools and materials, shading techniques, and the important anatomical structures of the head. Following these basics, he shows how to light the subject, block in and render each feature of the face, and address a variety of expressions-from subtle smiles to toothy grins. Then he guides the reader through four impressive projects, showing how to develop a lifelike head drawing in seven simple stages: the lay-in, plumb lines, volume, outline, tonal pattern, value, and finishing. Readers also will find an in-depth troubleshooting section to help them identify and solve any problems that lessen the realism and accuracy of their drawings. In an age full of technological shortcuts, this book emphasizes drawing from life and seeks to preserve the methods of the old masters.
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How To Draw Lifelike Portraits From Photographs Revised
Lee Hammond is back and better than ever, featuring all new step-by-step demonstrations that will have you drawing your best portraits yet. Her secret to success? The "Hammond Blended Pencil Technique," a proven method of shading and blending that captures the soft tones and dimensional shapes of skin, hair and clothing.
Focusing first on individual facial features, you'll follow her easy three-step process for realistically rendering even the most challenging eyes, noses and mouths. From there, you'll use Lee's basic grid techniques to master proportion and put the features together, then gradually blend and shade your way to amazingly lifelike portraits. It's that simple!
This completely revised and updated edition of her bestselling book features people of all ages, personalities and ethnicities so you can find the specialized guidance you're looking for. There's even a bonus instructional DVD. Simply use your own reference photos and follow along one step at a time, or copy Lee's demonstrations.
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After a century in which the lexicon of artists' materials expanded from the classic oil, canvas, stone and plaster to include photography, film, performance, found objects and concepts, the spotlight has finally swung back. A new generation of artists--as well as some who never abandoned figurative painting in the first place--is relishing the solitary, slow, subtle set of processes involved in not just painting, but painting people. They are choosing paint's unique ability to distill a lifetime of events rather than photography's glimpse of a frozen moment. Painting People, edited by the prominent London art historian and critic Charlotte Mullins, unites and contrasts the work of a key group of artists from around the world, and investigates their richly varied accomplishments in lucid text with detailed commentaries, accompanied by more than 150 reproductions. The list of contributing artists is stellar, ranging from photo-based painters like Luc Tuymans, Peter Doig and Marlene Dumas to Pop artists like Sigmar Polke and Alex Katz, photorealists like Chuck Close and Gerhard Richter, Neoexpressionists like Cecily Brown, and comics-inspired painters like Yoshitomo Nara, Inka Essenhigh and Takashi Murakami. There are erotic grotesques from John Currin and Lisa Yuskavage, meditations on the muse by Elizabeth Peyton and Lucian Freud, "Repro-realistic" work from Neo Rauch and of cours
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Collection of portraits, selected from public and private holdings by art historian Trevor J. Fairbrother, reveal the technical skill and intuitive eye for which American portrait painter John Singer Sargent is renowned. Drawings in pencil, pastels and charcoal — a lesser-known aspect of Sargent's oeuvre — are shown. List of Plates. Introduction. Captions.
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The art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world.
Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters’ technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features.
Richly illustrated with the work of preeminent masters such as Millet, Géricault, and van Gogh, as well as some of today’s leading portrait artists—and featuring seven detailed step-by-step portrait demonstrations—Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.
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Portraits were central to the work of Lucian Freud (1922–2011). Working only from life, the artist claimed, "I could never put anything into a picture that wasn't actually there in front of me." This major retrospective catalogue surveys Freud's portraits across the seven decades of his career. Featuring the finest portraits from public and private collections around the world, the book explores the stylistic development and remarkable technical virtuosity of an artist regarded as one of the most innovative figurative painters the medium has known.
Freud's chosen subjects were often his intimates—family members, friends, and artistic colleagues such as Frank Auerbach, Francis Bacon, Leigh Bowery, and David Hockney. Freud was private man who rarely gave interviews, and his thoughts on the complex relationship between artist and sitter and the challenges of painting nudes and self-portraits are published here for the first time, documented in a series of interviews with Michael Auping, conducted between May 2009 and January 2011. An illustrated chronology of the artist's life provides fascinating insights into Freud's background as a grandson of Sigmund Freud, and his unorthodox artistic education.
An essential book for every personal art library, this lavishly illustrated volume celebrates the work and career of an artist who overturned traditional portraiture and offered a new approach to figurative art.
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Master artist Roberta Carter Clark shares secrets for infusing portraits with life.
Since its original publication, this best-selling book has earned a loyal following among students of portraiture. Back in print by popular demand, How to Paint Living Portraits has been updated to help today's artists discover the joys of this time-honored tradition. Hands-on instruction covers a range of ages and ethnicities, offering a practical approach to creating successful, spirited portraits in charcoal, oils and watercolor.
Includes 23 exercises for capturing recognizable likenesses, feature by feature
Offers instruction on painting the figure, hands and clothing
Addresses common stumbling blocks of skin tones and hair colors
Illustrates simple and complex lighting set-ups for achieving multiple moods and effects
Features 5 step-by-step portrait demonstrations in charcoal, oil and watercolor
Clark brings fifty years of experience to this book, from technical expertise on color and composition to practical considerations of working with a live model. One of the most comprehensive guides ever written on the subject, it?s a valuable reference for any skill level.
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John Singer Sargent book includes 422 high quality reproductions of his greatest masterpieces with title and date.
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Designed to address beginning to intermediate artists, this book is the ultimate guide to portraiture and figure painting in watercolour. It guides artists through the entire portrait and figure painting process, from selecting the right materials and tools to exhibiting the finished painting. Richly illustrated, the book features paintings by such masters of watercolour as Winslow Homer, John Singer Sargent and Georgia O'Keeffe.
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This beautifully illustrated book features fifty of Lucian Freud's portraits and figure paintings, offering an excellent introduction to the work of one of the most innovative figurative artists of the 20th century. Arranged chronologically and ranging over seven decades, from the early 1940s to Freud's death in July of 2011, the book features Freud's portraits of subjects including Kitty Garman and Lady Caroline Blackwood, both of whom were married to the artist; his mother, Lucie Freud; friends and colleagues Martin Gayford and David Hockney; and more formal portraits of subjects including Andrew Parker Bowles and Baron Thyssen-Bornemisza.
In his essay, critic Martin Gayford discusses Freud's standing as an artist and his place in art history and offers personal insights into the artist's life and approach to portraiture. Artist and longtime friend David Hockney gives a revealing account of his own experience sitting for a portrait by Freud. An illustrated chronology and previously unpublished documentary photographs place Freud's works within the context of his remarkable biography.
An ideal introduction to Freud's work, Lucian Freud: Painting People offers an excellent survey of an artist considered one of the world's greatest realist painters.
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In the words of cultural historian Jacob Burkhardt, fifteenth-century Italy was "the place where the notion of the individual was born." In keeping with that idea, early Renaissance Italy was a key participant in the first great age of portraiture in Europe. As groundbreaking artists strove to evoke the identity or personality of their sitters—from heads of state and church, military commanders, and wealthy patrons to scholars, poets, and artists—they evolved daring new representational strategies that would profoundly influence the course of Western art. More than a mere likeness, the fifteenth-century Italian portrait was an attempt to wrest from the unpredictability of life and the shadow of mortality and image that could be passed down to future generations.
The Renaissance Portrait, which accompanies a landmark exhibition at the Bode-Museum, Berlin, and The Metropolitan Museum of Art, New York, provides new research and insight into the early history of portraiture in Italy, examining in detail how its major art centers—Florence, the princely courts, and Venice—saw the rapid development of portraiture as closely linked to Renaissance society and politics, ideas of the individual, and concepts of beauty. Essays by leading scholars provide a thorough introduction to Renaissance portraiture, while individual catalogue entries illustrate and extensively discuss more than 160 magnificent examples of painting, drawing, manuscript illumination, sculpture, and medallic portraiture by such artists as Donatello, Filippo Lippi, Botticelli, Verrocchio, Ghirlandaio, Pisanello, Mantegna, Antonello da Messina, and Giovanni Bellini. With abundant style and visual ingenuity, these masters transformed the plain facts of observation into something beautiful to behold.
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This volume aims to set out the fundermental but easy-to-follow principles that you can apply to all painting and drawing mediums to create skin tones. It breaks human skin colours down into four main groups, and explains the tonal and colour variations you might expect within each group.
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By first explaining basic techniques and color selection, this guide for botanical and amateur artists of all skill levels shows how to capture the individuality of blossoming artichokes, the smooth contours of eggplants, the sumptuous reds of glossy peppers, the cool yellows of bananas, and much more. Using traditional methods that include overlaying washes, dry brush techniques, glazing, and masking—sometimes with an unconventional and amusing twist—the amazing paintings and vibrant palette showcased here clearly explain how to create a terrific selection of shapes and textures, each accompanied by detailed, step-by-step instructions.