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Books : Comics & Graphic Novels : Comic Strips
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The highly anticipated third book in the critically acclaimed and bestselling series takes the art of being wimpy to a whole new level.
Let’s face it: Greg Heffley will never change his wimpy ways. Somebody just needs to explain that to Greg’s father. You see, Frank Heffley actually thinks he can get his son to toughen up, and he enlists Greg in organized sports and other “manly” endeavors. Of course, Greg is able to easily sidestep his father’s efforts to change him. But when Greg’s dad threatens to send him to military academy, Greg realizes he has to shape up . . . or get shipped out.
Greg and his family and friends, who make the Diary of a Wimpy Kid books a must-read for middle school readers, are back and at their best in this hilarious new installment of the series, which is sure to please current fans while attracting new ones.
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Boys don’t keep diaries—or do they?
The launch of an exciting and innovatively illustrated new series narrated by an unforgettable kid every family can relate to
It’s a new school year, and Greg Heffley finds himself thrust into middle school, where undersized weaklings share the hallways with kids who are taller, meaner, and already shaving. The hazards of growing up before you’re ready are uniquely revealed through words and drawings as Greg records them in his diary.
In book one of this debut series, Greg is happy to have Rowley, his sidekick, along for the ride. But when Rowley’s star starts to rise, Greg tries to use his best friend’s newfound popularity to his own advantage, kicking off a chain of events that will test their friendship in hilarious fashion.
Author/illustrator Jeff Kinney recalls the growing pains of school life and introduces a new kind of hero who epitomizes the challenges of being a kid. As Greg says in his diary, “Just don’t expect me to be all ‘Dear Diary’ this and ‘Dear Diary’ that.” Luckily for us, what Greg Heffley says he won’t do and what he actually does are two very different things.
Since its launch in May 2004 on Funbrain.com, the Web version of Diary of a Wimpy Kid has been viewed by 20 million unique online readers. This year, it is averaging 70,000 readers a day.
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The highly anticipated sequel to the #1 NEW YORK TIMES bestselling book!
Secrets have a way of getting out, especially when a diary is involved.
Whatever you do, don’t ask Greg Heffley how he spent his summer vacation, because he definitely doesn’t want to talk about it.
As Greg enters the new school year, he’s eager to put the past three months behind him . . . and one event in particular.
Unfortunately for Greg, his older brother, Rodrick, knows all about the incident Greg wants to keep under wraps. But secrets have a way of getting out . . . especially when a diary is involved.
Diary of a Wimpy Kid: Rodrick Rules chronicles Greg’s attempts to navigate the hazards of middle school, impress the girls, steer clear of the school talent show, and most important, keep his secret safe.
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The first of four volumes collecting Feiffer's landmark Village Voice strips.
"My aim was to take the Robert Benchley hero and launch him into the Age of Freud."—Jules Feiffer
In 1956, a relatively unknown cartoonist by the name of Jules Feiffer started contributing a strip to the only alternative weekly published in the US, a small radical newspaper called The Village Voice. It was originally titled Sick Sick Sick, but Feiffer changed the name to, simply, Feiffer, because he got tired of explaining that the title referred to the society he was commenting on, not the nature of his humor, which, he insisted, was not sick.
Politically, the '50s was dominated by the insipid Presidency of Dwight D. Eisenhower; the backwash of Joe McCarthy; and the Cold War, which was in full swing. Culturally, the Beats were revolutionizing literature, Marlon Brando was changing the face of acting, and Elvis Presley was altering the public's perception of pop music. The post-war suburban bliss of the country was being challenged by sociologists and economists in books like The Lonely Crowd, The Other America, and The Afflulent Society. The civil rights movement was gaining momentum. Camelot was just around the corner, and would be shattered by the assassinations of JFK, RFK, and MLK. The Vietnam War would polarize the country. It was into this scrambled political-cultural climate that Jules Feiffer flung himself full throttle for the next ten years.
His strip tackled just about every issue, private and public, that affected the sentient American: relationships, sexuality, love, family, parents, children, psychoanalysis, neuroses, presidents, politicians, media, race, class, labor, religion, foreign policy, war, and one or two other existential questions. It was the first time that the American public had been subjected to a weekly dose of comics that so uncompromisingly and wittily confronted individuals' private fears and society's public transgressions. Explainers is the first of four volumes collecting Feiffer's entire run of weekly strips from The Village Voice. This edition contains approximately 500 strips originally published between 1956 and 1966 in a brick-like landscape hardcover format.
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In Charles Schulz's The Complete Peanuts 1969-1970, Woodstock makes his first appearance, Peppermint Patty runs afoul of her school's dress code, Lucy declares herself a "New Feminist," and Snoopy returns to the Daisy Hill Puppy Farm on a speaking engagement. Speaking of Snoopy, this volume falls under the sign of the Great Beagle, as three separate storylines focus on the mysterious sovereign of Beagledom. Lucy throws Schroeder's piano into the maw of the kite-eating tree, with gruesome results... Miss Othmar goes on strike and Linus gets involved... Charlie Brown's baseball team has an actual (brief) winning streak... Snoopy's quest to compete in the Oakland ice skating competition is thwarted by his inability to find a partner... Charlie Brown goes to a banquet to meet his hapless baseball hero Joe Shlabotnik... Snoopy is left in the Van Pelt family's care as the Browns vacation... and the Little Red-Haired Girl moves away.
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"What goes up must come down, and when we last saw Alex Rider, he was as up as can be--in outer space. When he crash lands off the coast of Australia, the Australian Secret Service recruits him to infiltrate one of the ruthless gangs operating across South East Asia. Known as snakeheads, the gangs smuggle drugs, weapons, and worst of all, people. Alex accepts the assignment, in part for the chance to work with his godfather and learn more about his parents. What he uncovers, however, is a secret that will make this his darkest and most dangerous mission yet . . . and that his old nemesis, Scorpia, is anything but out of his life. From the slums of Bangkok to the Australian Outback to the middle of the Timor Sea, Snakehead is Alex Rider's most action-packed adventure yet."
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"A shockingly imaginative graphic novel that captures the sense of adventure and wonder that surrounds a new arrival on the shores of a shining new city. Wordless, but with perfect narrative flow, Tan gives us a story filled with cityscapes worthy of Winsor McCay." -- Jeff Smith, author of Bone
"A magical river of strangers and their stories!" -- Craig Thompson, author of Blankets
"Magnificent." -- David Small, Caldecott Medalist
In a heartbreaking parting, a man gives his wife and daughter a last kiss and boards a steamship to cross the ocean. He's embarking on the most painful yet important journey of his life - he's leaving home to build a better future for his family. Shaun Tan evokes universal aspects of an immigrant's experience through a singular work of the imagination. He does so using brilliantly clear and mesmerizing images. Because the main character can't communicate in words, the book forgoes them too. But while the reader experiences the main character's isolation, he also shares his ultimate joy.
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A timeless tale by the incomparable Kate DiCamillo, complete with stunning full-color plates by Bagram Ibatoulline, honors the enduring power of love.
"Someone will come for you, but first you must open your heart. . . ."
Once, in a house on Egypt Street, there lived a china rabbit named Edward Tulane. The rabbit was very pleased with himself, and for good reason: he was owned by a girl named Abilene, who treated him with the utmost care and adored him completely.
And then, one day, he was lost.
Kate DiCamillo takes us on an extraordinary journey, from the depths of the ocean to the net of a fisherman, from the top of a garbage heap to the fireside of a hoboes' camp, from the bedside of an ailing child to the bustling streets of Memphis. And along the way, we are shown a true miracle — that even a heart of the most breakable kind can learn to love, to lose, and to love again.
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“Deliciously drawn (with fragments of collage worked into each page), insightful and bubbling with delight in the process of artistic creation. A+” —SalonHow do objects summon memories? What do real images feel like? For decades, these types of questions have permeated the pages of Lynda Barry’s compositions, with words attracting pictures and conjuring places through a pen that first and foremost keeps on moving. What It Is demonstrates a tried-and-true creative method that is playful, powerful, and accessible to anyone with an inquisitive wish to write or to remember. Composed of completely new material, each page of Barry’s first Drawn & Quarterly book is a full-color collage that is not only a gentle guide to this process but an invigorating example of exactly what it is: “The ordinary is extraordinary.”
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At last! Here is the definitive edition of the book acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker). It now appears as it was originally envisioned by the author: The Complete Maus.
It is the story of Vladek Spiegelman, a Jewish survivor of Hitler’s Europe, and his son, a cartoonist coming to terms with his father’s story. Maus approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity and succeeds in “drawing us closer to the bleak heart of the Holocaust” (The New York Times).
Maus is a haunting tale within a tale. Vladek’s harrowing story of survival is woven into the author’s account of his tortured relationship with his aging father. Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits. This astonishing retelling of our century’s grisliest news is a story of survival, not only of Vladek but of the children who survive even the survivors. Maus studies the bloody pawprints of history and tracks its meaning for all of us.
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Sasha has everything she wants: kind housefolk who take care of her during the day and the freedom to explore the woods beyond Twolegplace at night. But when Sasha is forced to leave her home, she must forge a solitary new life in the forest. Life on her own is exciting at first but quickly gets lonely. When Sasha meets Tigerstar, leader of ShadowClan, she wonders whether she would be better off joining the ranks of his forest Clan. But Tigerstar has many secrets, and Sasha must decide whether she can trust him.
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Since the destruction of the Hellmouth, the Slayers - newly legion - have gotten organized and are kicking some serious undead butt. But not everything's fun and firearms, as an old enemy reappears and Dawn experiences some serious growing pains. Meanwhile, one of the "Buffy" decoy slayers is going through major pain of her own. Buffy creator Joss Whedon brings Buffy back to Dark Horse in this direct follow-up to season seven of the smash-hit TV series. The bestselling and critically acclaimed issues #1-5 are collected here for the first time, as are their covers by Jo Chen and Georges Jeanty.
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