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Books : Comics & Graphic Novels : History & Price Guides
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Enjoy the ultimate companion to a comics masterpiece, as award-winning artist Dave Gibbons gives his own account of the genesis of WATCHMEN in this dust-jacketed hardback volume, opening his vast personal archives to reveal never-published pages, original character designs, page thumbnails, sketches and much more, including posters, covers and rare portfolio art. Featuring the breathtaking design of Chip Kidd and Mike Essl, WATCHING THE WATCHMEN is both a major art book in its own right, and the definitive companion to the graphic novel that changed an industry.
Voted among Time magazine's 100 Best Novels from 1923 to the present, a perennial bestseller over the past twenty years and widely considered the greatest graphic novel of all time, WATCHMEN is a gripping, labyrinthine piece of comic art, which has earned an acclaimed place in modern literary history.
"I've had a great time, re-visiting the very beginnings of Watchmen and unearthing material I haven't set eyes on for many years. As a fan myself, this is the kind of stuff I eat up and I'm sure the many devotees of the graphic novel will do the same!" says Gibbons.
NOT FINAL COVER. » & © DC Comics 2008. All Rights Reserved. -
Marvel Comics' character roster boasts some of the best known and most popular characters ever conceived-heroes that are international household names, both as comic book stars and movie stars, such as Spider-Man, the Hulk and Wolverine. This unique, one-volume encyclopedia contains more than 1000 of Marvel's greatest, with full details of their powers and their thrill-packed careers. The encyclopedia's range of spectacular art features eye-popping work by Marvel's finest artists, while the authoritative text is supplied by a team of top Marvel comic book writers. In addition, double-page features, illustrated with classic covers, trace the fascinating story of Marvel Comics through the decades. The Marvel Comics Encyclopedia is an essential book both for new fans and for those who grew up loving the excitement, heroism and humor of the Marvel Universe. Includes a foreword by Stan Lee.
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This newest addition to the Best American Series returns with a set of both
established and up-and-coming contributors. Editor Lynda Barry and
brand-new series editors Jessica Abel and Matt Madden, acclaimed cartoonists in their own right, culled the best stories from graphic novels,
pamphlet comics, newspapers, magazines, mini-comics, and the web to
create this cutting-edge collection, "perfect for newbies as well as fans"
(San Diego Union-Tribune). This volume features such luminaries as
Chris Ware, Seth, and Alison Bechdel alongside beloved daily cartoonists
like Matt Groening. -
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In 1935, popular culture was forever transformed when DC Comics published the first book of “all new, all original” comic material. To the delight of millions of readers everywhere, the modern comic book was born, and from its pages came leaping an exhilarating cast of characters.
Now The DC Vault unlocks DC Comics’ most fascinating secrets and deeply buried treasures, presenting a colorful array of historic and never-before-published memorabilia, including early sketches, covers, memos, press materials, and much more. From a working reproduction of a 1942 Junior Justice Society of America decoder, to a series of Public Service Announcements starring Superman and Batman, to the original pencils and inks for Wonder Woman #63, this dazzling chronicle contains more than 25 plastic-encased archival pieces for readers to pull out and examine—all while learning about the artists, writers, and world-famous super heroes that make up the DC Universe. Whether you’ve been collecting Superman comics since the ’40s or have just discovered the amazing Sandman saga, you’ll revel in this vibrant treasury!
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The Official Overstreet Comic Book Price Guide is a must-have for any comic book collector. It includes more than 2,000 black-and-white illustrations throughout the text, a gallery of hundreds of color images of some of the most popular collectible comic books, and informative essays written by top experts on important comic book topics.
Key features:
·a comic-style introduction to using the book
·market review and forecast
·tips on grading and maintaining a collection
·the latest pricing information for thousands of comic books. -
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The first critical retrospective of the work of the reclusive Spider-Man co-creator.
In the wake of the astonishing success of Sam Raimi's three Spider-Man movies, Steve Ditko has become known as the co-creator, with Stan Lee, of the early 1960s character that helped propel Marvel Comics' popularity on college campuses and gave it much of its cultural cachet throughout that decade. But, in the context of Steve Ditko's 50-year career in comics, his creative involvement with Spider-Man is merely the tip of the iceberg.
Ditko is known among the cartooning cognoscenti as one of the supreme visual stylists in the history of comics, as well as the most fiercely independent cartoonist of his generation. His unique style and innovative spatial designs moved from the imaginatively hallucinatory landscapes of Dr. Strange to the almost plebeian earthiness of The Amazing Spider-Man.
Ditko began his career in the 1950s drawing comics for the notorious low-budget Charlton Comics (the Roger Corman Productions of the comics industry) where he developed his craft on various genre titles. He started working for Stan Lee at Marvel Comics in 1958, churning out monster/horror stories, until he was conscripted to work on Marvel's new super-hero line, for which he provided the visual conceptions of The Hulk, Spider-Man, and Dr. Strange, and plotted and drew these characters' adventures between 1962 and 1966. By 1966, Spider-Man had become a pop culture icon, and it was then that Ditko quit drawing the character over mysterious circumstances that will, for the first time, be investigated here.
He immediately created his Ayn Rand-inspired character, Mr. A, whose first story appeared in Witzend, a black-and-white pre-underground independent comics magazine edited and published by Wally Wood, another talented stylist who chafed under the constraints of the mainstream comics publishers of the time. Ditko went on to work at various publishing companies such as DC Comics, Warren Publishing, and even Marvel Comics (albeit steadfastly refusing to ever draw Spider-Man again), writing and drawing his didactic Mr. A stories, relentlessly extolling the philosophical precepts of Ayn Rand, and, more recently, bitter visual jeremiads against the moral status quo of the comics industry.
Strange & Stranger: The World of Steve Ditko is a coffee table art book tracing Ditko's life and career, his unparalleled stylistic innovations, his strict adherence to his own (and Randian) principles, with lush displays of obscure and popular art from the thousands of pages of comics he's drawn over the last 55 years. -
Fantasy art's most popular painter was also one of the most popular comic book illustrators during the industry’s golden age. Telling Stories: The Classic Comic Art of Frank Frazetta celebrates the rare and largely forgotten stories created five decades ago by this iconic artist. These jungle adventures, true-life tales of heroism, and dreamy love stories not only exhibit the skill of a master craftsman but also provide tantalizing glimpses of where the young artist’s career would ultimately take him.
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The Physics of Superheroesapplies the reality of physics to the fantasy of comic books. James Kakalios explores the scientific plausibility of the powers and feats of the most famous superheroes—and discovers that in many cases the comic writers got their science surprisingly right. Along the way he provides an engaging and witty commentary while introducing the lay reader to both classic and cutting-edge concepts in physics, including:
• What Superman’s strength can tell us about the Newtonian physics of force, mass, and acceleration
• How Iceman’s and Storm’s powers illustrate the principles of thermal dynamics
• The physics behind the death of Spider-Man’s girlfriend Gwen Stacy
• Why physics professors gone bad are the most dangerous evil geniuses! BACKCOVER: Praise for The Physics of Superheroes
“Surprisingly enough, according to Kakalios, comic books get their physics right more often than you’d think.”
—The Boston Globe
“Writing with tongue firmly planted in cheek, Kakalios looks at classic comics with a physicist’s eye. . . . Outstanding.”
—The Orlando Sentinel
“Kakalios, a University of Minnesota physicist and unrepentant comics nerd, offers up jovial, largely equation-free deconstructions of Ant-Man’s shrinking ability, the centripetal acceleration of Spider-Man’s swing, and the strength of his silk web.”
—Discover
“Wildly entertaining, yet scientifically accurate… Comprises a fairly solid introductory education in physics, sweetened with a history lesson in classic comic book superheroes.”
—Metro
“Offers a droll but sincere look at what Superman and Spider-Man can teach about physics. . . . Entertaining. . . . His explanations are lucid and smooth.”
—Science magazine -
Noel Sickles drew comics for three brief years, yet his groundbreaking work on the 1930s aviation adventure series Scorchy Smith is a milestone in the history of newspaper comic strips. Over the past 70 years, however, readers have seen only occasional excerpts of this seminal work. Now, IDW's Library of American Comics presents Scorchy Smith and The Art of Noel Sickles, a comprehensive, oversized volume that collects, for the first time, every Sickles Scorchy strip, from December 1933 through November 1936.
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The classic American comic strip is known for being wholesome family entertainment, accesible to everyone. But these artists, including Sidd (B.C.) Hoff and Mort (Beetle Bailey) Walker, also had a mischievous side they only shared with peers and friends. Now, in Clean Cartoonists' Dirty Drawings, the general public can see the work of these American masters in their moments of blue humor.
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The two hottest genres in comics gleefully collide head-on, as the most beloved American superhero gets the coolest Japanese manga makeover ever.
In 1966, during the height of the first Batman craze, a weekly Japanese manga anthology for boys, Shonen King, licensed the rights to commission its own Batman and Robin stories. A year later, the stories stopped. They were never collected in Japan, and never translated into English. Now, in this gorgeously produced book, hundreds of pages of Batman-manga comics more than four decades old are translated for the first time, appearing alongside stunning photographs of the world’s most comprehensive collection of vintage Japanese Batman toys.
This is The Dynamic Duo as you’ve never seen them: with a distinctly Japanese, atomic-age twist as they battle aliens, mutated dinosaurs, and villains who won’t stay dead. And as a bonus: Jiro Kuwata, the manga master who originally wrote and drew this material, has given an exclusive interview for our book.
More than just a dazzling novelty, Bat-Manga! is an invaluable, long-lost chapter in the history of one of the most beloved and timeless figures in comics. -
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Guest editor Chris Ware and series editor Anne Elizabeth Moore have sought out the best stories to create this cutting-edge collection. Contributors include Lynda Barry, R. and Aline Crumb, Kim Deitch, Gilbert Hernandez, Seth, and Art Spiegelman.





















