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Books : Entertainment : Humor : Comedy
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Outrageous, raw, and painfully funny true stories straight from the life of the actor, comedian, and much-loved cast member of The Howard Stern Show—with a foreword by Howard Stern.
When Artie Lange joined the permanent cast of The Howard Stern Show in 2001, it was possibly the greatest thing ever to happen in the Stern universe, second only to the show’s move to the wild, uncensored frontier of satellite radio. Lange provided what Stern had yet to find all in the same place: a wit quick enough to keep pace with his own, a pathetic self-image to dwarf his own, a personal history both heartbreaking and hilarious, and an ingrained sense of self-sabotage that continually keeps things interesting.
A natural storyteller with a bottomless pit of material, Lange grew up in a close-knit, working-class Italian family in Union, New Jersey, a maniacal Yankees fan who pursued the two things his father said he was cut out for—sports and comedy. Tragically, Artie Lange Sr. never saw the truth in that prediction: He became a quadriplegic in an accident when Artie was eighteen and died soon after. But as with every trial in his life, from his drug addiction to his obesity to his fights with his mother, Artie mines the humor, pathos, and humanity in these events and turns them into comedy classics.
True fans of the Stern Show will find Artie gold in these pages: hilarious tales that couldn’t have happened to anyone else. There are stories from his days driving a Jersey cab, working as a longshoreman in Port Newark, and navigating the dark circuit of stand-up comedy. There are outrageous episodes from the frenzied heights of his coked-up days at MADtv, surprisingly moving stories from his childhood, and an account of his recent U.S.O. tour that is equally stirring and irreverent. But also in this volume are stories Artie’s never told before, including some that he deemed too revealing for radio.
Wild, shocking, and drop-dead hilarious, TOO FAT TO FISH is Artie Lange giving everything he’s got to give. And like a true pro, the man never disappoints.
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What happened to the boy who suddenly got everything he ever wanted?
He lived happily ever after.
Terry Fator overcame many odds--an abusive father, a peripatetic and isolated childhood, and decades of struggles--before winning America's Got Talent. In one year, he went from being a struggling entertainer to appearing on Oprah, Letterman and Ellen to sold-out shows in Las Vegas and signed as the major headliner on the Strip in Las Vegas at The Mirage. This is the story of the man with the million dollar voice.
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Jim Norton is a pervertin the truest sense of the word. The physical equivalent of a tall slug, he pays top dollar for massages with happy endings and is fascinated by shitty sitcoms and fat girls. He is also, at times, racially offensive and morally repugnant. He spares no one in his comedy -- least of all himself.
Now, in this outrageous, blisteringly funny collection of essays, Norton tackles the topics that are near and dear to his heart: from public events like the legendary Voyeur Bus incident on the Opie and Anthony Show, which culminated in all involved being taken to jail, or seeking a hug from his childhood idol Gene Simmons, to deeply private moments, including a teenage Jim's embarrassing poetry-writing attempts while in rehab, and his inexpensive sexual experience with an unwashed MILF (a Monolith I'd Like to Forget). His stories are raw, searingly honest in their attention to detail, and most of all, hilarious.
Filled with personal photos and nearly fifty candid and uncompromising essays, Happy Endings is one of a kind...and probably best read on an empty stomach.
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As the heady promise of the 1960s sagged under the weight of widespread violence, rioting, and racial unrest, two young men--one black and one white--took to stages across the nation to help Americans confront their racial divide: by laughing at it.
Tim and Tom tells the story of that pioneering duo, the first interracial comedy team in the history of show business--and the last. Tim Reid and Tom Dreesen polished their act in the nightclubs of Chicago, then took it on the road, not only in the North, but in the still-simmering South as well, developing routines that even today remain surprisingly frank--and remarkably funny--about race. Most nights, the shock of seeing an integrated comedy team quickly dissipated in uproarious laughter, but on some occasions the audience’s confusion and discomfort led to racist heckling, threats, and even violence. Though Tim and Tom perpetually seemed on the verge of making it big throughout their five years together, they grudgingly came to realize that they were ahead of their time: America was not yet ready to laugh at its own failed promise.
Eventually, the grind of the road took its toll, as bitter arguments led to an acrimonious breakup. But the underlying bond of friendship Reid and Dreesen had forged with each groundbreaking joke has endured for decades, while their solo careers delivered the success that had eluded them as a team. By turns revealing, shocking, and riotously funny, Tim and Tom unearths a largely forgotten chapter in the history of comedy.
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Updated and revised, this new edition of the best-selling favorite enables readers to master the fundamentals of humor writing and better understand the demands of the comedic market. Comedy Writing Secrets now includes:-Examples from comedy greats as well as cutting-edge contemporary comedians, including Jon Stewart, Chris Rock, and Tina Fey
-A complete spectrum of techniques, from writing one-liners and stand-up routines, to finding a market for one's work
-Step-by-step writing exercises accompanied with sample answers, so readers can practice and hone their skills
With this guide, aspiring comics can learn how to sharpen their comedic talent and turn it into a well-paying pursuit.
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After six wildly successful and critically acclaimed season, HBO's Sex and the City lowered its curtain with an extraordinary finale befitting its remarkable run. Now Sex and the City, the first true comedy about sex and love from a female point of view (and the show that made cosmopolitans and designer shoes part of every single woman's night out), lives on in this luscious, uniquely entertaining, and one-of-a-kind book.Sex and the City: Kiss and Tell, the official companion book, celebrates the show with behind-the-scenes stories on all six seasons and original interview with each of the primary actors. Ever wonder which designer made that outrageous outfit of Carrie's? What real-life stories inspired those shocking episodes? How many dates the fabulous foursome have really been on? Packed with over 750 full-color photographs, this stunning volume will answer all these questions and more with information not available anywhere eels. Topped off with a introduction by Sarah Jessica Parker, Sex and the City: Kiss and Tell will excite anyone who has experienced even the slightest flirtation with the sexiest, funniest show on television.
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Saturday Night Live changed the face of television: it introduced brash new stars, trashed TV taboos, and had an impact on American life, laughter, and politics.
Dozens of stars, writers, guest hosts, contributors, and craftsmen (as read by professional narrators) recall the backstage stories, behind-the-scenes gossip, feuds, foibles, drugs, sex, struggles, and calamities, including personal details never before revealed. Stars interviewed include Mike Meyers, Chris Rock, Bill Murray, Tom Hanks, Adam Sandler, Chevy Chase, Will Ferrell, Dan Aykroyd, Steve Martin, Jon Lovitz, Jane Kattan, Julie Louis-Dreyfus, Garrett Morris, Molly Shannon, Damon Wayans, Chris Elliott, Julie Sweeney, Norm Macdonald, and Paul Simon—plus writers like Al Franken, Conan O'Brien, Larry David, Rosie Shuster, Jack Handey, Robert Smigel, Don Novello, and others who got their big breaks as part of the SNL team.
Live from New York does what no other book about the show has ever done: It lets the people who were there tell the story in their own words, blunt and loving and uncensored.
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Who would have ever thought that learning the finer points of improvisation could be such fun? The "Harold," an innovative improvisational tool, helped Saturday Night Live's Mike Myers and Chris Farley, George Wendt (Norm on "Cheers") and many other actors on the road to TV and film stardom. Now it is described fully in this new book for the benefit of other would-be actors and comics. The "Harold" is a form of competitive improv involving six or seven players. They take a theme suggestion from the audience and free-associate on the theme, creating a series of rapid-fire one-liners that build into totally unpredictable skits with hilarious results. The teams compete with scoring based on applause. The "Harold" is a fun way to "loosen up" and learn to think quickly, build continuity, develop characterizations and sharpen humor.
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Unabridged CDs - 4 CDs, 5 hours
The bestselling first book from the creative force known as Tyler Perry: a confessional memoir in the voice of Madea-the beloved, sharp-tongued, worldly-wise, pistol-packing grandma who is at the center of his popular stage shows and the star of his number-one hit movie, Diary of a Mad Black Woman.
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Do you think you're funny?
Do you want to turn your sense of humor into a career?
If the answer is yes, then Judy Carter's The Comedy Bible is for you. The guru to aspiring stand-up comics provides the complete scoop on being -- and writing -- funny for money.
If you've got a sense of humor, you can learn to make a career out of comedy, says Judy Carter. Whether it's creating a killer stand-up act, writing a spec sitcom, or providing jokes for radio or one-liners for greeting cards, Carter provides step-by-step instructions in The Comedy Bible. She helps readers first determine which genre of comedy writing or performing suits them best and then directs them in developing, refining, and selling their work.
Using the hands-on workbook format that was so effective in her bestselling first book, Stand-Up Comedy: The Book, Carter offers a series of day-by-day exercises that draw on her many years as a successful stand-up comic and the head of a nationally known comedy school. Also included are practical tips and advice from today's top comedy professionals -- from Bernie Brillstein to Christopher Titus to Richard Lewis. She presents the pros and cons of the various comedy fields -- stand-up, script, speech and joke writing, one-person shows, humor essays -- and shows how to tailor your material for each. She teaches how to find your "authentic" voice -- the true source of comedy. And, perhaps most important, Carter explains how to take a finished product to the next level -- making money -- by pitching it to a buyer and negotiating a contract.
Written in Carter's unique, take-no-prisoners voice, The Comedy Bible is practical, inspirational, and funny.
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Want to know a secret? Sssshhhh. Great comedy actors aren’t born...they’re made. Who makes them? Paul Ryan, that’s who. Now Ryan, the top comedy acting coach in Hollywood, shares his secrets in The Art of Comedy, a step-by-step guide for turning actors into comedy actors. Packed with exercises, The Art of Comedy explains exactly how to build a character, how to incorporate improvisation into a written scene, where to turn for comic inspiration, and how to increase your comedic imagination. Also included is a technical analysis of comedy greats from Milton Berle to Jerry Seinfeld. For anyone who wants to work in film, in television, or in community theater, here’s the complete guide to acting funny.
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If you want to build a stand-up comedy career, this book is a must read. If you want to write comedy, this book is a must read. If you simply enjoy comedy, well . . . this book is a must read. Part One offers essential advice about understanding the fundamentals of stand-up, studying other comedians, finding your own style, writing your material, working the live performance and appearing on television. Fascinating, candid, insightful interviews with today's top comedians, who discuss at length why and how they do what they do, comprise Part Two, the bulk of the book. Interviews with:Louie Anderson, Richard Belzer, Elayne Boosler, George Carlin, Ellen DeGeneres, Rich Jeni, Jay Leno, Richard Lewis, Bill Maher, Paul Reiser, Chris Rock, Roseanne, Jerry Seinfeld, Garry Shandling, Sinbad, George Wallace, Jonathan Winters.
The last part of the book addresses your stand-up career through interviews with noted comedy club owners, an agent, a personal manager and a television talent coordinator. Crammed with the wisdom of today's finest stand-up comics, this book is without peer in quality, quantity and timeliness of information.
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It doesn't do this play justice to say that much of the action takes place in a hospital room around the bed of a comatose woman. On the other hand, it may explain why critics have been so impressed. From unpromising material--standard urban settings, stilted exchanges, missed cues, private jokes, half-finished sentences--Diana Son has crafted a subtle, moving drama about vulnerability and risk. When Callie, a twentysomething New York traffic reporter, promises to take on a cat owned by Sara, "some friend of an old friend of someone," she arranges to leave quickly after Sara drops off the cat so that she doesn't get drawn into a dull evening with a stranger. Callie is an expert at avoiding conflict, which serves her well in the city. Sara, on the other hand, has willingly left her job at a Quaker school in St. Louis to teach third-graders in the Bronx. Although both are "straight" women, they circle each other warily, nursing an unspoken attraction. The playwright's choice to shuttle back and forth in time, between the hospital room and police station and the early days of Callie and Sara's friendship, lends a bittersweet quality to even their lightest exchanges, allowing us to wonder, along with the two women, whether the violent outcome of their single kiss makes it a bad idea. Stop Kiss revises Romeo and Juliet, with one thug and the mores of a nation standing in for the family feud. --Regina Marler
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Three-time Emmy Award-winner Gene Perret’s Comedy Writing Step by Step has been the manual for humor writers for 25 years. In this new book, his first update, Perret offers readers a treasure trove of guidelines and suggestions covering a broad range of comedy writing situations, along with many all-important insights into the selling of one’s work. Perret covers all aspects of comedy writing in his uniquely knowledgeable and anecdotal fashion.
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Unique features include an extensive overview of Shakespeare's life, world, and theater by the general editor of Signet Classic Shakespeare series, plus a special introduction to the play by the editor Sylvan Barnet, Tufts University. It also contains dramatic criticism from the past and present, and a special introduction to the play by the editor, Herschel Baker, Harvard University.
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All the world loves a clown and whether you want to clown around at parties or make a living as a standup comic, comedian Judy Carter can show you how to 'do' comedy.
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An entertaining and insightful examination of the Emmy-award winning American satirical news show, broadcast on Comedy Central in the US, and (in an edited edition) on More4 in the UK and CNN International around the world.
* Includes discussion of both The Daily Show and its spin-off show, The Colbert Report
* Showcases philosophers at their best, discussing truth, knowledge, reality and the American Way
* Highlights the razor sharp critical skills of Jon Stewart and his colleagues
* Faces tough and surprisingly funny questions about politics, religion, and power head on
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