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Books : Entertainment : Movies
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Marcia Brady, eldest daughter on television's The Brady Bunch, had it all. But what viewers didn't know about the always sunny, perfect Marcia was that off-screen, her real-life counterpart, Maureen McCormick was living a very different—and not-so-wonderful—life. Maureen tells the shocking and inspirational true story of the beloved teen and the woman she became.
Maureen takes us behind-the-scenes of America's favorite television family. But the real story begins after The Brady Bunch ended. Maureen found herself tangled in a fast-paced, drug-fueled, Hollywood existence that ultimately lead to the biggest battle of her life.
There is no question: Maureen McCormick is a survivor. Here's the Story is the empowering, engaging, shocking, and emotional tale of Maureen McCormick's courageous struggle over adversity and her lifelong battle to come to terms with the idea of perfection—and herself.
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A moving, candid, and deeply personal look at the triumphs and tragedies, lovesand heartbreaks of one of Hollywood's most popular and enduring stars.
Handsome, suave, and sophisticated, Robert J. Wagner has starred in more than one hundred films and television series over the past fifty years. In this deeply personal story, he recalls his rise to stardom. He talks candidly about his relationships with some of the greatest stars of the 20th century, including Clark Gable, Spencer Tracy, Frank Sinatra, Elizabeth Taylor, Barbara Stanwyck, and, for the first time, he shares the details of his two marriages to Natalie Wood. Wagner also offers a fascinating look at Hollywood during the last half of the 20th century.
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In this raucous collection of true-life stories, actress and comedian Chelsea Handler recounts her time spent in the social trenches with that wild, strange, irresistible, and often gratifying beast: the one-night stand.
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No personage is too big, no nuance too small, no subject too far out for Groucho’s spontaneous, hilarious, and ferocious typewriter. He writes to comics, corporations, children, presidents, and even his daughter’s boyfriend. Here is Groucho swapping photos with T. S. Eliot (”I had no idea you were so handsome!”); advising his son on courting a rich dame (”Don’t come out bluntly and say, ’How much dough have you got?’ That wouldn’t be the Marxian way”); crisply declining membership in a Hollywood club (”I don’t care to belong to any social organization that will accept me as a member”); reacting with utmost composure when informed that he has been made into a verb by James Joyce (”There’s no reason why I shouldn’t appear in Finnegans Wake. I’m certainly as bewildered about life as Joyce was”); responding to a scandal sheet (”Gentleman: If you continue to publish slanderous pieces about me, I shall feel compelled to cancel my subscription”); describing himself to the Lunts (”I eat like a vulture. Unfortunately the resemblance doesn’t end there”); and much, much more. That mobile visage, that look of wild amazement, and that weaving cigar are wholly captured, bound but untamed, in The Groucho Letters.
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“All my life I had one dream and that was to be in the movies.”
He was the Golden Boy of the Golden Age. A prince of the silver screen. Dashing and debonair, Tony Curtis arrived on the scene in a blaze of bright lights and celluloid. His good looks, smooth charm, and natural talent earned him fame, women, and adulation—Elvis copied his look and the Beatles put him on their Sgt. Pepper album cover. But the Hollywood life of his dreams brought both invincible highs and debilitating lows. Now, in his captivating, no-holds-barred autobiography, Tony Curtis shares the agony and ecstasy of a private life in the public eye.
No simple tell-all, American Prince chronicles Hollywood during its heyday. Curtis revisits his immense body of work—including the unforgettable classics Houdini, Spartacus, and Some Like It Hot—and regales readers with stories of his associations with Frank Sinatra, Laurence Olivier, director Billy Wilder, and film industry heavyweight Lew Wasserman, as well as paramours Natalie Wood and Marilyn Monroe, among others.
As forthright as he is enthralling, Tony Curtis offers intimate glimpses into his succession of failed marriages (and the one that has endured), his destructive drug addiction, and his passion as a painter. Written with humor and grace, American Prince is a testament to the power of living the life of one’s dreams.
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Spend a few hours with George Hamilton? Don't Mind If I Do Don't let that tanned, handsome, charming surface fool you. Beneath the bronzed façade is a mischievous mind with a wicked wit. George Hamilton doesn't miss a thing. With a front row seat for classic Hollywood's biggest secrets and scandals, George has the intelligence, heart, and unflappable spirit to tell his story, and the story of Tinseltown's heyday, with great good humor and delicious candor -- as only he can. From Where the Boys Are to Dancing with the Stars; from Mary Pickford to Elizabeth Taylor; from smalltown Arkansas to the capitals of Europe -- it's all here, and George has lived to tell and to laugh about it.
As the child of a Dartmouth-educated bandleader father and a glamorous Southern debutante mother whose marriage crumbled early on, George had a childhood filled with misadventures and challenges that his mother always seemed able to turn from tragedy to comedy. Her idea of changing the family's fortunes involved a trip cross-country with three sons and a poodle in a Lincoln Continental, making stops along the way to search for husband/father number three. And she was quick to recognize that George's potential success lay in Hollywood.
George starved nobly for his art in the late 1950s, but was soon starring in major motion pictures directed by the likes of Vincente Minnelli and Louis Malle. He has forgotten more about Hollywood than most movie experts will ever know and shares intimate and hugely entertaining stories of his friendships with Cary Grant; Brigitte Bardot; Robert Mitchum; Merle Oberon; Mae West; Sammy Davis, Jr.; and Judy Garland -- not to mention Lyndon B. Johnson and Elvis's Colonel Tom Parker as well as the King himself -- among others. The world is Hamilton's oyster, and this ultimate insider is ready to share it with us. So fasten your seat belt. We'll tell you when it's safe to move about the cabin again.
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"I have lost 50 pounds over the last nine months by eating less, moving more, and changing the way I think. I am 62 and look better and feel better and have more energy than in the last 15 years."—Ron T.
" I read the wisdom put forth by Chris and Harry . . . [and] my next physical blew my doctor away. I am 74 and in better shape than when I was 50."—Jack S.
"Not a week goes by that I do not utter a silent prayer of thanks that Younger Next Year came into my life. You guys are saving the world one body at a time."—T. G.
Announcing the paperback edition of Younger Next Year, the New York Times, USA Today, Wall Street Journal, and Publishers Weekly bestseller, co-written by one of the country’s most prominent internists, Dr. Henry "Harry" Lodge, and his star patient, the 73-year-old Chris Crowley. These are the books that show us how to turn back our biological clocks—how to put off 70% of the normal problems of aging (weakness, sore joints, bad balance) and eliminate 50% of serious illness and injury. The key to the program is found in Harry's Rules: Exercise six days a week. Don't eat crap. Connect and commit to others. There are seven rules all together, based on the latest findings in cell physiology, evolutionary biology, anthropology, and experimental psychology. Dr. Lodge explains how and why they work—and Chris Crowley, who is living proof of their effectiveness (skiing better today, for example, than he did twenty years ago), gives the just-as-essential motivation.Both men and women can become functionally younger every year for the next five to ten years, then continue to live with newfound vitality and pleasure deep into our 80s and beyond.
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It's conventional wisdom that Hollywood has no use for a woman over forty. So it's a good thing that Diahann Carroll—whose winning, sometimes controversial career breached racial barriers—is anything but conventional. Shonda Rhimes, the creator and executive producer of the hit program Grey's Anatomy, developed a role just for her, and a recent show that's touring the United States, The Life and Times of Diahann Carroll, was enthusiastically embraced by the New York Times. And all this since Carroll turned seventy!
Here she shares her life story with an admirable candidness of someone who has seen and done it all. With wisdom that only aging gracefully can bestow, she talks frankly about her four marriages as well as the other significant relationships in her life, including her courtship with Sidney Poitier; racial politics in Hollywood and on Broadway; and the personal cost, particularly to her family, of being a pioneer. Whether she's recalling an audition for Sir Andrew Lloyd Webber's Sunset Boulevard, reflecting on her marriage to Vic Damone, or talking about her experience with breast cancer, Carroll's storied history, blunt views, and notorious wit will be sure to entertain and inform.
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Provides a complete, comprehensive overview of the Prequel movies (Episodes I-III) and the Trilogy (Episodes IV-VI), this is the definitive photographic guide to the entire Star Wars saga.
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The most authoritative book in the field, now with more entries than ever before, updated and revised for 2009.
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This edition of Much Ado About Nothing focuses wholly on the play in performance. Shifting trends in the production of this popular drama are analyzed in relation to the culture of each period since Shakespeare's time, with particular attention to gender issues. A commentary alongside the New Cambridge edition of the text recreates in lively detail interpretations of each passage in a variety of British, American, Canadian stage, film and TV productions. An essential resource for students, teachers and performers, this is also an illuminating book for theatergoers.
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“I have been through some of the worst of contentious divorce litigation,” Alec Baldwin declares in A Promise to Ourselves. Using a very personal approach, he offers practical guidance to help others avoid the anguish he has endured.
An Academy and Tony Award nominee and a 2007 recipient of Golden Globe, SAG, and Television Critics Association Awards for best actor in a comedy, Alec Baldwin is one of the best-known, most successful actors in the world. His relationship with Kim Basinger, the Academy Award–winning actress, lasted nearly a decade. They have a daughter named Ireland, and for a time, theirs seemed to be the model of a successful Hollywood marriage. But in 2000 they separated and in 2002 divorced. Their split---specifically the custody battle surrounding Ireland---would be the subject of media attention for years to come.
In his own life and others’, Baldwin has seen the heavy toll that divorce can take---psychologically, emotionally, and financially. He has been extensively involved in divorce litigation, and he has witnessed the way that noncustodial parents, especially fathers, are often forced to abandon hopes of equitable rights when it comes to their children. He makes a powerful case for reexamining and changing the way divorce and child custody is decided in this country and levels a scathing attack at what he calls the “family law industry.”
When it comes to his experiences with judges, court-appointed therapists, and lawyers, Baldwin pulls no punches. He casts a light on his own divorce and the way the current family law system affected him, his ex-wife, and his daughter, as well as many other families. This is an important, informative, and deeply felt book on a contentious subject that offers hope of finding a better way.
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One of a hand-picked selection of some of the most popular and cult-worthy titles on Faber and Faber's extensive list of film scripts.
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