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Books : Entertainment : Movies : Guides & Reviews
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In 1967, Charlie Chaplin told an interviewer, "I think I like City Lights the best of all my films." Speaking of the film's famous ending, James Agee wrote that "it is enough to shrivel the heart to see." Although City Lights had a long and extremely difficult production history, the final film, in Alistair Cooke's apt words, flows "like water over pebbles, smooth and simple for all to see with no hint of the groaning pressure that had gone into it." It could easily have been otherwise. Chaplin began the film in 1927, even before the release of The Circus, just months after a highly publicized divorce from his second wife and a tax dispute with the U.S. government, both of which cost him dearly. In addition, Chaplin's mother, with whom he had a close and complex relationship, died in August 1928. Besides the burden of these financial and emotional strains, Chaplin also had to contend with the transition of the American film industry to the talkies and the downward spiral of the depression following the Stock Market Crash in October 1929. He chose a novice actress, Virginia Cherrill, as the female lead for the film, and during production he fired the man originally cast as the millionaire and fired, then re-hired, Cherrill. Yet he pressed forward, releasing the film to much acclaim and box-office success in the first two months of 1931. Aesthetically, technologically, and culturally, City Lights is a key transitional film in Chaplin's body of work, as the director/writer/actor responded for the first time to sound films and stepped in the direction of the social commentary that would become more overt in Modern Times (1936) and The Great Dictator (1940). Based on extensive archival research of Chaplin's production records, Charles Maland's City Lights offers a careful history of the film's production and reception, as well as a close examination of the film itself, with special attention to the sources of the final scene's emotional power.
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Documentary Filmmaking: A Contemporary Field Guide is a skills-oriented, step-by-step portable guide to creating documentary films, from the initial idea phase to postproduction processes and distribution. An indispensable resource on site or in the studio, this compact handbook offers something for all types of students: documentary recommendations (for the film buff); illustrations and examples from working documentary makers, producers, editors, and distributors (for the more grounded, visual learner); the latest trends in Internet video and other forms of new media (for the more "techie" documentarian); and even practical financial tips, fundraising ideas, and legal considerations (for the more idealistic--and not always realistic--visionary).
Organized by the chronological structure of documentary film creation, the book opens with ideas, motives, access, and preproduction questions. It then moves on to research, crew considerations, legal issues, production planning, film shoots, and interviewing issues, before wrapping up with postproduction organization, publicity, distribution, and festivals.
Offering a strong focus on practical advice and ethics, Documentary Filmmaking is an ideal text for undergraduate- and graduate-level documentary film courses.
FEATURES
· Step-by-step information for producing documentaries, including many useful checklists
· Detailed hands-on advice and class-tested instructional organization backed by the authors' combined forty years of teaching experience--and by their combined sixty years of independent documentary work
· An up-to-date and careful look at the latest distribution market structure and innovative media for distribution
· Brief structure and compact size that encourages portability
· Unique chapters covering Internet video, the use of music, and publicity and distribution
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Thoroughly revised and updated, the latest edition of this authoritative volume by Donald Richie, the foremost Western expert on Japanese film, gives us an incisive, detailed, and fully illustrated history of the country's cinema.Called "the dean of Japan's arts critics" by Time magazine, Richie takes us from the inception of Japanese cinema at the end of the nineteenth century, through the achievements of Kurosawa, Mizoguchi, and Ozu, then on to the notable works of contemporary filmmakers. This revised edition includes analyses of the latest trends in Japanese cinema, such as the revival of the horror genre, and introduces today's up-and-coming directors and their works.
As Paul schrader writes in his perceptive foreword, Richie's accounting of the Japanese film "retains his sensitivity to the actual circumstances of film production (something filmmakers know very well but historians often overlook) . . . and shows the interweave of filmmaking—the contributions of directors, writers, cinematographers, actors, musicians, art directors, as well as financiers."
Of primary interest to those who would like to watch the works introduced in these pages, Richie has provided capsule reviews of the major subtitled Japanese films commercially available in DVD and VHS formats. This guide has been updated to include not only the best new movie releases, but also classic films available in these formats for the first time.
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One of the most famous images in cinema is from The Blue Angel (1930). Lola Lola (Marlene Dietrich), in revealing black suspenders, sits on a beer-barrel clasping an upraised knee with both hands while she leans slightly back. Though not Germany's first sound film, The Blue Angel was the most prestigious and expensive by far. Director Josef von Sternberg had been lured back from Hollywood and, together with acting star Emil Jannings and producer Erich Pommer, he set about making an adaptation of Heinrich Mann's novel Professor Unrat. The technically dazzling result is a subtly claustrophobic study of a man's downfall and a milestone in European cinema. In his comprehensive study, S. S. Prawer reconstructs the production history of The Blue Angel, showing how Sternberg's virtuoso visual style was amply supported by an immensely talented team of actors and technicians. Prawer goes on to provide a detailed analysis of the film's aesthetics and to show how the grave political situation in Germany reverberated in its seemingly airtight world. Illustrated
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This text combines discussion of contemporary and classic films with pedagogical features designed to stimulate interest and encourage discussion. Popular Hollywood films that are familiar to students are balanced with historically classic films from a variety of time periods and countries.
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It ends here! All loose ends are laid to rest in this collection that ends the All Hail Megatron saga and sets the stage for big things to come for the Transformers!
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When Friday the 13th premiered in 1980, the film introduced moviegoers to a new kind of cinematic terror - shocking, visceral, graphic and relentless. Spawning ten popular sequels to date, the series has become the most successful horror franchise of all time, and the character of "Jason" an icon known around the world as the first name in evil. Now, uncensored and in their own words, over two hundred alumni of the series recall a quarter-century's worth of behind-the-scenes stories - the struggles, feuds, foibles, controversies and calamities.Fully illustrated with over five hundred never-before-seen photos, rare archival documents and production materials, this is the ultimate oral and visual memoir of the most successful horror franchise in the history of motion pictures.
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At last, it’s the ultimate history of the spectacular Star Wars saga, lavishly illustrated and in full color for the first time.
With the completion of Episodes I, II, and III, the epic story that’s captivated millions can now be told in its entirety, from the time of the primordial Knights of the Old Republic and the Clone Wars to the birth of the Empire, from the destruction of the Death Star to the adventures of the New Jedi Order.
Beautifully illustrated by Mark Chiarello, Tommy Lee Edwards, and John Van Fleet, Star Wars: The New Essential Chronology offers the comprehensive and official chronicle of that extraordinary galaxy so far, far away. Herein you’ll find
• the most exciting and climactic events from all epochs of Star Wars–those explosive turning points in the shaping of the galaxy
• a gripping account of the controversial Clone Wars–the treachery that fueled them and the terrifying aftermath
• profiles of the key players in the history of the Star Wars galaxy, along with all the most popular heroes and villains from every movie, book, comic, TV special, game, and cartoon
Follow Anakin Solo’s perilous journey as he wrestles with the dark side; behold the black soul of each Dark Lord of the Sith, from Darth Sidious to Darth Vader; experience the fiery space battles that decided the fates of entire planets; and witness the ferocious invasion of the seemingly invincible Yuuzhon Vong.
The training of Obi-Wan Kenobi, the invasion of Naboo, the capture of Princess Leia, the Battle of Yavin, the lightsaber death duel between Organa Solo and Beldorion the Hutt–all of the key events are captured and preserved for all time in this drama-filled Stars Wars chronicle.
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Celluloid Mavericks: A History of American Independent Filmmaking documents this rich history, showing what it meant to be "independent" in the 1930s and what it means today. Author Greg Merritt distinguishes between indie and semi-indie productions, explores the genres represented under the independent umbrella, and addresses the question of what makes a movie independent -- its "spirit" or the budget backing the production. From one-reel flicks at the turn of the century to the blockbusters of the '90s, Celluloid Mavericks takes readers on a fascinating tour of the industry. 50 photos.
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Packed with breathtaking visuals created by a team of world-class artists, The Art of Star Wars: Episode III Revenge of the Sith charts the visual genesis of this epic saga’s climactic finale. For years, George Lucas’s handpicked group has created characters, costumes, droids, starships, planetary vistas, digi-matte paintings, and sculptures–every type of visual imaginable.
This extraordinary volume unveils never-before-seen images–thus taking readers on a fascinating journey from the first concepts to the final movie. While marveling at hundreds of brilliant pieces of art, readers will experience
• Darth Vader–a look at the sinister chamber where he is created
• stunning conceptual visions for the climactic lightsaber duel between Anakin Skywalker and Obi-Wan Kenobi
• the evolution of General Grievous–the new face of evil– from initial sketches to ILM animation art
• fantastic full-color renderings of costumes, weapons, landscapes, and spacecraft
• intriguing insights from exclusive interviews with the artists, whose groundbreaking work helped bring Lucas’s ideas to life
New to this edition–the one and only Revenge of the Sith screenplay, revealing every beat of the action.
For Star Wars fans everywhere, this treasure trove of images from the final, fateful Star Wars movie will provide a visual feast that promises hours of endless excitement.
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Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In this book A.L. Rees tracks the movement of the film avant-garde between, on the one hand, the cinema, and, on the other hand, modern art (with its post-modern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse.
This is the first major history of avant-garde film and video to be published in more than twenty years. Ranging from Cezanne and dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 90s, this remarkable study will introduce a generation of new readers to avant-garde film as well as provoking students and specialists to further reflection and debate.
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This is a detailed commentary on all aspects of the film, "The Searchers", and makes full use of material in the John Ford archive in Indiana, including Ford's own memos and the original scripts, which differs in vital respects from the film he made.
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"It's been a long time since I've come across a set of lists quite so piquant and entertaining as Ten Bad Dates With De Niro."-Louis Bayard, Salon (CriticÕs Pick)
What are the Top Ten movies for making cigarettes look cool? Do good films ever win the Oscar? What is film's most tragic farewell, greatest opening-credit sequence, grisliest murder, loosest screen adaptation, most gratuitous use of sex and violence? How do you make a great movie without a movie camera? And why do Robert De Niro's characters behave so badly to women? Born of the cinephile's well-known love of lists, Ten Bad Dates with DeNiro is a symposium and celebration of viewing pleasures, private passions, and cinematic lost causes. Contributors include a fine cast of critics, filmmakers, and writers ranging from Steven Soderbergh and the Coen brothers to Andrew O'Hagan and George Pelecanos.
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color illus Blade Runner has proved to be one of the most enduring and influential films of the 1980s. In his innovative reading, Scott Bukatman details the making of the film and its steadily improving fortunes after its initial release. He situates the film in terms of the debates about post modernism that have informed the large body of criticism devoted to it. Although Blade Runner explores the tensions fundamental to a postmodern era of bewildering technological change, Bukatman argues, it derives from the quintessentially twentieth-century, modernist experience of the city-the experience of a space both imprisoning and liberating.
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On September 8, 1987 -- more than twenty years after the original Star Trek® series first aired -- millions of Star Trek fans across the country sat down in front of their television sets for the debut of an all-new Star Trek series. No expense had been spared in bringing this new show to life -- the creator of the original Star Trek series, Gene Roddenberry, was back producing the new show. Yet even the most faithful of Star Trek fans had their doubts -- could the magic be duplicated?
The answer to that question proved to be a resounding yes. Led by Captain Jean-Luc Picard, the U.S.S. Enterprise™ NCC-1701-D blazed a trail of exciting adventures across the galaxy. In show after show, Star Trek: The Next Generation brought to life a future where cooperation and mutual understanding proved the keys to solving humanity's problems -- and enabled galactic civilization to flourish.
Here is the complete official guide to every episode of the television adventures of the Starship Enterprise and all four of the major motion pictures from Star Trek Generations™ to the latest, Star Trek Nemesis. This companion is a compendium of information including plot summaries and credits for each show and motion picture, as well as fascinating behind-the-scenes glimpses into the creation of The Next Generation. Take a glimpse into the show's incredible seven-year run, during which it reigned at the very top of the syndicated television ratings. Illustrated with more than 150 photographs, this is the official reference guide to Star Trek: The Next Generation.
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Star Wars(r)TM has captured the hearts and imaginations of millions and millions of people like no other story of our time. This official companion volume to the landmark exhibit at the Smithsonian Institution's National Air and Space Museum explores the mythological roots of the Star Wars saga, a story that will continue to unfold into the next millenium.Written by the exhibit's curator and illustrated with hundreds of photographs, drawings and images, Star Wars(r): The Magic of Myth illuminates this modern tale of the ageless and mythic battle of good versus evil.
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Roger Ebert's Movie Yearbook 2010 is the ultimate source for movies, movie reviews, and much more. For nearly 25 years, Roger Ebert's annual collection has been recognized as the preeminent source for full-length critical movie reviews, and his 2010 yearbook does not disappoint.The yearbook includes every review Ebert has written from January 2007 to July 2009. It also includes interviews, essays, tributes, and all-new questions and answers from his Questions for the Movie Answer Man columns. Fans get a bonus feature, too, with new entries to Ebert's Little Movie Glossary.
This is the must-have go-to guide for movie fanatics.
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An anthology of unparalleled scope, American Movie Critics charts the rise of movies as art, industry, and mass entertainment. Here are the great movie critics who forged a forceful new vernacular idiom for talking about the new art,?Otis Ferguson, James Agee, Richard Schickel, Pauline Kael, Andrew Sarris, and Molly Haskell, among them. Here too are notable American writers, including Carl Sandburg, H. L. Mencken, Susan Sontag, and John Ashbery, weighing in on a range of cinematic experiences. The volume’s narrative continues to the present with a sampling of the best of today’s reviewers, including J. Hoberman, Roger Ebert, A. O. Scott, and Manohla Dargis. This paperback edition includes additional material reflecting the impact of the Internet and DVDs on film criticism.