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Books : Entertainment : Movies : History & Criticism
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No personage is too big, no nuance too small, no subject too far out for Groucho’s spontaneous, hilarious, and ferocious typewriter. He writes to comics, corporations, children, presidents, and even his daughter’s boyfriend. Here is Groucho swapping photos with T. S. Eliot (”I had no idea you were so handsome!”); advising his son on courting a rich dame (”Don’t come out bluntly and say, ’How much dough have you got?’ That wouldn’t be the Marxian way”); crisply declining membership in a Hollywood club (”I don’t care to belong to any social organization that will accept me as a member”); reacting with utmost composure when informed that he has been made into a verb by James Joyce (”There’s no reason why I shouldn’t appear in Finnegans Wake. I’m certainly as bewildered about life as Joyce was”); responding to a scandal sheet (”Gentleman: If you continue to publish slanderous pieces about me, I shall feel compelled to cancel my subscription”); describing himself to the Lunts (”I eat like a vulture. Unfortunately the resemblance doesn’t end there”); and much, much more. That mobile visage, that look of wild amazement, and that weaving cigar are wholly captured, bound but untamed, in The Groucho Letters.
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The most authoritative book in the field, now with more entries than ever before, updated and revised for 2009.
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In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought -- provoking essay on film editing. Starting with what might be the most basic editing question -- Why do cuts work? -- Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's pages) in light of the technological changes that have taken place in the six years since its publication.
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This special Fifth Anniversary Edition of the acclaimed film reference guide is packed with virtually everything movie lovers need to know about the films they simply must see. Stephen Jay Schneider and his team of writers have brought the book up to date by including the most memorable movies released during the past five years. Among their new additions are The Queen, The Lives of Others, Brokeback Mountain, and several more recent movies that have attracted worldwide attention. Covering more than a century of filmmaking and dating back to silent-era sensations such as Edwin S. Porter’s The Great Train Robbery and Chaplin’s The Gold Rush, this book describes musicals, dramas, screwball comedies, experimental “New Wave” films from 1950s and ’60s Italy and France, major films noir, classic westerns, action and adventure films, and even memorable documentaries. It lists each film’s director and cast, presents a plot summary and production notes, and cites interesting, often little-known facts relating to the film’s cast, storyline, and production. For students of cinema, discerning film buffs, DVD collectors, and readers who enjoy thumbing through and reminiscing over cherished screen moments, 1001 Movies You Must See Before You Die is the place to start reading. Filled with 800 movie still shots and actors’ photos.
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The ultimate fan’s guide to the Coen Brothers’ cult classic, with an introduction by the Dude himself, Jeff Bridges.
To some The Big Lebowski is just a movie, to others it’s THE MOVIE. Over the past several years the movie has developed a massive and passionate cult following, led by the creation of Lebowski Fest, a traveling festival celebrating all things Lebowski. Held in a bowling alley, it features bowling, costume and trivia contests, live music, a screening of the movie, White Russians, and what-have-you. Attendance has grown exponentially and the Fest has been featured in virtually every national media outlet, from NPR to the New York Times. The Associated Press called it “kind of a ‘Star Trek’ convention, but without all the geeks.” SPIN Magazine called it one of the “19 events you can’t miss!” Now, at last, comes the book that the legion of Lebowski fans (aka Achievers) has been waiting for. I’m a Lebowski, You’re a Lebowski is a treasure trove of trivia and commentary, hilarious throughout and illustrated with photos from the film, including dozens taken on the set by Jeff Bridges. It includes interviews with virtually every major and minor cast member including John Goodman, Julianne Moore and John Turturro, as well as the real-life individuals who served as inspiration for the characters such as Jeff Dowd and John Milius. Fellow Achievers Patton Oswalt, Tony Hawk and Powerpuff Girls creator Craig McCracken give their thoughts on the movie and the phenomenon that surrounds it. The book features a handy guide to speaking Achiever, tips on how to Dude-ify your car, office, and living space, Lebowski Fest highlights and so much more.
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Roger Ebert wrote the first film review that director Martin Scorsese ever received—for 1967’s I Call First—when both men were just embarking on their careers. Ebert had never been touched by a movie in quite the same way before, and this experience created a lasting bond that made him one of Scorsese’s most appreciative and perceptive commentators. Scorsese by Ebert offers the first record of America’s most respected film critic’s engagement with the works of America’s greatest living director. The book chronicles every single feature film in Scorsese’s considerable oeuvre, from his aforementioned debut to his 2008 release, the Rolling Stones documentary, Shine a Light.
Here Ebert puts Scorsese’s career in illuminating perspective, exploring the different phases of his development and the abiding themes (many of which reflect Scorsese’s Catholicism) that give his work such complexity and depth. All of Ebert’s incisive reviews of Scorsese’s individual films are here, of course, but there is much more. In the course of eleven interviews done over almost forty years, the book includes Scorsese’s own insights on both his accomplishments and disappointments. One of these interviews, the single longest ever conducted with Scorsese, appears here for the first time. Ebert has also written and included six new reconsiderations of the director’s less commented upon films, as well as a substantial introduction that provides a framework for understanding both Scorsese and his profound impact on American cinema.
As Scorsese himself notes in his foreword to this volume, history is the only critic that counts, but the dialogue from which its judgments arise begins with the kind of emotionally alert, historically informed, and intellectually honest writing that Ebert has collected here in this, the ideal pairing of filmmaker and critic.
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What kind of collection could possibly find common ground among The Son of Kong, Platoon, and Pink Flamingos? What kind of fevered minds could conceive of such a list? What are the unheard-of qualities that tie them all together?The answers: This book. The National Society of Film Critics. And the far-reaching enticements of the B movie itself.
Once the B movie was the Hollywood stepchild, the underbelly of the double feature. Today it is a more inclusive category, embracing films that fall outside the mainstream by dint of their budgets, their visions, their grit, and occasionally—sometimes essentially—their lack of what the culture cops call “good taste.”
The films in The B List are offbeat, unpredictable, and decidedly idiosyncratic. And that’s why we love them.
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The first book to explore Stanley Kubrick's archives and the most comprehensive study of the filmmaker to date, divided into 2 parts.
Part 1: The films
In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: It s not a message I ever intended to convey in words. 2001 is a nonverbal experience.... I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the subconscious with an emotional and philosophic content. The philosophy behind Part 1 borrows from this line of thinking: from the opening sequence of Killer s Kiss to the final frames of Eyes Wide Shut, Kubrick s complete films will be presented chronologically and wordlessly via frame enlargements. A completely nonverbal experience.
Part 2: The Creative Process
Divided into chapters chronologically by film, Part 2 brings to life the creative process of Kubrick s filmmaking by presenting a remarkable collection of material from his archives, including photographs, props, posters, artwork, set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules. Accompanying the visual material are essays by noted Kubrick scholars, articles written by and about Kubrick, and a selection of Kubrick s best interviews.
Special features
Part 1 features 800 film stills scanned directly from the original prints and interpositives
Part 2 presents about 800 items from the archives, most of which have never been published before
essays by Kubrick scholars Gene D. Phillips, Michel Ciment, and Rodney Hill
selected articles and essays, including interviews with and essays by Stanley Kubrick
illustrated Kubrick chronology
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An out-of-print collector's item since 1986, the definitive account of the development of Disney animation explains what made Disney's style unique and features original sketches and drawings revealing the origins of Mickey and the rest. National ad/promo.
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This introduction to film appreciation uses both contemporary and classic movies to help students develop critical skills in the analysis and evaluation of film. By suggesting what to look for and how to look for it, the text challenges students to sharpen their powers of observation, establish habits of perceptive watching, and discover complex aspects of film art that will further enhance their enjoyment of watching films. In addition it makes the link from literature to film in chapters on Thematic Elements, Fictional and Dramatic Elements and a unique chapter on Adaptions.
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Lana Turner was the ultimate personification of the term “movie star.” The actress and world-class beauty lived the glamorous life to the hilt, and was part of one of the most notorious scandals in Hollywood history. Lana’s daughter, Cheryl Crane, now tells her mother’s story for the first time, featuring hundreds of never-before-seen photos from her private family collection.Lana: The Memories, the Myths, the Movies will chronicle her life and 50-year career, starting with the Cinderella story of a girl discovered at a soda shop at age fifteen and made a star overnight. From blonde bombshell to box-office queen of the ’40s, Lana led a whirlwind life marked by seven marriages and a murder trial that made her and her daughter infamous.
While Lana’s private adventures inspired the press, her talent and provocative presence shone on the silver screen. Her films The Postman Always Rings Twice, The Bad and the Beautiful, and Imitation of Life are extensively covered as part of a complete filmography. And from chapters on her lovers to her makeup tips, Lana will show the complete spectrum of the woman, at work and at play. The gorgeous photographs throughout showcase not only the stunning glamour of one of Hollywood’s classic celebrities, but also reveal her other facets: as a mother, a wife, an adventurer, and above all, a woman with a zest for life.
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URGENT!
JUST RELEASED:
THE LOST JOURNAL OF INDIANA JONES™The Federal Security Service of the Russian Federation is pleased to release one of its most prized holdings, the heretofore "lost" journal of Dr. Henry "Indiana" Jones, Jr., which was obscured within the KGB's collection for years before passing into the Russian Federation's possession. From Jones's notes on his youthful encounters with the likes of Lawrence of Arabia and Teddy Roosevelt, through his adulthood adventures with the Thuggee Cult, the Nazis, and the Kingdom of the Crystal Skull, this journal covers nearly fifty years in his life, spanning from 1908 to 1957. Dr. Jones's snapshots, sketches, press clippings, and entries recording his personal thoughts are all revealed in this volume, giving new insight into one of the most enigmatic adventurers of the twentieth century.
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An epic account of how the revolution hit Hollywood, told through the stories of the five films nominated for the 1967 Academy Awards
The year is 1963. The studios are churning out westerns, war movies, prudish sex comedies and overblown historical epics, but audiences whose interests have been piqued by an influx of innovative films from abroad are hungering for something more, something new. At Esquire, two young writers hatch a plan to create a movie treatment that they hope will attract the director Franois Truffaut: the story of the gangsters Bonnie Parker and Clyde Barrow. Mike Nichols, an improvisatory comedian turned neophyte theater director, gets his hands on an obscure first novel called The Graduate and wonders if he's ready to make the jump to Hollywood. Warren Beatty, just 26 years old and struggling through a series of flops after the success of Splendor in the Grass, decides to take his career into his own hands, but can't seem to settle on his next move. Dustin Hoffman, sleeping on friends' floors and scrounging for temp work in New York, struggles just to get an off-Broadway audition. Sidney Poitier, after two dozen movies, still yearns for something that seems completely unattainable: a good role. And 20th Century Fox, on the brink of financial catastrophe, puts all its hopes in a genre-the family musical-that will revitalize the company and then nearly destroy it again.
Pictures at a Revolution tracks five movies-the milestones Bonnie and Clyde and The Graduate, the popular hits Guess Who's Coming To Dinner and In the Heat of the Night, and the big-budget disaster Doctor Dolittle-on their five-year journey to Oscar night in the spring of 1968. It follows their fortunes through the last days of the studio system and the first sparks of a cultural upheaval that would launch maverick new stars and directors, topple more than one industry titan from his pedestal, and redefine what American movies could be. In 1967, moviegoers witnessed the arrival of taboo-shattering sex and violence on screen, the debuts of Dustin Hoffman and Faye Dunaway, the return of Katharine Hepburn and the poignant farewell of Spencer Tracy, the audacious risks taken by Warren Beatty, Arthur Penn, Mike Nichols and Norman Jewison, and Hollywood's agonized attempt to grapple with an incendiary moment in American race relations, with results that would change Sidney Poitier's career forever.
By tracing the gambles, the stumbles, the clashes and the creative partnerships that produced these films, Mark Harris captures both the twilight of old Hollywood and the dawn of a new golden age in studio filmmaking. Based on unprecedented access to the actors, directors, screenwriters, producers and executives whose movies defined the era, as well a wealth of previously unexplored archival material, Pictures at a Revolution is an utterly original, revealing, and entertaining history of a true cultural watershed.
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Designed to help movie watchers analyze films with precision and technical sophistication, this book focuses on formalism—how the forms of the film (e.g., camera work, editing, photography, etc.) create meaning. It sheds light on how television and movies communicate, and the complex network of language systems they use. Chapter topics cover recent developments from all aspects of cinema, contemporary films, personalities in the field, photography, movement, editing, sound, acting, drama, story writing, and theory. For movie critics and fans alike.
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Art Linson's riotous journey through the making of five major motion pictures.
Whether he's trying to persuade an executive that Gwyneth Paltrow has enough chin to carry the lead in a movie, forcing an enraged Alec Baldwin to shave off his mountain-man beard, or sitting through an excruciating reading of a David Mamet script as Bob de Niro toys with the notion of heading up the cast, Art Linson gives us a brutally honest, funny, and comprehensive tour through the horrors of Hollywood, from script to screen.
In What Just Happened? we get to explore, at close range, finicky directors, clueless executives, shameless marketers, famous actors, battered screenwriters, and hapless producers crossing paths in such calamitous ways that it's a miracle these films get made at all. Linson is the ideal guide through this heavily land-mined, high-stakes industry, pausing for a moment here or there to explain some aspect or pitfall of the business, to wax nostalgic about film days past, or to serve up a compelling inside Hollywood tale of woe. Whether you love the movies or not, you won't be able to resist the stories behind them.
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In this expanded analysis of Macbeth in performance, Bernice W. Kliman examines a number of major productions of the play on stage and screen, inviting the reader to contemplate and compare directors' and actors' choices for what is arguably Shakespeare's most compelling play. Kliman's in-depth analysis of Orson Welles's 1948 film version as well as his earlier stage production, Roman Polanski's famous film, and several different television versions from America and Britain offers an invaluable guide to the most prominent performances across a range of media. She also considers Yukio Ninagawa's staging, which provides an exciting and novel Japanese perspective on the play for Western audiences.
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After six wildly successful and critically acclaimed season, HBO's Sex and the City lowered its curtain with an extraordinary finale befitting its remarkable run. Now Sex and the City, the first true comedy about sex and love from a female point of view (and the show that made cosmopolitans and designer shoes part of every single woman's night out), lives on in this luscious, uniquely entertaining, and one-of-a-kind book.Sex and the City: Kiss and Tell, the official companion book, celebrates the show with behind-the-scenes stories on all six seasons and original interview with each of the primary actors. Ever wonder which designer made that outrageous outfit of Carrie's? What real-life stories inspired those shocking episodes? How many dates the fabulous foursome have really been on? Packed with over 750 full-color photographs, this stunning volume will answer all these questions and more with information not available anywhere eels. Topped off with a introduction by Sarah Jessica Parker, Sex and the City: Kiss and Tell will excite anyone who has experienced even the slightest flirtation with the sexiest, funniest show on television.
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Okay, so at least you're interested enough to pick up this book and look inside. I think you and I are going to get along just fine. Life is full of choices. Right now, yours is whether or not to buy the autobiography of a mid-grade, kind of hammy actor. Am I supposed to know this guy? you think to yourself.No, and that's exactly the point. Bookstores are chock full of household name actors and their high stakes shenanigans. I don't want to be a spoilsport, but we've all been down that road before. Case in point: look to your left - see that Judy Garland book? You don't need that, you know plenty about her already - great voice, crappy life. Now look to your right at the Charlton Heston book. You don't need to cough up hard-earned dough for that either. You know his story too - great voice, crappy toupee. The truth is that though you might not have a clue who I am, there are countless working stiffs like me out there, grinding away every day at the wheel of fortune.If Chins Could Kill: Confessions of a B Movie Actor is my first book, and I invite you to ride with me through the choppy waters of blue collar Hollywood. Okay, so buy the damned book already and read like the wind!Best,Bruce CampbellP.S. If the book sucks, at least there are gobs of pictures, and they're not crammed in the middle like all those other actor books.