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Books : Entertainment : Movies : Reference
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The New York Times bestselling movie guide from a household name in film criticism
Consulted more frequently than ever in this era of Netflix as the resource, Leonard Maltin’s New York Times bestselling film guide remains the most complete, most reliable, and most authoritative resource for movie reviews. Including nearly 17,000 films, the 2009 edition features more than 300 new entries, a completely updated index of leading actors and directors, and Leonard’s personal favorite films.
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2008 Edition The authoritative guide to funding, preparing, shooting, lighting, editing, finishing and distributing your film or video
Widely acknowledged as the “bible” of film and video production and used in courses around the world, this indispensable guide to making movies is now updated with the latest advances in high- definition formats. For students and teachers, the professional and the novice filmmaker, this clear and comprehensive handbook remains the reliable reference to all aspects of moviemaking.
• Techniques for making narrative, documentary, corporate, experimental and feature films.
• Working with high-definition and standard-definition digital video formats, including DV, HD, and HDV.
• Extensive coverage of video editing with the latest nonlinear editing systems.
• Thorough grounding in lenses, lighting, sound recording, and sound editing.
• The business aspects of financing and producing movies.
Written by filmmakers for filmmakers, this book will give you the skills you need to take your dreams from script to screen.
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This seminal book explains the nuts and bolts of the legal and business aspects of independent film productions. Contracts, distribution and financing are explained in down-to-earth language. Basic contracts and other forms used in the industry are included.
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Designed to help movie watchers analyze films with precision and technical sophistication, this book focuses on formalism—how the forms of the film (e.g., camera work, editing, photography, etc.) create meaning. It sheds light on how television and movies communicate, and the complex network of language systems they use. Chapter topics cover recent developments from all aspects of cinema, contemporary films, personalities in the field, photography, movement, editing, sound, acting, drama, story writing, and theory. For movie critics and fans alike.
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Perhaps best known for his classic movie lines, such as Fill your hands, you sons-a-bitches from True Grit, the late actor John Wayne often displayed a spontaneous and biting wit away from the screen as well. This gem of inspiration contains Wayne anecdotes on God and country, the old West, friends and family, acting, and quotes from others about John Wayne the actor, and John Wayne the man.
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For almost thirty years, David Thomson’s Biographical Dictionary of Film has been not merely “the finest reference book ever written about movies” (Graham Fuller, Interview), not merely the “desert island book” of art critic David Sylvester, not merely “a great, crazy masterpiece” (Geoff Dyer, The Guardian), but also “fiendishly seductive” (Greil Marcus, Rolling Stone).
This new edition updates the older entries and adds 30 new ones: Darren Aronofsky, Emmanuelle Beart, Jerry Bruckheimer, Larry Clark, Jennifer Connelly, Chris Cooper, Sofia Coppola, Alfonso Cuaron, Richard Curtis, Sir Richard Eyre, Sir Michael Gambon, Christopher Guest, Alejandro Gonzalez Inarritu, Spike Jonze, Wong Kar-Wai, Laura Linney, Tobey Maguire, Michael Moore, Samantha Morton, Mike Myers, Christopher Nolan, Dennis Price, Adam Sandler, Kevin Smith, Kiefer Sutherland, Charlize Theron, Larry Wachowski and Andy Wachowski, Lew Wasserman, Naomi Watts, and Ray Winstone.
In all, the book includes more than 1300 entries, some of them just a pungent paragraph, some of them several thousand words long. In addition to the new “musts,” Thomson has added key figures from film history–lively anatomies of Graham Greene, Eddie Cantor, Pauline Kael, Abbott and Costello, Noël Coward, Hoagy Carmichael, Dorothy Gish, Rin Tin Tin, and more.
Here is a great, rare book, one that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own. Time Out named it one of the ten best books of the 1990s. Gavin Lambert recognized it as “a work of imagination in its own right.” Now better than ever–a masterwork by the man playwright David Hare called “the most stimulating and thoughtful film critic now writing.”
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Created in full collaboration with Eon Productions, producers of the Bond movies, this illustrated celebration of the world's most famous super-spy examines every aspect of 007's world, with information on his history, style, and tastes, along with A-Z guides to his adversaries, allies, gadgets, cars, and, of course, the ever-glamorous Bond girls. AUTHOR BIO: John Cork and Colin Stutz authorities on every aspect of the James Bond story, wrote the acclaimed book on the James Bond phenomenon, James Bond: The Legacy, have produced, written and directed 30 special feature documentaries for MGM's DVD releases of James Bond films, and contributed to The Ultimate James Bond: An Interactive Dossier CD-Rom for MGM Interactive.
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• Insider author gives no-nonsense advice
• Required reading for film students, educators, anyone interested in filmFrom script analysis to post production, here is the all-inclusive guide to directing for film and television. Written by noted director-producer Myrl Schreibman, The Film Director Prepares offers practical insights on filmmaking, using real-life examples directors won’t learn in school. With topics including working with actors, using the camera to tell a story, setting mood, staging, maintaining performance levels, covering shots, and directing for different mediums, The Film Director Prepares will leave new directors truly prepared for their careers.
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Ephraim Katz's The Film Encyclopedia is the most comprehensive single-volume encyclopedia on film and is considered the undisputed bible of the film industry. Completely revised and updated, this sixth edition features more than 7,500 A-Z entries on the artistic, technical, and commercial aspects of moviemaking, including:
- Directors, producers, actors, screenwriters, and cinematographers
- Styles, genres, and schools of filmmaking
- Motion picture studios and film centers
- Film-related organizations and events
- Industry jargon and technical terms
- Inventions, inventors, and equipment
- And much more!
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A master actor who's appeared in an enormous number of films, starring with everyone from Nicholson to Kermit the Frog, Michael Caine is uniquely qualified to provide his view of making movies. This new revised and expanded edition features great photos throughout, with chapters on: Preparation, In Front of the Camera - Before You Shoot, The Take, Characters, Directors, On Being a Star, and much more. "Remarkable material ... A treasure ... I'm not going to be looking at performances quite the same way ... FASCINATING!" - Gene Siskel
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Brought up to date with an expanded range of selections, extended historical coverage, and a dedicated pluralistic commitment, the third edition of this highly popular text on film aesthetics features major additions of contemporary topics in film theory--including psychoanalytic, feminist, and Marxist approaches--and new essays on television, horror films, and experimental movie making.
Of the 53 selections, 13 are new. The section "Kinds of Film" has been retitled "Film Genres" and concentrates exclusively on the distinctions within a single type of film: classical Hollywood narrative cinema. The final section, now called "Film: Psychology, Society, and Ideology" is substantially revised to take into account film's relationship to its consumers: how films shape or reflect cultural attitudes, reinforce or reject dominant modes of cultural thinking, and stimulate or frustrate people's needs and drives. Throughout the book chapter introductions have been rewritten to reflect today's concerns.
Current and comprehensive, the book that The Journal of Aesthetics and Art Criticism called "the best collection available on the disparate comments in the fields of film theory and criticism" is now even better.
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From the producers of the acclaimed Dressing a Galaxy: The Costumes of Star Wars comes an inside look at the secrets behind the saga’s artful models and sculptures. Lorne Peterson, model and sculpture designer for the entire Star Wars saga, takes us on a journey through the intricate process of crafting and sculpting the models from sketch to screen and the artistry behind the dazzling results.
Sculpting a Galaxy: Inside the Star Wars Model Shop features more than 300 full-color photographs and illustrations from the Lucasfilm archives, models from all six films, interviews, images and text with concept sculptors, an overview of the ILM model shop from 1976 through today and numerous gatefolds of the most loved models.
ILM virtually redefined visual effects and blazed a trail into the digital realm, follow behind the camera and into the rarely seen workshops and an amazing look at the creation of movie magic. Sculpting a Galaxy: Inside the Star Wars Modelshop takes readers behind-the-scenes for the first in-depth look at these amazing models and the process behind their creation, punctuated by Lorne Peterson’s exuberance and dedication to craft.
This unique visual treat is a must-have for any Star Wars fan.
Limited Edition features: a tipped in vellum sheet for number and signature, 5 gatefolds, 4 bound-in postcard sheets, a bound-in 12 page booklet describing the "white" model process, an accordian foldout containing all cut-outs of the ships, a bound-in Model Shop booklet detailing the model shop evolution, and a gatefold of "The Family Tree" of all the modelmakers involved in the 30 year process of creating the Star Wars legacy. Also included in the clamshell box: a “make your own” Millennium Falcon model kit that features as the front of the clamshell, DVD of model shop documentaries, a 32 page book showcasing all of the computer graphics surrounding the models and the special effects of the films, an 8 page booklet that will serve as a guide to all the model pieces included in the limited edition including a certificate of authenticity, AND a Landspeeder Model with detachable rear fin - the reproduction based on the original cast and painting by Peterson - with four seats for figures of Luke Skywalker, R2-D2, C-3PO, and Obi-Wan Kenobi.
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Aside from referencing over 130 entries from Kay Francis' personal diaries, I Can't Wait To Be Forgotten pays tribute to Kay's compassionate nature, her concern for others, her great contributions on behalf of those serving in the armed forces during World War II, and the financial legacy she contributed to The Seeing Eye. Kay felt that being of some service to others was far more important than focusing totally on promoting herself and a film career. Readers will be surprised to learn about the "real" Kay Francis in retirement. Her godsons paint a portrait of a woman who lived in the moment, and generated a great deal of loving warmth. Many rare, unpublished photos from Kay's youth and retirement years are featured in her biography. Interviews from co-workers, friends and children of her "ex's" complete the picture of one of Hollywood's most glamorous and intriguing stars.
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The Hollywood Creative Directory is the authoritative, easy-to-use source for finding entertainment professionals. It’s like a gigantic Hollywood phone book, packed with names, numbers, addresses, and current titles of executives from film and television. Studios, production companies, television networks, and cable channels are listed with their preferred genres, selected credits, projects in development, and deals. A separate section contains the network, primetime, and major cable TV shows currently in production, along with staff and contact information. Comprehensive and up-to-the-minute (it’s published three times a year), the directory is used by studios, directors, producers, writers, actors, aspiring filmmakers, students, college and university libraries, researchers--everyone who wants to make it in Hollywood. Let Hollywood Creative Directory be your guide to getting your foot in the door!
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From Quentin Tarantino (Kill Bill) to Eli Roth (Hostel), the young guns of modern Hollywood just can't get enough of that exploitation film high. That's because, between 1970 and 1985, American Exploitation movies went berserk. With censorship relaxed, and the gate to excess wide open, horror - the Exploitation genre par excellence - offered a vibrant alternative to the mainstream of American cinema. Luridly titled wonders like The Headless Eyes, Scream Bloody Murder and Hitch Hike to Hell were everywhere, from the drive-ins of Texas to the grindhouses of New York, touting a combination of mind-bruising violence, weird sex and drug-soaked delirium. Massively popular around the world, American exploitation movies added immensely to the richness of the nation's cinema, but they have remained persona non grata in most serious studies of American film. Until now... Built on five years of research, Nightmare USA explores the development of America's subterranean horror film industry, spotlighting some of the wildest films imaginable from an era unchecked by censorship or 'good taste.' Ranging from cult favourites like I Drink Your Blood to stylish mind-benders like Messiah of Evil and ultra-violent shockers like Don't Go in the House, Nightmare USA goes where no other in-depth study has gone before, revealing the fascinating true stories behind classics and obscurities alike. Stephen Thrower, author of Beyond Terror, the definitive book on Italian gore maestro Lucio Fulci, has explored the attics and cellars of American cinema, delved beneath the floorboards, peered between the walls, searching for the strangest, most exotic cine-lifeforms... Nightmare USA is the reader's guide to what lies beyond the mainstream of American horror, dispelling the shadows to meet the men and women behind fifteen years of screen terror: the Exploitation Independents! This massive overview of the Horror genre's development through the 1970s and 1980s features: -- In-depth EXCLUSIVE interviews with twenty-five grindhouse movie makers, many of whom are discussing their work for the first time ever in print. -- Over 175 individual films reviewed, with full cast and crew credits compiled by world-renowned cinema archivist Julian Grainger. -- Vast quantities of previously unpublished stills, posters, press-books, plus behind-the-scenes photographs from the filmmakers' own collections.
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A New York Times bestseller for the last three years in a row, Leonard Maltin’s comprehensive film guide remains the biggest, best, and most authoritative in the field. The 2008 edition features more than 300 new entries, a completely updated index of leading actors and directors, Leonard’s personal list of “Fifty More Films You May Have Missed,” and sources for buying and renting DVDs.